Complete works of thomas.., p.832

Complete Works of Thomas Hardy (Illustrated), page 832

 

Complete Works of Thomas Hardy (Illustrated)
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  Rostopchin he,

  The city governor, whose name will ring

  Far down the forward years uncannily!

  SPIRIT OF RUMOUR

  His arts are strange, and strangely do they move him:—

  To store the stews with stuffs inflammable,

  To bid that pumps be wrecked, captives enlarged

  And primed with brands for burning, are the intents

  His warnings to the citizens outshade!

  When the bulk of the populace has passed out eastwardly the Russian

  army retreating from Borodino also passes through the city into the

  country beyond without a halt. They mostly move in solemn silence,

  though many soldiers rush from their ranks and load themselves with

  spoil.

  When they are got together again and have marched out, there goes by

  on his horse a strange scarred old man with a foxy look, a swollen

  neck and head and a hunched figure. He is KUTUZOF, surrounded by

  his lieutenants. Away in the distance by other streets and bridges

  with other divisions pass in like manner GENERALS BENNIGSEN, BARCLAY

  DE TOLLY, DOKHTOROF, the mortally wounded BAGRATION in a carriage, and

  other generals, all in melancholy procession one way, like autumnal

  birds of passage. Then the rear-guard passes under MILORADOVITCH.

  Next comes a procession of another kind.

  A long string of carts with wounded men is seen, which trails out of

  the city behind the army. Their clothing is soiled with dried blood,

  and the bandages that enwrap them are caked with it.

  The greater part of this migrant multitude takes the high road to

  Vladimir.

  SCENE VII

  THE SAME. OUTSIDE THE CITY

  [A hill forms the foreground, called the Hill of Salutation, near

  the Smolensk road.

  Herefrom the city appears as a splendid panorama, with its river,

  its gardens, and its curiously grotesque architecture of domes and

  spires. It is the peacock of cities to Western eyes, its roofs

  twinkling in the rays of the September sun, amid which the ancient

  citadel of the Tsars—the Kremlin—forms a centre-piece.

  There enter on the hill at a gallop NAPOLEON, MURAT, EUGENE, NEY,

  DARU, and the rest of the Imperial staff. The French advance-

  guard is drawn up in order of battle at the foot of the hill, and

  the long columns of the Grand Army stretch far in the rear. The

  Emperor and his marshals halt, and gaze at Moscow.]

  NAPOLEON

  Ha! There she is at last. And it was time.

  [He looks round upon his army, its numbers attenuated to one-fourth

  of those who crossed the Niemen so joyfully.]

  Yes: it was time.... NOW what says Alexander!

  DARU

  This is a foil to Salamanca, sire!

  DAVOUT

  What scores of bulbous church-tops gild the sky!

  Souls must be rotten in this region, sire,

  To need so much repairing!

  NAPOLEON

  Ay—no doubt....

  Prithee march briskly on, to check disorder,

  [to Murat].

  Hold word with the authorities forthwith,

  [to Durasnel].

  Tell them that they may swiftly swage their fears,

  Safe in the mercy I by rule extend

  To vanquished ones. I wait the city keys,

  And will receive the Governor's submission

  With courtesy due. Eugene will guard the gate

  To Petersburg there leftward. You, Davout,

  The gate to Smolensk in the centre here

  Which we shall enter by.

  VOICES OF ADVANCE-GUARD

  Moscow! Moscow!

  This, this is Moscow city. Rest at last!

  [The words are caught up in the rear by veterans who have entered

  every capital in Europe except London, and are echoed from rank to

  rank. There is a far-extended clapping of hands, like the babble

  of waves, and companies of foot run in disorder towards high ground

  to behold the spectacle, waving their shakos on their bayonets.

  The army now marches on, and NAPOLEON and his suite disappear

  citywards from the Hill of Salutation.

  The day wanes ere the host has passed and dusk begins to prevail,

  when tidings reach the rear-guard that cause dismay. They have

  been sent back lip by lip from the front.]

  SPIRIT IRONIC

  An anticlimax to Napoleon's dream!

  SPIRIT OF RUMOUR

  They say no governor attends with keys

  To offer his submission gracefully.

  The streets are solitudes, the houses sealed,

  And stagnant silence reigns, save where intrudes

  The rumbling of their own artillery wheels,

  And their own soldiers' measured tramp along.

  "Moscow deserted? What a monstrous thing!"—

  He shrugs his shoulders soon, contemptuously;

  "This, then is how Muscovy fights!" cries he.

  Meanwhile Murat has reached the Kremlin gates,

  And finds them closed against him. Battered these,

  The fort reverberates vacant as the streets

  But for some grinning wretches gaoled there.

  Enchantment seems to sway from quay to keep,

  And lock commotion in a century's sleep.

  [NAPOLEON, reappearing in front of the city, follows MURAT, and is

  again lost to view. He has entered the Kremlin. An interval.

  Something becomes visible on the summit of the Ivan Tower.]

  CHORUS OF RUMOURS [aerial music]

  Mark you thereon a small lone figure gazing

  Upon his hard-gained goal? It is He!

  The startled crows, their broad black pinions raising,

  Forsake their haunts, and wheel disquietedly.

  [The scene slowly darkens. Midnight hangs over the city. In

  blackness to the north of where the Kremlin stands appears what at

  first seems a lurid, malignant star. It waxes larger. Almost

  simultaneously a north-east wind rises, and the light glows and

  sinks with the gusts, proclaiming a fire, which soon grows large

  enough to irradiate the fronts of adjacent buildings, and to show

  that it is creeping on towards the Kremlin itself, the walls of

  that fortress which face the flames emerging from their previous

  shade.

  The fire can be seen breaking out also in numerous other quarters.

  All the conflagrations increase, and become, as those at first

  detached group themselves together, one huge furnace, whence

  streamers of flame reach up to the sky, brighten the landscape

  far around, and show the houses as if it were day. The blaze

  gains the Kremlin, and licks its walls, but does not kindle it.

  Explosions and hissings are constantly audible, amid which can be

  fancied cries and yells of people caught in the combustion. Large

  pieces of canvas aflare sail away on the gale like balloons.

  Cocks crow, thinking it sunrise, ere they are burnt to death.]

  SCENE VIII

  THE SAME. THE INTERIOR OF THE KREMLIN

  [A chamber containing a bed on which NAPOLEON has been lying. It

  is not yet daybreak, and the flapping light of the conflagration

  without shines in at the narrow windows.

  NAPOLEON is discovered dressed, but in disorder and unshaven. He

  is walking up and down the room in agitation. There are present

  CAULAINCOURT, BESSIERES, and many of the marshals of his guard,

  who stand in silent perplexity.]

  NAPOLEON [sitting down on the bed]

  No: I'll not go! It is themselves who have done it.

  My God, they are Scythians and barbarians still!

  [Enter MORTIER [just made Governor].]

  MORTIER

  Sire, there's no means of fencing with the flames.

  My creed is that these scurvy Muscovites

  Knowing our men's repute for recklessness,

  Have fired the town, as if 'twere we had done it,

  As by our own crazed act!

  [GENERAL LARIBOISIERE, and aged man, enters and approaches

  NAPOLEON.]

  LARIBOISIERE

  The wind swells higher!

  Will you permit one so high-summed in years,

  One so devoted, sire, to speak his mind?

  It is that your long lingering here entails

  Much risk for you, your army, and ourselves,

  In the embarrassment it throws on us

  While taking steps to seek security,

  By hindering venturous means.

  [Enter MURAT, PRINCE EUGENE, and the PRINCE OF NEUFCHATEL.]

  MURAT

  There is no choice

  But leaving, sire. Enormous bulks of powder

  Lie housed beneath us; and outside these panes

  A park of our artillery stands unscreened.

  NAPOLEON [saturninely]

  What have I won I disincline to cede!

  VOICE OF A GUARD [without]

  The Kremlin is aflame!

  [The look at each other. Two officers of NAPOLEON'S guard and an

  interpreter enter, with one of the Russian military police as a

  prisoner.]

  FIRST OFFICER

  We have caught this man

  Firing the Kremlin: yea, in the very act!

  It is extinguished temporarily,

  We know not for how long.

  NAPOLEON

  Inquire of him

  What devil set him on. [They inquire.]

  SECOND OFFICER

  The governor,

  He says; the Count Rostopchin, sire.

  NAPOLEON

  So! Even the ancient Kremlin is not sanct

  From their infernal scheme! Go, take him out;

  Make him a quick example to the rest.

  [Exeunt guard with their prisoner to the court below, whence a

  musket-volley resounds in a few minutes. Meanwhile the flames

  pop and spit more loudly, and the window-panes of the room they

  stand in crack and fall in fragments.]

  Incendiarism afoot, and we unware

  Of what foul tricks may follow, I will go.

  Outwitted here, we'll march on Petersburg,

  The Devil if we won't!

  [The marshals murmur and shake their heads.]

  BESSIERES

  Your pardon, sire,

  But we are all convinced that weather, time,

  Provisions, roads, equipment, mettle, mood,

  Serve not for such a perilous enterprise.

  [NAPOLEON remains in gloomy silence. Enter BERTHIER.]

  NAPOLEON [apathetically]

  Well, Berthier. More misfortunes?

  BERTHIER

  News is brought,

  Sire, of the Russian army's whereabouts.

  That fox Kutuzof, after marching east

  As if he were conducting his whole force

  To Vladimir, when at the Riazan Road

  Down-doubled sharply south, and in a curve

  Has wheeled round Moscow, making for Kalouga,

  To strike into our base, and cut us off.

  MURAT

  Another reason against Petersburg!

  Come what come may, we must defeat that army,

  To keep a sure retreat through Smolensk on

  To Lithuania.

  NAPOLEON [jumping up]

  I must act! We'll leave,

  Or we shall let this Moscow be our tomb.

  May Heaven curse the author of this war—

  Ay, him, that Russian minister, self-sold

  To England, who fomented it.—'Twas he

  Dragged Alexander into it, and me!

  [The marshals are silent with looks of incredulity, and Caulaincourt

  shrugs his shoulders.]

  Now no more words; but hear. Eugene and Ney

  With their divisions fall straight back upon

  The Petersburg and Zwenigarod Roads;

  Those of Davout upon the Smolensk route.

  I will retire meanwhile to Petrowskoi.

  Come, let us go.

  [NAPOLEON and the marshals move to the door. In leaving, the

  Emperor pauses and looks back.]

  I fear that this event

  Marks the beginning of a train of ills....

  Moscow was meant to be my rest,

  My refuge, and—it vanishes away!

  [Exeunt NAPOLEON, marshals, etc. The smoke grows denser and

  obscures the scene.]

  SCENE IX

  THE ROAD FROM SMOLENSKO INTO LITHUANIA

  [The season is far advanced towards winter. The point of observation

  is high amongst the clouds, which, opening and shutting fitfully to

  the wind, reveal the earth as a confused expanse merely.]

  SPIRIT OF THE PITIES

  Where are we? And why are we where we are?

  SHADE OF THE EARTH

  Above a wild waste garden-plot of mine

  Nigh bare in this late age, and now grown chill,

  Lithuania called by some. I gather not

  Why we haunt here, where I can work no charm

  Either upon the ground or over it.

  SPIRIT OF THE YEARS

  The wherefore will unfold. The rolling brume

  That parts, and joins, and parts again below us

  In ragged restlessness, unscreens by fits

  The quality of the scene.

  SPIRIT OF THE PITIES

  I notice now

  Primeval woods, pine, birch—the skinny growths

  That can sustain life well where earth affords

  But sustenance elsewhere yclept starvation.

  SPIRIT OF THE YEARS

  And what see you on the far land-verge there,

  Labouring from eastward towards our longitude?

  SPIRIT OF THE PITIES

  An object like a dun-piled caterpillar,

  Shuffling its length in painful heaves along,

  Hitherward.... Yea, what is this Thing we see

  Which, moving as a single monster might,

  Is yet not one but many?

  SPIRIT OF THE YEARS

  Even the Army

  Which once was called the Grand; now in retreat

  From Moscow's muteness, urged by That within it;

  Together with its train of followers—

  Men, matrons, babes, in brabbling multitudes.

  SPIRIT OF THE PITIES

  And why such flight?

  SPIRIT OF THE YEARS

  Recording Angels, say.

  RECORDING ANGEL I [in minor plain-song]

  The host has turned from Moscow where it lay,

  And Israel-like, moved by some master-sway,

  Is made to wander on and waste away!

  ANGEL II

  By track of Tarutino first it flits;

  Thence swerving, strikes at old Jaroslawitz;

  The which, accurst by slaughtering swords, it quits.

  ANGEL I

  Harassed, it treads the trail by which it came,

  To Borodino, field of bloodshot fame,

  Whence stare unburied horrors beyond name!

  ANGEL II

  And so and thus it nears Smolensko's walls,

  And, stayed its hunger, starts anew its crawls,

  Till floats down one white morsel, which appals.

  [What has floated down from the sky upon the Army is a flake of

  snow. Then come another and another, till natural features,

  hitherto varied with the tints of autumn, are confounded, and all

  is phantasmal grey and white.

  The caterpillar shape still creeps laboriously nearer, but instead,

  increasing in size by the rules of perspective, it gets more

  attenuated, and there are left upon the ground behind it minute

  parts of itself, which are speedily flaked over, and remain as

  white pimples by the wayside.]

  SPIRIT OF THE YEARS

  These atoms that drop off are snuffed-out souls

  Who are enghosted by the caressing snow.

  [Pines rise mournfully on each side of the nearing object; ravens

  in flocks advance with it overhead, waiting to pick out the eyes

  of strays who fall. The snowstorm increases, descending in tufts

  which can hardly be shaken off. The sky seems to join itself to

  the land. The marching figures drop rapidly, and almost immediately

  become white grave-mounds.

  Endowed with enlarged powers of audition as of vision, we are struck

  by the mournful taciturnity that prevails. Nature is mute. Save

  for the incessant flogging of the wind-broken and lacerated horses

  there are no sounds.

  With growing nearness more is revealed. In the glades of the forest,

  parallel to the French columns, columns of Russians are seen to be

  moving. And when the French presently reach Krasnoye they are

  surrounded by packs of cloaked Cossacks, bearing lances like huge

  needles a dozen feet long. The fore-part of the French army gets

  through the town; the rear is assaulted by infantry and artillery.]

  SPIRIT OF THE PITIES

  The strange, one-eyed, white-shakoed, scarred old man,

  Ruthlessly heading every onset made,

  I seem to recognize.

  SPIRIT OF THE YEARS

  Kutuzof he:

  The ceaselessly-attacked one, Michael Ney;

  A pair as stout as thou, Earth, ever hast twinned!

  Kutuzof, ten years younger, would extirp

  The invaders, and our drama finish here,

  With Bonaparte a captive or a corpse.

  But he is old; death even has beckoned him;

  And thus the so near-seeming happens not.

  [NAPOLEON himself can be discerned amid the rest, marching on foot

  through the snowflakes, in a fur coat and with a stout staff in his

  hand. Further back NEY is visible with the remains of the rear.

  There is something behind the regular columns like an articulated

  tail, and as they draw on, it shows itself to be a disorderly rabble

  of followers of both sexes. So the whole miscellany arrives at the

 

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