H g wells omnibus, p.624

H G Wells Omnibus, page 624

 

H G Wells Omnibus
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  And suddenly he rose, and without a greeting, passed out into the night.

  PART FIVE

  FABLES

  INTRODUCTION

  To my mind, fable differs from fantasy chiefly by having a didactic aim. Aunt Fantasy tells her tales for their own sake; Uncle Aesop wants us to get the point. (In science fiction, there is a similar difference between stories of other times or planets and the didactic utopia/dystopia.) Fable is often funny or satirical, and uses a pretty broad brush.

  These four stories all make their point boldly. “A Vision of Judgment” is an early story, brash and brilliant. H. G. Wells was not what anyone would call a God-fearing man. I think he felt God had a right to ask for respect, but not for fear.

  The next two tales, “The Story of the Last Trump” and “The Wild Asses of the Devil” appeared as chapters of a 1915 novel, Boon. Wells himself put “Last Trump” into a collection, The Door in the Wall; and let us again be grateful to John Hammond for including “Wild Asses” in The Complete Short Stories of H. G. Wells, for both pieces stand on their own as inventive and entertaining tales.

  “Answer to Prayer” was written much later than all but one of the stories in this book, in 1937, when Wells was seventy-one. It is very short and not sweet.

  A VISION OF JUDGMENT

  1

  BRU-A-A-A.

  I listened, not understanding.

  Wa-ra-ra-ra.

  “Good Lord!” said I, still only half-awake. “What an infernal shindy!”

  Ra-ra-ra-ra-ra-ra-ra-ra-ra. Ta-ra-rra-ra.

  “It’s enough,” said I, “to wake—” and stopped short. Where was I?

  Ta-rra-rara—louder and louder.

  “It’s either some new invention—”

  Toora-toora-toora! Deafening!

  “No,” said I, speaking loud in order to hear myself. “That’s the Last Trump.”

  Tooo-rraa!

  2

  The last note jerked me out of my grave like a hooked minnow.

  I saw my monument (rather a mean little affair, and I wished I knew who’d done it), and the old elm tree and the sea view vanished like a puff of steam, and then all about me—a multitude no man could number, nations, tongues, kingdoms, people—children of all the ages, in an amphitheatrical space as vast as the sky. And over against us, seated on a throne of dazzling white cloud, the Lord God and all the host of his angels. I recognised Azreal by his darkness and Michael by his sword, and the great angel who had blown the trumpet stood with the trumpet still half-raised.

  3

  “Prompt,” said the little man beside me. “Very prompt. Do you see the angel with the book?”

  He was ducking and craning his head about to see over and under and between the souls that crowded round us. “Everybody’s here,” he said. “Everybody. And now we shall know—

  “There’s Darwin,” he said, going off at a tangent. “ He’ll catch it! And there—you see?—that tall, important-looking man trying to catch the eye of the Lord God, that’s the Duke. But there’s a lot of people one doesn’t know.

  “Oh! there’s Priggles, the publisher. I have always wondered about printers’ overs. Priggles was a clever man … But we shall know now— even about him.

  “I shall hear all that. I shall get most of the fun before … My letter’s S.”

  He drew the air in between his teeth.

  “Historical characters, too. See? That’s Henry the Eighth. There’ll be a good bit of evidence. Oh, damn! He’s Tudor.”

  He lowered his voice. “Notice this chap, just in front of us, all covered with hair. Paleolithic, you know. And there again—”

  But I did not heed him, because I was looking at the Lord God.

  4

  “Is this all?” asked the Lord God.

  The angel at the book—it was one of countless volumes, like the British Museum Reading-room Catalogue, glanced at us and seemed to count us in the instant.

  “That’s all,” he said, and added: “It was, O God, a very little planet.”

  The eyes of God surveyed us.

  “Let us begin,” said the Lord God.

  5

  The angel opened the book and read a name. It was a name full of A’s, and the echoes of it came back out of the uttermost parts of space. I did not catch it clearly, because the little man beside me said, in a sharp jerk, “What’s that?” It sounded like “Ahab” to me; but it could not have been the Ahab of Scripture.

  Instantly a small black figure was lifted up to a puffy cloud at the very feet of God. It was a stiff little figure, dressed in rich outlandish robes and crowned, and it folded its arms and scowled.

  “Well?” said God, looking down at him.

  We were privileged to hear the reply, and indeed the acoustic properties of the place were marvellous.

  “I plead guilty,” said the little figure.

  “Tell them what you have done,” said the Lord God.

  “I was a king,” said the little figure, “a great king, and I was lustful and proud and cruel. I made wars, I devastated countries, I built palaces, and the mortar was the blood of men. Hear, O God, the witnesses against me, calling to you for vengeance. Hundreds and thousands of witnesses.” He waved his hands towards us. “And worse! I took a prophet—one of your prophets—”

  “One of my prophets,” said the Lord God.

  “And because he would not bow to me, I tortured him for four days and nights, and in the end he died. I did more, O God, I blasphemed. I robbed you of your honours—”

  “Robbed me of my honours,” said the Lord God.

  “I caused myself to be worshipped in your stead. No evil was there but I practised it; no cruelty wherewith I did not stain my soul. And at last you smote me, O God!”

  God raised his eyebrows slightly.

  “And I was slain in battle. And so I stand before you, meet for your nethermost Hell! Out of your greatness daring no lies, daring no pleas, but telling the truth of my iniquities before all mankind.”

  He ceased. His face I saw distinctly, and it seemed to me white and terrible and proud and strangely noble. I thought of Milton’s Satan.

  “Most of that is from the Obelisk,” said the Recording Angel, finger on page.

  “It is,” said the Tyrannous Man, with a faint touch of surprise.

  Then suddenly God bent forward and took this man in his hand, and held him up on his palm as if to see him better. He was just a little dark stroke in the middle of God’s palm.

  “Did he do all this?” said the Lord God.

  The Recording Angel flattened his book with his hand.

  “In a way,” said the Recording Angel, carelessly.

  Now when I looked again at the little man his face had changed in a very curious manner. He was looking at the Recording Angel with a strange apprehension in his eyes, and one hand fluttered to his mouth. Just the movement of a muscle or so, and all that dignity of defiance was gone.

  “Read,” said the Lord God.

  And the angel read, explaining very carefully and fully all the wickedness of the Wicked Man. It was quite an intellectual treat.—A little “daring” in places, I thought, but of course Heaven has its privileges …

  6

  Everybody was laughing. Even the prophet of the Lord whom the Wicked Man had tortured had a smile on his face. The Wicked Man was really such a preposterous little fellow.

  “And then,” read the Recording Angel, with a smile that set us all agog, “one day, when he was a little irascible from over-eating, he—”

  “Oh, not that,” cried the Wicked Man, nobody knew of that.

  “It didn’t happen,” screamed the Wicked Man. “I was bad—I was really bad. Frequently bad, but there was nothing so silly—so absolutely silly—”

  The angel went on reading.

  “O God!” cried the Wicked Man. “Don’t let them know that! I’ll repent! I’ll apologise …”

  The Wicked Man on God’s hand began to dance and weep. Suddenly shame overcame him. He made a wild rush to jump off the ball of God’s little finger, but God stopped him by a dexterous turn of the wrist. Then he made a rush for the gap between hand and thumb, but the thumb closed. And all the while the angel went on reading—reading. The Wicked Man rushed to and fro across God’s palm, and then suddenly turned about and fled up the sleeve of God.

  I expected God would turn him out, but the mercy of God is infinite.

  The Recording Angel paused.

  “Eh?” said the Recording Angel.

  “Next,” said God, and before the Recording Angel could call upon the name a hairy creature in filthy rags stood upon God’s palm.

  7

  “Has God got Hell up his sleeve then?” said the little man beside him.

  “Is there a Hell?” I asked.

  “If you notice,” he said—he peered between the feet of the great angels—“there’s no particular indication of the Celestial City.”

  “ ’Ssh!” said a little woman near us, scowling. “Hear this blessed Saint!”

  8

  “He was Lord of the Earth, but I was the prophet of the God of Heaven,” cried the Saint, “and all the people marvelled at the sign. For I, O God, knew of the glories of thy Paradise. No pain, no hardship, gashing with knives, splinters thrust under my nails, stripes of flesh flayed off, all for the glory and honour of God.”

  God smiled.

  “And at last I went, I in my rags and sores, smelling of my holy discomforts—”

  Gabriel laughed abruptly.

  “And lay outside his gates, as a sign, as a wonder—”

  “As a perfect nuisance,” said the Recording Angel, and began to read, heedless of the fact that the Saint was still speaking of the gloriously unpleasant things he had done that Paradise might be his.

  And behold, in that book the record of the Saint also was a revelation, a marvel.

  It seemed not ten seconds before the Saint also was rushing to and fro over the great palm of God. Not ten seconds! And at last he also shrieked beneath that pitiless and cynical exposition, and fled also, even as the Wicked Man had fled, into the shadow of the sleeve. And it was permitted us to see into the shadow of the sleeve. And the two sat side by side, stark of all delusions, in the shadow of the robe of God’s charity, like brothers.

  And thither also I fled in my turn.

  9

  “And now,” said God, as he shook us out of his sleeve upon the planet he had given us to live upon, the planet that whirled about green Sirius for a sun, “now that you understand me and each other a little better, … try again.”

  Then he and his great angels turned themselves about and suddenly had vanished.

  The Throne had vanished.

  All about me was a beautiful land, more beautiful than any I had ever seen before—waste, austere, and wonderful; and all about me were the enlightened souls of men in new clean bodies …

  THE STORY OF THE LAST TRUMP

  1

  The story of the Last Trump begins in Heaven and it ends in all sorts of places round about the world …

  Heaven, you must know, is a kindly place, and the blessed ones do not go on for ever singing Alleluia, whatever you may have been told. For they too are finite creatures, and must be fed with their eternity in little bits, as one feeds a chick or a child. So that there are mornings and changes and freshness, there is time to condition their lives. And the children are still children, gravely eager about their playing and ready always for new things; just children they are, but blessèd as you see them in the pictures beneath the careless feet of the Lord God. And one of these blessèd children routing about in an attic—for Heaven is, of course, full of the most heavenly attics, seeing that it has children—came upon a number of instruments stored away, and laid its little chubby hands upon them …

  Now indeed I cannot tell what these instruments were, for to do so would be to invade mysteries … But one I may tell of, and that was a great brazen trumpet which the Lord God had made when He made the world—for the Lord God finishes all His jobs—to blow when the time for our Judgement came round. And He had made it and left it; there it was, and everything was settled exactly as the Doctrine of Predestination declares. And this blessèd child conceived one of those unaccountable passions of childhood for its smoothness and brassiness, and he played with it and tried to blow it, and trailed it about with him out of the attic into the gay and golden streets, and, after many fitful wanderings, to those celestial battlements of crystal of which you have doubtless read. And there the blessèd child fell to counting the stars, and forgot all about the Trumpet beside him until a flourish of his elbow sent it over …

  Down fell the trump, spinning as it fell, and for a day or so, which seemed but moments in Heaven, the blessèd child watched its fall until it was a glittering little speck of brightness …

  When it looked a second time the trump was gone …

  I do not know what happened to that child when at last it was time for Judgement Day and that shining trumpet was missed. I know that Judgement Day is long overpassed, because of the wickedness of the world; I think perhaps it was in AD 1000 when the expected Day should have dawned that never came, but no other heavenly particulars do I know at all, because now my scene changes to the narrow ways of this Earth …

  And the Prologue in Heaven ends.

  2

  And now the scene is a dingy little shop in Caledonian Market, where things of an incredible worthlessness lie in wait for such as seek after an impossible cheapness. In the window, as though it had always been there and never anywhere else, lies a long, battered discoloured trumpet of brass that no prospective purchaser has ever been able to sound. In it mice shelter, and dust and fluff have gathered after the fashion of this world. The keeper of the shop is a very old man, and he bought the shop long ago, but already this trumpet was there; he has no idea whence it came, nor its country of origin, nor anything about it. But once in a moment of enterprise that led to nothing he decided to call it an Ancient Ceremonial Shawm, though he ought to have known that whatever a shawm may be the last thing it was likely to be is a trumpet, seeing that they are always mentioned together. And above it hung concertinas and melodeons and cornets and tin whistles and mouth-organs and all that rubbish of musical instruments which delight the hearts of the poor. Until one day two blackened young men from the big motor works in the Pansophist Road stood outside the window and argued.

  They argued about these instruments in stock and how you made these instruments sound, because they were fond of argument, and one asserted and the other denied that he could make every instrument in the place sound a note. And the argument rose high, and led to a bet.

  “Supposing, of course, that the instrument is in order,” said Hoskin, who was betting he could.

  “That’s understood,” said Briggs.

  And then they called as witnesses certain other young and black and greasy men in the same employment, and after much argument and discussion that lasted through the afternoon, they went in to the little old dealer about teatime, just as he was putting a blear-eyed, stinking paraffin-lamp to throw an unfavourable light upon his always very unattractive window. And after great difficulty they arranged that for the sum of one shilling, paid in advance, Hoskin should have a try at every instrument in the shop that Briggs chose to indicate.

  And the trial began.

  The third instrument that was pitched upon by Briggs for the trial was the strange trumpet that lay at the bottom of the window, the trumpet that you, who have read the Introduction, know was the trumpet for the Last Trump. And Hoskin tried and tried again, and then, blowing desperately, hurt his ears. But he could get no sound from the trumpet. Then he examined the trumpet more carefully and discovered the mice and fluff and other things in it, and demanded that it should be cleaned; and the old dealer, nothing loth, knowing they were used to automobile-horns and such-like instruments, agreed to let them clean it on condition that they left it shiny. So the young men, after making a suitable deposit (which, as you shall hear, was presently confiscated), went off with the trumpet, proposing to clean it next day at the works and polish it with the peculiarly excellent brass polish employed upon the honk-honk horns of the firm. And this they did, and Hoskin tried again.

  But he tried in vain. Whereupon there arose a great argument about the trumpet, whether it was in order or not, whether it was possible for any one to sound it. For if not, then clearly it was outside the condition of the bet.

  Others among the young men tried it, including two who played wind instruments in a band and were musically knowing men. After their own failure they were strongly on the side of Hoskin and strongly against Briggs, and most of the other young men were of the same opinion.

  “Not a bit of it,” said Briggs, who was a man of resource. “I’ll show you that it can be sounded.”

  And taking the instrument in his hand, he went towards a peculiarly powerful foot blow-pipe that stood at the far end of the toolshed. “Good old Briggs!” said one of the other young men, and opinion veered about.

  Briggs removed the blow-pipe from its bellows and tube, and then adjusted the tube very carefully to the mouthpiece of the trumpet. Then with great deliberation he produced a piece of bees-waxed string from a number of other strange and filthy contents in his pocket and tied the tube to the mouthpiece. And then he began to work the treadle of the bellows.

  “Good old Briggs!” said the one who had previously admired him.

  And then something incomprehensible happened.

  It was a flash. Whatever else it was, it was a flash. And a sound that seemed to coincide exactly with the flash.

  Afterwards the young men agreed to it that the trumpet blew to bits. It blew to bits and vanished, and they were all flung upon their faces—not backward, be it noted, but on their faces—and Briggs was stunned and scared. The toolshed windows were broken and the various apparatus and cars around were much displaced, and no traces of the trumpet were ever discovered.

 

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