H G Wells Omnibus, page 797
“Business brisk?” He ventured to ask.
Annie reflected. “It is,’ she said, “and it isn’t. It’s like that.”
“Ah!” said Mr. Polly, and squared himself to his egg. “Was there an inquest on that chap?”
“What chap?”
“What was his name?—Polly!”
“Of course.”
“You’re sure it was him?”
“What you mean?”
Annie looked at him hard, and suddenly his soul was black with terror.
“Who else could it have been—in the very clothes ’e wore?”
“Of course,” said Mr. Polly, and began his egg. He was so agitated that he only realised its condition when he was half way through it and Annie safely downstairs.
“Lord!” he said, reaching out hastily for the pepper. “One of Miriam’s! I haven’t tasted such an egg for five years… . Wonder where she gets them! Picks them out, I suppose!”
He abandoned it for its fellow.
Except for a slight mustiness the second egg was very palatable indeed. He was getting on to the bottom of it as Miriam came in. He looked up. “Nice afternoon,” he said at her stare, and perceived she knew him at once by the gesture and the voice. She went white and shut the door behind her. She looked as though she was going to faint. Mr. Polly sprang up quickly and handed her a chair. “My God!” she whispered, and crumpled up rather than sat down.
“It’s you,” she said.
“No,” said Mr. Polly very earnestly. “It isn’t. It just looks like me. That’s all.”
“I knew that man wasn’t you—all along. I tried to think it was. I tried to think perhaps the water had altered your wrists and feet and the colour of your hair.”
“Ah.”
“I’d always feared you’d come back.”
Mr. Polly sat down by his egg. “I haven’t come back,” he said very earnestly. “Don’t you think it.”
“ ’Ow we’ll pay back the insurance now I don’t know.” She was weeping. She produced a handkerchief and covered her face.
“Look here, Miriam,” said Mr. Polly. “I haven’t come back and I’m not coming back. I’m—I’m a Visitant from Another World. You shut up about me and I’ll shut up about myself. I came back because I thought you might be hard up or in trouble or some silly thing like that. Now I see you again—I’m satisfied. I’m satisfied completely. See? I’m going to absquatulate, see? Hey Presto right away.”
He turned to his tea for a moment, finished his cup noisily, stood up.
“Don’t you think you’re going to see me again,” he said, “for you ain’t.”
He moved to the door.
“That was a tasty egg,” he said, hovered for a second and vanished.
Annie was in the shop.
“The missus has had a bit of a shock,” he remarked. “Got some sort of fancy about a ghost. Can’t make it out quite. So Long.”
And he had gone.
3
Mr. Polly sat beside the fat woman at one of the little green tables at the back of the Potwell Inn, and struggled with the mystery of life. It was one of those evenings, serenely luminous, amply and atmospherically still, when the river bend was at its best. A swan floated against the dark green masses of the further bank, the stream flowed broad and shining to its destiny, with scarce a ripple—except where the reeds came out from the headland—the three poplars rose clear and harmonious against a sky of green and yellow. And it was as if it was all securely within a great warm friendly globe of crystal sky. It was as safe and enclosed and fearless as a child that has still to be born. It was an evening full of the quality of tranquil, unqualified assurance. Mr. Polly’s mind was filled with the persuasion that indeed all things whatsoever must needs be satisfying and complete. It was incredible that life had ever done more than seemed to jar, that there could be any shadow in life save such velvet softnesses as made the setting for that silent swan, or any murmur but the ripple of the water as it swirled round the chained and gently swaying punt. And the mind of Mr. Polly, exalted and made tender by this atmosphere, sought gently, but sought, to draw together the varied memories that came drifting, half submerged, across the circle of his mind.
He spoke in words that seemed like a bent and broken stick thrust suddenly into water, destroying the mirror of the shapes they sought. “Jim’s not coming back again ever,” he said. “He got drowned five years ago.”
“Where?” asked the fat woman, surprised.
“Miles from her. In the Medway. Away in Kent.”
“Lor!” said the fat woman.
“It’s right enough,” said Mr. Polly.
“How d’you know?”
“I went to my home.”
“Where?”
“Don’t matter. I went and found out. He’d been in the water some days. He’d got my clothes and they’d said it was me.”
“They?”
“It don’t matter. I’m not going back to them.”
The fat woman regarded him silently for some time. Her expression of scrutiny gave way to a quiet satisfaction. Then her brown eyes went to the river.
“Poor Jim” she said. “ ’E ’adn’t much Tact—ever.”
She added mildly: “I can’t ’ardly say I’m sorry.”
“Nor me,” said Mr. Polly, and got a step nearer the thought in him. “But it don’t seem much good his having been alive, does it?”
“ ’E wasn’t much good,” the fat woman admitted. “Ever.”
“I suppose there were things that were good to him,” Mr. Polly speculated. “They weren’t our things.”
His hold slipped again. “I often wonder about life,” he said weakly.
He tried again. “One seems to start in life,” he said, “expecting something. And it doesn’t happen. And it doesn’t matter. One starts with ideas that things are good and things are bad—and it hasn’t much relation to what is good and what is bad. I’ve always been the skeptaceous sort, and it’s always seemed rot to me to pretend we know good from evil. It’s just what I’ve never done. No Adam’s apple stuck in my throat, ma’am. I don’t own to it.”
He reflected.
“I set fire to a house—once.”
The fat woman started.
“I don’t feel sorry for it. I don’t believe it was a bad thing to do—any more than burning a toy like I did once when I was a baby. I nearly killed myself with a razor. Who hasn’t?—anyhow gone as far as thinking of it? Most of my time I’ve been half dreaming. I married like a dream almost. I’ve never really planned my life or set out to live. I happened; things happened to me. It’s so with everyone. Jim couldn’t help himself. I shot at him and tried to kill him. I dropped the gun and he got it. He very nearly had me. I wasn’t a second too soon—ducking… . Awkward—that night was… . M’mm… . But I don’t blame him—come to that. Only I don’t see what it’s all up to… .
“Like children playing about in a nursery. Hurt themselves at times… .
“There’s something that doesn’t mind us,” he resumed presently. “It isn’t what we try to get that we get, it isn’t the good we think we do is good. What makes us happy isn’t our trying, what makes others happy isn’t our trying. There’s a sort of character people like and stand up for and a sort they won’t. You got to work it out and take the consequences… . Miriam was always trying.”
“Who was Miriam?” asked the fat woman.
“No one you know. But she used to go about with her brows knit trying not to do whatever she wanted to do—if ever she did want to do anything—”
He lost himself.
“You can’t help being fat,” said the fat woman after a pause, trying to get up to his thoughts.
“You can’t,” said Mr. Polly.
“It helps and it hinders.”
“Like my upside down way of talking.”
“The magistrates wouldn’t ’ave kept on the license to me if I ’adn’t been fat… .”
“Then what have we done,” said Mr. Polly, “to get an evening like this? Lord! look at it!” He sent his arm round the great curve of the sky.
“If I was a nigger or an Italian I should come out here and sing. I whistle sometimes, but bless you, it’s singing I’ve got in my mind. Sometimes I think I live for sunsets.”
“I don’t see that it does you any good always looking at sunsets like you do,” said the fat woman.
“Nor me. But I do. Sunsets and things I was made to like.”
“They don’t ’elp you,” said the fat woman thoughtfully.
“Who cares?” said Mr. Polly.
A deeper strain had come to the fat woman. “You got to die some day,” she said.
“Some things I can’t believe,” said Mr. Polly suddenly, “and one is your being a skeleton… .” He pointed his hand towards the neighbour’s hedge. “Look at ’em—against the yellow—and they’re just stingin’ nettles. Nasty weeds—if you count things by their uses. And no help in the life hereafter. But just look at the look of them!”
“It isn’t only looks,” said the fat woman.
“Whenever there’s signs of a good sunset and I’m not too busy,” said Mr. Polly, “I’ll come and sit out here.”
The fat woman looked at him with eyes in which contentment struggled with some obscure reluctant protest, and at last turned them slowly to the black nettle pagodas against the golden sky.
“I wish we could,” she said.
“I will.”
The fat woman’s voice sank nearly to the inaudible.
“Not always,” she said.
Mr. Polly was some time before he replied. “Come here always when I’m a ghost,” he replied.
“Spoil the place for others,” said the fat woman, abandoning her moral solicitudes for a more congenial point of view.
“Not my sort of ghost wouldn’t,” said Mr. Polly, emerging from another long pause. “I’d be a sort of diaphalous feeling—just mellowish and warmish like… .”
They said no more, but sat on in the warm twilight until at last they could scarcely distinguish each other’s faces. They were not so much thinking as lost in a smooth, still quiet of the mind. A bat flitted by.
“Time we was going in, O’ Party,” said Mr. Polly, standing up. “Supper to get. It’s as you say, we can’t sit here for ever.”
THE END
A Note on Sources
Wells’s early work has been reprinted with some frequency. In 1924 Wells collected and edited much of what he had published up to that time in The Atlantic Edition of the Works of H. G. Wells, 28 Volumes (London: T. Fisher Unwin, 1924). He also collected his short stories in The Short Stories of H. G. Wells (London: Ernest Benn, 1926).
SELECTIONS 1–3, “The Stolen Bacillus” (Pall Mall Budget, June 1894), “The Triumphs of a Taxidermist” (Pall Mall Gazette, 1894), and “Æpornis Island” (Pall Mall Budget, December 1894) were collected with a dozen other short stories in The Stolen Bacillus and Other Incidents (London: Methuen and Company, 1895).
SELECTION 4, from The Time Machine, The National Review, January through June, 1895. The first book edition of The Time Machine (London: William Heinemann, 1895) does not contain the episode describing the kangaroo-like evolution between the year 802,701 and the dark vision of the end of life on earth.
SELECTION 5, from The Wheels of Chance (London: J. M. Dent, 1896)
SELECTION 6, from The Island of Doctor Moreau (London: William Heinemann, 1896).
SELECTION 7, from The Invisible Man (London: C. Arthur Pearson, 1897)
SELECTION 8, from The War of the Worlds (London: William Heinemann, 1898).
SELECTION 9, from The First Men in the Moon (London: George Newnes, 1901).
SELECTION 10, from The Food of the Gods (London: Macmillan, 1904).
SELECTION 11, “The Country of the Blind,” was first published in The Strand Magazine, April 1904, and later included in The Country of the Blind and Other Stories (London: Thomas Nelson and Sons, 1911).
SELECTION 12, from In The Days of the Comet (London: Macmillan, 1906).
SELECTION 13, from Tono-Bungay (London: Macmillan, 1909).
SELECTION 14, The History of Mr. Polly (London: Thomas Nelson and Sons, 1910).
Bibliography
Anderson, Linda R. Bennett, Wells, and Conrad: Narrative in Transition. New York: St. Martins Press, 1988.
Batchelor, John. H. G. Wells. Cambridge: Cambridge University Press, 1985.
Bergonzi, Bernard. The Early H. G. Wells: A Study of the Scientific Romances. Manchester: Manchester University Press, 1961.
——, ed. H. G. Wells: A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice Hall, 1976.
Crossley, Robert. H. G. Wells. Mercer Island, Wash.: Starmont House, 1986.
Draper, Michael. H. G. Wells. London: Macmillan Publishers, 1987.
Hammond, John, ed. H. G. Wells: Interviews and Recollections. Totowa, N.J.: Barnes and Noble, 1980.
Huntington, John. The Logic of Fantasy: H. G. Wells and Science Fiction. New York; Columbia University Press, 1982.
——, ed. Critical Essays on H. G. Wells. Boston, Mass.: G. K. Hall, 1991.
Kemp, Peter. H. G. Wells and The Culminating Ape. New York: St. Martins Press, 1982.
MacKenzie, Norman, and Jeanne Mackenzie. H. G. Wells. New York: Simon and Schuster, 1973.
McConnell, Frank. The Science Fiction of H. G. Wells. New York: Oxford University Press, 1981.
Parrinder, Patrick. H. G. Wells. New York: Capricorn Books, 1970.
——. H. G. Wells: The Critical Heritage. London: Routledge & Kegan Paul, 1972.
——. Shadows of the Future: H. G. Wells, Science Fiction, and Prophesy. Syracuse, N.Y.: Syracuse University Press, 1995.
Parrinder, Patrick, and Christopher Rolfe, eds. Wells Under Revision: Proceedings of the International H. G. Wells Symposium, London, July 1986. Selinsgrove, Pa.: Susquehanna University Press, 1990.
Reed, John. The Natural History of H. G. Wells. Athens, Ohio: Ohio University Press, 1982.
Smith, David. Desperately Mortal. New Haven: Yale University Press, 1987.
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A Modern Utopia
H. G. Wells
Published: 1905
Categorie(s): Fiction, Non-Fiction, Philosophy, Political, Science Fiction
Source: http://www.gutenberg.org/etext/6424
About Wells:
Herbert George Wells, better known as H. G. Wells, was an English writer best known for such science fiction novels as The Time Machine, The War of the Worlds, The Invisible Man and The Island of Doctor Moreau. He was a prolific writer of both fiction and non-fiction, and produced works in many different genres, including contemporary novels, history, and social commentary. He was also an outspoken socialist. His later works become increasingly political and didactic, and only his early science fiction novels are widely read today. Wells, along with Hugo Gernsback and Jules Verne, is sometimes referred to as “The Father of Science Fiction”. Source: Wikipedia
Also available on Feedbooks Wells: The War of the Worlds (1898)
The Time Machine (1895)
The Invisible Man (1897)
The Island of Dr. Moreau (1896)
Tales of Space and Time (1900)
The Sleeper Awakes (1910)
The Food of the Gods and How It Came to Earth (1904)
The Story of the Inexperienced Ghost (1902)
The First Men in the Moon (1901)
A Dream of Armageddon (1901)
Copyright: This work is available for countries where copyright is Life+50 or in the USA (published before 1923).
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A Note to the Reader
This book is in all probability the last of a series of writings, of which—disregarding certain earlier disconnected essays—my Anticipations was the beginning. Originally I intended Anticipations to be my sole digression from my art or trade (or what you will) of an imaginative writer. I wrote that book in order to clear up the muddle in my own mind about innumerable social and political questions, questions I could not keep out of my work, which it distressed me to touch upon in a stupid haphazard way, and which no one, so far as I knew, had handled in a manner to satisfy my needs. But Anticipations did not achieve its end. I have a slow constructive hesitating sort of mind, and when I emerged from that undertaking I found I had still most of my questions to state and solve. In Mankind in the Making, therefore, I tried to review the social organisation in a different way, to consider it as an educational process instead of dealing with it as a thing with a future history, and if I made this second book even less satisfactory from a literary standpoint than the former (and this is my opinion), I blundered, I think, more edifyingly—at least from the point of view of my own instruction. I ventured upon several themes with a greater frankness than I had used in Anticipations, and came out of that second effort guilty of much rash writing, but with a considerable development of formed opinion. In many matters I had shaped out at last a certain personal certitude, upon which I feel I shall go for the rest of my days. In this present book I have tried to settle accounts with a number of issues left over or opened up by its two predecessors, to correct them in some particulars, and to give the general picture of a Utopia that has grown up in my mind during the course of these speculations as a state of affairs at once possible and more desirable than the world in which I live. But this book has brought me back to imaginative writing again. In its two predecessors the treatment of social organisation had been purely objective; here my intention has been a little wider and deeper, in that I have tried to present not simply an ideal, but an ideal in reaction with two personalities. Moreover, since this may be the last book of the kind I shall ever publish, I have written into it as well as I can the heretical metaphysical scepticism upon which all my thinking rests, and I have inserted certain sections reflecting upon the established methods of sociological and economic science… .
