Complete Works of Thomas Hardy (Illustrated), page 107
‘It may be — it must be. Let us go on.’
They began to bend their steps towards Castle Boterel, whither they had sent their bags from Camelton. They wandered on in silence for many minutes. Stephen then paused, and lightly put his hand within Knight’s arm.
‘I wonder how she came to die,’ he said in a broken whisper. ‘Shall we return and learn a little more?’
They turned back again, and entering Endelstow a second time, came to a door which was standing open. It was that of an inn called the Welcome Home, and the house appeared to have been recently repaired and entirely modernized. The name too was not that of the same landlord as formerly, but Martin Cannister’s.
Knight and Smith entered. The inn was quite silent, and they followed the passage till they reached the kitchen, where a huge fire was burning, which roared up the chimney, and sent over the floor, ceiling, and newly-whitened walls a glare so intense as to make the candle quite a secondary light. A woman in a white apron and black gown was standing there alone behind a cleanly-scrubbed deal table. Stephen first, and Knight afterwards, recognized her as Unity, who had been parlour-maid at the vicarage and young lady’s-maid at the Crags.
‘Unity,’ said Stephen softly, ‘don’t you know me?’
She looked inquiringly a moment, and her face cleared up.
‘Mr. Smith — ay, that it is!’ she said. ‘And that’s Mr. Knight. I beg you to sit down. Perhaps you know that since I saw you last I have married Martin Cannister.’
‘How long have you been married?’
‘About five months. We were married the same day that my dear Miss Elfie became Lady Luxellian.’ Tears appeared in Unity’s eyes, and filled them, and fell down her cheek, in spite of efforts to the contrary.
The pain of the two men in resolutely controlling themselves when thus exampled to admit relief of the same kind was distressing. They both turned their backs and walked a few steps away.
Then Unity said, ‘Will you go into the parlour, gentlemen?’
‘Let us stay here with her,’ Knight whispered, and turning said, ‘No; we will sit here. We want to rest and dry ourselves here for a time, if you please.’
That evening the sorrowing friends sat with their hostess beside the large fire, Knight in the recess formed by the chimney breast, where he was in shade. And by showing a little confidence they won hers, and she told them what they had stayed to hear — the latter history of poor Elfride.
‘One day — after you, Mr. Knight, left us for the last time — she was missed from the Crags, and her father went after her, and brought her home ill. Where she went to, I never knew — but she was very unwell for weeks afterwards. And she said to me that she didn’t care what became of her, and she wished she could die. When she was better, I said she would live to be married yet, and she said then, “Yes; I’ll do anything for the benefit of my family, so as to turn my useless life to some practical account.” Well, it began like this about Lord Luxellian courting her. The first Lady Luxellian had died, and he was in great trouble because the little girls were left motherless. After a while they used to come and see her in their little black frocks, for they liked her as well or better than their own mother — -that’s true. They used to call her “little mamma.” These children made her a shade livelier, but she was not the girl she had been — I could see that — and she grew thinner a good deal. Well, my lord got to ask the Swancourts oftener and oftener to dinner — nobody else of his acquaintance — and at last the vicar’s family were backwards and forwards at all hours of the day. Well, people say that the little girls asked their father to let Miss Elfride come and live with them, and that he said perhaps he would if they were good children. However, the time went on, and one day I said, “Miss Elfride, you don’t look so well as you used to; and though nobody else seems to notice it I do.” She laughed a little, and said, “I shall live to be married yet, as you told me.”
‘“Shall you, miss? I am glad to hear that,” I said.
‘“Whom do you think I am going to be married to?” she said again.
‘“Mr. Knight, I suppose,” said I.
‘“Oh!” she cried, and turned off so white, and afore I could get to her she had sunk down like a heap of clothes, and fainted away. Well, then, she came to herself after a time, and said, “Unity, now we’ll go on with our conversation.”
‘“Better not to-day, miss,” I said.
‘“Yes, we will,” she said. “Whom do you think I am going to be married to?”
‘“I don’t know,” I said this time.
‘“Guess,” she said.
‘“‘Tisn’t my lord, is it?” says I.
‘“Yes, ‘tis,” says she, in a sick wild way.
‘“But he don’t come courting much,” I said.
“‘Ah! you don’t know,” she said, and told me ‘twas going to be in October. After that she freshened up a bit — whether ‘twas with the thought of getting away from home or not, I don’t know. For, perhaps, I may as well speak plainly, and tell you that her home was no home to her now. Her father was bitter to her and harsh upon her; and though Mrs. Swancourt was well enough in her way, ‘twas a sort of cold politeness that was not worth much, and the little thing had a worrying time of it altogether. About a month before the wedding, she and my lord and the two children used to ride about together upon horseback, and a very pretty sight they were; and if you’ll believe me, I never saw him once with her unless the children were with her too — which made the courting so strange-looking. Ay, and my lord is so handsome, you know, so that at last I think she rather liked him; and I have seen her smile and blush a bit at things he said. He wanted her the more because the children did, for everybody could see that she would be a most tender mother to them, and friend and playmate too. And my lord is not only handsome, but a splendid courter, and up to all the ways o’t. So he made her the beautifullest presents; ah, one I can mind — a lovely bracelet, with diamonds and emeralds. Oh, how red her face came when she saw it! The old roses came back to her cheeks for a minute or two then. I helped dress her the day we both were married — it was the last service I did her, poor child! When she was ready, I ran upstairs and slipped on my own wedding gown, and away they went, and away went Martin and I; and no sooner had my lord and my lady been married than the parson married us. It was a very quiet pair of weddings — hardly anybody knew it. Well, hope will hold its own in a young heart, if so be it can; and my lady freshened up a bit, for my lord was SO handsome and kind.’
‘How came she to die — and away from home?’ murmured Knight.
‘Don’t you see, sir, she fell off again afore they’d been married long, and my lord took her abroad for change of scene. They were coming home, and had got as far as London, when she was taken very ill and couldn’t be moved, and there she died.’
‘Was he very fond of her?’
‘What, my lord? Oh, he was!’
‘VERY fond of her?’
‘VERY, beyond everything. Not suddenly, but by slow degrees. ‘Twas her nature to win people more when they knew her well. He’d have died for her, I believe. Poor my lord, he’s heart-broken now!’
‘The funeral is to-morrow?’
‘Yes; my husband is now at the vault with the masons, opening the steps and cleaning down the walls.’
The next day two men walked up the familiar valley from Castle Boterel to East Endelstow Church. And when the funeral was over, and every one had left the lawn-like churchyard, the pair went softly down the steps of the Luxellian vault, and under the low-groined arches they had beheld once before, lit up then as now. In the new niche of the crypt lay a rather new coffin, which had lost some of its lustre, and a newer coffin still, bright and untarnished in the slightest degree.
Beside the latter was the dark form of a man, kneeling on the damp floor, his body flung across the coffin, his hands clasped, and his whole frame seemingly given up in utter abandonment to grief. He was still young — younger, perhaps, than Knight — and even now showed how graceful was his figure and symmetrical his build. He murmured a prayer half aloud, and was quite unconscious that two others were standing within a few yards of him.
Knight and Stephen had advanced to where they once stood beside Elfride on the day all three had met there, before she had herself gone down into silence like her ancestors, and shut her bright blue eyes for ever. Not until then did they see the kneeling figure in the dim light. Knight instantly recognized the mourner as Lord Luxellian, the bereaved husband of Elfride.
They felt themselves to be intruders. Knight pressed Stephen back, and they silently withdrew as they had entered.
‘Come away,’ he said, in a broken voice. ‘We have no right to be there. Another stands before us — nearer to her than we!’
And side by side they both retraced their steps down the grey still valley to Castle Boterel.
FAR FROM THE MADDING CROWD
Far from the Madding Crowd (1874) is Hardy’s fourth novel and his first major literary success. It originally appeared as a monthly serial in Cornhill Magazine, where it gained a wide readership with a mostly positive response. Now it is considered to be one of his greatest literary achievements.
The story concerns Gabriel Oak, a young shepherd, who falls in love with a newcomer eight years his junior, Bathsheba Everdene, a proud beauty. The novel then details her various admirers and the resulting tragic complications, before an eventual happy ending.
Hardy, 1890
FAR FROM THE MADDING CROWD
CONTENTS
PREFACE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER XXI
CHAPTER XXII
CHAPTER XXIII
CHAPTER XXIV
CHAPTER XXV
CHAPTER XXVI
CHAPTER XXVII
CHAPTER XXVIII
CHAPTER XXIX
CHAPTER XXX
CHAPTER XXXI
CHAPTER XXXII
CHAPTER XXXIII
CHAPTER XXXIV
CHAPTER XXXV
CHAPTER XXXVI
CHAPTER XXXVII
CHAPTER XXXVIII
CHAPTER XXXIX
CHAPTER XL
CHAPTER XLI
CHAPTER XLII
CHAPTER XLIII
CHAPTER XLIV
CHAPTER XLV
CHAPTER XLVI
CHAPTER XLVII
CHAPTER XLVIII
CHAPTER XLIX
CHAPTER L
CHAPTER LI
CHAPTER LII
CHAPTER LIII
CHAPTER LIV
CHAPTER LV
CHAPTER LVI
CHAPTER LVII
FAR FROM THE MADDING CROWD
PREFACE
In reprinting this story for a new edition I am reminded that it was in the chapters of “Far from the Madding Crowd,” as they appeared month by month in a popular magazine, that I first ventured to adopt the word “Wessex” from the pages of early English history, and give it a fictitious significance as the existing name of the district once included in that extinct kingdom. The series of novels I projected being mainly of the kind called local, they seemed to require a territorial definition of some sort to lend unity to their scene. Finding that the area of a single county did not afford a canvas large enough for this purpose, and that there were objections to an invented name, I disinterred the old one. The press and the public were kind enough to welcome the fanciful plan, and willingly joined me in the anachronism of imagining a Wessex population living under Queen Victoria; — a modern Wessex of railways, the penny post, mowing and reaping machines, union workhouses, lucifer matches, labourers who could read and write, and National school children. But I believe I am correct in stating that, until the existence of this contemporaneous Wessex was announced in the present story, in 1874, it had never been heard of, and that the expression, “a Wessex peasant,” or “a Wessex custom,” would theretofore have been taken to refer to nothing later in date than the Norman Conquest.
I did not anticipate that this application of the word to a modern use would extend outside the chapters of my own chronicles. But the name was soon taken up elsewhere as a local designation. The first to do so was the now defunct Examiner, which, in the impression bearing date July 15, 1876, entitled one of its articles “The Wessex Labourer,” the article turning out to be no dissertation on farming during the Heptarchy, but on the modern peasant of the south-west counties, and his presentation in these stories.
Since then the appellation which I had thought to reserve to the horizons and landscapes of a merely realistic dream-country, has become more and more popular as a practical definition; and the dream-country has, by degrees, solidified into a utilitarian region which people can go to, take a house in, and write to the papers from. But I ask all good and gentle readers to be so kind as to forget this, and to refuse steadfastly to believe that there are any inhabitants of a Victorian Wessex outside the pages of this and the companion volumes in which they were first discovered.
Moreover, the village called Weatherbury, wherein the scenes of the present story of the series are for the most part laid, would perhaps be hardly discernible by the explorer, without help, in any existing place nowadays; though at the time, comparatively recent, at which the tale was written, a sufficient reality to meet the descriptions, both of backgrounds and personages, might have been traced easily enough. The church remains, by great good fortune, unrestored and intact, and a few of the old houses; but the ancient malt-house, which was formerly so characteristic of the parish, has been pulled down these twenty years; also most of the thatched and dormered cottages that were once lifeholds. The game of prisoner’s base, which not so long ago seemed to enjoy a perennial vitality in front of the worn-out stocks, may, so far as I can say, be entirely unknown to the rising generation of schoolboys there. The practice of divination by Bible and key, the regarding of valentines as things of serious import, the shearing-supper, and the harvest-home, have, too, nearly disappeared in the wake of the old houses; and with them have gone, it is said, much of that love of fuddling to which the village at one time was notoriously prone. The change at the root of this has been the recent supplanting of the class of stationary cottagers, who carried on the local traditions and humours, by a population of more or less migratory labourers, which has led to a break of continuity in local history, more fatal than any other thing to the preservation of legend, folk-lore, close inter-social relations, and eccentric individualities. For these the indispensable conditions of existence are attachment to the soil of one particular spot by generation after generation.
T. H.
February 1895
CHAPTER I
Description of Farmer Oak — An Incident
When Farmer Oak smiled, the corners of his mouth spread till they were within an unimportant distance of his ears, his eyes were reduced to chinks, and diverging wrinkles appeared round them, extending upon his countenance like the rays in a rudimentary sketch of the rising sun.
His Christian name was Gabriel, and on working days he was a young man of sound judgment, easy motions, proper dress, and general good character. On Sundays he was a man of misty views, rather given to postponing, and hampered by his best clothes and umbrella: upon the whole, one who felt himself to occupy morally that vast middle space of Laodicean neutrality which lay between the Communion people of the parish and the drunken section, — that is, he went to church, but yawned privately by the time the congregation reached the Nicene creed, and thought of what there would be for dinner when he meant to be listening to the sermon. Or, to state his character as it stood in the scale of public opinion, when his friends and critics were in tantrums, he was considered rather a bad man; when they were pleased, he was rather a good man; when they were neither, he was a man whose moral colour was a kind of pepper-and-salt mixture.
Since he lived six times as many working-days as Sundays, Oak’s appearance in his old clothes was most peculiarly his own — the mental picture formed by his neighbours in imagining him being always dressed in that way. He wore a low-crowned felt hat, spread out at the base by tight jamming upon the head for security in high winds, and a coat like Dr. Johnson’s; his lower extremities being encased in ordinary leather leggings and boots emphatically large, affording to each foot a roomy apartment so constructed that any wearer might stand in a river all day long and know nothing of damp — their maker being a conscientious man who endeavoured to compensate for any weakness in his cut by unstinted dimension and solidity.
Mr. Oak carried about him, by way of watch, what may be called a small silver clock; in other words, it was a watch as to shape and intention, and a small clock as to size. This instrument being several years older than Oak’s grandfather, had the peculiarity of going either too fast or not at all. The smaller of its hands, too, occasionally slipped round on the pivot, and thus, though the minutes were told with precision, nobody could be quite certain of the hour they belonged to. The stopping peculiarity of his watch Oak remedied by thumps and shakes, and he escaped any evil consequences from the other two defects by constant comparisons with and observations of the sun and stars, and by pressing his face close to the glass of his neighbours’ windows, till he could discern the hour marked by the green-faced timekeepers within. It may be mentioned that Oak’s fob being difficult of access, by reason of its somewhat high situation in the waistband of his trousers (which also lay at a remote height under his waistcoat), the watch was as a necessity pulled out by throwing the body to one side, compressing the mouth and face to a mere mass of ruddy flesh on account of the exertion required, and drawing up the watch by its chain, like a bucket from a well.
