Works of Honore De Balzac, page 95
Leopold returned from his excursion on the day when his friend first got out of bed. Rodolphe made up a story, and begged him to go to Lucerne to fetch their luggage and letters. Leopold brought back the most fatal, the most dreadful news: Rodolphe’s mother was dead. While the two friends were on their way from Bale to Lucerne, the fatal letter, written by Leopold’s father, had reached Lucerne the day they left for Fluelen.
In spite of Leopold’s utmost precautions, Rodolphe fell ill of a nervous fever. As soon as Leopold saw his friend out of danger, he set out for France with a power of attorney, and Rodolphe could thus remain at Gersau, the only place in the world where his grief could grow calmer. The young Frenchman’s position, his despair, the circumstances which made such a loss worse for him than for any other man, were known, and secured him the pity and interest of every one in Gersau. Every morning the pretended dumb girl came to see him and bring him news of her mistress.
As soon as Rodolphe could go out he went to the Bergmanns’ house, to thank Miss Fanny Lovelace and her father for the interest they had taken in his sorrow and his illness. For the first time since he had lodged with the Bergmanns the old Italian admitted a stranger to his room, where Rodolphe was received with the cordiality due to his misfortunes and to his being a Frenchman, which excluded all distrust of him. Francesca looked so lovely by candle-light that first evening that she shed a ray of brightness on his grieving heart. Her smiles flung the roses of hope on his woe. She sang, not indeed gay songs, but grave and solemn melodies suited to the state of Rodolphe’s heart, and he observed this touching care.
At about eight o’clock the old man left the young people without any sign of uneasiness, and went to his room. When Francesca was tired of singing, she led Rodolphe on to the balcony, whence they perceived the sublime scenery of the lake, and signed to him to be seated by her on a rustic wooden bench.
“Am I very indiscreet in asking how old you are, cara Francesca?” said Rodolphe.
“Nineteen,” said she, “well past.”
“If anything in the world could soothe my sorrow,” he went on, “it would be the hope of winning you from your father, whatever your fortune may be. So beautiful as you are, you seem to be richer than a prince’s daughter. And I tremble as I confess to you the feelings with which you have inspired me; but they are deep — they are eternal.”
“Zitto!” said Francesca, laying a finger of her right hand on her lips. “Say no more; I am not free. I have been married these three years.”
For a few minutes utter silence reigned. When the Italian girl, alarmed at Rodolphe’s stillness, went close to him, she found that he had fainted.
“Povero!” she said to herself. “And I thought him cold.”
She fetched him some salts, and revived Rodolphe by making him smell at them.
“Married!” said Rodolphe, looking at Francesca. And then his tears flowed freely.
“Child!” said she. “But there is still hope. My husband is — ”
“Eighty?” Rodolphe put in.
“No,” said she with a smile, “but sixty-five. He has disguised himself as much older to mislead the police.”
“Dearest,” said Rodolphe, “a few more shocks of this kind and I shall die. Only when you have known me twenty years will you understand the strength and power of my heart, and the nature of its aspirations for happiness. This plant,” he went on, pointing to the yellow jasmine which covered the balustrade, “does not climb more eagerly to spread itself in the sunbeams than I have clung to you for this month past. I love you with unique passion. That love will be the secret fount of my life — I may possibly die of it.”
“Oh! Frenchman, Frenchman!” said she, emphasizing her exclamation with a little incredulous grimace.
“Shall I not be forced to wait, to accept you at the hands of time?” said he gravely. “But know this: if you are in earnest in what you have allowed to escape you, I will wait for you faithfully, without suffering any other attachment to grow up in my heart.”
She looked at him doubtfully.
“None,” said he, “not even a passing fancy. I have my fortune to make; you must have a splendid one, nature created you a princess — — ”
At this word Francesca could not repress a faint smile, which gave her face the most bewildering expression, something subtle, like what the great Leonardo has so well depicted in the Gioconda. This smile made Rodolphe pause. “Ah yes!” he went on, “you must suffer much from the destitution to which exile has brought you. Oh, if you would make me happy above all men, and consecrate my love, you would treat me as a friend. Ought I not to be your friend? — My poor mother has left sixty thousand francs of savings; take half.”
Francesca looked steadily at him. This piercing gaze went to the bottom of Rodolphe’s soul.
“We want nothing; my work amply supplies our luxuries,” she replied in a grave voice.
“And can I endure that a Francesca should work?” cried he. “One day you will return to your country and find all you left there.” Again the Italian girl looked at Rodolphe. “And you will then repay me what you may have condescended to borrow,” he added, with an expression full of delicate feeling.
“Let us drop the subject,” said she, with incomparable dignity of gesture, expression, and attitude. “Make a splendid fortune, be one of the remarkable men of your country; that is my desire. Fame is a drawbridge which may serve to cross a deep gulf. Be ambitious if you must. I believe you have great and powerful talents, but use them rather for the happiness of mankind than to deserve me; you will be all the greater in my eyes.”
In the course of this conversation, which lasted two hours, Rodolphe discovered that Francesca was an enthusiast for Liberal ideas, and for that worship of liberty which had led to the three revolutions in Naples, Piemont, and Spain. On leaving, he was shown to the door by Gina, the so-called mute. At eleven o’clock no one was astir in the village, there was no fear of listeners; Rodolphe took Gina into a corner, and asked her in a low voice and bad Italian, “Who are your master and mistress, child? Tell me, I will give you this fine new gold piece.”
“Monsieur,” said the girl, taking the coin, “my master is the famous bookseller Lamporani of Milan, one of the leaders of the revolution, and the conspirator of all others whom Austria would most like to have in the Spielberg.”
“A bookseller’s wife! Ah, so much the better,” thought he; “we are on an equal footing. — And what is her family?” he added, “for she looks like a queen.”
“All Italian women do,” replied Gina proudly. “Her father’s name is Colonna.”
Emboldened by Francesca’s modest rank, Rodolphe had an awning fitted to his boat and cushions in the stern. When this was done, the lover came to propose to Francesca to come out on the lake. The Italian accepted, no doubt to carry out her part of a young English Miss in the eyes of the villagers, but she brought Gina with her. Francesca Colonna’s lightest actions betrayed a superior education and the highest social rank. By the way in which she took her place at the end of the boat Rodolphe felt himself in some sort cut off from her, and, in the face of a look of pride worthy of an aristocrat, the familiarity he had intended fell dead. By a glance Francesca made herself a princess, with all the prerogatives she might have enjoyed in the Middle Ages. She seemed to have read the thoughts of this vassal who was so audacious as to constitute himself her protector.
Already, in the furniture of the room where Francesca had received him, in her dress, and in the various trifles she made use of, Rodolphe had detected indications of a superior character and a fine fortune. All these observations now recurred to his mind; he became thoughtful after having been trampled on, as it were, by Francesca’s dignity. Gina, her half-grown-up confidante, also seemed to have a mocking expression as she gave a covert or a side glance at Rodolphe. This obvious disagreement between the Italian lady’s rank and her manners was a fresh puzzle to Rodolphe, who suspected some further trick like Gina’s assumed dumbness.
“Where would you go, Signora Lamporani?” he asked.
“Towards Lucerne,” replied Francesca in French.
“Good!” said Rodolphe to himself, “she is not startled by hearing me speak her name; she had, no doubt, foreseen that I should ask Gina — she is so cunning. — What is your quarrel with me?” he went on, going at last to sit down by her side, and asking her by a gesture to give him her hand, which she withdrew. “You are cold and ceremonious; what, in colloquial language, we should call short.”
“It is true,” she replied with a smile. “I am wrong. It is not good manners; it is vulgar. In French you would call it inartistic. It is better to be frank than to harbor cold or hostile feelings towards a friend, and you have already proved yourself my friend. Perhaps I have gone too far with you. You must take me to be a very ordinary woman.” — Rodolphe made many signs of denial. — ”Yes,” said the bookseller’s wife, going on without noticing this pantomime, which, however, she plainly saw. “I have detected that, and naturally I have reconsidered my conduct. Well! I will put an end to everything by a few words of deep truth. Understand this, Rodolphe: I feel in myself the strength to stifle a feeling if it were not in harmony with my ideas or anticipation of what true love is. I could love — as we can love in Italy, but I know my duty. No intoxication can make me forget it. Married without my consent to that poor old man, I might take advantage of the liberty he so generously gives me; but three years of married life imply acceptance of its laws. Hence the most vehement passion would never make me utter, even involuntarily, a wish to find myself free.
“Emilio knows my character. He knows that without my heart, which is my own, and which I might give away, I should never allow anyone to take my hand. That is why I have just refused it to you. I desire to be loved and waited for with fidelity, nobleness, ardor, while all I can give is infinite tenderness of which the expression may not overstep the boundary of the heart, the permitted neutral ground. All this being thoroughly understood — Oh!” she went on with a girlish gesture, “I will be as coquettish, as gay, as glad, as a child which knows nothing of the dangers of familiarity.”
This plain and frank declaration was made in a tone, an accent, and supported by a look which gave it the deepest stamp of truth.
“A Princess Colonna could not have spoken better,” said Rodolphe, smiling.
“Is that,” she answered with some haughtiness, “a reflection on the humbleness of my birth? Must your love flaunt a coat-of-arms? At Milan the noblest names are written over shop-doors: Sforza, Canova, Visconti, Trivulzio, Ursini; there are Archintos apothecaries; but, believe me, though I keep a shop, I have the feelings of a duchess.”
“A reflection? Nay, madame, I meant it for praise.”
“By a comparison?” she said archly.
“Ah, once for all,” said he, “not to torture me if my words should ill express my feelings, understand that my love is perfect; it carries with it absolute obedience and respect.”
She bowed as a woman satisfied, and said, “Then monsieur accepts the treaty?”
“Yes,” said he. “I can understand that in a rich and powerful feminine nature the faculty of loving ought not to be wasted, and that you, out of delicacy, wished to restrain it. Ah! Francesca, at my age tenderness requited, and by so sublime, so royally beautiful a creature as you are — why, it is the fulfilment of all my wishes. To love you as you desire to be loved — is not that enough to make a young man guard himself against every evil folly? Is it not to concentrate all his powers in a noble passion, of which in the future he may be proud, and which can leave none but lovely memories? If you could but know with what hues you have clothed the chain of Pilatus, the Rigi, and this superb lake — ”
“I want to know,” said she, with the Italian artlessness which has always a touch of artfulness.
“Well, this hour will shine on all my life like a diamond on a queen’s brow.”
Francesca’s only reply was to lay her hand on Rodolphe’s.
“Oh dearest! for ever dearest! — Tell me, have you never loved?”
“Never.”
“And you allow me to love you nobly, looking to heaven for the utmost fulfilment?” he asked.
She gently bent her head. Two large tears rolled down Rodolphe’s cheeks.
“Why! what is the matter?” she cried, abandoning her imperial manner.
“I have now no mother whom I can tell of my happiness; she left this earth without seeing what would have mitigated her agony — ”
“What?” said she.
“Her tenderness replaced by an equal tenderness — — ”
“Povero mio!” exclaimed the Italian, much touched. “Believe me,” she went on after a pause, “it is a very sweet thing, and to a woman, a strong element of fidelity to know that she is all in all on earth to the man she loves; to find him lonely, with no family, with nothing in his heart but his love — in short, to have him wholly to herself.”
When two lovers thus understand each other, the heart feels delicious peace, supreme tranquillity. Certainty is the basis for which human feelings crave, for it is never lacking to religious sentiment; man is always certain of being fully repaid by God. Love never believes itself secure but by this resemblance to divine love. And the raptures of that moment must have been fully felt to be understood; it is unique in life; it can never return no more, alas! than the emotions of youth. To believe in a woman, to make her your human religion, the fount of life, the secret luminary of all your least thoughts! — is not this a second birth? And a young man mingles with this love a little of the feeling he had for his mother.
Rodolphe and Francesca for some time remained in perfect silence, answering each other by sympathetic glances full of thoughts. They understood each other in the midst of one of the most beautiful scenes of Nature, whose glories, interpreted by the glory in their hearts, helped to stamp on their minds the most fugitive details of that unique hour. There had not been the slightest shade of frivolity in Francesca’s conduct. It was noble, large, and without any second thought. This magnanimity struck Rodolphe greatly, for in it he recognized the difference between the Italian and the Frenchwoman. The waters, the land, the sky, the woman, all were grandiose and suave, even their love in the midst of this picture, so vast in its expanse, so rich in detail, where the sternness of the snowy peaks and their hard folds standing clearly out against the blue sky, reminded Rodolphe of the circumstances which limited his happiness; a lovely country shut in by snows.
This delightful intoxication of soul was destined to be disturbed. A boat was approaching from Lucerne; Gina, who had been watching it attentively, gave a joyful start, though faithful to her part as a mute. The bark came nearer; when at length Francesca could distinguish the faces on board, she exclaimed, “Tito!” as she perceived a young man. She stood up, and remained standing at the risk of being drowned. “Tito! Tito!” cried she, waving her handkerchief.
Tito desired the boatmen to slacken, and the two boats pulled side by side. The Italian and Tito talked with such extreme rapidity, and in a dialect unfamiliar to a man who hardly knew even the Italian of books, that Rodolphe could neither hear nor guess the drift of this conversation. But Tito’s handsome face, Francesca’s familiarity, and Gina’s expression of delight, all aggrieved him. And indeed no lover can help being ill pleased at finding himself neglected for another, whoever he may be. Tito tossed a little leather bag to Gina, full of gold no doubt, and a packet of letters to Francesca, who began to read them, with a farewell wave of the hand to Tito.
“Get quickly back to Gersau,” she said to the boatmen, “I will not let my poor Emilio pine ten minutes longer than he need.”
“What has happened?” asked Rodolphe, as he saw Francesca finish reading the last letter.
“La liberta!” she exclaimed, with an artist’s enthusiasm.
“E denaro!” added Gina, like an echo, for she had found her tongue.
“Yes,” said Francesca, “no more poverty! For more than eleven months have I been working, and I was beginning to be tired of it. I am certainly not a literary woman.”
“Who is this Tito?” asked Rodolphe.
“The Secretary of State to the financial department of the humble shop of the Colonnas, in other words, the son of our ragionato. Poor boy! he could not come by the Saint-Gothard, nor by the Mont-Cenis, nor by the Simplon; he came by sea, by Marseilles, and had to cross France. Well, in three weeks we shall be at Geneva, and living at our ease. Come, Rodolphe,” she added, seeing sadness overspread the Parisian’s face, “is not the Lake of Geneva quite as good as the Lake of Lucerne?”
“But allow me to bestow a regret on the Bergmanns’ delightful house,” said Rodolphe, pointing to the little promontory.
“Come and dine with us to add to your associations, povero mio,” said she. “This is a great day; we are out of danger. My mother writes that within a year there will be an amnesty. Oh! la cara patria!”
These three words made Gina weep. “Another winter here,” said she, “and I should have been dead!”
“Poor little Sicilian kid!” said Francesca, stroking Gina’s head with an expression and an affection which made Rodolphe long to be so caressed, even if it were without love.
The boat grounded; Rodolphe sprang on to the sand, offered his hand to the Italian lady, escorted her to the door of the Bergmanns’ house, and went to dress and return as soon as possible.
When he joined the librarian and his wife, who were sitting on the balcony, Rodolphe could scarcely repress an exclamation of surprise at seeing the prodigious change which the good news had produced in the old man. He now saw a man of about sixty, extremely well preserved, a lean Italian, as straight as an I, with hair still black, though thin and showing a white skull, with bright eyes, a full set of white teeth, a face like Caesar, and on his diplomatic lips a sardonic smile, the almost false smile under which a man of good breeding hides his real feelings.
“Here is my husband under his natural form,” said Francesca gravely.
