Complete Works of D.H. Lawrence (Illustrated), page 877
But law is a very, very clumsy and mechanical instrument, and we people are very, very delicate and subtle beings. Therefore I only ask that the law shall leave me alone as much as possible. I insist that no law shall have immediate power over me, either for my good or for my ill. And I would wish that many laws be unmade, and no more laws made. Let there be a parliament of men and women for the careful and gradual unmaking of laws.
If it were for this purpose that women wanted the vote, I should be glad, and the opposition would be vital and intense, instead of just flippantly or exasperatedly static. Because then the woman’s movement would be a living human movement. But even so, the claiming of a vote for the purpose of unmaking the laws would be rather like taking a malady in order to achieve a cure.
The women, however, want the vote in order to make more laws. That is the most lamentable and pathetic fact. They will take this clumsy machinery to make right the body politic. And, pray, what is the sickness of the body politic? Is it that some men are sex-mad or sex-degraded, and that some, or many, employers are money- degraded? And if so, will you, by making laws for putting in prison the sex-degraded, and putting out of power the money-degraded, thereby make whole and clean the State? Wherever you put them, will not the degradation exist, and continue? And is the State, then, merely an instrument for weeding the public of destructive members? And js this, then, the crying necessity for more thorough weeding?
Whence does the degradation or perversion arise? Is there any great sickness in the body politic? Then where and what is it? Am I, or your suffragist woman, or your voting man, sex-whole and money-healthy, are we sound human beings? Have we achieved to true individuality and to a sufficient completeness in ourselves? Because, if not — then, physician, heal thyself.
That is no taunt, but the finest and most damning criticism ever passed: “Physician, heal thyself.” No amount of pity can blind us to the inexorable reality of the challenge.
Where is the source of all money-sickness, and the origin of all sex-perversion? That is the question to answer. And no cause shall come to life unless it contain an answer to this question. Laws, and all State machinery, these only regulate the sick, separate the sick and the whole, clumsily, oh, so clumsily that it is worse than futile. Who is there who searches out the origin of the sickness, with a hope to quench the malady at its source?
It lies in the heart of man, and not in the conditions — that is obvious, yet always forgotten. It is not a malaria which blows in through the window and attacks us when we are healthy. We are each one of us a swamp, we are like the hide-bound cabbage going rotten at the heart. And for the same reason that, instead of producing our flower, instead of continuing our activity, satisfying our true desire, climbing and clambering till, like the poppy, we lean on the sill of all the unknown, and run our flag out there in the colour and shine of being, having surpassed that which has been before, we hang back, we dare not even peep forth, but, safely shut up in bud, safely and darkly and snugly enclosed, like the regulation cabbage, we remain secure till our hearts go rotten, saying all the while how safe we are.
No wonder there is a war. No wonder there is a great waste and squandering of life. Anything, anything to prove that we are not altogether sealed in our own self-preservation as dying chrysalides. Better the light be blown out, wilfully, recklessly, in the wildest wind, than remain secure under the bushel, saved from every draught.
So we go to war to show that we can throw our lives away. Indeed, they have become of so little value to us. We cannot live, we cannot be. Then let us tip-cat with death, let us rush, throwing our lives away. Then, at any rate, we shall have a sensation — and “perhaps,” after all, the value of life is in death.
What does the law matter? What does money, power, or public approval matter? All that matters is that each human being shall be in his own fulness. If something obstruct us, we break it or put it aside, as the shoots of the trees break even through the London pavements. That is, if life is strong enough in us. If not, we are glad to fight with death. Does not the war show us how little, under all our carefulness, we count human life and human suffering, how little we value ourselves at bottom, how we hate our own securitv? We have many hospitals and many laws and charities for the poor. And at the same time, we send ourselves to be killed and torn and tor tured, we spread grief and desolation, and then, only then, we are somewhat satisfied. For have we not proved that we can transcend our own self-preservation, that we do not care so much for ourselves, after all? Indeed, we almost hate ourselves.
Indeed, well may we talk about a just and righteous war against Germany, but against ourselves also, our own self-love and caution. It is no war for the freedom of man from militarism or the Prussian yoke; it is a war for freedom of the bonds of our own cowardice and sluggish greed of security and well-being; it is a fight to regain ourselves out of the grip of our own caution.
Tell me no more we care about human life and suffering. We are, every one of us, revelling at this moment in the squandering of human life as if it were something we needed. And it is shameful. And all because that, to live, we are afraid to [risk] ourselves. We can only die.
Let there be an end, then, of all this welter of pity, which is only self-pity reflected onto some obvious surface. And let there be an end of this German hatred. We ought to be grateful to Germany that she still has the power to burst the bound hide of the cabbage. Where do I meet a man or a woman who does not draw deep and thorough satisfaction from this war? Because of pure shame that we should have seemed such poltroons living safe and atrophied, not daring to take one step to life. And this is the only good that can result from the “world disaster”: that we realize once more that self-preservation is not the final goal of life; that we realize that we can still squander life and property and inflict suffering wholesale. That will free us, perhaps, from the bushel we cower under, from the paucity of our lives, from the cowardice that will not let us be, which will only let us exist in security, unflowering, unreal, fat, under the cosy jam-pot of the State, under the shelter of the social frame.
And we must be prepared to fight, after the war, a renewed rage of activity for greater self-preservation, a renewed outcry for a stronger bushel to shelter our light. We must also undertake the incubus of crippled souls that will come home, and of crippled souls that will be left behind: men in whom the violence of war shall have shaken the life-flow and broken or perverted the course; women who will cease to live henceforth, yet will remain existing in the land, fixed at some lower point of fear or brutality.
Yet if we are left maimed and halt, if you die or I die, it will not matter, so long as there is alive in the land some new sense of what is and what is not, some new courage to let go the securities, and to be, to risk ourselves in a forward venture of life, as we are willing to risk ourselves in a rush of death.
Nothing will matter so long as life shall sprout up again strong after this winter of cowardice and well-being, sprout into the unknown. Let us only have had enough of pity: pity that stands before the glass and weeps for ever over jthe sight of its own tears. This is what we have made of Christ’s Commandment: “Thou shalt love thy neighbour as thyself” — a mirror for the tears of self-pity. How do we love our neighbour? By taking to heart his poverty, his small wage, and the attendant evils thereof. And is that how we love our neighbour as ourselves? Do I, then, think of myself as a moneyed thing enjoying advantages, or a non-moneyed thing suffering from disadvantages? Evidently I do. Then why the tears? They must rise from the inborn knowledge that neither money or non-money, advantages or disadvantages, matter supremely: what matters is the light under the bushel, the flower fighting under the safeguard of the leaves. I am weeping over my denied self. And I am very sorry for myself, held in the grip of some stronger force. Where can I find an image of myself?* Ah, in the poor, in my poor neighbour labouring in the grip of an unjust system of capitalism. Let me look at him, let my heart be wrung, let me give myself to his service. Poor fellow, poor image, he is so badly off. Alas and alas, I do love my neighbour as myself: I am as anxious about his pecuniary welfare as I am about myself. I am so sorry for him, the poor X. He is a man like me. So I lie to myself and to him. For I do not care about him and his poverty: I care about my own unsatisfied soul. But I sidetrack to him, my poor neighbour, to vent on him my self-pity.
It is as if a poppy, when he is grown taller than his neighbours, but has not come to flower, should look down and, because he can get no further, say: “Alas, for those poor dwindlers down there: they don’t get half as much rain as I do.” He grows no more, and his non-growing makes him sad, and he tries to crouch down so as not to be any taller than his neighbour, thinking his sorrow is for his neighbour; and his neighbour struggles weakly into flower, after his fight for the sunshine. But the rich young poppy crouches, gazing down, nor even once lifts up his head to blossom. He is so afraid of giving himself forth, he cannot move on to expose his new nakedness, up there to confront the horrific space of the void, he is afraid of giving himself away to the unknown. He stays within his shell.
Which is the parable of the rich poppy. The truth about him is, * See note?9, p.?66.
he grows as fast as he can, though he devours no man’s substance, because he has neither storehouse nor barn to devour them with, and neither a poppy nor a man can devour much through his own mouth. He grows as fast as he can, and from his innermost self he shuttles the red fire out, bit by bit, a little further, till he has brought it together and up to bud. There he hangs his head, hesitates, halts, reflects a moment, shrinking from the great climax when he lets off his fire. He ought to perceive now his neighbours, and to stand arrested, crying, “Alas, those poor dwindlers!” But his fire breaks out of him, and he lifts his head, slowly, subtly, tense in an ecstasy of fear overwhelmed by joy, submits to the issuing of his flame and his fire, and there it hangs at the brink of the void, scarlet and radiant for a little while, immanent on the unknown, a signal, an outpost, an advance-guard, a forlorn, splendid flag quivering from the brink of the unfathomed void, into which it flutters silently, satisfied, whilst a little ash, a little dusty seed remains behind on the solid ledge of earth.
And the day is richer for a poppy, the flame of another phoenix is filled in to the universe, something is, which was not.
That is the whole point: something is which was not. And I wish it were true of us. I wish we were all like kindled bonfires on the edge of space, marking out the advance-posts. What is the aim of self-preservation, but to carry us right out to the firing-line; there, what is is in contact with what is not. If many lives be lost by the way, it cannot be helped, nor if much suffering be entailed. I do not go out to war in the intention of avoiding all danger or discomfort: I go to fight for myself. Every step I move forward into being brings a newer, juster proportion into the world, gives me less need of storehouse and barn, allows me to leave all, and to take what I want by the way, sure that it will always be there; allows me in the end to fly the flag of myself, at the extreme tip of life.
He who would save his life must lose it. But why should he go on and waste it? Certainly let him cast it upon the waters. Whence and how and whither it will return is no matter, in terms of values. But like a poppy that has come to bud, when he reaches the shore, when he has traversed his known and come to the beach to meet the unknown, he must strip himself naked and plunge in, and pass out: if he dare. And the rest of his life he will be a stirring at the unknown, cast out upon the waters. But if he dare not plunge in, if he dare not take off his clothes and give himself naked to the flood, then let him prowl in rotten safexy, weeping for pity of those he imagines worse off than himself. He dare not weep aloud for his own cowardice. And weep he must. So he will find him objects of pity.
CHAPTER III
Containing Six Novels and the Real Tragedy This is supposed to be a book about the people in Thomas Hardy’s novels. But if one wrote everything they give rise to, it would fill the Judgment Book.
One thing about them is that none of the heroes and heroines care very much for money, or immediate self-preservation, and all of them are struggling hard to come into being. What exactly the struggle into being consists in, is the question. But most obviously, from the Wessex novels, the first and chiefest factor is the struggle into love and the struggle with love: by love, meaning the love of a man for a woman and a woman for a man. The via media to being, for man or woman, is love, and love alone. Having achieved and accomplished love, then the man passes into the unknown. He has become himself, his tale is told. Of anything that is complete there is no more tale to tell. The tale is about becoming complete, or about the failure to become complete.
It is urged against Thomas Hardy’s characters that they do unreasonable things — quite, quite unreasonable things. They are always going off unexpectedly and doing something that nobody would do. That is quite true, and the charge is amusing. These people of Wessex are always bursting suddenly out of bud and taking a wild flight into flower, always shooting suddenly out of a tight convention, a tight, hide-bound cabbage state into something quite madly personal. It would be amusing to count the number of special marriage licenses taken out in Hardy’s books. Nowhere, except perhaps in Jude, is there the slightest development of personal action in the characters: it is all explosive. Jude, however, does see more or less what he is doing, and acts from choice. He is more consecutive. The rest explode out of the convention. They are people each with a real, vital, potential self, even the apparently wishy-washy- heroines of the earlier books, and this self suddenly bursts the shell of manner and convention and commonplace opinion, and acts independently, absurdly, without mental knowledge or acquiescence.
And from such an outburst the tragedy usually develops. For there does exist, after all, the great self-preservation scheme, and in it we must all live. Now to live in it after bursting out of it was the problem these Wessex people found themselves faced with. And they never solved the problem, none of them except the comically, insufficiently treated Ethelberta.
This because they must subscribe to the system in themselves. From the more immediate claims of self-preservation they could free themselves: from money, from ambition for social success. None of the heroes or heroines of Hardy cared much for these things. But there is the greater idea of self-preservation, which is formulated in the State, in the whole modelling of the community. And from this idea, the heroes and heroines of Wessex, like the heroes and heroines of almost anywhere else, could not free themselves. In the long run, the State, the Community, the established form of life remained, remained intact and impregnable, the individual, trying to break forth from it, died of fear, of exhaustion, or of exposure to attacks from all sides, like men who have left the walled city to live outside in the precarious open,
This is the tragedy of Hardy, always the same: the tragedy of those who, more or less pioneers, have died in the wilderness, whither they had escaped for free action, after having left the walled security, and the comparative imprisonment, of the established convention. This is the theme of novel after novel: remain quite within the convention, and you are good, safe, and happy in the long run, though you never have the vivid pang of sympathy on your side: or, on the other hand, be passionate, individual, wilful, you will find the security of the convention a walled prison, you will escape, and you will die, either of your own lack of strength to bear the isolation and the exposure, or by direct revenge from the community, or from both. This is the tragedy, and only this: it is nothing more metaphysical than the division of a man against himself in such a way: first, that he is a member of the community, and must, upon his honour, in no way move to disintegrate the community, either in its moral or its practical form; second, that the convention of the community is a prison to his natural, individual desire, a desire that compels him, whether he feel justified or not, to break the bounds of the community, lands him outside the pale, there to stand alone, and say: “I was right, my desire was real and inevitable; if I was to be myself I must fulfil it, convention or no convention,” or else,
there to stand alone, doubting, and saying: “Was I right, was I wrong? If I was wrong, oh, let me diel” — in which case he courts death.
The growth and the development of this tragedy, the deeper and deeper realization of this division and this problem, the coming towards some conclusion, is the one theme of the Wessex novels.
And therefore the books must be taken chronologically, to reveal the development and to advance towards the conclusion.
1. Desperate Remedies.
Springrove, the dull hero, fast within convention, dare not tell Cytherea that he is already engaged, and thus prepares the complication. Manston, represented as fleshily passionate, breaks the convention and commits murder, which is very extreme, under compulsion of his disire for Cytherea. He is aided by the darkly passionate, lawless Miss Aldclyffe. He and Miss Aldclyffe meet death, and Spring- rove and Cytherea are united to happiness and success.
2. Under the Greenwood Tree.
After a brief excursion from the beaten track in the pursuit of social ambition and satisfaction of the imagination, figured by the Clergyman, Fancy, the little school-mistress, returns to Dick, renounces imagination, and settles down to steady, solid, physically satisfactory married life, and all is as it should be. But Fancy will carry in her heart all her life many unopened buds that will die un- flowered; and Dick will probably have a bad time of it.
3. A Pair of Blue Eyes.
