Thomas wolfe, p.22

Thomas Wolfe, page 22

 

Thomas Wolfe
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  Spring lay abroad through all the garden of this world. Beyond the hills the land bayed out to other hills, to golden cities, to rich meadows, to deep forests, to the sea. Forever and forever.

  Beyond the hills were the mines of King Solomon, the toy republics of Central America, and little tinkling fountains in a court; beyond, the moonlit roofs of Bagdad, the little grated blinds of Samarkand, the moonlit camels of Bythinia, the Spanish ranch-house of the Triple Z, and J. B. Montgomery and his lovely daughter stepping from their private car upon a western track; and the castle-haunted crags of Graustark; the fortune-yielding casino of Monte Carlo; and the blue eternal Mediterranean, mother of empires. And instant wealth ticked out upon a tape, and the first stage of the Eiffel Tower where the restaurant was, and Frenchmen setting fire to their whiskers, and a farm in Devon, white cream, brown ale, the winter’s chimney merriment, and Lorna Doone; and the hanging gardens of Babylon, and supper in the sunset with the queens, and the slow slide of the barge upon the Nile, or the wise rich bodies of Egyptian women couched on moonlit balustrades, and the thunder of the chariots of great kings, and tomb-treasure sought at midnight, and the wine-rich chateau land of France, and calico warm legs in hay.

  Upon a field in Thrace Queen Helen lay, her lovely body dappled in the sun.

  Meanwhile, business had been fairly good. Eliza’s earning power the first few years at Dixieland had been injured by her illnesses. Now, however, she had recovered, and had paid off the last installment on the house. It was entirely hers. The property at this time was worth perhaps $12,000. In addition she had borrowed $3,500 on a twenty-year $5,000 life insurance policy that had only two years more to run, and had made extensive alterations: she had added a large sleeping-porch upstairs, tacked on two rooms, a bath, and a hallway on one side, and extended a hallway, adding three bedrooms, two baths, and a water-closet, on the other. Downstairs she had widened the veranda, put in a large sun-parlor under the sleeping-porch, knocked out the archway in the dining-room, which she prepared to use as a big bedroom in the slack season, scooped out a small pantry in which the family was to eat, and added a tiny room beside the kitchen for her own occupancy.

  The construction was after her own plans, and of the cheapest material: it never lost the smell of raw wood, cheap varnish, and flimsy rough plastering, but she had added eight or ten rooms at a cost of only $3,000. The year before she had banked almost $2,000—her bank account was almost $5,000. In addition, she owned jointly with Gant the shop on the Square, which had thirty feet of frontage, and was valued at $20,000, from which he got $65 a month in rent; $20 from Jannadeau, $25 from the McLean Plumbing Company in the basement, and $20 from the J. N. Gillespie Printing Co., which occupied all of the second story.

  There were, besides, three good building-lots on Merrion Avenue valued at $2,000 apiece, or at $5,500 for all three; the house on Woodson Street valued at $5,000; 110 acres of wooded mountainside with a farm-house, several hundred peach, apple and cherry trees, and a few acres of arable ground for which Gant received $120 a year in rent, and which they valued at $50 an acre, $5,500; two houses, one on Carter Street, and one on Duncan, rented to railway people, for which they received $25 a month apiece, and which they valued together at $4,500; forty-eight acres of land two miles above Biltburn, and four from Altamont, upon the important Reynoldsville Road, which they valued at $210 an acre, or $10,000; three houses in Niggertown—one on lower Valley Street, one on Beaumont Crescent, just below the negro Johnson’s big house, and one on Short Oak, valued at $600, $900, and $1,600 respectively, and drawing a room-rental of $8, $12, and $17 a month (total: $3,100 and $37 rental); two houses across the river, four miles away in West Altamont, valued at $2,750 and at $3,500, drawing a rental of $22 and $30 a month; three lots, lost in the growth of a rough hillside, a mile from the main highway through West Altamont, $500; and a house, unoccupied, object of Gantian anathema, on Lower Hatton Avenue, $4,500.

  In addition, Gant held 10 shares, which were already worth $200 each ($2,000), in the newly organized Fidelity Bank; his stock of stones, monuments, and fly-specked angels represented an investment of $2,700, although he could not have sold them outright for so much; and he had about $3,000 deposited in the Fidelity, the Merchants, and the Battery Hill banks.

  Thus, at the beginning of 1912, before the rapid and intensive development of Southern industry, and the consequent tripling of Altamont’s population, and before the multiplication of her land values, the wealth of Gant and Eliza amounted to about $100,000, the great bulk of which was solidly founded in juicy well chosen pieces of property of Eliza’s selection, yielding them a monthly rental of more than $200, which, added to their own earning capacities at the shop and Dixieland, gave them a combined yearly income of $8,000 or $10,000. Although Gant often cried out bitterly against his business and declared, when he was not attacking property, that he had never made even a bare living from his tombstones, he was rarely short of ready money: he usually had one or two small commissions from country people, and he always carried a well-filled purse, containing $150 or $200 in five- and ten-dollar bills, which he allowed Eugene to count out frequently, enjoying his son’s delight, and the feel of abundance.

  Eliza had suffered one or two losses in her investments, led astray by a strain of wild romanticism which destroyed for the moment her shrewd caution. She invested $1,200 in the Missouri Utopia of a colonizer, and received nothing for her money but a weekly copy of the man’s newspaper, several beautiful prospectuses of the look of things when finished, and a piece of clay sculpture, eight inches in height, showing Big Brother with his little sisters Jenny and Kate, the last with thumb in her mouth.

  “By God,” said Gant, who made savage fun of the proceeding, “she ought to have it on her nose.”

  And Ben sneered, jerking his head toward it, saying:

  “There’s her $1,200.”

  But Eliza was preparing to go on by herself. She saw that co-operation with Gant in the purchase of land was becoming more difficult each year. And with something like pain, something assuredly like hunger, she saw various rich plums fall into other hands or go unbought. She realized that in a very short time land values would soar beyond her present means. And she proposed to be on hand when the pie was cut.

  Across the street from Dixieland was the Brunswick, a well-built red brick house of twenty rooms. The marble facings had been done by Gant himself twenty years before, the hardwood floors and oak timbering by Will Pentland. It was an ugly gabled Victorian house, the marriage gift of a rich Northerner to his daughter, who died of tuberculosis.

  “Not a better built house in town,” said Gant.

  Nevertheless he refused to buy it with Eliza, and with an aching heart she saw it go to St. Greenberg, the rich junk-man, for $8,500. Within a year he had sold off five lots at the back, on the Yancy Street side, for $1,000 each, and was holding the house for $20,000.

  “We could have had our money back by now three times over,” Eliza fretted.

  She did not have enough money at the time for any important investment. She saved and she waited.

  Will Pentland’s fortune at this time was vaguely estimated at from $500,000 to $700,000. It was mainly in property, a great deal of which was situated—warehouses and buildings—near the passenger depot of the railway.

  Sometimes Altamont people, particularly the young men who loafed about Collister’s drug-store, and who spent long dreamy hours estimating the wealth of the native plutocracy, called Will Pentland a millionaire. At this time it was a distinction in American life to be a millionaire. There were only six or eight thousand. But Will Pentland wasn’t one. He was really worth only a half million.

  Mr. Goulderbilt was a millionaire. He was driven into town in a big Packard, but he got out and went along the streets like other men.

  One time Gant pointed him out to Eugene. He was about to enter a bank.

  “There he is,” whispered Gant. “Do you see him?”

  Eugene nodded, wagging his head mechanically. He was unable to speak. Mr. Goulderbilt was a small dapper man, with black hair, black clothes, and a black mustache. His hands and feet were small.

  “He’s got over $50,000,000,” said Gant. “You’d never think it to look at him, would you?”

  And Eugene dreamed of these money princes living in a princely fashion. He wanted to see them riding down a street in a crested coach around which rode a teetering guard of liveried outriders. He wanted their fingers to be heavily gemmed, their clothes trimmed with ermine, their women coroneted with flashing mosaics of amethyst, beryl, ruby, topaz, sapphire, opal, emerald, and wearing thick ropes of pearls. And he wanted to see them living in palaces of alabaster columns, eating in vast halls upon an immense creamy table from vessels of old silver—eating strange fabulous foods—swelling unctuous paps of a fat pregnant sow, oiled mushrooms, calvered salmon, jugged hare, the beards of barbels dressed with an exquisite and poignant sauce, carps’ tongues, dormice and camels’ heels, with spoons of amber headed with diamond and carbuncle, and cups of agate, studded with emeralds, hyacinths, and rubies—everything, in fact, for which Epicure Mammon wished.

  Eugene met only one millionaire whose performances in public satisfied him, and he, unhappily, was crazy. His name was Simon.

  Simon, when Eugene first saw him, was a man of almost fifty years. He had a strong, rather heavy figure of middling height, a lean brown face, with shadowy hollows across the cheeks, always closely shaven, but sometimes badly scarred by his gouging fingernails, and a long thin mouth that curved slightly downward, subtle, sensitive, lighting his whole face at times with blazing demoniac glee. He had straight abundant hair, heavily grayed, which he kept smartly brushed and flattened at the sides. His clothing was loose and well cut: he wore a dark coat above baggy gray flannels, silk shirt rayed with broad stripes, a collar to match, and a generous loosely knotted tie. His waistcoats were of a ruddy-brown chequered pattern. He had an appearance of great distinction.

  Simon and his two keepers first came to Dixieland when difficulties with several of the Altamont hotels forced them to look for private quarters. The men took two rooms and a sleeping-porch, and paid generously.

  “Why, pshaw!” said Eliza persuasively to Helen. “I don’t believe there’s a thing wrong with him. He’s as quiet and well-behaved as you please.”

  At this moment there was a piercing yell upstairs, followed by a long peal of diabolical laughter. Eugene bounded up and down the hall in his exultancy and delight, producing little squealing noises in his throat. Ben, scowling, with a quick flicker of his mouth, drew back his hard white hand swiftly as if to cuff his brother. Instead, he jerked his head sideways to Eliza, and said with a soft, scornful laugh: “By God, mama, I don’t see why you have to take them in. You’ve got enough of them in the family already.”

  “Mama, in heaven’s name—” Helen began furiously. At this moment Gant strode in out of the dusk, carrying a mottled package of pork chops, and muttering rhetorically to himself. There was another long peal of laughter above. He halted abruptly, startled, and lifted his head. Luke, listening attentively at the foot of the stairs, exploded in a loud boisterous guffaw, and the girl, her annoyance changing at once to angry amusement, walked toward her father’s inquiring face, and prodded him several times in the ribs.

  “Hey?” he said startled. “What is it?”

  “Miss Eliza’s got a crazy man upstairs,” she sniggered, enjoying his amazement.

  “Jesus God!” Gant yelled frantically, wetting his big thumb swiftly on his tongue, and glancing up toward his Maker with an attitude of exaggerated supplication in his small gray eyes and the thrust of his huge bladelike nose. Then, letting his arms slap heavily at his sides, in a gesture of defeat, he began to walk rapidly back and forth, clucking his deprecation loudly. Eliza stood solidly, looking from one to another, her lips working rapidly, her white face hurt and bitter.

  There was another long howl of mirth above. Gant paused, caught Helen’s eye, and began to grin suddenly in an unwilling sheepish manner.

  “God have mercy on us,” he chuckled. “She’ll have the place filled with all of Barnum’s freaks the next thing you know.”

  At this moment, Simon, self-contained, distinguished and grave in his manner, descended the steps with Mr. Gilroy and Mr. Flannagan, his companions. The two guards were red in the face, and breathed stertorously as if from some recent exertion. Simon, however, preserved his habitual appearance of immaculate and well-washed urbanity.

  “Good evening,” he remarked suavely. “I hope I have not kept you waiting long.” He caught sight of Eugene.

  “Come here, my boy,” he said very kindly.

  “It’s all right,” remarked Mr. Gilroy, encouragingly. “He wouldn’t hurt a fly.”

  Eugene moved into the presence.

  “And what is your name, young man?” said Simon with his beautiful devil’s smile.

  “Eugene.”

  “That’s a very fine name,” said Simon. “Always try to live up to it.” He thrust his hand carelessly and magnificently into his coat pocket, drawing out under the boy’s astonished eyes, a handful of shining five and ten-cent pieces.

  “Always be good to the birds, my boy,” said Simon, and he poured the money into Eugene’s cupped hands.

  Every one looked doubtfully at Mr. Gilroy.

  “Oh, that’s all right!” said Mr. Gilroy cheerfully. “He’ll never miss it. There’s lots more where that came from.”

  “He’s a mul-tye-millionaire,” Mr. Flannagan explained proudly. “We give him four or five dollars in small change every morning just to throw away.”

  Simon caught sight of Gant for the first time.

  “Look out for the Stingaree,” he cried. “Remember the Maine.”

  “I tell you what,” said Eliza laughing. “He’s not so crazy as you think.”

  “That’s right,” said Mr. Gilroy, noting Gant’s grin. “The Stingaree’s a fish. They have them in Florida.”

  “Don’t forget the birds, my friends,” said Simon, going out with his companions. “Be good to the birds.”

  They became very fond of him. Somehow he fitted into the pattern of their life. None of them was uncomfortable in the presence of madness. In the flowering darkness of Spring, prisoned in a room, his satanic laughter burst suddenly out: Eugene listened, thrilled, and slept, unable to forget the smile of dark flowering evil, the loose pocket chinking heavily with coins.

  Night, the myriad rustle of tiny wings. Heard lapping water of the inland seas.

  —And the air will be filled with warm-throated plum-dropping bird-notes. He was almost twelve. He was done with childhood. As that Spring ripened he felt entirely, for the first time, the full delight of loneliness. Sheeted in his thin nightgown, he stood in darkness by the orchard window of the back room at Gant’s, drinking the sweet air down, exulting in his isolation in darkness, hearing the strange wail of the whistle going west.

  The prison walls of self had closed entirely round him; he was walled completely by the esymplastic power of his imagination—he had learned by now to project mechanically, before the world, an acceptable counterfeit of himself which would protect him from intrusion. He no longer went through the torment of the recess flight and pursuit. He was now in one of the upper grades of grammar school, he was one of the Big Boys. His hair had been cut when he was nine years old, after a bitter seige against Eliza’s obstinacy. He no longer suffered because of the curls. But he had grown like a weed, he already topped his mother by an inch or two; his body was big-boned but very thin and fragile, with no meat on it; his legs were absurdly long, thin, and straight, giving him a curious scissored look as he walked with long bounding strides.

  Stuck on a thin undeveloped neck beneath a big wide-browed head covered thickly by curling hair which had changed, since his infancy, from a light maple to dark brown-black, was a face so small, and so delicately sculptured, that it seemed not to belong to its body. The strangeness, the remote quality of this face was enhanced by its brooding fabulous concentration, by its passionate dark intensity, across which every splinter of thought or sensation flashed like a streak of light across a pool. The mouth was full, sensual, extraordinarily mobile, the lower lip deeply scooped and pouting. His rapt dreaming intensity set the face usually in an expression of almost sullen contemplation; he smiled, oftener than he laughed, inwardly, at some extravagant invention, or some recollection of the absurd, now fully appreciated for the first time. He did not open his lips to smile—there was a swift twisted flicker across his mouth. His thick heavily arched eyebrows grew straight across the base of his nose.

  That Spring he was more alone than ever. Eliza’s departure for Dixieland three or four years before, and the disruption of established life at Gant’s, had begun the loosening of his first friendships with the neighborhood boys, Harry Tarkinton, Max Isaacs, and the others, and had now almost completely severed them. Occasionally he saw these boys again, occasionally he resumed again, at sporadic intervals, his association with them, but he now had no steady companionship, he had only a series of associations with children whose parents stayed for a time at Dixieland, with Tim O’Doyle, whose mother ran the Brunswick, with children here and there who briefly held his interest.

  But he became passionately bored with them, plunged into a miasmic swamp of weariness and horror, after a time, because of the dullness and ugliness of their lives, their minds, their amusements. Dull people filled him with terror: he was never so much frightened by tedium in his own life as in the lives of others—his early distaste for Pett Pentland and her grim rusty aunts came from submerged memories of the old house on Central Avenue, the smell of mellow apples and medicine in the hot room, the swooping howl of the wind outside, and the endless monotone of their conversation on disease, death, and misery. He was filled with terror and anger against them because they were able to live, to thrive, in this horrible depression that sickened him.

 

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