Thomas Wolfe, page 87
The delicate and subtle air of spring touches all these odors with a new and delicious vitality; it draws the tar out of the pavements also, and it draws slowly, subtly, from ancient warehouses, the compacted perfumes of eighty years: the sweet thin piney scents of packing-boxes, the glutinous composts of half a century, that have thickly stained old warehouse plankings, the smells of twine, tar, turpentine and hemp, and of thick molasses, ginseng, pungent vines and roots and old piled sacking; the clean, ground strength of fresh coffee, brown, sultry, pungent, and exultantly fresh and clean; the smell of oats, baled hay and bran, of crated eggs and cheese and butter; and particularly the smell of meat, of frozen beeves, slick porks, and veals, of brains and livers and kidneys, of haunch, paunch, and jowl; of meat that is raw and of meat that is cooked, for upstairs in that richly dingy block of buildings there is a room where the butchers, side by side with the bakers, the bankers, the brokers and the Harvard boys, devour thick steaks of the best and tenderest meat, smoking-hot breads, and big, jacketed potatoes.
And then there is always the sea. In dingy blocks, memoried with time and money, the buildings stretch down to the docks, and there is always the feeling that the sea was here, that this is built-on earth. A single truck will rattle over the deserted stones, and then there is the street that runs along the harbor, the dingy little clothing shops and eating places, the powerful strings of freight cars, agape and empty, odorous with their warm fatigued planking and the smells of flanges and axles that have rolled great distances.
And finally, by the edges of the water, there are great piers and storehouses, calm and potent with their finished work: they lie there, immense, starkly ugly, yet touched with the powerful beauty of enormous works and movements; they are what they are, they have been built without a flourish for the work they do, their great sides rise in level cliffs of brick, they are pierced with tracks and can engulf great trains; and now that the day is done they breathe with the vitality of a tired but living creature. A single footfall will make remote and lonely echoes in their brooding depths, there will be the expiring clatter of a single truck, the sound of a worker’s voice as he says “Good-night,” and then the potent and magical silence.
And then there is the sea—the sea, beautiful and mysterious as it is only when it meets the earth in harbors, the sea that bears in swell and glut of tides the odorous savor of the earth, the sea that swings and slaps against encrusted piles, the sea that is braided with long ropes of scummy weed, the sea that brings the mast and marly scent of shelled decay. There is the sea, and there are the great ships—the freighters, the fishing schooners, the clean white one-night boats that make the New York run, now also potent and silent, a glitter of bright lights, of gleaming brasses, of opulent saloons—a token of joy and splendor in dark waters, a hint of love and the velvet belly upon dark tides—and the sight of all these things, the fusion of all these odors by the sprite of May is freighted with unspeakable memories, with unutterable intuitions for the youth: he does not know what he would utter, but glory, love, power, wealth, flight, and movement and the sight of new earth in the morning, and the living corporeal fulfilment of all his ecstasy is in his wish and his conviction.
Certainly, these things can be found in New England, but perhaps the person who finds this buried joy the most is this lonely visitor—and particularly the boy from the South, for in the heart of the Southerner alone, perhaps, is this true and secret knowledge of the North: it is there in his dreams and his childhood premonition, it is there like the dark Helen, and no matter what he sees to cheat it, he will always believe in it, he will always return to it. Certainly, this was true of the gnarled and miserly old man who now sat not far from all this glory in his dingy State Street office, for Bascom Pentland, although the stranger on seeing him might have said, “There goes the very image of a hard-bitten old Down-Easter,” had come, as lonely and wretched a youth as ever lived, from the earth of Old Catawba, he had known and felt these things and, in spite of his frequent bitter attacks on the people, the climate, the life, New England was the place to which he had returned to live, and for which he felt the most affection.
Now, ruminant and lost, he stared across the archway of his hands. In a moment, with what was only an apparent irrelevance, with what was really a part of the coherent past, a light plucked from dark adyts of the brain, he said: “Who knoweth the spirit of man that goeth upward, and the spirit of the beast that goeth downward to the earth?”
He was silent and thoughtful for a moment; then he added sadly: “I am an old man. I have lived a long time. I have seen so many things. Sometimes everything seems so long ago.”
Then his eye went back into the wilderness, the lost earth, the buried men.
Presently he said, “I hope you will come out on Sunday. O, by all means! By all means! I believe your aunt is expecting you. Yes, sir, I believe she said something to that effect. Or perhaps she intends to pay a visit to one of her children. I do not know, I have not the remotest—not the faintest idea of what she proposes to do,” he howled. “Of course,” he said impatiently and scornfully, “I never have any notion what she has in mind. No, sir, I really could not tell you. I no longer pay any attention to what she says—O! not the slightest!” he waved his great hand through the air—“Say!” stiffly and harshly he tapped the boy’s knee, grinning at him with the combative glitter of his ptotic eye—“Say! did you ever find one of them with whom it was possible to carry on a coherent conversation? Did you ever find one of them who would respond to the processes of reason and ordered thought? My dear boy!” he cried, “you cannot talk to them. I assure you, you cannot talk to them. You might as well whistle into the wind or spit into the waters of the Nile, for all the good it will do you. In his youth man will bare the riches of his spirit to them, will exhaust the rich accumulations of his genius—his wisdom, his learning, his philosophy—in an effort to make them worthy of his companionship—and in the end, what does he always find? Why,” said Uncle Bascom bitterly, “that he has spent his powers in talking to an imbecile”—and he snarled vengefully through his nose. In a moment more, he contorted his face, and nasally whined in a grotesque and mincing parody of a woman’s voice, “O, I feel so sick! O, deary me, now! I think my time is coming on again! O, you don’t love me any mo-o-ore! O, I wish I was dead! O, I can’t get up today! O, I wish you’d bring me something nice from ta-own! O, if you loved me you’d buy me a new hat! O, I’ve got nothing to we-e-ar!” here his voice had an added snarl of bitterness—“I’m ashamed to go out on the street with all the other wim-men!”
Then he paused broodingly for a moment more, wheeled abruptly and tapped the boy on the knee again: “The proper study of mankind is—say!” he said with a horrible fixed grimace and in a kind of cunning whisper—“does the poet say—woman? I want to ask you: does he, now? Not on your life!” yelled Uncle Bascom. “The word is man, man, man! Nothing else but man!”
Again he was silent: then, with an accent of heavy sarcasm, he went on: “Your aunt likes music. You may have observed your aunt is fond of music——”
It was, in fact, the solace of her life: on a tiny gramophone which one of her daughters had given her, she played constantly the records of the great composers.
“—Your aunt is fond of music,” Bascom said deliberately. “Perhaps you may have thought—perhaps it seemed to you that she discovered it—perhaps you thought it was your aunt’s own patent and invention—but there you would be wrong! O yes! my boy!” he howled remotely. “You may have thought so, but you would be wrong—Say!” he turned slowly with a malevolent glint of interrogation, a controlled ironic power—“was the Fifth Symphony written by a woman? Was the object of your aunt’s worship, Richard Wagner, a female?” he snarled. “By no means! Where are their great works—their mighty symphonies, their great paintings, their epic poetry? Was it in a woman’s skull that the Critique of Pure Reason was conceived? Is the gigantic work upon the ceiling of the Sistine Chapel the product of a woman’s genius?—Say! did you ever hear of a lady by the name of William Shakespeare? Was it a female of that name who wrote King Lear? Are you familiar with the works of a nice young lady named John Milton? Or Fräulein Goethe, a sweet German girl?” he sneered. “Perhaps you have been edified by the writ-ings of Mademoiselle Voltaire or Miss Jonathan Swift? Phuh! Phuh! Phuh! Phuh! Phuh!”
He paused, stared deliberately across his hands, and in a moment repeated, slowly and distinctly: “The woman gave me of the tree and I did eat. Ah! that’s it! There, my boy, you have it! There, in a nut-shell, you have the work for which they are best fitted.” And he turned upon his nephew suddenly with a blaze of passion, his voice husky and tremulous from the stress of emotion. “The tempter! The Bringer of Forbidden Fruit! The devil’s ambassador! Since the beginning of time that has been their office—to madden the brain, to turn man’s spirit from its highest purposes, to corrupt, to seduce, and to destroy! To creep and crawl, to intrude into the lonely places of man’s heart and brain, to wind herself into the core of his most secret life as a worm eats its way into a healthy fruit—to do all this with the guile of a serpent, the cunning of a fox—that, my boy, is what she’s here for!—and she’ll never change!” And, lowering his voice to an ominous and foreboding whisper, he said mysteriously, “Beware! Beware! Do not be deceived!”
In a moment more he had resumed his tone and manner of calm deliberation and, with an air of irrelevance, somewhat grudgingly, as if throwing a bone to a dog, he said, “Your aunt, of course, was a woman of considerable mentality—considerable, that is, for a female. Of course, her mind is no longer what it used to be. I never talk to her any more,” he said indifferently. “I do not listen to her. I think she said something to me about your coming out on Sunday! But I do not know. No, sir, I could not tell you what her plans are. I have my own interests, and I suppose she has hers. Of course, she has her music. . . . Yes, sir, she always has her music,” he said indifferently and contemptuously, and, staring across the apex of his hands, he forgot her.
Yet, he had been young, and full of pain and madness. For a space he had known all the torments any lover ever knew. So much Louise had told her nephew, and so much Bascom had not troubled to deny. For bending toward the boy swiftly, fiercely, and abruptly, as if Bascom was not there, she whispered: “Oh, yes! he’s indifferent enough to me now—but there was a time, there was a time, I tell you!—when he was mad about me! The old fool!” she cackled suddenly and bitterly with a seeming irrelevance. Then bending forward suddenly with a resumption of her former brooding intensity, she whispered: “Yes! he was mad, mad, mad! Oh, he can’t deny it!” she cried. “He couldn’t keep his eyes off me for a minute! He went cwazy if any other man so much as looked at me!”
“Quite true, my dear! Quite true!” said Uncle Bascom without a trace of anger or denial in his voice, with one of his sudden and astonishing changes to a mood of tender and tranquil agreement. “Oh, yes,” he said again, staring reminiscently across the apex of his great folded hands, “it is all quite true—every word as she has spoken it—quite true, quite true. I had forgotten but it’s all quite true.” And he shook his gaunt head gently from side to side, turning his closed eyes downward, and snuffling gently, blindly, tenderly, with laughter, with a passive and indifferent memory.
For a year or two after his marriage, she had said, he had been maddened by a black insanity of jealousy. It descended on his spirit like a choking and pestilence-laden cloud, it entered his veins with blackened tongues of poison, it crept along the conduits of his blood, sweltered venomously in his heart, it soaked into the convolutions of his brain until his brain was fanged with hatred, soaked in poison, stricken, maddened, and unhinged. His gaunt figure wasted until he became the picture of skeletonized emaciation, jealousy and fear ate like a vulture at his entrails, all of the vital energy, the power and intensity of his life, was fed into this poisonous and consuming fire and then, when it had almost wrecked his health, ruined his career, and destroyed his reason, it left him as suddenly as it came: his life reverted to its ancient and imbedded core of egotism, he grew weary of his wife, he thought of her indifferently, he forgot her.
And she, poor soul, was like a rabbit trapped before the fierce yellow eye, the hypnotic stare of a crouching tiger. She did not know whether he would spring, strike forth his paw to maul her, or walk off indifferently. She was dazed and stricken before the violence of his first passion, the unreasoning madness of his jealousy, and in the years that followed she was bewildered, resentful, and finally embittered by the abrupt indifference which succeeded it—an indifference so great that often he seemed to forget her very existence for days at a time, to live with her in a little house as if he were scarcely conscious of her presence, stumping about the place in an intensity of self-absorption while he cursed and muttered to himself, banged open furnace doors, chopped up whatever combinations of raw foods his fantastic imagination might contrive, and answering her impatiently and contemptuously when she spoke to him: “What did you say-y? Oh, what are you talk-ing about?”—and he would stump away again, absorbed mysteriously with his own affairs. And sometimes, if he was the victim of conspiracy in the universe—if God had forsaken him and man had tricked and cheated him, he would roll upon the floor, hammer his heels against the wall, and howl his curses at oblivious heaven.
Louise, meanwhile, her children having left her, played Wagner on the gramophone, kept her small house tidy, and learned to carry on involved and animated conversations with herself, or even with her pots and pans, for when she scrubbed and cleaned them, she would talk to them: if she dropped one, she would scold it, pick it from the floor, spank it across the bottom, saying: “No, you don’t! Naughty, you bad thing, you!” And often, while he stumped through the house, these solitary conversations were interspersed by fits of laughter: she would bend double over her pots snuffling with soft laughter which was faintly broken at its climax, a long high “Who-o-op.” Then she would shake her head pityingly, and be off again, but at what she was laughing she could not have said.
One night, however, she interrupted one of Bascom’s stamping and howling tirades by putting on her tiny gramophone The Ride of the Valkyries, as recorded by the Philadelphia Symphony Orchestra. Bascom, after the first paralysis of his surprise had passed, rushed furiously toward the offending instrument that was providing such melodious but mighty competition. Then Bascom halted; for suddenly he noticed that Louise was standing beside the instrument, that she was snuffling through her nose with laughter, and that from time to time she looked craftily toward him, and broke into a high piercing cackle. Bascom also noticed that she held a large carving knife in her hand. With a loud yell he turned and fled toward his room, where he locked the door, crying out strongly in an agony of terror: “O Momma! Momma! Save me!”
All this had amused Louise enormously. She played the record over time after time, forever snuffling with laughter and the high cackle: “Who-oo-oo!” She bent double with it.
And now, as the boy looked at the old man, he had a sense of union with the past. It seemed to him if he would only speak, the living past, the voices of lost men, the pain, the pride, the madness and despair, the million scenes and faces of the buried life—all that an old man ever knew—would be revealed to him, would be delivered to him like a priceless treasure, as an inheritance which old men owed to young, and which should be the end and effort of all living. His savage hunger was a kind of memory: he thought if he could speak, it would be fed.
And for a moment, it seemed, he saw the visages of time, dark time, the million lock-bolts shot back in man’s memory, the faces of the lost Americans, and all the million casual moments of their lives, with Bascom blazing at them from a dozen pulpits, Bascom, tortured by love and madness, walking the streets of the nation, stumping the rutted roads, muttering through darkness with clasped bony hands, a gaunt and twisted figure reeling across the continent below immense and cruel skies. Light fell upon his face and darkness crossed it:—he came up from the wilderness, from derbied men and bustled women, from all of the memories of lavish brown, and from time, dark time—from a time that was further off than Saxon thanes, all of the knights, the spearheads, and the horses.
Was all this lost?
“It was so long ago,” the old man said.
Bitterly, bitterly Boston one time more: the flying leaf, the broken cloud. Was no love crying in the wilderness?
“—So long ago. I have lived so long. I have seen so much. I could tell you so many things,” his uncle said huskily, with weariness and indifference. His eye was lustreless and dead, he looked for a moment tired and old.
All at once, a strange and perplexing vision, which was to return many times in the years that followed, came to the boy. It was this: there was a company of old men and women at dinner, seated together around a table. All of them were very old, older than his uncle; the faces of the old men and women were fragile and delicate like old yellowed china, their faces were frail and sexless, they had begun to look alike. In their youth all these people had known one another. The men had drunk, fought, whored, hated one another, and loved the women. Some had been devoured by the sterile and corrupt fear and envy that young men know. In secret their lips were twisted, their faces livid, and their hearts bitter; their eyes glittered with a reptilian hatred of another man—they dreaded his success, and they exulted in his failure, laughing with a delirious joy when they heard or read of his hurt, defeat, or humiliation. They had been afraid to speak or confess what was in their hearts, they feared the mockery of their fellows; with one another their words were careful, picked, and disparaging. They gave the lie to passion and belief and they said what they knew was false. And yet along dark roads at night they had shouted out into the howling winds their great goat cries of joy, exultancy and power; they had smelled snow in thick brooding air at night, and they had watched it come, softly spitting at the window glass, numbing the footfalls of the earth with its soft silent fall, filling their hearts with a dark proud ecstasy, touching their entrails with impending prophecy. Each had a thousand dark desires and fantasies; each wanted wealth, power, fame and love; each saw himself as great, good and talented; each feared and hated rivals in business or in love—and in crowds they glared at one another with hard hostile eyes, they bristled up like crested cocks, they watched their women jealously, felt looks and glances through their shoulder-blades, and hated men with white spermatic necks, amorous hair, and faces proud and insolent with female conquest.
