Complete Works of D.H. Lawrence (Illustrated), page 688
Now it had come true. But the very realization, and the very intensity of my looking, had made me lose my strength and my buoyancy. I turned forlorn to the men who were with me. The blue-eyed one came and took my arm, and laid it across his shoulder, laying his left hand round my waist, on my hip.
And almost immediately the soft, warm rhythm of his life pervaded me again, and the memory in me which was my old self went to sleep. I was like a wound, and the touch of these men healed me at once. We went on again, along the raised pavement.
Three horsemen came cantering up, from behind. All the world was turning home towards the town, at sunset. The horsemen slackened pace as they came abreast. They were men in soft, yellow sleeveless tunics, with the same still, formal Egyptian faces and trimmed beards as my companions. Their arms and legs were bare, and they rode without stirrups. But they had curious hats of beech-leaves on their heads. They glanced at us sharply and my companions saluted respectfully. Then the riders cantered ahead again, the golden tunics softly fluttering. No one spoke at all. There was a great stillness in all the world, and yet a magic of close-interwoven life.
The road now began to be full of people, slowly passing up the hill towards the town. Most were bare-headed, wearing the sleeveless woollen shirt of grey and red, with a red girdle, but some were clean-shaven, and dressed in grey shirts, and some carried tools, some fodder. There were women too, in blue or lilac smocks, and some men in scarlet smocks. But among the rest, here and there were men like my guide, quite naked, and some young women, laughing together as they went, had their blue smocks folded to a pad on their heads, as they carried their bundles, and their slender, rosy-tanned bodies were quite naked, save for a little girdle of white and green and purple cord fringe that hung round their hips and swung as they walked. Only they had soft shoes on their feet.
They all glanced at me, and some spoke a word of salute to my companions, but no one asked questions. The naked girls went very stately, with bundles on their heads, yet they laughed more than the men. And they were comely as berries on a bush. That was what they reminded me of: rose-berries on a bush. That was the quality of all the people: an inner stillness and ease, like plants. that come to flower and fruit. The individual was like a whole fruit, body and mind and spirit, without split. It made me feel a curious, sad sort of envy, because I was not so whole, and at the same time, I was wildly elated, my rushing sort of energy seemed to come upon me again. I felt as if I were just going to plunge into the deeps of life, for the first time: belated, and yet a pioneer of pioneers.
I saw ahead the great rampart walls of the town — then the road suddenly curved to gateway, all the people flowing in, in two slow streams, through the narrow side entrances.
It was a big gateway of yellow stone, and inside was a clear space, paved mostly with whitish stones, and around it stood buildings in the yellow stone, golden-looking, with pavement arcades supported on yellow pillars. My guides turned into a chamber where men in green stood on guard, and several peasants were waiting. They made way, and I was taken before a man who reclined on a dark-yellow couch, himself wearing a yellow tunic. He was blond, with the trimmed beard and hair worn long, cut round like the hair of a Florentine page. Though he was not handsome, he had a curious quality of beauty, that came from within. But this time, it was the beauty of a flower rather than of a berry.
My guides saluted him and explained briefly and quietly, in words I could only catch a drift of. Then the man looked at me, quietly, gently, yet I should have been afraid, if I had been his enemy. He spoke to me, and I thought he asked if I wanted to stay in their town.
‘Did you ask me if I want to stay here?’ I replied. ‘You see, I don’t even know where I am.’
‘You are in this town of Nethrupp,’ he said, in slow English, like a foreigner. ‘Will you stay some time with us?’
‘Why, thank you, if I may,’ I said, too helplessly bewildered to know what I was saying.
We were dismissed, with one of the guards in green. The people were all streaming down the side street, between the yellow-coloured houses, some going under the pillared porticoes, some in the open road. Somewhere ahead a wild music began to ring out, like three bagpipes squealing and droning. The people pressed forward, and we came to a great oval space on the ramparts, facing due west. The sun, a red ball, was near the horizon.
We turned into a wide entrance and went up a flight of stairs. The man in green opened a door and ushered me in.
‘All is thine!’ he said.
My naked guide followed me into the room, which opened on to the oval and the west. He took a linen shirt and a woollen tunic from a small cupboard, and smilingly offered them to me. I realized he wanted his own shirt back, and I quickly gave it him, and his shoes. He put my hand quickly between his two hands, then slipped into his shirt and shoes, and was gone.
I dressed myself in the clothes he had laid out, a blue-and-white striped tunic, and white stockings, and blue cloth shoes, and went to the window. The red sun was almost touching the tips of the tree-covered hills away in the west, Sherwood Forest grown dense again. It was the landscape I knew best on earth, and still I knew it, from the shapes.
There was a curious stillness in the square. I stepped out of my window on to the terrace, and looked down. The crowd had gathered in order, a cluster of men on the left, in grey, grey-and-scarlet, and pure scarlet, and a cluster of women on the right, in tunics of all shades of blue and crocus lilac. In the vaulted porticoes were more people. And the red sun shone on all, till the square glowed again.
When the ball of fire touched the tree-tops, there was a queer squeal of bagpipes, and the square suddenly started into life. The men were stamping softly, like bulls, the women were softly swaying, and softly clapping their hands, with a strange noise, like leaves. And from under the vaulted porticoes, at opposite ends of the egg-shaped oval, came the soft booming and trilling of women and men singing against one another in the strangest pattern of sound.
It was all kept very soft, soft-breathing. Yet the dance swept into swifter and swifter rhythm, with the most extraordinary incalculable unison. I do not believe there was any outside control of the dance. The thing happened by instinct, like the wheeling and flashing of a shoal of fish or of a flock of birds dipping and spreading in the sky. Suddenly, in one amazing wing-movement, the arms of all the men would flash up into the air, naked and glowing, and with the soft, rushing sound of pigeons alighting the men ebbed in a spiral, grey and sparkled with scarlet, bright arms slowly leaning, upon the women, who rustled all crocus-blue, rustled like an aspen, then in one movement scattered like sparks, in every direction, from under the enclosing, sinking arms of the men, and suddenly formed slender rays of lilac branching out from red and grey knot of the men.
All the time the sun was slowly sinking, shadow was falling, and the dance was moving slower, the women wheeling blue around the obliterated sun. They were dancing the sun down, and dancing as birds wheel and dance, and fishes in shoals, controlled by some strange unanimous instinct. It was at once terrifying and magnificent, I wanted to die, so as not to see it, and I wanted to rush down, to be one of them. To be a drop in that wave of life.
The sun had gone, the dance unfolded and faced inwards to the town, the men softly stamping, the women rustling and softly clapping, the voices of the singers drifting on like a twining wind. And slowly, in one slow wing-movement, the arms of the men rose up unanimous, in a sort of salute, and as the arms of the men were sinking, the arms of the women softly rose. It gave the most marvellous impression of soft, slow flight of two many-pinioned wings, lifting and sinking like the slow drift of an owl. Then suddenly everything ceased. The people scattered silently.
And two men came into the oval, the one with glowing lamps hung on a pole he carried across his shoulder, while the other quickly hung up the lamps within the porticoes, to light the town. It was night.
Someone brought us a lighted lamp, and was gone. It was evening, and I was alone in a smallish room with a small bed, a lamp on the floor, and an unlighted fire of wood on the small hearth. It was very simple and natural. There was a small outfit of clothing in the cupboard, with a thick blue cloak. And there were a few plates and dishes. But in the room there were no chairs, but a long, folded piece of dark felt, on which one could recline. The light shone upwards from below, lighting the walls of creamy smoothness, like a chalk enamel. And I was alone, utterly alone, within a couple of hundred yards of the very spot where I was born.
I was afraid: afraid for myself. These people, it seemed to me, were not people, not human beings in my sense of the word. They had the stillness and the completeness of plants. And see how they could melt into one amazing instinctive thing, a human flock of motion.
I sat on the ground on the dark-blue felt, wrapped in the blue mantle, because I was cold and had no means of lighting the fire. Someone tapped at the door, and a man of the green guard entered. He had the same quiet, fruit-like glow of the men who had found me, a quality of beauty that came from inside, in some queer physical way. It was a quality I loved, yet it made me angry. It made me feel like a green apple, as if they had had all the real sun.
He took me out, and showed me lavatories and baths, with two lusty men standing under the douches. Then he took me down to a big circular room with a raised hearth in the centre, and a blazing wood fire whose flame and smoke rose to a beautiful funnel-shaped canopy or chimney of stone. The hearth spread out beyond the canopy, and here some men reclined on the folded felts, with little white cloths before them, eating an evening meal of stiff porridge and milk, with liquid butter, fresh lettuce, and apples. They had taken off their clothes, and lay with the firelight flickering on their healthy, fruit-like bodies, the skin glistening faintly with oil. Around the circular wall ran a broad dais where other men reclined, either eating or resting. And from time to time a man came in with his food, or departed with his dishes.
My guide took me out, to peep in a steaming room where each man washed his plate and spoon and hung them in his own little rack. Then my guide gave me a cloth and tray and dishes, and we went to a simple kitchen, where the porridge stood in great bowls over a slow fire, the melted butter was in a deep silver pan, the milk and the lettuce and fruit stood near the door. Three cooks guarded the kitchen, but the men from outside came quietly and took what they needed or what they wanted, helping themselves, then returning to the great round room, or going away to their own little rooms. There was an instinctive cleanliness and decency everywhere, in every movement, in every act. It was as if the deepest instinct had been cultivated in the people, to be comely. The soft, quiet comeliness was like a dream, a dream of life at last come true.
I took a little porridge, though I had little desire to eat. I felt a curious surge of force in me: yet I was like a ghost, among these people. My guide asked me, would I eat in the round hall, or go up to my room? I understood, and chose the round hall. So I hung my cloak in the curving lobby, and entered the men’s hall. There I lay on a felt against the wall, and watched the men, and listened.
They seemed to slip out of their clothing as soon as they were warm, as if clothes were a burden or a slight humiliation. And they lay and talked softly, intermittently, with low laughter, and some played games with draughtsmen and chessmen, but mostly they were still.
The room was lit by hanging lamps, and it had no furniture at all. I was alone, and I was ashamed to take off my white sleeveless shirt. I felt, somehow, these men had no right to be so unashamed and self-possessed.
The green guard came again, and asked me, would I go to see somebody whose name I did not make out. So I took my mantle, and we went into the softly-lighted street, under the porticoes. People were passing, some in cloaks, some only in tunics, and women were tripping along.
We climbed up towards the top of the town, and I felt I must be passing the very place where I was born, near where the Wesleyan Chapel stood. But now it was all softly lighted, golden-coloured porticoes, with people passing in green or blue or grey-and-scarlet cloaks.
We came out on top into a circular space, it must have been where our Congregational Chapel stood, and in the centre of the circle rose a tower shaped tapering rather like a lighthouse, and rosy-coloured in the lamplight. Away in the sky, at the club-shaped tip of the tower, glowed one big ball of light.
We crossed, and mounted the steps of another building, through the great hall where people were passing; on to a door at the end of a corridor, where a green guard was seated. The guard rose and entered to announce us, then I followed through an antechamber to an inner room with a central hearth and a fire of clear-burning wood.
A man came forward to meet me, wearing a thin, carmine-coloured tunic. He had brown hair and a stiff reddish-brown beard, and an extraordinary glimmering kind of beauty. Instead of the Egyptian calmness and fruit-like impassivity of the ordinary people, or the steady, flower-like radiance of the chieftain in yellow, at the city gates, this man had a quavering glimmer like light coming through water. He took my cloak from me; and I felt at once he understood.
‘It is perhaps cruel to awaken,’ he said, in slow, conscious English, ‘even at a good moment.’
‘Tell me where I am!’ I said.
‘We call it Nethrupp — but was it not Newthorpe? — Tell me, when did you go to sleep?’
‘This afternoon, it seems — in October, 1927.’
‘October, nineteen-twenty-seven!’ He repeated the words curiously, smiling.
‘Did I really sleep? Am I really awake?’
‘Are you not awake?’ he said smiling. ‘Will you recline upon the cushons? Or would you rather sit? See!’ — He showed me a solid oak armchair, of the modern furniture-revival sort, standing alone in the room. But it was black with age, and shrunken-seeming. I shivered.
‘How old is that chair?’ I said.
‘It is just about a thousand years! a case of special preservation,’ he said.
I could not help it. I just sat on the rugs and burst into tears, weeping my soul away.
The man sat perfectly still for a long time. Then he came and put my hand between his two.
‘Don’t cry!’ he said. ‘Don’t cry! Man was a perfect child so long. Now we try to be men, not fretful children. Don’t cry! Is not this better?’
‘When is it? What year is this?’ I asked.
‘What year? We call it the year of the acorn. But you mean its arithmetic? You would call it the year two thousand nine hundred and twenty-seven.’
‘It cannot be,’ I said.
‘Yet still it is.’
‘Then I am a thousand and forty-two years old!’
‘And why not?’
‘But how can I be?’
‘How? You went to sleep, like a chrysalis: in one of the earth’s little chrysalis wombs: and your clothes turned to dust, yet they left the buttons: and you woke up like a butterfly. But why not? Why are you afraid to be a butterfly that wakes up out of the dark for a little while, beautiful? Be beautiful, then, like a white butterfly. Take off your clothes and let the firelight fall on you. What is given, accept then —’
‘How long shall I live now, do you think?’ I asked him.
‘Why will you always measure? Life is not a clock.’
It is true. I am like a butterfly, and I shall only live a little while. That is why I don’t want to eat.
THINGS
They were true idealists, from New England. But that is some time ago: before the War. Several years before the War they met and married; he a tall, keen-eyed young man from Connecticut, she a smallish, demure, Puritan-looking young woman from Massachusetts. They both had a little money. Not much, however. Even added together it didn’t make three thousand dollars a year. Still — they were free. Free!
Ah! — freedom! To be free to live one’s own life! To be twenty-five and twenty-seven, a pair of true idealists with a mutual love of beauty and an inclination towards “Indian thought” — meaning, alas! Mrs Besant — and an income a little under three thousand dollars a year! But what is money? All one wishes to do is to live a full and beautiful life. In Europe, of course, right at the fountain-head of tradition. It might possibly be done in America: in New England, for example. But at forfeiture of a certain amount of “beauty”. True beauty takes a long time to mature. The baroque is only half-beautiful, half-matured. No, the real silver bloom, the real golden-sweet bouquet of beauty, had its roots in the Renaissance, not in any later or shallower period.
Therefore, the two idealists, who were married in New Haven, sailed at once to Paris: Paris of the old days. They had a studio apartment on the Boulevard Montparnasse, and they became real Parisians, in the old, delightful sense, not in the modern, vulgar. It was the shimmer of the pure impressionists, Monet and his followers, the world seen in terms of pure light, light broken and unbroken. How lovely! How lovely! how lovely the nights, the river, the mornings in the old streets and by the flower-stalls and the book-stalls, the afternoons up on Montmartre or in the Tuileries, the evenings on the boulevards!
They both painted, but not desperately. Art had not taken them by the throat, and they did not take Art by the throat. They painted: that’s all. They knew people — nice people, if possible, though one had to take them mixed. And they were happy.
Yet it seems as if human beings must set their claws in something. To be “free”, to be “living a full and beautiful life”, you must, alas! be attached to something. A “full and beautiful life” means a tight attachment to something — at least, it is so for all idealists — or else a certain boredom supervenes; there is a certain waving of loose ends upon the air, like the waving, yearning tendrils of the vine that spread and rotate, seeking something to clutch, something up which to climb towards the necessary sun. Finding nothing, the vine can only trail, half-fulfilled, upon the ground. Such is freedom — a clutching of the right pole. And human beings are all vines. But especially the idealist. He is a vine, and he needs to clutch and climb. And he despises the man who is a mere potato, or turnip, or lump of wood.
