Complete Works of D.H. Lawrence (Illustrated), page 833
and kindling shapely little conflagrations
curious long-legged foals, and wide-eared calves,
and naked sparrow-bubs.
I wish that spring
would start the thundering traffic of feet
new feet on the earth, beating with impatience.
I wish it were spring, thundering
delicate, tender spring.
I wish these brittle, frost-lovely flowers of pas —
sionate, mysterious corruption
were not yet to come still more from the still —
flickering discontent.
Oh, in the spring, the bluebell bows him down for
very exuberance,
exulting with secret warm excess,
bowed down with his inner magnificence!
Oh, yes, the gush of spring is strong enough
to toss the globe of earth like a ball on a water-jet
dancing sportfully;
as you see a tiny celluloid ball tossing on a squint
of water
for men to shoot at, penny-a-time, in a booth at a fair.
The gush of spring is strong enough
to play with the globe of earth like a ball on a fountain;
At the same time it opens the tiny hands of the hazel
with such infinite patience.
The power of the rising, golden, all-creative sap
could take the earth
and heave it off among the stars, into the in- visible;
the same sets the throstle at sunset on a bough
singing against the blackbird;
comes out in the hesitating tremor of the primrose,
and betrays its candour in the round white straw —
berry flower,
is dignified in the foxglove, like a Red-Indian brave.
Ah come, come quickly, spring!
Come and lift us towards our culmination, we myriads;
we who have never flowered, like patient cactuses.
Come and lift us to our end, to blossom, bring us
to our summer
we who are winter-weary in the winter of the world.
Come making the chaffinch nests hollow and cosy,
come and soften the willow buds till they are
puffed and furred,
then blow them over with gold.
Come and cajole the gawky colt’s-foot flowers.
Come quickly, and vindicate us
against too much death.
Come quickly, and stir the rotten globe of the
world from within,
burst it with germination, with world anew.
Come now, to us, your adherents, who cannot
flower from the ice.
All the world gleams with the lilies of Death the
Unconquerable,
but come, give us our turn.
Enough of the virgins and lilies, of passionate,
suffocating perfume of corruption,
no more narcissus perfume, lily harlots, the blades
of sensation
piercing the flesh to blossom of death.
Have done, have done with this shuddering,
delicious business
of thrilling ruin in the flesh, of pungent passion,
of rare, death-edged ecstasy.
Give us our turn, give us a chance, let our hour strike,
O soon, soon!
Let the darkness turn violet with rich dawn.
Let the darkness be warmed, warmed through to a
ruddy violet,
incipient purpling towards summer in the world
of the heart of man.
Are the violets already here!
Show me! I tremble so much to hear it, that even now
on the threshold of spring, I fear I shall die.
Show me the violets that are out.
Oh, if it be true, and the living darkness of the
blood of man is purpling with violets,
if the violets are coming out from under the rack
of men, winter-rotten and fallen
we shall have spring.
Pray not to die on this Pisgah blossoming with violets.
Pray to live through.
If you catch a whiff of violets from the darkness of
the shadow of man
it will be spring in the world,
it will be spring in the world of the living;
wonderment organising itself, heralding itself with
the violets,
stirring of new seasons.
Ah, do not let me die on the brink of such
anticipation!
Worse, let me not deceive myself.
ZENNOR
NEW POEMS
CONTENTS
APPREHENSION
COMING AWAKE
FROM A COLLEGE WINDOW
FLAPPER
BIRDCAGE WALK
LETTER FROM TOWN: THE ALMOND TREE
FLAT SUBURBS, S.W., IN THE MORNING
THIEF IN THE NIGHT
LETTER FROM TOWN: ON A GREY EVENING IN MARCH
SUBURBS ON A HAZY DAY
HYDE PARK AT NIGHT, BEFORE THE WAR
GIPSY
TWO-FOLD
UNDER THE OAK
SIGH NO MORE
LOVE STORM
PARLIAMENT HILL IN THE EVENING
PICCADILLY CIRCUS AT NIGHT
TARANTELLA
IN CHURCH
PIANO
EMBANKMENT AT NIGHT, BEFORE THE WAR
PHANTASMAGORIA
NEXT MORNING
PALIMPSEST OF TWILIGHT
EMBANKMENT AT NIGHT, BEFORE THE WAR
WINTER IN THE BOULEVARD
SCHOOL ON THE OUTSKIRTS
SICKNESS
EVERLASTING FLOWERS
THE NORTH COUNTRY
BITTERNESS OF DEATH
SEVEN SEALS
READING A LETTER
TWENTY YEARS AGO
INTIME
TWO WIVES
HEIMWEH
DEBACLE
NARCISSUS
AUTUMN SUNSHINE
ON THAT DAY
Lawrence in Mexico, close to the time of publication
APPREHENSION
AND all hours long, the town
Roars like a beast in a cave
That is wounded there
And like to drown;
While days rush, wave after wave
On its lair.
An invisible woe unseals
The flood, so it passes beyond
All bounds: the great old city
Recumbent roars as it feels
The foamy paw of the pond
Reach from immensity.
But all that it can do
Now, as the tide rises,
Is to listen and hear the grim
Waves crash like thunder through
The splintered streets, hear noises
Roll hollow in the interim.
COMING AWAKE
WHEN I woke, the lake-lights were quivering on the
wall,
The sunshine swam in a shoal across and across,
And a hairy, big bee hung over the primulas
In the window, his body black fur, and the sound
of him cross.
There was something I ought to remember: and yet I did not remember. Why should I? The run- ning lights And the airy primulas, oblivious Of the impending bee — they were fair enough sights.
FROM A COLLEGE WINDOW
THE glimmer of the limes, sun-heavy, sleeping,
Goes trembling past me up the College wall.
Below, the lawn, in soft blue shade is keeping,
The daisy-froth quiescent, softly in thrall.
Beyond the leaves that overhang the street,
Along the flagged, clean pavement summer-white,
Passes the world with shadows at their feet
Going left and right.
Remote, although I hear the beggar’s cough,
See the woman’s twinkling fingers tend him a
coin,
I sit absolved, assured I am better off
Beyond a world I never want to join.
FLAPPER
LOVE has crept out of her sealéd heart
As a field-bee, black and amber,
Breaks from the winter-cell, to clamber
Up the warm grass where the sunbeams start.
Mischief has come in her dawning eyes,
And a glint of coloured iris brings
Such as lies along the folded wings
Of the bee before he flies.
Who, with a ruffling, careful breath,
Has opened the wings of the wild young sprite?
Has fluttered her spirit to stumbling flight
In her eyes, as a young bee stumbleth?
Love makes the burden of her voice.
The hum of his heavy, staggering wings
Sets quivering with wisdom the common
things
That she says, and her words rejoice.
BIRDCAGE WALK
WHEN the wind blows her veil
And uncovers her laughter
I cease, I turn pale.
When the wind blows her veil
From the woes I bewail
Of love and hereafter:
When the wind blows her veil
I cease, I turn pale.
LETTER FROM TOWN: THE ALMOND TREE
YOU promised to send me some violets. Did you
forget?
White ones and blue ones from under the orchard
hedge?
Sweet dark purple, and white ones mixed for a
pledge
Of our early love that hardly has opened yet.
Here there’s an almond tree — you have never seen
Such a one in the north — it flowers on the street,
and I stand
Every day by the fence to look up for the flowers
that expand
At rest in the blue, and wonder at what they mean.
Under the almond tree, the happy lands
Provence, Japan, and Italy repose,
And passing feet are chatter and clapping of
those
Who play around us, country girls clapping their
hands.
You, my love, the foremost, in a flowered gown,
All your unbearable tenderness, you with the
laughter
Startled upon your eyes now so wide with here —
after,
You with loose hands of abandonment hanging
down.
FLAT SUBURBS, S.W., IN THE MORNING
THE new red houses spring like plants
In level rows
Of reddish herbage that bristles and slants
Its square shadows.
The pink young houses show one side bright
Flatly assuming the sun,
And one side shadow, half in sight,
Half-hiding the pavement-run;
Where hastening creatures pass intent
On their level way,
Threading like ants that can never relent
And have nothing to say.
Bare stems of street-lamps stiffly stand
At random, desolate twigs,
To testify to a blight on the land
That has stripped their sprigs.
THIEF IN THE NIGHT
LAST night a thief came to me
And struck at me with something dark.
I cried, but no one could hear me,
I lay dumb and stark.
When I awoke this morning
I could find no trace;
Perhaps ‘twas a dream of warning,
For I’ve lost my peace.
LETTER FROM TOWN: ON A GREY EVENING IN MARCH
THE clouds are pushing in grey reluctance slowly
northward to you,
While north of them all, at the farthest ends,
stands one bright-bosomed, aglance
With fire as it guards the wild north cloud-coasts,
red-fire seas running through
The rocks where ravens flying to windward melt
as a well-shot lance.
You should be out by the orchard, where violets
secretly darken the earth,
Or there in the woods of the twilight, with
northern wind-flowers shaken astir.
Think of me here in the library, trying and trying
a song that is worth
Tears and swords to my heart, arrows no armour
will turn or deter.
You tell me the lambs have come, they lie like
daisies white in the grass
Of the dark-green hills; new calves in shed;
peewits turn after the plough —
It is well for you. For me the navvies work in the
road where I pass
And I want to smite in anger the barren rock of
each waterless brow.
Like the sough of a wind that is caught up high in
the mesh of the budding trees,
A sudden car goes sweeping past, and I strain my
soul to hear
The voice of the furtive triumphant engine as it
rushes past like a breeze,
To hear on its mocking triumphance unwitting
the after-echo of fear.
SUBURBS ON A HAZY DAY
O STIFFLY shapen houses that change not,
What conjuror’s cloth was thrown across you,
and raised
To show you thus transfigured, changed,
Your stuff all gone, your menace almost rased?
Such resolute shapes, so harshly set
In hollow blocks and cubes deformed, and heaped
In void and null profusion, how is this?
In what strong aqua regia now are you steeped?
That you lose the brick-stuff out of you
And hover like a presentment, fading faint
And vanquished, evaporate away
To leave but only the merest possible taint!
HYDE PARK AT NIGHT, BEFORE THE WAR
Clerks.
WE have shut the doors behind us, and the velvet
flowers of night
Lean about us scattering their pollen grains of
golden light.
Now at last we lift our faces, and our faces come
aflower
To the night that takes us willing, liberates us to the
hour.
Now at last the ink and dudgeon passes from our
fervent eyes
And out of the chambered weariness wanders a
spirit abroad on its enterprise.
Not too near and not too far
Out of the stress of the crowd
Music screams as elephants scream
When they lift their trunks and scream aloud
For joy of the night when masters are
Asleep and adream.
So here I hide in the Shalimar
With a wanton princess slender and proud,
And we swoon with kisses, swoon till we seem
Two streaming peacocks gone in a cloud
Of golden dust, with star after star
On our stream.
GIPSY
I, THE man with the red scarf,
Will give thee what I have, this last week’s earn —
ings.
Take them, and buy thee a silver ring
And wed me, to ease my yearnings.
For the rest, when thou art wedded
I’ll wet my brow for thee
With sweat, I’ll enter a house for thy sake,
Thou shalt shut doors on me.
TWO-FOLD
How gorgeous that shock of red lilies, and larkspur
cleaving
All with a flash of blue! — when will she be leaving
Her room, where the night still hangs like a half —
folded bat,
And passion unbearable seethes in the darkness, like
must in a vat.
UNDER THE OAK
You, if you were sensible,
When I tell you the stars flash signals, each one
dreadful,
You would not turn and answer me
“The night is wonderful.”
Even you, if you knew
How this darkness soaks me through and through,
and infuses
Unholy fear in my vapour, you would pause to dis —
tinguish
What hurts, from what amuses.
For I tell you
Beneath this powerful tree, my whole soul’s fluid
Oozes away from me as a sacrifice steam
At the knife of a Druid.
Again I tell you, I bleed, I am bound with withies,
My life runs out.
I tell you my blood runs out on the floor of this oak,
Gout upon gout.
Above me springs the blood-born mistletoe
In the shady smoke.
But who are you, twittering to and fro
Beneath the oak?
What thing better are you, what worse?
What have you to do with the mysteries
Of this ancient place, of my ancient curse?
What place have you in my histories?
SIGH NO MORE
THE cuckoo and the coo-dove’s ceaseless calling,
Calling,
Of a meaningless monotony is palling
All my morning’s pleasure in the sun-fleck-scattered
wood.
May-blossom and blue bird’s-eye flowers falling,
Falling
In a litter through the elm-tree shade are scrawling
Messages of true-love down the dust of the high —
road.
I do not like to hear the gentle grieving,
Grieving
Of the she-dove in the blossom, still believing
