Works of Honore De Balzac, page 1480
Another blow was to fall on Balzac before the disastrous year 1836 came to a close. The “Lys dans la Vallee,” on which Werdet had pinned all his hopes, had sold very badly, possibly owing to the hostility of the newspapers. As a climax to all Balzac’s miseries, in October Werdet failed. This was doubly serious, as Balzac had signed several bills of exchange for his publisher, and was therefore liable for a sum of 13,000 francs. Werdet wrote a book abusing Balzac as the cause of his failure; and Balzac, on his side, was certainly unsympathetic about the misfortunes of a man whose interests, after all, were bound up with his own, and whom he politely called “childish, bird-witted, and obstinate as an ass.” The truth seems to have been that, as Werdet aspired to be Balzac’s sole publisher, he was obliged to buy up all the copies of Balzac’s books which were already in the hands of publishers, and not having capital for this, he obtained money by credit and settled to pay by bills at long date. He also brought before the public a certain number of books by writers sympathetic to his client, and as these books were usually by young and unknown authors, their printing did not cover expenses. As a consequence of these imprudent ventures he was unable to meet his bills on maturity; and Balzac, being liable for some of them, was naturally furious, as he had to be in hiding from the creditors, while Werdet, as he remarked bitterly, was walking comfortably about Paris. Werdet was young and enthusiastic, and no doubt his imagination was fired by Balzac’s picture of the glorious time in the future, when the great writer and his publisher should have both made their fortunes, and their carriages should pass each other in the Bois de Boulogne. There is no reason, however, to think that Balzac wilfully misrepresented matters, as Werdet insinuates. He was essentially good-hearted, as every one who knew him testifies; but his extraordinary optimism and power of self-deception, combined with the charm of his personality and the overmastering influence he exercised, made him a most dangerous man to be connected with in business; and Werdet, like many another, suffered from his alliance with the improvident man of genius.
Balzac also at this times suffered severely; but he had now completely recovered his energy. In his efforts to clear himself he worked thirty nights without going to bed, sending contributions to the Chronique, the Presse, the Revue Musicale, and the Dictionnaire de la Conversation, composing the “Perle Brisee,” “La Vieille Fille,” and “Le Secret des Ruggieri,” besides finishing the last volumes of the “Etudes de Moeurs” and bringing out new editions of several of his books. As the result of his labours, he calculated, with his usual cheerfulness, that if he worked day and night for six months, and after that ten hours a day for two years, he would have paid off his debts and would have a little money in hand. In the end, he bound himself for fifteen years to an association formed by a speculator named Bohain: 50,000 francs being given him at once to pay off his most pressing debts, while, by the terms of the agreement, he provided a stipulated number of volumes every year, and was given 1,500 francs a month for the first year, 3,000 francs a month for the second year, 4,000 francs for the third, and so on. Besides this, he was to receive half the profits of each book after the publisher’s expenses had been defrayed. As he was extremely pleased with this arrangement, which at any rate freed him from his immediate embarrassments, a faint ray of sunlight shone for him on the close of the sad year of 1836.
CHAPTER XI
1836 - 1840
“Louise” — Drawing-room in Rue des Batailles — The “Cheval Rouge” — Balzac’s second visit to Italy — Conversation with Genoese merchant — Buys Les Jardies at Sevres — Travels to Sardinia to obtain silver from worked-out mines — Disappointment — Balzac goes on to Italy — Takes up his abode in Les Jardies — Life there — He hopes to write a successful play — ”L’Ecole des Menages” — Balzac’s half-starved condition — He defends Peytel.
It is curious to find that during the events recorded in the last chapter, when, to put the matter mildly, Balzac’s spare time was limited, he yet managed to conduct a sentimental correspondence with “Louise,” a lady he never met and whose name he did not know. Apparently, in the midst of his troubles, he was seized by an overmastering desire to pour out his feelings in writing to some kindred soul. Madame Hanska was far away, and could not answer promptly; besides, though passionately loved, she was not always sympathetic, the solid quality of her mind not responding readily to the quickness and delicacy of Balzac’s emotions. Louise, to whom in 1844 he dedicated “Facino Cane,” was close at hand; she was evidently mournful, sentimental, and admiring; she sent him flowers when he was in prison, and at another time a sepia drawing. Besides, her shadowy figure was decked for him with the fascination of the unknown, and there was excitement in the wonder whether the veil enveloping her would ever be lifted, and, like Madame Hanska, she would emerge a divinity of flesh and blood. However, in spite of Balzac’s entreaties she refused to reveal her identity; and after about a year’s correspondence, during which time Louise suffered from a great misfortune, the nature of which she kept secret, the letters between them ceased altogether.
Balzac had now left his garret, and was established in the drawing-room on the second floor of 13, Rue des Batailles, which is exactly described in “La Fille aux Yeux d’Or.” The room was very luxurious, and the details had been thought out with much care.[*] One end of it had square corners, the other end was rounded, and the corners cut off to form the semicircle were connected by a narrow dark passage, and contained — one a camp bedstead, and the other a writing-table. A secret door led to this hiding-place, and here Balzac took refuge when pursued by emissaries from the Garde Nationale, creditors, or enraged editors. The scheme of colour in the room was white and flame-colour shading to the deepest pink, relieved by arabesques of black. A huge divan, fifty feet long and as broad as a mattress, ran round the horseshoe. This, like the rest of the furniture, was covered in white cashmere decked with flame-coloured and black bows, and the back of it was higher than the numerous cushions by which it was adorned. Above it the walls were hung with pink Indian muslin over red material, the flame-colour and black arabesques being repeated. The curtains were pink, the mantelpiece clock and candlesticks white marble and gold, the carpet and portieres of rich Oriental design, and the chandelier and candelabra to light the divan of silver gilt. About the room were elegant baskets containing white and red flowers, and in the place of honour on the table in the middle was M. de Hanski’s magnificent gold and malachite inkstand. Balzac showed the glories of this splendid apartment with infantile pride and delight to visitors; and here, reckless of his pecuniary embarrassments, he gave a grand dinner to Theophile Gautier, the Marquis de Belloy, and Boulanger, and entertained them in the evening with good stories “a la Rabelais.”
[*] See “Honore de Balzac” in “Portraits Contemporains,” by Theophile
Gautier.
About this time Balzac started the association he called the “Cheval Rouge,” which was intended to be a mutual help society among a number of friends, who were to push and praise each other’s compositions, and to rise as one man against any one who dared to attack a member of the alliance. The idea was a good one; but there was a comic side to it as conducted by Balzac, and the “Cheval Rouge,” after five or six meetings, ceased to exist without having seriously justified its existence. Theophile Gautier, Jules Sandeau, and Leon Gozlan were among the members; and so dazzling were the pictures drawn by Balzac of the powers and scope of the society, that each one saw himself in imagination with a seat in the French Academy, and in succession peer of France, minister, and millionaire. It was sad that with these lofty aims the association should have been dissolved because most of its members were not able to pay their fifteen francs subscription. The first meeting was held at the Cheval Rouge, a very modest restaurant on the “Quai de l’Entrepot,” from which the society took its name. The members were summoned by a card with a little red horse on it, and under this the words “Stable such a day, such a place.” Everything was carried on with the greatest secrecy and mystery, and the arrangements, which were conducted by Balzac with much seriousness, afforded him intense pleasure. The “Cheval Rouge” might have been a dangerous political society from the precautions he took. In order to avoid suspicion one member was always to greet another member coldly in society; and Balzac would pretend to meet Gautier with much ceremony for the first time in a drawing-room, and then by delighted winks and grimaces would point out to him how well he was acting.
In March, 1837, Balzac paid a second visit to Italy; travelling through a part of Switzerland, stopping at Milan, Venice, Genoa, and Florence, and returning to Paris on May 3rd. His health was, he said, detestable at this time, and he required rest and change. He went alone, as Gautier, who had intended to be his companion, was kept in Paris by the necessity of writing criticisms on the pictures in the Salon. One object of Balzac’s journey was to visit Florence to see Bartolini’s bust of Madame Hanska, of which he evidently approved, as he asked M. de Hanski’s permission to have a small copy made of it which he could always keep on his writing-table; but this was never sent to him. He was delighted with Venice, which he now saw for the first time; and in Florence was specially charmed with the pictures at the Pitti, though he found travelling by himself rather dull, and decided that his next journey should be undertaken at a time when Gautier could accompany him. At Genoa he met a wily merchant, to whom he unfortunately confided the last brilliant scheme for making his fortune which was floating through his active brain.
He had read in Tacitus that the Romans found silver in Sardinia; and it occurred to him, that, as the ancients were not learned in extracting metals, silver might still be found among the lead which was turned out of the mines as refuse. The Genoese merchant appeared much interested in Balzac’s conversation, and remarked that, owing to the carelessness of the Sardinians, whole mountains of dross, containing lead, and most probably silver, were left in the vicinity of the mines. He was most obliging: he promised to send Balzac a specimen of the dross that it might be submitted to Parisian experts, and if the result were satisfactory, Balzac and he were to ask for a permit from the Government at Turin, and would work the mines together. When this had been arranged Balzac departed in high spirits, determined to keep his secret carefully, and feeling that at last he was on the high road to fortune. On the way back he was detained in quarantine for some time, and partly from economy, partly because he wanted to see Neufchatel, where he had first met Madame Hanska, he travelled back by Milan and the Splugen, and reached Paris in perfect health.
Here fresh misfortunes awaited him, as Werdet was bankrupt, and, as a consequence, his creditors pursued Balzac. Never in future would he be answerable or sign his name for any one, he cried in despair. He had forestalled the money allowed him by his treaty with Bohain, was working day and night, and in a few days would retire into an unknown garret, and live as he had done in the Rue Lesdiguieres. Nevertheless, in his anxiety to see Madame Hanska, he had begun to think out economical ways of getting to Ukraine. He was not very well at this time, and in August he went to Sache, to see whether his native air would revive him.
His next action would be astonishing to any one unacquainted with his extraordinary recklessness. In October 1837 he gave up the rooms at the Rue Cassini, which he had kept during the time of his residence at Passy; and in order to escape what he termed “an atrocious law” on the subject of his abhorrence the Garde Nationale, he bought a piece of land in the Ville d’Avray, at Sevres, on which he began to build a house, planned by himself. This soon acquired celebrity as “Les Jardies,” and gave much amusement to the Parisians, who were never tired of inventing stories about Balzac’s villa. In March, 1838, before he settled in his new abode, he started on a journey to Sardinia to investigate matters himself about the mines. It was a year since the Genoese merchant had promised to send him a specimen of the dross, and as nothing had yet arrived, he was beginning to feel anxious.
The object of his journey was kept absolutely secret; owing to the dangers of the post even Madame Hanska being told only that “it is neither a marriage, nor anything adventurous, foolish, frivolous, or imprudent. It is a serious and scientific affair, about which it is impossible for me to tell you a word, because I am bound to the most absolute secrecy.”[*] He had to borrow from his mother and from a cousin, and to pawn his jewellery to obtain money for his expedition. On the way he stayed with the Carrauds at Frapesle, where he was ill for a few days; and he went from there to pay his “comrade” George Sand a three days’ visit at Nohant. He found her in man’s attire, smoking a “houka,” very sad, and working enormously; and he and she had long talks, lasting from five in the evening till five in the morning, and ranging over manners, morals, love affairs, and literature. She approved of “La Premiere Demoiselle,” a play planned in February, 1837, which Madame Hanska had discouraged because she did not like the plot; and Balzac determined to work at it seriously now that “Cesar Birotteau” was finished. This brilliant picture of the Parisian bourgeoisie had been published in December, 1837, under the title of “Histoire de la Grandeur et de la decadence de Cesar Birotteau.” Since then, Balzac had produced nothing new in book form, though he was writing “La Maison de Nucingen” for La Presse, and working at “Massimilla Doni,” and at the second part of “Illusions Perdues.” He was also preparing to bring out a “Balzac Illustre,” which was to be a complete edition of his works with pictures; but of this only one volume, “La Peau de Chagrin,” was ever published.
[*] “Lettres a l’Etrangere.”
From Nohant he went to Marseilles, and from there he sent letters both to his mother and to Madame Carraud, written in a very different frame of mind from his usual one when he embarked on a scheme for making his fortune. “Now that I am almost at my destination, I begin to have a thousand doubts; anyhow, one cannot risk less to gain more. I do not fear the journey, but what a return if I fail!”[*]
[*] “Correspondance,” vol. i. p. 394.
He crossed from Marseilles to Ajaccio, and suffered much on the voyage, though he travelled on the mail steamer from Toulon, and spent a great deal of money by doing this. However, he was really trying to be economical, as on his way to Marseilles he had lived on ten sous’ worth of milk a day, and when he reached there he put up at an hotel where his room cost fifteen sous and his dinner thirty.
The scenery of Corsica was, he said, magnificent; but he did not much appreciate Ajaccio, where he had to wait some time for a boat to take him to Sardinia, and said the civilisation was as primitive as that of Greenland. His only consolation about the delay was in the idea that he would have time to go on with “La Premiere Demoiselle,” for which George Sand predicted a great success, while his sister told him it was superb. Therefore, as he had written the “Physiologie du Mariage” and “La Peau de Chagrin” against the advice of Madame de Berny, he determined to continue his play in spite of Madame Hanska’s disapproval. His five days’ journey to Sardinia was most uncomfortable, as he travelled in a rowing-boat belonging to French coral fishers. The food caught consisted of execrable soup, made from the fish caught by the fishermen during the voyage; and Balzac had to sleep on the bridge, where he was devoured by insects. To add to his misfortunes, the boat was kept for five days in quarantine in view of the port, and the inhabitants refused to give the occupants any food, or to allow them in a bad storm to attach their cables to the port-rings. This they managed at last to do, in spite of the objections of the governor, who, determined to assert his authority, decreed that the cable should be taken off as soon as the sea became calm: a regulation which, as Balzac said, was absurd, because either the people would by that time have caught the cholera, or they would not catch it at all.
When Balzac at last landed, he felt as though he were in Central Africa or Polynesia, as the inhabitants wore no clothes, and were bronzed like Ethiopians. He was much horrified at their misery and savage condition. Their dwellings he describes as dens without chimneys, and their food in many parts consisted of a horrible bread made of acorns ground, and mixed with clay.
No doubt he was not disposed to take a particularly favourable view of Sardinia, as it was to him the scene of a bitter disappointment. He had been right in his calculations about the value of the refuse from the mines: the dross contained 10 per cent of lead, and the lead 10 per cent of silver. But a Marseilles company as well as his Genoese friend had been beforehand with him, had obtained from the Government at Turin the right to work the mines, and were already in possession. Balzac’s monetary sacrifices, and the hardships he had suffered on his journey, were in vain; he must return to sleepless nights of work, and must redouble his efforts in the endeavour to pay back the money he had borrowed for his expedition. He showed his usual pluck at this juncture; there were no complaints in his letters, and with singular forbearance he does not even abuse the faithless Genoese merchant. His expedition was useful to others, if not to himself; as he travelled on to Italy, and made a long stay at Milan in order to work for the interests of the Viscontis, whose property, without his efforts, would have been sequestrated owing to political complications. It is significant that Madame Hanska, who was always suspicious about Madame Visconti, was not informed of this reason for his long sojourn at Milan, which we hear of from a letter to his sister. Balzac was terribly low-spirited at this time; his whole life seemed to have been a failure, and he was approaching the age of forty, the date at which he had always determined to give up his aspirations, to fight no more, and to join the great company of the resigned. He was tired out, and very homesick. He admired the Cathedral, the churches, the pictures; but he was weary of Italy, and longed for France with its grey skies and cold winds. Behind this longing, and possibly the origin of it, was a passionate desire in his disappointment and disgust of life to be again near his “polar star.”
