Complete Works of G K Chesterton, page 554
These “healthy” ideals, as they are called, which our politicians and schoolmasters have borrowed from the aristocratic schools and applied to the democratic, are by no means particularly appropriate to an impoverished democracy. A vague admiration for organized government and a vague distrust of individual aid cannot be made to fit in at all into the lives of people among whom kindness means lending a saucepan and honor means keeping out of the workhouse. It resolves itself either into discouraging that system of prompt and patchwork generosity which is a daily glory of the poor, or else into hazy advice to people who have no money not to give it recklessly away. Nor is the exaggerated glory of athletics, defensible enough in dealing with the rich who, if they did not romp and race, would eat and drink unwholesomely, by any means so much to the point when applied to people, most of whom will take a great deal of exercise anyhow, with spade or hammer, pickax or saw. And for the third case, of washing, it is obvious that the same sort of rhetoric about corporeal daintiness which is proper to an ornamental class cannot, merely as it stands, be applicable to a dustman. A gentleman is expected to be substantially spotless all the time. But it is no more discreditable for a scavenger to be dirty than for a deep-sea diver to be wet. A sweep is no more disgraced when he is covered with soot than Michael Angelo when he is covered with clay, or Bayard when he is covered with blood. Nor have these extenders of the public-school tradition done or suggested anything by way of a substitute for the present snobbish system which makes cleanliness almost impossible to the poor; I mean the general ritual of linen and the wearing of the cast-off clothes of the rich. One man moves into another man’s clothes as he moves into another man’s house. No wonder that our educationists are not horrified at a man picking up the aristocrat’s second-hand trousers, when they themselves have only taken up the aristocrat’s second-hand ideas.
XIII. THE OUTLAWED PARENT
There is one thing at least of which there is never so much as a whisper inside the popular schools; and that is the opinion of the people. The only persons who seem to have nothing to do with the education of the children are the parents. Yet the English poor have very definite traditions in many ways. They are hidden under embarrassment and irony; and those psychologists who have disentangled them talk of them as very strange, barbaric and secretive things. But, as a matter of fact, the traditions of the poor are mostly simply the traditions of humanity, a thing which many of us have not seen for some time. For instance, workingmen have a tradition that if one is talking about a vile thing it is better to talk of it in coarse language; one is the less likely to be seduced into excusing it. But mankind had this tradition also, until the Puritans and their children, the Ibsenites, started the opposite idea, that it does not matter what you say so long as you say it with long words and a long face. Or again, the educated classes have tabooed most jesting about personal appearance; but in doing this they taboo not only the humor of the slums, but more than half the healthy literature of the world; they put polite nose-bags on the noses of Punch and Bardolph, Stiggins and Cyrano de Bergerac. Again, the educated classes have adopted a hideous and heathen custom of considering death as too dreadful to talk about, and letting it remain a secret for each person, like some private malformation. The poor, on the contrary, make a great gossip and display about bereavement; and they are right. They have hold of a truth of psychology which is at the back of all the funeral customs of the children of men. The way to lessen sorrow is to make a lot of it. The way to endure a painful crisis is to insist very much that it is a crisis; to permit people who must feel sad at least to feel important. In this the poor are simply the priests of the universal civilization; and in their stuffy feasts and solemn chattering there is the smell of the baked meats of Hamlet and the dust and echo of the funeral games of Patroclus.
The things philanthropists barely excuse (or do not excuse) in the life of the laboring classes are simply the things we have to excuse in all the greatest monuments of man. It may be that the laborer is as gross as Shakespeare or as garrulous as Homer; that if he is religious he talks nearly as much about hell as Dante; that if he is worldly he talks nearly as much about drink as Dickens. Nor is the poor man without historic support if he thinks less of that ceremonial washing which Christ dismissed, and rather more of that ceremonial drinking which Christ specially sanctified. The only difference between the poor man of to-day and the saints and heroes of history is that which in all classes separates the common man who can feel things from the great man who can express them. What he feels is merely the heritage of man. Now nobody expects of course that the cabmen and coal-heavers can be complete instructors of their children any more than the squires and colonels and tea merchants are complete instructors of their children. There must be an educational specialist in loco parentis. But the master at Harrow is in loco parentis; the master in Hoxton is rather contra parentem. The vague politics of the squire, the vaguer virtues of the colonel, the soul and spiritual yearnings of a tea merchant, are, in veritable practice, conveyed to the children of these people at the English public schools. But I wish here to ask a very plain and emphatic question. Can anyone alive even pretend to point out any way in which these special virtues and traditions of the poor are reproduced in the education of the poor? I do not wish the coster’s irony to appeal as coarsely in the school as it does in the tap room; but does it appear at all? Is the child taught to sympathize at all with his father’s admirable cheerfulness and slang? I do not expect the pathetic, eager pietas of the mother, with her funeral clothes and funeral baked meats, to be exactly imitated in the educational system; but has it any influence at all on the educational system? Does any elementary schoolmaster accord it even an instant’s consideration or respect? I do not expect the schoolmaster to hate hospitals and C.O.S. centers so much as the schoolboy’s father; but does he hate them at all? Does he sympathize in the least with the poor man’s point of honor against official institutions? Is it not quite certain that the ordinary elementary schoolmaster will think it not merely natural but simply conscientious to eradicate all these rugged legends of a laborious people, and on principle to preach soap and Socialism against beer and liberty? In the lower classes the school master does not work for the parent, but against the parent. Modern education means handing down the customs of the minority, and rooting out the customs of the majority. Instead of their Christlike charity, their Shakespearean laughter and their high Homeric reverence for the dead, the poor have imposed on them mere pedantic copies of the prejudices of the remote rich. They must think a bathroom a necessity because to the lucky it is a luxury; they must swing Swedish clubs because their masters are afraid of English cudgels; and they must get over their prejudice against being fed by the parish, because aristocrats feel no shame about being fed by the nation.
XIV. FOLLY AND FEMALE EDUCATION
It is the same in the case of girls. I am often solemnly asked what I think of the new ideas about female education. But there are no new ideas about female education. There is not, there never has been, even the vestige of a new idea. All the educational reformers did was to ask what was being done to boys and then go and do it to girls; just as they asked what was being taught to young squires and then taught it to young chimney sweeps. What they call new ideas are very old ideas in the wrong place. Boys play football, why shouldn’t girls play football; boys have school colors, why shouldn’t girls have school-colors; boys go in hundreds to day-schools, why shouldn’t girls go in hundreds to day-schools; boys go to Oxford, why shouldn’t girls go to Oxford — in short, boys grow mustaches, why shouldn’t girls grow mustaches — that is about their notion of a new idea. There is no brain-work in the thing at all; no root query of what sex is, of whether it alters this or that, and why, anymore than there is any imaginative grip of the humor and heart of the populace in the popular education. There is nothing but plodding, elaborate, elephantine imitation. And just as in the case of elementary teaching, the cases are of a cold and reckless inappropriateness. Even a savage could see that bodily things, at least, which are good for a man are very likely to be bad for a woman. Yet there is no boy’s game, however brutal, which these mild lunatics have not promoted among girls. To take a stronger case, they give girls very heavy home-work; never reflecting that all girls have home-work already in their homes. It is all a part of the same silly subjugation; there must be a hard stick-up collar round the neck of a woman, because it is already a nuisance round the neck of a man. Though a Saxon serf, if he wore that collar of cardboard, would ask for his collar of brass.
It will then be answered, not without a sneer, “And what would you prefer? Would you go back to the elegant early Victorian female, with ringlets and smelling-bottle, doing a little in water colors, dabbling a little in Italian, playing a little on the harp, writing in vulgar albums and painting on senseless screens? Do you prefer that?” To which I answer, “Emphatically, yes.” I solidly prefer it to the new female education, for this reason, that I can see in it an intellectual design, while there is none in the other. I am by no means sure that even in point of practical fact that elegant female would not have been more than a match for most of the inelegant females. I fancy Jane Austen was stronger, sharper and shrewder than Charlotte Bronte; I am quite certain she was stronger, sharper and shrewder than George Eliot. She could do one thing neither of them could do: she could coolly and sensibly describe a man. I am not sure that the old great lady who could only smatter Italian was not more vigorous than the new great lady who can only stammer American; nor am I certain that the bygone duchesses who were scarcely successful when they painted Melrose Abbey, were so much more weak-minded than the modern duchesses who paint only their own faces, and are bad at that. But that is not the point. What was the theory, what was the idea, in their old, weak water-colors and their shaky Italian? The idea was the same which in a ruder rank expressed itself in home-made wines and hereditary recipes; and which still, in a thousand unexpected ways, can be found clinging to the women of the poor. It was the idea I urged in the second part of this book: that the world must keep one great amateur, lest we all become artists and perish. Somebody must renounce all specialist conquests, that she may conquer all the conquerors. That she may be a queen of life, she must not be a private soldier in it. I do not think the elegant female with her bad Italian was a perfect product, any more than I think the slum woman talking gin and funerals is a perfect product; alas! there are few perfect products. But they come from a comprehensible idea; and the new woman comes from nothing and nowhere. It is right to have an ideal, it is right to have the right ideal, and these two have the right ideal. The slum mother with her funerals is the degenerate daughter of Antigone, the obstinate priestess of the household gods. The lady talking bad Italian was the decayed tenth cousin of Portia, the great and golden Italian lady, the Renascence amateur of life, who could be a barrister because she could be anything. Sunken and neglected in the sea of modern monotony and imitation, the types hold tightly to their original truths. Antigone, ugly, dirty and often drunken, will still bury her father. The elegant female, vapid and fading away to nothing, still feels faintly the fundamental difference between herself and her husband: that he must be Something in the City, that she may be everything in the country.
There was a time when you and I and all of us were all very close to God; so that even now the color of a pebble (or a paint), the smell of a flower (or a firework), comes to our hearts with a kind of authority and certainty; as if they were fragments of a muddled message, or features of a forgotten face. To pour that fiery simplicity upon the whole of life is the only real aim of education; and closest to the child comes the woman — she understands. To say what she understands is beyond me; save only this, that it is not a solemnity. Rather it is a towering levity, an uproarious amateurishness of the universe, such as we felt when we were little, and would as soon sing as garden, as soon paint as run. To smatter the tongues of men and angels, to dabble in the dreadful sciences, to juggle with pillars and pyramids and toss up the planets like balls, this is that inner audacity and indifference which the human soul, like a conjurer catching oranges, must keep up forever. This is that insanely frivolous thing we call sanity. And the elegant female, drooping her ringlets over her water-colors, knew it and acted on it. She was juggling with frantic and flaming suns. She was maintaining the bold equilibrium of inferiorities which is the most mysterious of superiorities and perhaps the most unattainable. She was maintaining the prime truth of woman, the universal mother: that if a thing is worth doing, it is worth doing badly.
PART FIVE. THE HOME OF MAN
I. THE EMPIRE OF THE INSECT
A cultivated Conservative friend of mine once exhibited great distress because in a gay moment I once called Edmund Burke an atheist. I need scarcely say that the remark lacked something of biographical precision; it was meant to. Burke was certainly not an atheist in his conscious cosmic theory, though he had not a special and flaming faith in God, like Robespierre. Nevertheless, the remark had reference to a truth which it is here relevant to repeat. I mean that in the quarrel over the French Revolution, Burke did stand for the atheistic attitude and mode of argument, as Robespierre stood for the theistic. The Revolution appealed to the idea of an abstract and eternal justice, beyond all local custom or convenience. If there are commands of God, then there must be rights of man. Here Burke made his brilliant diversion; he did not attack the Robespierre doctrine with the old mediaeval doctrine of jus divinum (which, like the Robespierre doctrine, was theistic), he attacked it with the modern argument of scientific relativity; in short, the argument of evolution. He suggested that humanity was everywhere molded by or fitted to its environment and institutions; in fact, that each people practically got, not only the tyrant it deserved, but the tyrant it ought to have. “I know nothing of the rights of men,” he said, “but I know something of the rights of Englishmen.” There you have the essential atheist. His argument is that we have got some protection by natural accident and growth; and why should we profess to think beyond it, for all the world as if we were the images of God! We are born under a House of Lords, as birds under a house of leaves; we live under a monarchy as niggers live under a tropic sun; it is not their fault if they are slaves, and it is not ours if we are snobs. Thus, long before Darwin struck his great blow at democracy, the essential of the Darwinian argument had been already urged against the French Revolution. Man, said Burke in effect, must adapt himself to everything, like an animal; he must not try to alter everything, like an angel. The last weak cry of the pious, pretty, half-artificial optimism and deism of the eighteenth century came in the voice of Sterne, saying, “God tempers the wind to the shorn lamb.” And Burke, the iron evolutionist, essentially answered, “No; God tempers the shorn lamb to the wind.” It is the lamb that has to adapt himself. That is, he either dies or becomes a particular kind of lamb who likes standing in a draught.
The subconscious popular instinct against Darwinism was not a mere offense at the grotesque notion of visiting one’s grandfather in a cage in the Regent’s Park. Men go in for drink, practical jokes and many other grotesque things; they do not much mind making beasts of themselves, and would not much mind having beasts made of their forefathers. The real instinct was much deeper and much more valuable. It was this: that when once one begins to think of man as a shifting and alterable thing, it is always easy for the strong and crafty to twist him into new shapes for all kinds of unnatural purposes. The popular instinct sees in such developments the possibility of backs bowed and hunch-backed for their burden, or limbs twisted for their task. It has a very well-grounded guess that whatever is done swiftly and systematically will mostly be done by a successful class and almost solely in their interests. It has therefore a vision of inhuman hybrids and half-human experiments much in the style of Mr. Wells’s “Island of Dr. Moreau.” The rich man may come to breeding a tribe of dwarfs to be his jockeys, and a tribe of giants to be his hall-porters. Grooms might be born bow-legged and tailors born cross-legged; perfumers might have long, large noses and a crouching attitude, like hounds of scent; and professional wine-tasters might have the horrible expression of one tasting wine stamped upon their faces as infants. Whatever wild image one employs it cannot keep pace with the panic of the human fancy, when once it supposes that the fixed type called man could be changed. If some millionaire wanted arms, some porter must grow ten arms like an octopus; if he wants legs, some messenger-boy must go with a hundred trotting legs like a centipede. In the distorted mirror of hypothesis, that is, of the unknown, men can dimly see such monstrous and evil shapes; men run all to eye, or all to fingers, with nothing left but one nostril or one ear. That is the nightmare with which the mere notion of adaptation threatens us. That is the nightmare that is not so very far from the reality.
It will be said that not the wildest evolutionist really asks that we should become in any way unhuman or copy any other animal. Pardon me, that is exactly what not merely the wildest evolutionists urge, but some of the tamest evolutionists too. There has risen high in recent history an important cultus which bids fair to be the religion of the future — which means the religion of those few weak-minded people who live in the future. It is typical of our time that it has to look for its god through a microscope; and our time has marked a definite adoration of the insect. Like most things we call new, of course, it is not at all new as an idea; it is only new as an idolatry. Virgil takes bees seriously but I doubt if he would have kept bees as carefully as he wrote about them. The wise king told the sluggard to watch the ant, a charming occupation — for a sluggard. But in our own time has appeared a very different tone, and more than one great man, as well as numberless intelligent men, have in our time seriously suggested that we should study the insect because we are his inferiors. The old moralists merely took the virtues of man and distributed them quite decoratively and arbitrarily among the animals. The ant was an almost heraldic symbol of industry, as the lion was of courage, or, for the matter of that, the pelican of charity. But if the mediaevals had been convinced that a lion was not courageous, they would have dropped the lion and kept the courage; if the pelican is not charitable, they would say, so much the worse for the pelican. The old moralists, I say, permitted the ant to enforce and typify man’s morality; they never allowed the ant to upset it. They used the ant for industry as the lark for punctuality; they looked up at the flapping birds and down at the crawling insects for a homely lesson. But we have lived to see a sect that does not look down at the insects, but looks up at the insects, that asks us essentially to bow down and worship beetles, like ancient Egyptians.
