One Thousand and One Nights, page 1122
This story has been imported into the “History of the Seven Wise Masters of Rome,” the European form of the Book of Sindibßd, where the prince discovers to his father the paramour of his step-mother, the empress, in the person of a young man disguised as one of her maid-servants, and its presence in the work is quite inconsistent with the lady’s violent lust after the young prince. There is a similar tale in the Hebrew version, “MishlÚ Sandabar,” but the disguised youth is not detected. Vatsyayana, in his “Kßma Sutra” (or Aphorisms of Love), speaks of it as a common practice in India thus to smuggle men into the women’s apartments in female attire. In the Introduction to the “Kathß Sarit Sßgara,” Vararuchi relates how King Yogananda saw his queen leaning out of a window and asking questions of a Bßhman guest that was looking up. That trivial circumstance threw the king into a passion, and he gave orders that the Brßhman should be put to death) for jealousy interferes with discernment. Then as that Brßhman was being led off to the place of execution in order that he should be put to death, a fish in the market laughed aloud, though it was dead. The king hearing it immediately prohibited for the present the execution of the Brßhman, and asked Vararuchi the reason why the fish laughed. He desired time to think over the matter and learned from the conversation of a rßkshasÝ with her children that the fish said to himself, “All the king’s wives are dissolute, for in every part of his harem there are men dressed up as women, and nevertheless while those escape, an innocent Brahmßn is to be put to death;” and this tickled the fish so that he laughed. Mr. Tawney says that Dr. Liebrecht, in “Orient und Occident,” vol. i. , compares this story with one in the old French romance of Merlin. There Merlin laughs because the wife of Julius C sar had twelve young men disguised as ladies-in-waiting. Benfey, in a note on Liebrecht’s article, compares with the story of Merlin one by the Countess d’Aulnois, No. 36 of Basile’s “Pentamerone,” Straparola, iv. 1, and a story in the “Suka Saptati.” In this some cooked fish laugh so that the whole town hears them; the reason being the same as in the above story and in that of Merlin. In a KashmÝrÝ version, which has several other incidents and bears a close resemblance to No. 4 of M. Legrand’s “Recueil de Contes Populaires Grecs,” to the story of “The Clever Girl” in Professor T. F. Crane’s “Italian Popular Tales,” and to a fable in the Talmud, the king requires his vazÝr to inform him within six months why the fish laughed in presence of the queen. The vazÝr sends his son abroad until the king’s anger had somewhat cooled — for himself he expects nothing but death. The vazÝr’s son learns from the clever daughter of a farmer that the laughing of the fish indicates that there is a man in the palace unknown to the king. He hastens home and tells his father the secret, who at once communicates it to the king. All the female attendants in the palace are called together and ordered to jump across the mouth of a pit which he has caused to be dug: the man would betray his sex in the trial. Only one person succeeded and he was found to be a man.413 Thus was the queen satisfied, and the faithful old vazÝr saved, and his son, of course, married the farmer’s clever daughter.
Richard Francis Burton’s translation: detailed table of contents
Prince Ahmad and the Peri Banu — .
How, in the name of all that is wonderful — how has it happened that this ever-delightful tale is not found in any text of The Nights? And how could it be supposed for a moment that Galland was capable of conceiving such a tale — redolent, as it is, of the East and of Fairyland? Not that Fairyland where “True Thomas,” otherwise ycleped Thomas the Rymer, otherwise Thomas of Erceldoune, passed several years in the bewitching society of the Fairy Queen, years which appeared to him as only so many moments: but Eastern Fairyland, with all its enchanting scenes; where priceless gems are as plentiful as “autumnal leaves which strong the brooks in Vallombrosa;” where, in the royal banqueting hall, illuminated with hundreds of wax candles, in candelabra of the finest amber and the purest crystal are bands of charming damsels, fairest of form and feature, who play on sweet- toned instruments which discourse heart-ravishing strains of melody; — meanwhile the beauteous PerÝ Bßn· is seated on a throne adorned with diamonds and rubies and emeralds, and pearls and other gems, and by her side is the thrice-happy Prince Ahmad, who feels himself amply indemnified for the loss of his fair cousin Princess N·r-en-Nihßr. Auspicious was that day when he shot the arrow which the enamoured PerÝ Bßn· caused to be wafted through the air much farther than arm of flesh could ever send the feathered messenger! And when the Prince feels a natural longing to visit his father in the land of mortals from time to time, behold the splendid cavalcade issue from the portals of the fairy palace — the gallant jinn-born cavaliers, mounted on superb steeds with gorgeous housings, who accompany him to his father’s capital. But alas! the brightest sky is sooner or later overcast — human felicity is — etc., etc. The old king’s mind is poisoned against his noble son by the whisperings of a malignant and envious minister — a snake in the grass — a fly in the ointment of Prince Ahmad’s beatitude! And to think of the old witch gaining access to the fairy palace — it was nothing less than an atrocity! And the tasks which she induces the king to set Prince Ahmad to perform — but they are all accomplished for him by his fairy bride. The only thing to regret — the fatal blemish in the tale — is the slaughter of the old king. Shabbar did right well to dash into the smallest pieces the wicked vazÝr and the foul witch and all who aided and abetted them, but “to kill a king!” and a well-meaning if soft-headed king, who was, like many better men, led astray by evil counsellors!
Having thus blown off the steam — I mean to say, having thus ventilated the enthusiasm engendered by again reading the tale of Prince Ahmad and the PerÝ Bßn·, I am now in a fitter frame of mind for the business of examining some versions and variants of it, for though the tale has not yet been found in Arabic, it is known from the banks of Ganga to the snow-clad hills and vales of Iceland — that strange land whose heart is full of the fiercest fires. This tale, like that of Zayn al-Asnßm, comprises two distinct stories, which have no necessary connection, to wit, (1) the adventures of the Three Princes, each in quest of the rarest treasure, wherewith to win the beautiful Princess N·r-en-Nihßr; and (2) the subsequent history of the third Prince and the PerÝ Bßn·. The oldest known form of the story concludes with the recovery of the lady — not from death’s door, but from a giant who had carried her off, and the rival claims of the heroes to the hand of the lady are left undecided: certainly a most unsatisfactory ending, though it must be confessed the case was, as the priest found that of Paddy and the stolen pullet, somewhat “abstruse.” In the “Vetßlapanchavinsati,” or Twenty-five Tales of a Vampyre (concerning which collection see Appendix to the preceding volumes, ), the fifth recital is to this purpose:
There was a Brßhman in Ajjayini (Oojein) whose name was Harisvamin; he had a son named Devasvamin and a daughter far famed for her wondrous beauty and rightly called Somaprabha (Moonlight). When the maiden had attained marriageable age, she declared to her parents that she was only to be married to a man who possessed heroism, or knowledge, or magic power. It happened soon after this that Harisvamin was sent by the king on state business to the Dekkan, and while there a young Brßhman, who had heard the report of Somaprabha’s beauty, came to him as a suitor for the hand of his daughter. Harisvamin informed him of the qualifications which her husband must possess, and the Brßhman answered that he was endowed with magic power, and having shown this to the father’s satisfaction, he promised to give him his daughter on the seventh day from that time. In like manner, at home, the son and the wife of Harisvamin had, unknown to each other, promised Somaprabha to a young man who was skilled in the use of missile weapons and was very brave, and to a youth who possessed knowledge of the past, the present, and the future; and the marriage was also fixed to take place on the seventh day. When Harisvamin returned home he at once told his wife and son of the contract he has entered into with the young Brßhman, and they in their turn acquainted him of their separate engagements, and all were much perplexed what course to adopt in the circumstances.
On the seventh day the three suitors arrived, but Somaprabha was found to have disappeared in some inexplicable manner. The father then appealed to the man of knowledge, saying, “Tell me where my daughter is gone?” He replied, “She has been carried off by a rßkshasa to his habitation in the Vindhya forest.” Then quoth the man of magic power “Be of good cheer, for I will take you in a moment where the possessor of knowledge says she is.” And forthwith he prepared a magic chariot that could fly through the air, provided all sorts of weapons, and made Harisvamin, the man of knowledge, and the brave man enter it along with himself, and in a moment carried them to the dwelling of the rßkshasa. Then followed a wonderful fight between the brave man and the rßkshasa, and in a short time the hero cut off his head, after which they took Somaprabha into the chariot and quickly returned to Harisvamin’s house. And now arose a great dispute between the three suitors. Said the man of knowledge, “If I had not known where the maiden was how could she have been discovered?” The man of magic argued, “If I had not made this chariot that can fly through the air, how could you all have come and returned in a moment?” Then the brave man said, “If I had not slain the rßkshasa, how could the maiden have been rescued?” While they were thus wrangling Harisvamin remained silent, perplexed in mind. The Vampyre, having told this story to the King, demanded to know to whom the maiden should have been given. The King replied, “She ought to have been given to the brave man; for he won her by the might of his arm and at the risk of his life, slaying that rßkshasa in combat. But the man of knowledge and the man of magic power were appointed by the Creator to serve as his instruments.” The perplexed Harisvamin would have been glad, no doubt, could he have had such a logical solution of the question as this of the sagacious King Trivikramasena — such was his six-syllabled name.
The HindÝ version (“Baytßl PachÝsi”) corresponds with the Sanskrit, but in the Tamil version the father, after hearing from each of the three suitors an account of his accomplishments, promises to give his daughter to “one of them.” Meanwhile a giant comes and carries off the damsel. There is no difference in the rest of the story.
In the Persian Parrot-Book (“T·tÝ Nßma” ) where the tale is also found 414 — it is the 34th recital of the loquacious bird in the India Office MS. No. 2573, the 6th in B. Gerrans’ partial translation, 1792, and the 22nd in Kßderi’s abridgment — the first suitor says that his art is to discover anything lost and to predict future events; the second can make a horse of wood which would fly through the air; and the third was an unerring archer.
In the Persian “Sindibßd Nßma,” a princess, while amusing herself in a garden with her maidens, is carried away by a demon to his cave in the mountains. The king proclaims that he will give his daughter in marriage to whoever should bring her back. Four brothers offer themselves for the undertaking: one is a guide who has travelled over the world; the second is a daring robber, who would take the prey even from the lion’s mouth; the third is a brave warrior; and the fourth is a skilful physician. The guide leads the three others to the demons’ cave, the robber steals the damsel while the demon is absent; the physician, finding her at death’s door, restored her to perfect health; while the warrior puts to flight a host of demons who sallied out of the cave.
The Sanskrit story has undergone a curious transformation among the Kalmuks. In the 9th Relation of SiddhÝ K·r (a Mongolian version of the Vampyre Tales) six youths are companions: an astrologer, a smith, a doctor, a mechanic, a painter, and a rich man’s son. At the mouth of a great river each plants a tree of life and separates, taking different roads, having agreed to meet again at the same spot, when if the tree of any of them is found to be withered it will be a token that he is dead. The rich man’s son marries a beautiful girl, who is taken from him by the Khan, and the youth is at the same time put to death by the Khan’s soldiers and buried under a great rock. When the four other young men meet at the time and place appointed they find the tree of the rich youth withered. Thereupon the astrologer by his art discovers where the youth is buried; the smith breaks the rock asunder; the physician restores the youth to life, and he tells them how the Khan had robbed him of his wife and killed him. The mechanic then constructs a flying chariot in the form of Garuda — the bird of Vishnu; the counterpart of the Arabian rukh — which the painter decorates, and when it is finished the rich youth enters it and is swiftly borne through the air to the roof of the Khan’s dwelling, where he alights. The Khan, supposing the machine to be a real Garuda, sends the rich youth’s own wife to the roof with some food for it. Could anything have been more fortunate? The youth takes her into the wooden Garuda and they quickly arrive at the place where his companions waited for his return. When they beheld the marvellous beauty of the lady the five skilful men instantly fell in love with her, and began to quarrel among themselves, each claiming the lady as his by right, and drawing their knives they fought and slew one another. So the rich youth was left in undisputed possession of his beautiful bride.
Coming back to Europe we find the primitive form of the story partly preserved in a Greek popular version given in Hahn’s collection: Three young men are in love with the same girl, and agree to go away and meet again at a given time, when he who shall have learned the best craft shall marry the girl. They meet after three years’ absence. One has become a famous astronomer; the second is so skilful a physician that he can raise the dead, and the third can run faster than the wind. The astronomer looks at the girl’s star and knows from its trembling that she is on the point of death. The physician prepares a medicine which the third runs off with at the top of his speed, and pours it down the girl’s throat just in time to save her life — though, for the matter of that, she might as well have died, since the second suitor was able to resuscitate the dead!
But the German tale of the Four Clever Brothers, divested of the preliminary incidents which have been brought into it from different folk-tales, more nearly approaches the form of the original, as we may term the Sanskrit story for convenience’ sake: A poor man sends his four sons into the world, each to learn some craft by which he might gain his own livelihood. After travelling together for some time they came to a place where four roads branched off and there they separated, each going along one of the roads, having agreed to meet at the same spot that day four years. One learns to be an excellent astronomer and, on quitting, his master gives him a telescope,415 saying, “With this thou canst see whatever takes place either on earth or in heaven, and nothing can remain concealed from thee.” Another becomes a most expert thief. The third learns to be a sharpshooter and gets from his master a gun which would never fail him: whatever he aimed at he was sure to hit. And the youngest becomes a very clever tailor and is presented by his master with a needle, which could sew anything together, hard or soft. At the end of the four years they met according to agreement, and returning together to their father’s house, they satisfied the old man with a display of their abilities Soon after this the king’s daughter was carried off by a dragon, and the king proclaimed that whoever brought her back should have her to wife. This the four clever brothers thought was a fine chance for them, and they resolved to liberate the king’s daughter. The astronomer looked through his telescope and saw the princess far away on a rock in the sea and the dragon watching beside her. Then they went and got a ship from the king, and sailed over the sea till they came to the rock, where the princess was sitting and the dragon was asleep with his head in her lap. The hunter feared to shoot lest he should kill the princess. Then the thief crept up the rock and stole her from under the dragon so cleverly that the monster did not awake. Full of joy, they hurried off with her and sailed away. But presently the dragon awoke and missing the princess flew after them through the air. Just as he was hovering above the ship to swoop down upon it, the hunter shot him through the heart and he tumbled down dead, but falling on the vessel his carcase smashed it into pieces. They laid hold of two planks and drifted about till the tailor with his wonderful needle sewed the planks together, and then they collected the fragments of the ship which the tailor also sewed together so skilfully that their ship was again sea-worthy, and they soon got home in safety. The king was right glad to see his daughter and told the four brothers they must settle among themselves which of them should have her to wife. Upon this they began to wrangle with one another. The astronomer said, “If I had not seen the princess, all your arts would have been useless, so she is mine.” The thief claimed her, because he had rescued her from the dragon; the hunter, because he had shot the monster; and the tailor, because he had sewn the ship together and saved them all from drowning. Then the king decreed: “Each of you has an equal right, and as all of you cannot have her, none of you shall; but I will give to each as a reward half a kingdom,” with which the four clever brothers were well contented.
