Complete Works of G K Chesterton, page 87
‘You seem to be sitting up late,’ he said harshly.
‘Quite a dissipated character,’ said Father Brown, looking up with a broad smile, ‘reading Economics of Usury at all wild hours of the night.’
‘The place is locked up,’ said Rock.
‘Very thoroughly locked up,’ replied the other. ‘Your friend with the beard seems to have taken every precaution. By the way, your friend with the beard is a little rattled; I thought he was rather cross at dinner.’
‘Natural enough,’ growled the other, ‘if he thinks savages in this savage place are out to wreck his home life.’
‘Wouldn’t it be better,’ said Father Brown, ‘if a man tried to make his home life nice inside, while he was protecting it from the things outside.’
‘Oh, I know you will work up all the casuistical excuses,’ said the other; ‘perhaps he was rather snappy with his wife; but he’s got the right on his side. Look here, you seem to me to be rather a deep dog. I believe you know more about this than you say. What the devil is going on in this infernal place? Why are you sitting up all night to see it through?’
‘Well,’ said Father Brown patiently, ‘I rather thought my bedroom might be wanted.’
‘Wanted by whom?’
‘As a matter of fact, Mrs Potter wanted another room,’ explained Father Brown with limpid clearness. ‘I gave her mine, because I could open the window. Go and see, if you like.’
‘I’ll see to something else first,’ said Rock grinding his teeth. ‘You can play your monkey tricks in this Spanish monkey-house, but I’m still in touch with civilization.’ He strode into the telephone-booth and rang up his paper; pouring out the whole tale of the wicked priest who helped the wicked poet. Then he ran upstairs into the priest’s room, in which the priest had just lit a short candle, showing the windows beyond wide open.
He was just in time to see a sort of rude ladder unhooked from the window-sill and rolled up by a laughing gentleman on the lawn below. The laughing gentleman was a tall and swarthy gentleman, and was accompanied by a blonde but equally laughing lady. This time, Mr Rock could not even comfort himself by calling her laughter hysterical. It was too horribly genuine; and rang down the rambling garden-paths as she and her troubadour disappeared into the dark thickets.
Agar Rock turned on his companion a face of final and awful justice; like the Day of Judgement.
‘Well, all America is going to hear of this,’ he said. ‘In plain words, you helped her to bolt with that curly-haired lover.’
‘Yes,’ said Father Brown, ‘I helped her to bolt with that curly-haired lover.’
‘You call yourself a minister of Jesus Christ,’ cried Rock, ‘and you boast of a crime.’
‘I have been mixed up with several crimes,’ said the priest gently. ‘Happily for once this is a story without a crime. This is a simple fire-side idyll; that ends with a glow of domesticity.’
‘And ends with a rope-ladder instead of a rope,’ said Rock. ‘Isn’t she a married woman?’
‘Oh, yes,’ said Father Brown.
‘Well, oughtn’t she to be with her husband?’ demanded Rock.
‘She is with her husband,’ said Father Brown.
The other was startled into anger. ‘You lie,’ he said. ‘The poor little man is still snoring in bed.’
‘You seem to know a lot about his private affairs,’ said Father Brown plaintively. ‘You could almost write a life of the Man with a Beard. The only thing you don’t seem ever to have found out about him is his name.’
‘Nonsense,’ said Rock. ‘His name is in the hotel book.’
‘I know it is,’ answered the priest, nodding gravely, ‘in very large letters; the name of Rudel Romanes. Hypatia Potter, who met him here, put her name boldly under his, when she meant to elope with him; and her husband put his name under that, when he pursued them to this place. He put it very close under hers, by way of protest. The Romanes (who has pots of money, as a popular misanthrope despising men) bribed the brutes in this hotel to bar and bolt it and keep the lawful husband out. And I, as you truly say, helped him to get in.’
When a man is told something that turns things upside-down; that the tail wags the dog; that the fish has caught the fisherman; that the earth goes round the moon; he takes some little time before he even asks seriously if it is true. He is still content with the consciousness that it is the opposite of the obvious truth. Rock said at last: ‘You don’t mean that little fellow is the romantic Rudel we’re always reading about; and that curly haired fellow is Mr Potter of Pittsburgh.’
‘Yes,’ said Father Brown. ‘I knew it the moment I clapped eyes on both of them. But I verified it afterwards.’
Rock ruminated for a time and said at last: ‘I suppose it’s barely possible you’re right. But how did you come to have such a notion, in the face of the facts?’
Father Brown looked rather abashed; subsided into a chair, and stared into vacancy, until a faint smile began to dawn on his round and rather foolish face.
‘Well,’ he said, ‘you see — the truth is, I’m not romantic.’
‘I don’t know what the devil you are,’ said Rock roughly.
‘Now you are romantic,’ said Father Brown helpfully. ‘For instance, you see somebody looking poetical, and you assume he is a poet. Do you know what the majority of poets look like? What a wild confusion was created by that coincidence of three good-looking aristocrats at the beginning of the nineteenth century: Byron and Goethe and Shelley! Believe me, in the common way, a man may write: “Beauty has laid her flaming lips on mine,” or whatever that chap wrote, without being himself particularly beautiful. Besides, do you realize how old a man generally is by the time his fame has filled the world? Watts painted Swinburne with a halo of hair; but Swinburne was bald before most of his last American or Australian admirers had heard of his hyacinthine locks. So was D’Annunzio. As a fact, Romanes still has rather a fine head, as you will see if you look at it closely; he looks like an intellectual man; and he is. Unfortunately, like a good many other intellectual men, he’s a fool. He’s let himself go to seed with selfishness and fussing about his digestion. So that the ambitious American lady, who thought it would be like soaring to Olympus with the Nine Muses to elope with a poet, found that a day or so of it was about enough for her. So that when her husband came after her, and stormed the place, she was delighted to go back to him.’
‘But her husband?’ queried Rock. ‘I am still rather puzzled about her husband.’
‘Ah, you’ve been reading too many of your erotic modern novels,’ said Father Brown; and partly closed his eyes in answer to the protesting glare of the other. ‘I know a lot of stories start with a wildly beautiful woman wedded to some elderly swine in the stock market. But why? In that, as in most things, modern novels are the very reverse of modern. I don’t say it never happens; but it hardly ever happens now except by her own fault. Girls nowadays marry whom they like; especially spoilt girls like Hypatia. And whom do they marry? A beautiful wealthy girl like that would have a ring of admirers; and whom would she choose? The chances are a hundred to one that she’d marry very young and choose the handsomest man she met at a dance or a tennis-party. Well, ordinary business men are sometimes handsome. A young god appeared (called Potter) and she wouldn’t care if he was a broker or a burglar. But, given the environment, you will admit it’s more likely he would be a broker; also, it’s quite likely that he’d be called Potter. You see, you are so incurably romantic that your whole case was founded on the idea that a man looking like a young god couldn’t be called Potter. Believe me, names are not so appropriately distributed.’
‘Well,’ said the other, after a short pause, ‘and what do you suppose happened after that?’
Father Brown got up rather abruptly from the seat in which he had collapsed; the candlelight threw the shadow of his short figure across the wall and ceiling, giving an odd impression that the balance of the room had been altered.
‘Ah,’ he muttered, ‘that’s the devil of it. That’s the real devil. Much worse than the old Indian demons in this jungle. You thought I was only making out a case for the loose ways of these Latin Americans — well, the queer thing about you’ — and he blinked owlishly at the other through his spectacles— ‘the queerest thing about you is that in a way you’re right.
‘You say down with romance. I say I’d take my chance in fighting the genuine romances — all the more because they are precious few, outside the first fiery days of youth. I say — take away the Intellectual Friendships; take away the Platonic Unions; take away the Higher Laws of Self-Fulfilment and the rest, and I’ll risk the normal dangers of the job. Take away the love that isn’t love, but only pride and vainglory and publicity and making a splash; and we’ll take our chance of fighting the love that is love, when it has to be fought, as well as the love that is lust and lechery. Priests know young people will have passions, as doctors know they will have measles. But Hypatia Potter is forty if she is a day, and she cares no more for that little poet than if he were her publisher or her publicity man. That’s just the point — he was her publicity man. It’s your newspapers that have ruined her; it’s living in the limelight; it’s wanting to see herself in the headlines, even in a scandal if it were only sufficiently psychic and superior. It’s wanting to be George Sand, her name immortally linked with Alfred de Musset. When her real romance of youth was over, it was the sin of middle age that got hold of her; the sin of intellectual ambition. She hasn’t got any intellect to speak of; but you don’t need any intellect to be an intellectual.’
‘I should say she was pretty brainy in one sense,’ observed Rock reflectively.
‘Yes, in one sense,’ said Father Brown. ‘In only one sense. In a business sense. Not in any sense that has anything to do with these poor lounging Dagos down here. You curse the Film Stars and tell me you hate romance. Do you suppose the Film Star, who is married for the fifth time, is misled by any romance? Such people are very practical; more practical than you are. You say you admire the simple solid Business Man. Do you suppose that Rudel Romanes isn’t a Business Man? Can’t you see he knew, quite as well as she did, the advertising advantages of this grand affair with a famous beauty. He also knew very well that his hold on it was pretty insecure; hence his fussing about and bribing servants to lock doors. But what I mean to say, first and last, is that there’d be a lot less scandal if people didn’t idealize sin and pose as sinners. These poor Mexicans may seem sometimes to live like beasts, or rather sin like men; but they don’t go in for Ideals. You must at least give them credit for that.’
He sat down again, as abruptly as he had risen, and laughed apologetically. ‘Well, Mr Rock,’ he said, ‘that is my complete confession; the whole horrible story of how I helped a romantic elopement. You can do what you like with it.’
‘In that case,’ said Rock, rising, ‘I will go to my room and make a few alterations in my report. But, first of all, I must ring up my paper and tell them I’ve been telling them a pack of lies.’
Not much more than half an hour had passed, between the time when Rock had telephoned to say the priest was helping the poet to run away with the lady, and the time when he telephoned to say that the priest had prevented the poet from doing precisely the same thing. But in that short interval of time was born and enlarged and scattered upon the winds the Scandal of Father Brown. The truth is still half an hour behind the slander; and nobody can be certain when or where it will catch up with it. The garrulity of pressmen and the eagerness of enemies had spread the first story through the city, even before it appeared in the first printed version. It was instantly corrected and contradicted by Rock himself, in a second message stating how the story had really ended; but it was by no means certain that the first story was killed. A positively incredible number of people seemed to have read the first issue of the paper and not the second. Again and again, in every corner of the world, like a flame bursting from blackened ashes, there would appear the old tale of the Brown Scandal, or Priest Ruins Potter Home. Tireless apologists of the priest’s party watched for it, and patiently tagged after it with contradictions and exposures and letters of protest. Sometimes the letters were published in the papers; and sometimes they were not. But still nobody knew how many people had heard the story without hearing the contradiction. It was possible to find whole blocks of blameless and innocent people who thought the Mexican Scandal was an ordinary recorded historical incident like the Gunpowder Plot. Then somebody would enlighten these simple people, only to discover that the old story had started afresh among a few quite educated people, who would seem the last people on earth to be duped by it. And so the two Father Browns chase each other round the world for ever; the first a shameless criminal fleeing from justice; the second a martyr broken by slander, in a halo of rehabilitation. But neither of them is very like the real Father Brown, who is not broken at all; but goes stumping with his stout umbrella through life, liking most of the people in it; accepting the world as his companion, but never as his judge.
The Quick One
The strange story of the incongruous strangers is still remembered along that strip of the Sussex coast, where the large and quiet hotel called the Maypole and Garland looks across its own gardens to the sea. Two quaintly assorted figures did, indeed, enter that quiet hotel on that sunny afternoon; one being conspicuous in the sunlight, and visible over the whole shore, by the fact of wearing a lustrous green turban, surrounding a brown face and a black beard; the other would have seemed to some even more wild and weird, by reason of his wearing a soft black clergyman’s hat with a yellow moustache and yellow hair of leonine length. He at least had often been seen preaching on the sands or conducting Band of Hope services with a little wooden spade; only he had certainly never been seen going into the bar of an hotel. The arrival of these quaint companions was the climax of the story, but not the beginning of it; and, in order to make a rather mysterious story as clear as possible, it is better to begin at the beginning.
Half an hour before those two conspicuous figures entered the hotel, and were noticed by everybody, two other very inconspicuous figures had also entered it, and been noticed by nobody. One was a large man, and handsome in a heavy style, but he had a knack of taking up very little room, like a background; only an almost morbidly suspicious examination of his boots would have told anybody that he was an Inspector of Police in plain clothes; in very plain clothes. The other was a drab and insignificant little man, also in plain clothes, only that they happened to be clerical clothes; but nobody had ever seen him preaching on the sands.
These travellers also found themselves in a sort of large smoking-room with a bar, for a reason which determined all the events of that tragic afternoon. The truth is that the respectable hotel called the Maypole and Garland was being ‘done-up’. Those who had liked it in the past were moved to say that it was being done down; or possibly done in. This was the opinion of the local grumbler, Mr Raggley, the eccentric old gentleman who drank cherry brandy in a corner and cursed. Anyhow, it was being carefully stripped of all the stray indications that it had once been an English inn; and being busily turned, yard by yard and room by room, into something resembling the sham palace of a Levantine usurer in an American film. It was, in short, being ‘decorated’; but the only part where the decoration was complete, and where customers could yet be made comfortable, was this large room leading out of the hall. It had once been honourably known as a Bar Parlour and was now mysteriously known as a Saloon Lounge, and was newly ‘decorated’, in the manner of an Asiatic Divan. For Oriental ornament pervaded the new scheme; and where there had once been a gun hung on hooks, and sporting prints and a stuffed fish in a glass case, there were now festoons of Eastern drapery and trophies of scimitars, tulwards and yataghans, as if in unconscious preparation for the coming of the gentleman with the turban. The practical point was, however, that the few guests who did arrive had to be shepherded into this lounge, now swept and garnished, because all the more regular and refined parts of the hotel were still in a state of transition. Perhaps that was also the reason why even those few guests were somewhat neglected, the manager and others being occupied with explanations or exhortations elsewhere. Anyhow, the first two travellers who arrived had to kick their heels for some time unattended. The bar was at the moment entirely empty, and the Inspector rang and rapped impatiently on the counter; but the little clergyman had already dropped into a lounge seat and seemed in no hurry for anything. Indeed his friend the policeman, turning his head, saw that the round face of the little cleric had gone quite blank, as it had a way of doing sometimes; he seemed to be staring through his moonlike spectacles at the newly decorated wall.
‘I may as well offer you a penny for your thoughts,’ said Inspector Greenwood, turning from the counter with a sigh, ‘as nobody seems to want my pennies for anything else. This seems to be the only room in the house that isn’t full of ladders and whitewash; and this is so empty that there isn’t even a potboy to give me a pot of beer.’
‘Oh . . . my thoughts are not worth a penny, let alone a pot of beer,’ answered the cleric, wiping his spectacles, ‘I don’t know why . . . but I was thinking how easy it would be to commit a murder here.’
‘It’s all very well for you, Father Brown,’ said the Inspector good-humouredly. ‘You’ve had a lot more murders than your fair share; and we poor policemen sit starving all our lives, even for a little one. But why should you say . . . Oh I see, you’re looking at all those Turkish daggers on the wall. There are plenty of things to commit a murder with, if that’s what you mean. But not more than there are in any ordinary kitchen: carving knives or pokers or what not. That isn’t where the snag of a murder comes in.’
