Works of honore de balza.., p.874

Works of Honore De Balzac, page 874

 

Works of Honore De Balzac
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  CHAPTER VI. A DOMICILIARY VISIT

  CHAPTER VII. A FOREST NOOK

  CHAPTER VIII. TRIALS OF THE POLICE

  CHAPTER IX. FOILED

  PART II.

  CHAPTER X. ONE AND THE SAME, YET A TWO-FOLD LOVE

  CHAPTER XI. WISE COUNSEL

  CHAPTER XII. THE FACTS OF A MYSTERIOUS AFFAIR

  CHAPTER XIII. THE CODE OF BRUMAIRE, YEAR IV.

  CHAPTER XIV. THE ARRESTS

  CHAPTER XV. DOUBTS AND FEARS OF COUNSEL

  CHAPTER XVI. MARTHE INVEIGLED

  CHAPTER XVII. THE TRIAL

  CHAPTER XVIII. TRIAL CONTINUED: CRUEL VICISSITUDES

  CHAPTER XIX. THE EMPEROR’S BIVOUAC

  CHAPTER XX. THE MYSTERY SOLVED

  DEDICATION

  To Monsieur de Margone.

  In grateful remembrance, from his guest at the Chateau de Sache.

  De Balzac.

  PART I

  CHAPTER I. JUDAS

  The autumn of the year 1803 was one of the finest in the early part of that period of the present century which we now call “Empire.” Rain had refreshed the earth during the month of October, so that the trees were still green and leafy in November. The French people were beginning to put faith in a secret understanding between the skies and Bonaparte, then declared Consul for life, — a belief in which that man owes part of his prestige; strange to say, on the day the sun failed him, in 1812, his luck ceased!

  About four in the afternoon on the fifteenth of November, 1803, the sun was casting what looked like scarlet dust upon the venerable tops of four rows of elms in a long baronial avenue, and sparkling on the sand and grassy places of an immense rond-point, such as we often see in the country where land is cheap enough to be sacrificed to ornament. The air was so pure, the atmosphere so tempered that a family was sitting out of doors as if it were summer. A man dressed in a hunting-jacket of green drilling with green buttons, and breeches of the same stuff, and wearing shoes with thin soles and gaiters to the knee, was cleaning a gun with the minute care a skilful huntsman gives to the work in his leisure hours. This man had neither game nor game-bag, nor any of the accoutrements which denote either departure for a hunt or the return from it; and two women sitting near were looking at him as though beset by a terror they could ill-conceal. Any one observing the scene taking place in this leafy nook would have shuddered, as the old mother-in-law and the wife of the man we speak of were now shuddering. A huntsman does not take such minute precautions with his weapon to kill small game, neither does he use, in the department of the Aube, a heavy rifled carbine.

  “Shall you kill a roe-buck, Michu?” said his handsome young wife, trying to assume a laughing air.

  Before replying, Michu looked at his dog, which had been lying in the sun, its paws stretched out and its nose on its paws, in the charming attitude of a trained hunter. The animal had just raised its head and was snuffing the air, first down the avenue nearly a mile long which stretched before them, and then up the cross road where it entered the rond-point to the left.

  “No,” answered Michu, “but a brute I do not wish to miss, a lynx.”

  The dog, a magnificent spaniel, white with brown spots, growled.

  “Hah!” said Michu, talking to himself, “spies! the country swarms with them.”

  Madame Michu looked appealingly to heaven. A beautiful fair woman with blue eyes, composed and thoughtful in expression and made like an antique statue, she seemed to be a prey to some dark and bitter grief. The husband’s appearance may explain to a certain extent the evident fear of the two women. The laws of physiognomy are precise, not only in their application to character, but also in relation to the destinies of life. There is such a thing as prophetic physiognomy. If it were possible (and such a vital statistic would be of value to society) to obtain exact likenesses of those who perish on the scaffold, the science of Lavatar and also that of Gall would prove unmistakably that the heads of all such persons, even those who are innocent, show prophetic signs. Yes, fate sets its mark on the faces of those who are doomed to die a violent death of any kind. Now, this sign, this seal, visible to the eye of an observer, was imprinted on the expressive face of the man with the rifled carbine. Short and stout, abrupt and active in his motions as a monkey, though calm in temperament, Michu had a white face injected with blood, and features set close together like those of a Tartar, — a likeness to which his crinkled red hair conveyed a sinister expression. His eyes, clear and yellow as those of a tiger, showed depths behind them in which the glance of whoever examined the man might lose itself and never find either warmth or motion. Fixed, luminous, and rigid, those eyes terrified whoever gazed into them. The singular contrast between the immobility of the eyes and the activity of the body increased the chilling impression conveyed by a first sight of Michu. Action, always prompt in this man, was the outcome of a single thought; just as the life of animals is, without reflection, the outcome of instinct. Since 1793 he had trimmed his red beard to the shape of a fan. Even if he had not been (as he was during the Terror) president of a club of Jacobins, this peculiarity of his head would in itself have made him terrible to behold. His Socratic face with its blunt nose was surmounted by a fine forehead, so projecting, however, that it overhung the rest of the features. The ears, well detached from the head, had the sort of mobility which we find in those of wild animals, which are ever on the qui-vive. The mouth, half-open, as the custom usually is among country-people, showed teeth that were strong and white as almonds, but irregular. Gleaming red whiskers framed this face, which was white and yet mottled in spots. The hair, cropped close in front and allowed to grow long at the sides and on the back of the head, brought into relief, by its savage redness, all the strange and fateful peculiarities of this singular face. The neck which was short and thick, seemed to tempt the axe.

  At this moment the sunbeams, falling in long lines athwart the group, lighted up the three heads at which the dog from time to time glanced up. The spot on which this scene took place was magnificently fine. The rond-point is at the entrance of the park of Gondreville, one of the finest estates in France, and by far the finest in the departments of the Aube; it boasts of long avenues of elms, a castle built from designs by Mansart, a park of fifteen hundred acres enclosed by a stone wall, nine large farms, a forest, mills, and meadows. This almost regal property belonged before the Revolution to the family of Simeuse. Ximeuse was a feudal estate in Lorraine; the name was pronounced Simeuse, and in course of time it came to be written as pronounced.

  The great fortune of the Simeuse family, adherents of the House of Burgundy, dates from the time when the Guises were in conflict with the Valois. Richelieu first, and afterwards Louis XIV. remembered their devotion to the factious house of Lorraine, and rebuffed them. Then the Marquis de Simeuse, an old Burgundian, old Guiser, old leaguer, old frondeur (he inherited the four great rancors of the nobility against royalty), came to live at Cinq-Cygne. The former courtier, rejected at the Louvre, married the widow of the Comte de Cinq-Cygne, younger branch of the famous family of Chargeboeuf, one of the most illustrious names in Champagne, and now as celebrated and opulent as the elder. The marquis, among the richest men of his day, instead of wasting his substance at court, built the chateau of Gondreville, enlarged the estate by the purchase of others, and united the several domains, solely for the purposes of a hunting-ground. He also built the Simeuse mansion at Troyes, not far from that of the Cinq-Cygnes. These two old houses and the bishop’s palace were long the only stone mansions at Troyes. The marquis sold Simeuse to the Duc de Lorraine. His son wasted the father’s savings and some part of his great fortune under the reign of Louis XV., but he subsequently entered the navy, became a vice-admiral, and redeemed the follies of his youth by brilliant services. The Marquis de Simeuse, son of this naval worthy, perished with his wife on the scaffold at Troyes, leaving twin sons, who emigrated and were, at the time our history opens, still in foreign parts following the fortunes of the house of Conde.

  The rond-point was the scene of the meet in the time of the “Grand Marquis” — a name given in the family to the Simeuse who built Gondreville. Since 1789 Michu lived in the hunting lodge at the entrance to the park, built in the reign of Louis XIV., and called the pavilion of Cinq-Cygne. The village of Cinq-Cygne is at the end of the forest of Nodesme (a corruption of Notre-Dame) which was reached through the fine avenue of four rows of elms where Michu’s dog was now suspecting spies. After the death of the Grand Marquis this pavilion fell into disuse. The vice-admiral preferred the court and the sea to Champagne, and his son gave the dilapidated building to Michu for a dwelling.

  This noble structure is of brick, with vermiculated stone-work at the angles and on the casings of the doors and windows. On either side is a gateway of finely wrought iron, eaten with rust and connected by a railing, beyond which is a wide and deep ha-ha, full of vigorous trees, its parapets bristling with iron arabesques, the innumerable sharp points of which are a warning to evil-doers.

  The park walls begin on each side of the circumference of the rond-point; on the one hand the fine semi-circle is defined by slopes planted with elms; on the other, within the park, a corresponding half-circle is formed by groups of rare trees. The pavilion, therefore, stands at the centre of this round open space, which extends before it and behind it in the shape of two horseshoes. Michu had turned the rooms on the lower floor into a stable, a kitchen, and a wood-shed. The only trace remaining of their ancient splendor was an antechamber paved with marble in squares of black and white, which was entered on the park side through a door with small leaded panes, such as might still be seen at Versailles before Louis-Philippe turned that Chateau into an asylum for the glories of France. The pavilion is divided inside by an old staircase of worm-eaten wood, full of character, which leads to the first story. Above that is an immense garret. This venerable edifice is covered by one of those vast roofs with four sides, a ridgepole decorated with leaden ornaments, and a round projecting window on each side, such as Mansart very justly delighted in; for in France, the Italian attics and flat roofs are a folly against which our climate protests. Michu kept his fodder in this garret. That portion of the park which surrounds the old pavilion is English in style. A hundred feet from the house a former lake, now a mere pond well stocked with fish, makes known its vicinity as much by a thin mist rising above the tree-tops as by the croaking of a thousand frogs, toads, and other amphibious gossips who discourse at sunset. The time-worn look of everything, the deep silence of the woods, the long perspective of the avenue, the forest in the distance, the rusty iron-work, the masses of stone draped with velvet mosses, all made poetry of this old structure, which still exists.

  At the moment when our history begins Michu was leaning against a mossy parapet on which he had laid his powder-horn, cap, handkerchief, screw-driver, and rags, — in fact, all the utensils needed for his suspicious occupation. His wife’s chair was against the wall beside the outer door of the house, above which could still be seen the arms of the Simeuse family, richly carved, with their noble motto, “Cy meurs.” The old mother, in peasant dress, had moved her chair in front of Madame Michu, so that the latter might put her feet upon the rungs and keep them from dampness.

  “Where’s the boy?” said Michu to his wife.

  “Round the pond; he is crazy about the frogs and the insects,” answered the mother.

  Michu whistled in a way that made his hearers tremble. The rapidity with which his son ran up to him proved plainly enough the despotic power of the bailiff of Gondreville. Since 1789, but more especially since 1793, Michu had been well-nigh master of the property. The terror he inspired in his wife, his mother-in-law, a servant-lad named Gaucher, and the cook named Marianne, was shared throughout a neighborhood of twenty miles in circumference. It may be well to give, without further delay, the reasons for this fear, — all the more because an account of them will complete the moral portrait of the man.

  The old Marquis de Simeuse transferred the greater part of his property in 1790; but, overtaken by circumstances, he had not been able to put the estate of Gondreville into sure hands. Accused of corresponding with the Duke of Brunswick and the Prince of Cobourg, the marquis and his wife were thrust into prison and condemned to death by the revolutionary tribunal of Troyes, of which Madame Michu’s father was then president. The fine domain of Gondreville was sold as national property. The head-keeper, to the horror of many, was present at the execution of the marquis and his wife in his capacity as president of the club of Jacobins at Arcis. Michu, the orphan son of a peasant, showered with benefactions by the marquise, who brought him up in her own home and gave him his place as keeper, was regarded as a Brutus by excited demagogues; but the people of the neighborhood ceased to recognize him after this act of base ingratitude. The purchaser of the estate was a man from Arcis named Marion, grandson of a former bailiff in the Simeuse family. This man, a lawyer before and after the Revolution, was afraid of the keeper; he made him his bailiff with a salary of three thousand francs, and gave him an interest in the sales of timber; Michu, who was thought to have some ten thousand francs of his own laid by, married the daughter of a tanner at Troyes, an apostle of the Revolution in that town, where he was president of the revolutionary tribunal. This tanner, a man of profound convictions, who resembled Saint-Just as to character, was afterwards mixed up in Baboeuf’s conspiracy and killed himself to escape execution. Marthe was the handsomest girl in Troyes. In spite of her shrinking modesty she had been forced by her formidable father to play the part of Goddess of Liberty in some republican ceremony.

  The new proprietor came only three times to Gondreville in the course of seven years. His grandfather had been bailiff of the estate under the Simeuse family, and all Arcis took for granted that the citizen Marion was the secret representative of the present Marquis and his twin brother. As long as the Terror lasted, Michu, still bailiff of Gondreville, a devoted patriot, son-in-law of the president of the revolutionary tribunal of Troyes and flattered by Malin, representative from the department of the Aube, was the object of a certain sort of respect. But when the Mountain was overthrown and after his father-in-law committed suicide, he found himself a scape-goat; everybody hastened to accuse him, in common with his father-in-law, of acts to which, so far as he was concerned, he was a total stranger. The bailiff resented the injustice of the community; he stiffened his back and took an attitude of hostility. He talked boldly. But after the 18th Brumaire he maintained an unbroken silence, the philosophy of the strong; he struggled no longer against public opinion, and contented himself with attending to his own affairs, — wise conduct, which led his neighbors to pronounce him sly, for he owned, it was said, a fortune of not less than a hundred thousand francs in landed property. In the first place, he spent nothing; next, this property was legitimately acquired, partly from the inheritance of his father-in-law’s estate, and partly from the savings of six-thousand francs a year, the salary he derived from his place with its profits and emoluments. He had been bailiff of Gondreville for the last twelve years and every one had estimated the probable amount of his savings, so that when, after the Consulate was proclaimed, he bought a farm for fifty thousand francs, the suspicions attaching to his former opinions lessened, and the community of Arcis gave him credit for intending to recover himself in public estimation. Unfortunately, at the very moment when public opinion was condoning his past a foolish affair, envenomed by the gossip of the country-side, revived the latent and very general belief in the ferocity of his character.

  One evening, coming away from Troyes in company with several peasants, among whom was the farmer at Cinq-Cygne, he let fall a paper on the main road; the farmer, who was walking behind him, stooped and picked it up. Michu turned round, saw the paper in the man’s hands, pulled a pistol from his belt and threatened the farmer (who knew how to read) to blow his brains out if he opened the paper. Michu’s action was so sudden and violent, the tone of his voice so alarming, his eyes blazed so savagely, that the men about him turned cold with fear. The farmer of Cinq-Cygne was already his enemy. Mademoiselle de Cinq-Cygne, the man’s employer, was a cousin of the Simeuse brothers; she had only one farm left for her maintenance and was now residing at her chateau of Cinq-Cygne. She lived for her cousins the twins, with whom she had played in childhood at Troyes and at Gondreville. Her only brother, Jules de Cinq-Cygne, who emigrated before the twins, died at Mayence, but by a privilege which was somewhat rare and will be mentioned later, the name of Cinq-Cygne was not to perish through lack of male heirs.

  This affair between Michu and the farmer made a great noise in the arrondissement and darkened the already mysterious shadows which seemed to veil him. Nor was it the only circumstance which made him feared. A few months after this scene the citizen Marion, present owner of the Gondreville estate, came to inspect it with the citizen Malin. Rumor said that Marion was about to sell the property to his companion, who had profited by political events and had just been appointed on the Council of State by the First Consul, in return for his services on the 18th Brumaire. The shrewd heads of the little town of Arcis now perceived that Marion had been the agent of Malin in the purchase of the property, and not of the brothers Simeuse, as was first supposed. The all-powerful Councillor of State was the most important personage in Arcis. He had obtained for one of his political friends the prefecture of Troyes, and for a farmer at Gondreville the exemption of his son from the draft; in fact, he had done services to many. Consequently, the sale met with no opposition in the neighborhood where Malin then reigned, and where he still reigns supreme.

  The Empire was just dawning. Those who in these days read the histories of the French Revolution can form no conception of the vast spaces which public thought traversed between events which now seem to have been so near together. The strong need of peace and tranquillity which every one felt after the violent tumults of the Revolution brought about a complete forgetfulness of important anterior facts. History matured rapidly under the advance of new and eager interests. No one, therefore, except Michu, looked into the past of this affair, which the community accepted as a simple matter. Marion, who had bought Gondreville for six hundred thousand francs in assignats, sold it for the value of a couple of million in coin; but the only payments actually made by Malin were for the costs of registration. Grevin, a seminary comrade of Malin, assisted the transaction, and the Councillor rewarded his help with the office of notary at Arcis. When the news of the sale reached the pavilion, brought there by a farmer whose farm, at Grouage, was situated between the forest and the park on the left of the noble avenue, Michu turned pale and left the house. He lay in wait for Marion, and finally met him alone in one of the shrubberies of the park.

 

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