Works of Honore De Balzac, page 71
“Do not let us seem so curious,” Madame de Chaulieu had said, cut to the heart by Diane’s exclamation, — ”She is divine! where in the world does she come from?” — and with that the bevy flew back to their seats, resuming their composure, though Eleonore’s heart was full of hungry vipers all clamorous for a meal.
Mademoiselle d’Herouville said in a low voice and with much meaning to the Duchesse de Verneuil, “Eleonore receives her Melchior very ungraciously.”
“The Duchesse de Maufrigneuse thinks there is a coolness between them,” said Laure de Verneuil, with simplicity.
Charming phrase! so often used in the world of society, — how the north wind blows through it.
“Why so?” asked Modeste of the pretty young girl who had lately left the Sacre-Coeur.
“The great poet,” said the pious duchess — making a sign to her daughter to be silent — ”left Madame de Chaulieu without a letter for more than two weeks after he went to Havre, having told her that he went there for his health — ”
Modeste made a hasty movement, which caught the attention of Laure, Helene, and Mademoiselle d’Herouville.
“ — and during that time,” continued the devout duchess, “she was endeavoring to have him appointed commander of the Legion of honor, and minister at Baden.”
“Oh, that was shameful in Canalis; he owes everything to her,” exclaimed Mademoiselle d’Herouville.
“Why did not Madame de Chaulieu come to Havre?” asked Modeste of Helene, innocently.
“My dear,” said the Duchesse de Verneuil, “she would let herself be cut in little pieces without saying a word. Look at her, — she is regal; her head would smile, like Mary Stuart’s, after it was cut off; in fact, she has some of that blood in her veins.”
“Did she not write to him?” asked Modeste.
“Diane tells me,” answered the duchess, prompted by a nudge from Mademoiselle d’Herouville, “that in answer to Canalis’s first letter she made a cutting reply a few days ago.”
This explanation made Modeste blush with shame for the man before her; she longed, not to crush him under her feet, but to revenge herself by one of those malicious acts that are sharper than a dagger’s thrust. She looked haughtily at the Duchesse de Chaulieu —
“Monsieur Melchior!” she said.
All the women snuffed the air and looked alternately at the duchess, who was talking in an undertone to Canalis over the embroidery-frame, and then at the young girl so ill brought up as to disturb a lovers’ meeting, — a think not permissible in any society. Diane de Maufrigneuse nodded, however, as much as to say, “The child is in the right of it.” All the women ended by smiling at each other; they were enraged with a woman who was fifty-six years old and still handsome enough to put her fingers into the treasury and steal the dues of youth. Melchior looked at Modeste with feverish impatience, and made the gesture of a master to a valet, while the duchess lowered her head with the movement of a lioness disturbed at a meal; her eyes, fastened on the canvas, emitted red flames in the direction of the poet, which stabbed like epigrams, for each word revealed to her a triple insult.
“Monsieur Melchior!” said Modeste again in a voice that asserted its right to be heard.
“What, mademoiselle?” demanded the poet.
Forced to rise, he remained standing half-way between the embroidery frame, which was near a window, and the fireplace where Modeste was seated with the Duchesse de Verneuil on a sofa. What bitter reflections came into his ambitious mind, as he caught a glance from Eleonore. If he obeyed Modeste all was over, and forever, between himself and his protectress. Not to obey her was to avow his slavery, to lose the chances of his twenty-five days of base manoeuvring, and to disregard the plainest laws of decency and civility. The greater the folly, the more imperatively the duchess exacted it. Modeste’s beauty and money thus pitted against Eleonore’s rights and influence made this hesitation between the man and his honor as terrible to witness as the peril of a matador in the arena. A man seldom feels such palpitations as those which now came near causing Canalis an aneurism, except, perhaps, before the green table, where his fortune or his ruin is about to be decided.
“Mademoiselle d’Herouville hurried me from the carriage, and I left behind me,” said Modeste to Canalis, “my handkerchief — ”
Canalis shrugged his shoulders significantly.
“And,” continued Modeste, taking no notice of his gesture, “I had tied into one corner of it the key of a desk which contains the fragment of an important letter; have the kindness, Monsieur Melchior, to get it for me.”
Between an angel and a tiger equally enraged Canalis, who had turned livid, no longer hesitated, — the tiger seemed to him the least dangerous of the two; and he was about to do as he was told, and commit himself irretrievably, when La Briere appeared at the door of the salon, seeming to his anguished mind like the archangel Gabriel tumbling from heaven.
“Ernest, here, Mademoiselle de La Bastie wants you,” said the poet, hastily returning to his chair by the embroidery frame.
Ernest rushed to Modeste without bowing to any one; he saw only her, took his commission with undisguised joy, and darted from the room, with the secret approbation of every woman present.
“What an occupation for a poet!” said Modeste to Helene d’Herouville, glancing toward the embroidery at which the duchess was now working savagely.
“If you speak to her, if you ever look at her, all is over between us,” said the duchess to the poet in a low voice, not at all satisfied with the very doubtful termination which Ernest’s arrival had put to the scene; “and remember, if I am not present, I leave behind me eyes that will watch you.”
So saying, the duchess, a woman of medium height, but a little too stout, like all women over fifty who retain their beauty, rose and walked toward the group which surrounded Diane de Maufrigneuse, stepping daintily on little feet that were as slender and nervous as a deer’s. Beneath her plumpness could be seen the exquisite delicacy of such women, which comes from the vigor of their nervous systems controlling and vitalizing the development of flesh. There is no other way to explain the lightness of her step, and the incomparable nobility of her bearing. None but the women whose quarterings begin with Noah know, as Eleonore did, how to be majestic in spite of a buxom tendency. A philosopher might have pitied Philoxene, while admiring the graceful lines of the bust and the minute care bestowed upon a morning dress, which was worn with the elegance of a queen and the easy grace of a young girl. Her abundant hair, still undyed, was simply wound about her head in plaits; she bared her snowy throat and shoulders, exquisitely modelled, and her celebrated hand and arm, with pardonable pride. Modeste, together with all other antagonists of the duchess, recognized in her a woman of whom they were forced to say, “She eclipses us.” In fact, Eleonore was one of the “grandes dames” now so rare. To endeavor to explain what august quality there was in the carriage of the head, what refinement and delicacy in the curve of the throat, what harmony in her movements, and nobility in her bearing, what grandeur in the perfect accord of details with the whole being, and in the arts, now a second nature, which render a woman grand and even sacred, — to explain all these things would simply be to attempt to analyze the sublime. People enjoy such poetry as they enjoy that of Paganini; they do not explain to themselves the medium, they know the cause is in the spirit that remains invisible.
Madame de Chaulieu bowed her head in salutation of Helene and her aunt; then, saying to Diane, in a pure and equable tone of voice, without a trace of emotion, “Is it not time to dress, duchess?” she made her exit, accompanied by her daughter-in-law and Mademoiselle d’Herouville. As she left the room she spoke in an undertone to the old maid, who pressed her arm, saying, “You are charming,” — which meant, “I am all gratitude for the service you have just done us.” After that, Mademoiselle d’Herouville returned to the salon to play her part of spy, and her first glance apprised Canalis that the duchess had made him no empty threat. That apprentice in diplomacy became aware that his science was not sufficient for a struggle of this kind, and his wit served him to take a more honest position, if not a worthier one. When Ernest returned, bringing Modeste’s handkerchief, the poet seized his arm and took him out on the terrace.
“My dear friend,” he said, “I am not only the most unfortunate man in the world, but I am also the most ridiculous; and I come to you to get me out of the hornet’s nest into which I have run myself. Modeste is a demon; she sees my difficulty and she laughs at it; she has just spoken to me of a fragment of a letter of Madame de Chaulieu, which I had the folly to give her; if she shows it I can never make my peace with Eleonore. Therefore, will you at once ask Modeste to send me back that paper, and tell her, from me, that I make no pretensions to her hand. Say I count upon her delicacy, upon her propriety as a young girl, to behave to me as if we had never known each other. I beg her not to speak to me; I implore her to treat me harshly, — though I hardly dare ask her to feign a jealous anger, which would help my interests amazingly. Go, I will wait here for an answer.”
CHAPTER XXVIII. MODESTE BEHAVES WITH DIGNITY
On re-entering the salon Ernest de La Briere found a young officer of the company of the guard d’Havre, the Vicomte de Serizy, who had just arrived from Rosny to announce that Madame was obliged to be present at the opening of the Chambers. We know the importance then attached to this constitutional solemnity, at which Charles X. delivered his speech, surrounded by the royal family, — Madame la Dauphine and Madame being present in their gallery. The choice of the emissary charged with the duty of expressing the princess’s regrets was an attention to Diane, who was then an object of adoration to this charming young man, son of a minister of state, gentleman in ordinary of the chamber, only son and heir to an immense fortune. The Duchesse de Maufrigneuse permitted his attentions solely for the purpose of attracting notice to the age of his mother, Madame de Serizy, who was said, in those chronicles that are whispered behind the fans, to have deprived her of the heart of the handsome Lucien de Rubempre.
“You will do us the pleasure, I hope, to remain at Rosembray,” said the severe duchess to the young officer.
While giving ear to every scandal, the devout lady shut her eyes to the derelictions of her guests who had been carefully selected by the duke; indeed, it is surprising how much these excellent women will tolerate under pretence of bringing the lost sheep back to the fold by their indulgence.
“We reckoned without our constitutional government,” said the grand equerry; “and Rosembray, Madame la duchesse, will lose a great honor.”
“We shall be more at our ease,” said a tall thin old man, about seventy-five years of age, dressed in blue cloth, and wearing his hunting-cap by permission of the ladies. This personage, who closely resembled the Duc de Bourbon, was no less than the Prince de Cadignan, Master of the Hunt, and one of the last of the great French lords. Just as La Briere was endeavoring to slip behind the sofa and obtain a moment’s intercourse with Modeste, a man of thirty-eight, short, fat, and very common in appearance, entered the room.
“My son, the Prince de Loudon,” said the Duchesse de Verneuil to Modeste, who could not restrain the expression of amazement that overspread her young face on seeing the man who bore the historical name that the hero of La Vendee had rendered famous by his bravery and the martyrdom of his death.
“Gaspard,” said the duchess, calling her son to her. The young prince came at once, and his mother continued, motioning to Modeste, “Mademoiselle de La Bastie, my friend.”
The heir presumptive, whose marriage with Desplein’s only daughter had lately been arranged, bowed to the young girl without seeming struck, as his father had been, with her beauty. Modeste was thus enabled to compare the youth of to-day with the old age of a past epoch; for the old Prince de Cadignan had already said a few words which made her feel that he rendered as true a homage to womanhood as to royalty. The Duc de Rhetore, the eldest son of the Duchesse de Chaulieu, chiefly remarkable for manners that were equally impertinent and free and easy, bowed to Modeste rather cavalierly. The reason of this contrast between the fathers and the sons is to be found, probably, in the fact that young men no longer feel themselves great beings, as their forefathers did, and they dispense with the duties of greatness, knowing well that they are now but the shadow of it. The fathers retain the inherent politeness of their vanished grandeur, like the mountain-tops still gilded by the sun when all is twilight in the valley.
Ernest was at last able to slip a word into Modeste’s ear, and she rose immediately.
“My dear,” said the duchesse, thinking she was going to dress, and pulling a bell-rope, “they shall show you your apartment.”
Ernest accompanied Modeste to the foot of the grand staircase, presenting the request of the luckless poet, and endeavoring to touch her feelings by describing Melchior’s agony.
“You see, he loves — he is a captive who thought he could break his chain.”
“Love in such a rapid seeker after fortune!” retorted Modeste.
“Mademoiselle, you are at the entrance of life; you do not know its defiles. The inconsistencies of a man who falls under the dominion of a woman much older than himself should be forgiven, for he is really not accountable. Think how many sacrifices Canalis has made to her. He has sown too much seed of that kind to resign the harvest; the duchess represents to him ten years of devotion and happiness. You made him forget all that, and unfortunately, he has more vanity than pride; he did not reflect on what he was losing until he met Madame Chaulieu here to-day. If you really understood him, you would help him. He is a child, always mismanaging his life. You call him a seeker after fortune, but he seeks very badly; like all poets, he is a victim of sensations; he is childish, easily dazzled like a child by anything that shines, and pursuing its glitter. He used to love horses and pictures, and he craved fame, — well, he sold his pictures to buy armor and old furniture of the Renaissance and Louis XV.; just now he is seeking political power. Admit that his hobbies are noble things.”
“You have said enough,” replied Modeste; “come,” she added, seeing her father, whom she called with a motion of her head to give her his arm; “come with me, and I will give you that scrap of paper; you shall carry it to the great man and assure him of my condescension to his wishes, but on one condition, — you must thank him in my name for the pleasure I have taken in seeing one of the finest of the German plays performed in my honor. I have learned that Goethe’s masterpiece is neither Faust nor Egmont — ” and then, as Ernest looked at the malicious girl with a puzzled air, she added: “It is Torquato Tasso! Tell Monsieur de Canalis to re-read it,” she added smiling; “I particularly desire that you will repeat to your friend word for word what I say; for it is not an epigram, it is the justification of his conduct, — with this trifling difference, that he will, I trust, become more and more reasonable, thanks to the folly of his Eleonore.”
The duchess’s head-woman conducted Modeste and her father to their apartment, where Francoise Cochet had already put everything in order, and the choice elegance of which astounded the colonel, more especially after he heard from Francoise that there were thirty other apartments in the chateau decorated with the same taste.
“This is what I call a proper country-house,” said Modeste.
“The Comte de La Bastie must build you one like it,” replied her father.
“Here, monsieur,” said Modeste, giving the bit of paper to Ernest; “carry it to our friend and put him out of his misery.”
The word our friend struck the young man’s heart. He looked at Modeste to see if there was anything real in the community of interests which she seemed to admit, and she, understanding perfectly what his look meant, added, “Come, go at once, your friend is waiting.”
La Briere colored excessively, and left the room in a state of doubt and anxiety less endurable than despair. The path that approaches happiness is, to the true lover, like the narrow way which Catholic poetry has called the entrance to Paradise, — expressing thus a dark and gloomy passage, echoing with the last cries of earthly anguish.
An hour later this illustrious company were all assembled in the salon; some were playing whist, others conversing; the women had their embroideries in hand, and all were waiting the announcement of dinner. The Prince de Cadignan was drawing Monsieur Mignon out upon China, and his campaigns under the empire, and making him talk about the Portendueres, the L’Estorades, and the Maucombes, Provencal families; he blamed him for not seeking service, and assured him that nothing would be easier than to restore him to his rank as colonel of the Guard.
“A man of your birth and your fortune ought not to belong to the present Opposition,” said the prince, smiling.
This society of distinguished persons not only pleased Modeste, but it enabled her to acquire, during her stay, a perfection of manners which without this revelation she would have lacked all her life. Show a clock to an embryo mechanic, and you reveal to him the whole mechanism; he thus develops the germs of his faculty which lie dormant within him. In like manner Modeste had the instinct to appropriate the distinctive qualities of Madame de Maufrigneuse and Madame de Chaulieu. For her, the sight of these women was an education; whereas a bourgeois would merely have ridiculed their ways or made them absurd by clumsy imitation. A well-born, well-educated, and right-minded young woman like Modeste fell naturally into connection with these people, and saw at once the differences that separate the aristocratic world from the bourgeois world, the provinces from the faubourg Saint-Germain; she caught the almost imperceptible shadings; in short, she perceived the grace of the “grande dame” without doubting that she could herself acquire it. She noticed also that her father and La Briere appeared infinitely better in this Olympus than Canalis. The great poet, abdicating his real and incontestable power, that of the mind, became nothing more than a courtier seeking a ministry, intriguing for an order, and forced to please the whole galaxy. Ernest de La Briere, without ambitions, was able to be himself; while Melchior became, to use a vulgar expression, a mere toady, and courted the Prince de Loudon, the Duc de Rhetore, the Vicomte de Serizy, or the Duc de Maufrigneuse, like a man not free to assert himself, as did Colonel Mignon, who was justly proud of his campaigns, and of the confidence of the Emperor Napoleon. Modeste took note of the strained efforts of the man of real talent, seeking some witticism that should raise a laugh, some clever speech, some compliment with which to flatter these grand personages, whom it was his interest to please. In a word, to Modeste’s eyes the peacock plucked out his tail-feathers.
