Complete works of willia.., p.735

Complete Works of William Morris, page 735

 

Complete Works of William Morris
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  The Great Council of the Realm was purely feudal; it was composed of the feudatories of the king, theoretically of all of them, practically of the great ones only. It was, in fact, the council of the conquering tribe with their chief at its head; the matters of the due feudal tribute, aids, reliefs, fines, scutage, and the like — in short, the king’s revenue due from his men — were settled in this council at once and in the lump. But the inferior tribe, though not represented there, existed, and, as aforesaid, was growing rich, and the king had to get their money out of their purses directly; which, as they were not represented at the council, he had to do by means of his officers (the sheriffs) dealing with them one after another, which was a troublesome job; for the men were stiff-necked and quite disinclined to part with their money; and the robbery having to be done on the spot, so to say, encountered all sorts of opposition: and, in fact, it was the money needs both of baron, bishop, and king which had been the chief instrument in furthering the progress of the towns. The towns would be pressed by their lords, king, or baron, or bishop, as it might be, and they would see their advantage and strike a bargain. For you are not to imagine that because there was a deal of violence going on in those times there was no respect for law; on the contrary, there was a quite exaggerated respect for it if it came within the four corners of the feudal feeling, and the result of this feeling of respect was the constant struggle for status on the part of the townships and other associations throughout the Middle Ages.

  Well, the burghers would say, “’Tis hard to pay this money, but we will put ourselves out to pay it if you will do something for us in return; let, for example, our men be tried in our own court, and the verdict be of one of compurgation instead of wager of battle,” and so forth, and so forth.

  All this sort of detailed bargaining was, in fact, a safeguard for the local liberties, so far as they went, of the towns and shires, and did not suit the king’s views of law and order at all; and so began the custom of the sheriff (the king’s officer, who had taken the place of the earl of the Anglo-Saxon period) summoning the burgesses to the council, which burgesses you must understand were not elected at the folkmotes of the town, or hundred, but in a sort of hole-and-corner way by a few of the bigger men of the place. What the king practically said was this: “I want your money, and I cannot be for ever wrangling with you stubborn churles at home there, and listening to all your stories of how poor you are, and what you want; no, I want you to be represented. Send me up from each one of your communes a man or two whom I can bully or cajole or bribe to sign away your substance for you.”

  Under these circumstances it is no wonder that the towns were not very eager in the cause of representation. It was no easy job to get them to come up to London merely to consult as to the kind of sauce with which they were to be eaten. However, they did come in some numbers, and by the year 1295 something like a shadow of our present Parliament was on foot. Nor need there be much more said about this institution; as time went on its functions got gradually extended by the petition for the redress of grievances accompanying the granting of money, but it was generally to be reckoned on as subservient to the will of the king, who down to the later Tudor period played some very queer tunes on this constitutional instrument.

  Edward I. gave place to his son, who again was of the type of king who had hitherto given the opportunity to the barons for their turn of advancement in the constitutional struggle; and in earlier times no doubt they would have taken full advantage of the circumstances; as it was they had little to gain. The king did his best to throw off the restraint of the feudal constitution, and to govern simply as an absolute monarch. After a time of apparent success he failed, of course, and only succeeded in confirming the legal rights of feudalism by bringing about his own formal deposition at the hands of the Baronage, as a chief who, having broken the compact with his feudatories, had necessarily forfeited his right. If we compare his case with that of Charles I. we shall find this difference in it, besides the obvious one that Edward was held responsible to his feudatories and Charles towards the upper middle classes, the squirearchy, as represented by Parliament; that Charles was condemned by a law created for the purpose, so to say, and evolved from the principle of the representation of the propertied classes, while Edward’s deposition was the real logical outcome of the confirmed feudal system, and was practically legal and regular.

  The successor of the deposed king, the third Edward, ushers in the complete and central period of the Middle Ages in England. The feudal system is complete: the life and spirit of the country has developed into a condition if not quite independent, yet quite forgetful, on the one hand of the ideas and customs of the Celtic and Teutonic tribes, and on the other of the authority of the Roman Empire. The Middle Ages have grown into manhood; that manhood has an art of its own, which, though developed step by step from that of Old Rome and New Rome, and embracing the strange mysticism and dreamy beauty of the East, has forgotten both its father and its mother, and stands alone triumphant, the loveliest, brightest, and gayest of all the creations of the human mind and hand.

  It has a literature of its own too, somewhat akin to its art, yet inferior to it, and lacking its unity, since there is a double stream in it. On the one hand is the court poet, the gentleman, Chaucer, with his Italianizing metres, and his formal recognition of the classical stories; on which, indeed, he builds a superstructure of the quaintest and most unadulterated mediævalism, as gay and bright as the architecture which his eyes beheld and his pen pictured for us, so clear, defined, and elegant it is; a sunny world even amidst its violence and passing troubles, like those of a happy child, the worst of them an amusement rather than a grief to the onlookers; a world that scarcely needed hope in its eager life of adventure and love, amidst the sunlit blossoming meadows, and green woods, and white begilded manor-houses. A kindly and human muse is Chaucer’s, nevertheless, interested in and amused by all life, but of her very nature devoid of strong aspirations for the future; and that all the more, since, though the strong devotion and fierce piety of the ruder Middle Ages had by this time waned, and the Church was more often lightly mocked at than either feared or loved, still the habit of looking on this life as part of another yet remained: the world is fair and full of adventure; kind men and true and noble are in it to make one happy; fools also to laugh at, and rascals to be resisted, yet not wholly condemned; and when this world is over we shall still go on living in another which is a part of this. Look at all the picture, note all and live in all, and be as merry as you may, never forgetting that you are alive and that it is good to live.

  That is the spirit of Chaucer’s poetry; but alongside of it existed yet the ballad poetry of the people, wholly untouched by courtly elegance and classical pedantry; rude in art but never coarse, true to the backbone; instinct with indignation against wrong, and thereby expressing the hope that was in it; a protest of the poor against the rich, especially in those songs of the Foresters, which have been called the mediæval epic of revolt; no more gloomy than the gentleman’s poetry, yet cheerful from courage, and not content. Half a dozen stanzas of it are worth a cartload of the whining introspective lyrics of to-day; and he who, when he has mastered the slight differences of language from our own daily speech, is not moved by it, does not understand what true poetry means nor what its aim is.

  There is a third element in the literature of this time which you may call Lollard poetry, the great example of which is William Langland’s “Piers Plowman.” It is no bad corrective to Chaucer, and in form at least belongs wholly to the popular side; but it seems to me to show symptoms of the spirit of the rising middle class, and casts before it the shadow of the new master that was coming forward for the workman’s oppression. But I must leave what more I have to say on this subject of the art and literature of the fourteenth century for another occasion. In what I have just said, I only wanted to point out to you that the Middle Ages had by this time come to the fullest growth; and that they could express in a form which was all their own, the ideas and life of the time.

  That time was in a sense brilliant and progressive, and the life of the worker in it was better than it ever had been, and might compare with advantage with what it became in after periods and with what it is now; and indeed, looking back upon it, there are some minds and some moods that cannot help regretting it, and are not particularly scared by the idea of its violence and its lack of accurate knowledge of scientific detail.

  However, one thing is clear to us now, the kind of thing which never is clear to most people living in such periods — namely, that whatever it was, it could not last, but must change into something else.

  The complete feudalism of the fourteenth century fell, as systems always fall, by its own corruption, and by development of the innate seeds of change, some of which indeed had lain asleep during centuries, to wake up into activity long after the events which had created them were forgotten.

  The feudal system was naturally one of open war; and the alliances, marriages, and other dealings, family with family, made by the king and potentates, were always leading them into war by giving them legal claims, or at least claims that could be legally pleaded, to the domains of other lords, who took advantage of their being on the spot, of their strength in men or money, or their popularity with the Baronage, to give immediate effect to their claims. Such a war was that by which Edward I. drew on England the enmity of the Scotch; and such again was the great war which Edward III. entered into with France. You must not suppose that there was anything in this war of a national, far less of a race, character. The last series of wars before this time I am now speaking of, in which race feelings counted for much, was the Crusades. This French war, I say, was neither national, racial, or tribal; it was the private business of a lord of the manor, claiming what he considered his legal rights of another lord, who had, as he thought, usurped them; and this claim his loyal feudatories were bound to take up for him; loyalty to a feudal superior, not patriotism to a country, was the virtue which Edward III.’s soldiers had to offer, if they had any call to be virtuous in that respect.

  This war once started was hard to drop, partly because of the success that Edward had in it, falling as he did on France with the force of a country so much more homogeneous than it; and no doubt it was a war very disastrous to both countries, and so may be reckoned as amongst the causes which broke up the feudal system.

  But the real causes of that break-up lay much deeper than that. The system was not capable of expansion in production; it was, in fact, as long as its integrity remained untouched, an army fed by slaves, who could not be properly and closely exploited; its free men proper might do something else in their leisure, and so produce art and literature, but their true business as members of a conquering tribe, their concerted business, was to fight. There was, indeed, a fringe of people between the serf and the free noble who produced the matters of handicraft which were needed for the latter, but deliberately, and, as we should now think, wastefully; and as these craftsmen and traders began to grow into importance and to push themselves, as they could not help doing, into the feudal hierarchy, as they acquired status, so the sickness of the feudal system increased on it, and the shadow of the coming commercialism fell upon it.

  That any set of people who could claim to be other than the property of free men should not have definite rights differentiated sharply from those of other groups, was an idea that did not occur to the Middle Ages; therefore, as soon as men came into existence that were not serfs and were not nobles, they had to struggle for status by organizing themselves into associations that should come to be acknowledged members of the great feudal hierarchy; for indefinite and negative freedom was not allowed to any person in those days; if you had not status you did not exist except as an outlaw.

  This is, briefly speaking, the motive power of necessity that lay behind the struggle of the town corporations and craft-gilds to be free, a struggle which, though it was to result in the breaking up of the mediæval hierarchy, began by an appearance of strengthening it by adding to its members, increasing its power of production, and so making it more stable for the time being.

  About this struggle, and the kind of life which accompanied it, I may have to write another time, and so will not say more about it here. Except this, that it was much furthered by the change that gradually took place between the landlords and the class on whom all society rested, the serfs. These at first were men who had no more rights than chattel slaves had, except that mostly, as part of the stock of the manor, they could not be sold off it; they had to do all the work of the manor, and to earn their own livelihood off it as they best could. But as the power of production increased, owing to better methods of working, and as the country got to be more settled, their task-work became easier of performance and their own land more productive to them; and that tendency to the definition and differentiation of rights, moreover, was at work for their benefit, and the custom of the manor defined what their services were, and they began to acquire rights. From that time they ceased to be pure serfs, and began to tend towards becoming tenants, at first paying purely and simply service for their holdings, but gradually commuting that service for fines and money payment — for rent, in short.

  Towards the close of the fourteenth century, after the country had been depopulated by the Black Death, and impoverished by the long war, the feudal lords of these copyholders and tenants began to regret the slackness with which their predecessors had exploited their property, the serfs, and to consider that under the new commercial light which had begun to dawn upon them they could do it much better if they only had their property a little more in hand; but it was too late, for their property had acquired rights, and therewithal had got strange visions into their heads of a time much better than that in which they lived, when even those rights should be supplanted by a condition of things in which the assertion of rights for any one set of men should no longer be needed, since all men should be free to enjoy the fruits of their own labour.

  Of that came the great episode of the Peasants’ War, led by men like Wat Tyler, Jack Straw, and John Ball, who indeed, with those they led, suffered for daring to be before their time, for the revolt was put down with cruelty worthy of an Irish landlord or a sweating capitalist of the present day; but, nevertheless, serfdom came to an end in England, if not because of the revolt, yet because of the events that made it, and thereby a death-wound was inflicted on the feudal system.

  From that time onward the country, passing through the various troubles of a new French war of Henry V.’s time, and the War of the Roses, did not heed these faction fights much.

  The workmen grew in prosperity, but also they began to rise into a new class, and a class beneath them of mere labourers who were not serfs began to form, and to lay the foundations of capitalistic production.

  England got carried into the rising current of commercialism, and the rich men and landlords to turn their attention to the production of profit instead of the production of livelihood; the gild-less journeyman and the landless labourer slowly came into existence; the landlord got rid of his tenants all he could, turned tillage into pasture, and sweated the pastures to death in his eagerness for wool, which for him meant money and the breeding of money; till at last the place of the serf, which had stood empty, as it were, during a certain transition period, during which the non-capitalistic production was expanding up to its utmost limit, was filled by the proletarian working for the service of a master in a new fashion, a fashion which exploited and (woe worth the while!) exploits him very much more completely than the customs of the manor of the feudal period.

  The life of the worker and the production of goods in this transition period, when Feudal society was sickening for its end, is a difficult and wide subject that requires separate treatment; at present I will leave the mediæval workman at the full development of that period which found him a serf bound to the manor, and which left him generally a yeoman or an artisan sharing the collective status of his gild.

  The workman of to-day, if he could realize the position of his forerunner, has some reason to envy him: the feudal serf worked hard, and lived poorly, and produced a rough livelihood for his master; whereas the modern workman, working harder still, and living little if any better than the serf, produces for his master a state of luxury of which the old lord of the manor never dreamed. The workman’s powers of production are multiplied a thousandfold; his own livelihood remains pretty much where it was. The balance goes to his master and the crowd of useless, draggled-tailed knaves and fools who pander to his idiotic sham desires, and who, under the pretentious title of the intellectual part of the middle classes, have in their turn taken the place of the mediæval jester.

  Truly, if the Positivist motto, “Live for others,” be taken in stark literality, the modern workman should be a good and wise man, since he has no chance of living for himself!

  And yet, I wish he were wiser still; wise enough to make an end of the preaching of “Live on others,” which is the motto set forth by commercialism to her favoured children.

  Yet in one thing the modern proletarian has an advantage over the mediæval serf, and that advantage is a world in itself. Many a century lay between the serf and successful revolt, and though he tried it many a time and never lost heart, yet the coming change which his martyrdom helped on was not to be for him yet, but for the new masters of his successors. With us it is different. A few years of wearisome struggle against apathy and ignorance; a year or two of growing hope — and then who knows? Perhaps a few months, or perhaps a few days of the open struggle against brute force, with the mask off its face, and the sword in its hand, and then we are over the bar.

 

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