Complete Works of Thomas Hardy (Illustrated), page 194
“Yes.”
“Somebody who wants looking after?”
“Yes.”
Not long after this a faint cry sounded from the interior. The reddleman hastened to the back, looked in, and came away again.
“You have a child there, my man?”
“No, sir, I have a woman.”
“The deuce you have! Why did she cry out?”
“Oh, she has fallen asleep, and not being used to traveling, she’s uneasy, and keeps dreaming.”
“A young woman?”
“Yes, a young woman.”
“That would have interested me forty years ago. Perhaps she’s your wife?”
“My wife!” said the other bitterly. “She’s above mating with such as I. But there’s no reason why I should tell you about that.”
“That’s true. And there’s no reason why you should not. What harm can I do to you or to her?”
The reddleman looked in the old man’s face. “Well, sir,” he said at last, “I knew her before today, though perhaps it would have been better if I had not. But she’s nothing to me, and I am nothing to her; and she wouldn’t have been in my van if any better carriage had been there to take her.”
“Where, may I ask?”
“At Anglebury.”
“I know the town well. What was she doing there?”
“Oh, not much — to gossip about. However, she’s tired to death now, and not at all well, and that’s what makes her so restless. She dropped off into a nap about an hour ago, and ‘twill do her good.”
“A nice-looking girl, no doubt?”
“You would say so.”
The other traveller turned his eyes with interest towards the van window, and, without withdrawing them, said, “I presume I might look in upon her?”
“No,” said the reddleman abruptly. “It is getting too dark for you to see much of her; and, more than that, I have no right to allow you. Thank God she sleeps so well, I hope she won’t wake till she’s home.”
“Who is she? One of the neighbourhood?”
“‘Tis no matter who, excuse me.”
“It is not that girl of Blooms-End, who has been talked about more or less lately? If so, I know her; and I can guess what has happened.”
“‘Tis no matter....Now, sir, I am sorry to say that we shall soon have to part company. My ponies are tired, and I have further to go, and I am going to rest them under this bank for an hour.”
The elder traveller nodded his head indifferently, and the reddleman turned his horses and van in upon the turf, saying, “Good night.” The old man replied, and proceeded on his way as before.
The reddleman watched his form as it diminished to a speck on the road and became absorbed in the thickening films of night. He then took some hay from a truss which was slung up under the van, and, throwing a portion of it in front of the horses, made a pad of the rest, which he laid on the ground beside his vehicle. Upon this he sat down, leaning his back against the wheel. From the interior a low soft breathing came to his ear. It appeared to satisfy him, and he musingly surveyed the scene, as if considering the next step that he should take.
To do things musingly, and by small degrees, seemed, indeed, to be a duty in the Egdon valleys at this transitional hour, for there was that in the condition of the heath itself which resembled protracted and halting dubiousness. It was the quality of the repose appertaining to the scene. This was not the repose of actual stagnation, but the apparent repose of incredible slowness. A condition of healthy life so nearly resembling the torpor of death is a noticeable thing of its sort; to exhibit the inertness of the desert, and at the same time to be exercising powers akin to those of the meadow, and even of the forest, awakened in those who thought of it the attentiveness usually engendered by understatement and reserve.
The scene before the reddleman’s eyes was a gradual series of ascents from the level of the road backward into the heart of the heath. It embraced hillocks, pits, ridges, acclivities, one behind the other, till all was finished by a high hill cutting against the still light sky. The traveller’s eye hovered about these things for a time, and finally settled upon one noteworthy object up there. It was a barrow. This bossy projection of earth above its natural level occupied the loftiest ground of the loneliest height that the heath contained. Although from the vale it appeared but as a wart on an Atlantean brow, its actual bulk was great. It formed the pole and axis of this heathery world.
As the resting man looked at the barrow he became aware that its summit, hitherto the highest object in the whole prospect round, was surmounted by something higher. It rose from the semiglobular mound like a spike from a helmet. The first instinct of an imaginative stranger might have been to suppose it the person of one of the Celts who built the barrow, so far had all of modern date withdrawn from the scene. It seemed a sort of last man among them, musing for a moment before dropping into eternal night with the rest of his race.
There the form stood, motionless as the hill beneath. Above the plain rose the hill, above the hill rose the barrow, and above the barrow rose the figure. Above the figure was nothing that could be mapped elsewhere than on a celestial globe.
Such a perfect, delicate, and necessary finish did the figure give to the dark pile of hills that it seemed to be the only obvious justification of their outline. Without it, there was the dome without the lantern; with it the architectural demands of the mass were satisfied. The scene was strangely homogeneous, in that the vale, the upland, the barrow, and the figure above it amounted only to unity. Looking at this or that member of the group was not observing a complete thing, but a fraction of a thing.
The form was so much like an organic part of the entire motionless structure that to see it move would have impressed the mind as a strange phenomenon. Immobility being the chief characteristic of that whole which the person formed portion of, the discontinuance of immobility in any quarter suggested confusion.
Yet that is what happened. The figure perceptibly gave up its fixity, shifted a step or two, and turned round. As if alarmed, it descended on the right side of the barrow, with the glide of a water-drop down a bud, and then vanished. The movement had been sufficient to show more clearly the characteristics of the figure, and that it was a woman’s.
The reason of her sudden displacement now appeared. With her dropping out of sight on the right side, a newcomer, bearing a burden, protruded into the sky on the left side, ascended the tumulus, and deposited the burden on the top. A second followed, then a third, a fourth, a fifth, and ultimately the whole barrow was peopled with burdened figures.
The only intelligible meaning in this sky-backed pantomime of silhouettes was that the woman had no relation to the forms who had taken her place, was sedulously avoiding these, and had come thither for another object than theirs. The imagination of the observer clung by preference to that vanished, solitary figure, as to something more interesting, more important, more likely to have a history worth knowing than these newcomers, and unconsciously regarded them as intruders. But they remained, and established themselves; and the lonely person who hitherto had been queen of the solitude did not at present seem likely to return.
CHAPTER 3
The Custom of the Country
Had a looker-on been posted in the immediate vicinity of the barrow, he would have learned that these persons were boys and men of the neighbouring hamlets. Each, as he ascended the barrow, had been heavily laden with furze faggots, carried upon the shoulder by means of a long stake sharpened at each end for impaling them easily — two in front and two behind. They came from a part of the heath a quarter of a mile to the rear, where furze almost exclusively prevailed as a product.
Every individual was so involved in furze by his method of carrying the faggots that he appeared like a bush on legs till he had thrown them down. The party had marched in trail, like a travelling flock of sheep; that is to say, the strongest first, the weak and young behind.
The loads were all laid together, and a pyramid of furze thirty feet in circumference now occupied the crown of the tumulus, which was known as Rainbarrow for many miles round. Some made themselves busy with matches, and in selecting the driest tufts of furze, others in loosening the bramble bonds which held the faggots together. Others, again, while this was in progress, lifted their eyes and swept the vast expanse of country commanded by their position, now lying nearly obliterated by shade. In the valleys of the heath nothing save its own wild face was visible at any time of day; but this spot commanded a horizon enclosing a tract of far extent, and in many cases lying beyond the heath country. None of its features could be seen now, but the whole made itself felt as a vague stretch of remoteness.
While the men and lads were building the pile, a change took place in the mass of shade which denoted the distant landscape. Red suns and tufts of fire one by one began to arise, flecking the whole country round. They were the bonfires of other parishes and hamlets that were engaged in the same sort of commemoration. Some were distant, and stood in a dense atmosphere, so that bundles of pale straw-like beams radiated around them in the shape of a fan. Some were large and near, glowing scarlet-red from the shade, like wounds in a black hide. Some were Maenades, with winy faces and blown hair. These tinctured the silent bosom of the clouds above them and lit up their ephemeral caves, which seemed thenceforth to become scalding caldrons. Perhaps as many as thirty bonfires could be counted within the whole bounds of the district; and as the hour may be told on a clock-face when the figures themselves are invisible, so did the men recognize the locality of each fire by its angle and direction, though nothing of the scenery could be viewed.
The first tall flame from Rainbarrow sprang into the sky, attracting all eyes that had been fixed on the distant conflagrations back to their own attempt in the same kind. The cheerful blaze streaked the inner surface of the human circle — now increased by other stragglers, male and female — with its own gold livery, and even overlaid the dark turf around with a lively luminousness, which softened off into obscurity where the barrow rounded downwards out of sight. It showed the barrow to be the segment of a globe, as perfect as on the day when it was thrown up, even the little ditch remaining from which the earth was dug. Not a plough had ever disturbed a grain of that stubborn soil. In the heath’s barrenness to the farmer lay its fertility to the historian. There had been no obliteration, because there had been no tending.
It seemed as if the bonfire-makers were standing in some radiant upper story of the world, detached from and independent of the dark stretches below. The heath down there was now a vast abyss, and no longer a continuation of what they stood on; for their eyes, adapted to the blaze, could see nothing of the deeps beyond its influence. Occasionally, it is true, a more vigorous flare than usual from their faggots sent darting lights like aides-de-camp down the inclines to some distant bush, pool, or patch of white sand, kindling these to replies of the same colour, till all was lost in darkness again. Then the whole black phenomenon beneath represented Limbo as viewed from the brink by the sublime Florentine in his vision, and the muttered articulations of the wind in the hollows were as complaints and petitions from the “souls of mighty worth” suspended therein.
It was as if these men and boys had suddenly dived into past ages, and fetched therefrom an hour and deed which had before been familiar with this spot. The ashes of the original British pyre which blazed from that summit lay fresh and undisturbed in the barrow beneath their tread. The flames from funeral piles long ago kindled there had shone down upon the lowlands as these were shining now. Festival fires to Thor and Woden had followed on the same ground and duly had their day. Indeed, it is pretty well known that such blazes as this the heathmen were now enjoying are rather the lineal descendants from jumbled Druidical rites and Saxon ceremonies than the invention of popular feeling about Gunpowder Plot.
Moreover to light a fire is the instinctive and resistant act of man when, at the winter ingress, the curfew is sounded throughout Nature. It indicates a spontaneous, Promethean rebelliousness against that fiat that this recurrent season shall bring foul times, cold darkness, misery and death. Black chaos comes, and the fettered gods of the earth say, Let there be light.
The brilliant lights and sooty shades which struggled upon the skin and clothes of the persons standing round caused their lineaments and general contours to be drawn with Dureresque vigour and dash. Yet the permanent moral expression of each face it was impossible to discover, for as the nimble flames towered, nodded, and swooped through the surrounding air, the blots of shade and flakes of light upon the countenances of the group changed shape and position endlessly. All was unstable; quivering as leaves, evanescent as lightning. Shadowy eye-sockets, deep as those of a death’s head, suddenly turned into pits of lustre: a lantern-jaw was cavernous, then it was shining; wrinkles were emphasized to ravines, or obliterated entirely by a changed ray. Nostrils were dark wells; sinews in old necks were gilt mouldings; things with no particular polish on them were glazed; bright objects, such as the tip of a furze-hook one of the men carried, were as glass; eyeballs glowed like little lanterns. Those whom Nature had depicted as merely quaint became grotesque, the grotesque became preternatural; for all was in extremity.
Hence it may be that the face of an old man, who had like others been called to the heights by the rising flames, was not really the mere nose and chin that it appeared to be, but an appreciable quantity of human countenance. He stood complacently sunning himself in the heat. With a speaker, or stake, he tossed the outlying scraps of fuel into the conflagration, looking at the midst of the pile, occasionally lifting his eyes to measure the height of the flame, or to follow the great sparks which rose with it and sailed away into darkness. The beaming sight, and the penetrating warmth, seemed to breed in him a cumulative cheerfulness, which soon amounted to delight. With his stick in his hand he began to jig a private minuet, a bunch of copper seals shining and swinging like a pendulum from under his waistcoat: he also began to sing, in the voice of a bee up a flue —
“The king’ call’d down’ his no-bles all’,
By one’, by two’, by three’;
Earl Mar’-shal, I’ll’ go shrive’-the queen’,
And thou’ shalt wend’ with me’.
“A boon’, a boon’, quoth Earl’ Mar-shal’,
And fell’ on his bend’-ded knee’,
That what’-so-e’er’ the queen’ shall say’,
No harm’ there-of’ may be’.”
Want of breath prevented a continuance of the song; and the breakdown attracted the attention of a firm-standing man of middle age, who kept each corner of his crescent-shaped mouth rigorously drawn back into his cheek, as if to do away with any suspicion of mirthfulness which might erroneously have attached to him.
“A fair stave, Grandfer Cantle; but I am afeard ‘tis too much for the mouldy weasand of such a old man as you,” he said to the wrinkled reveller. “Dostn’t wish th’ wast three sixes again, Grandfer, as you was when you first learnt to sing it?”
“Hey?” said Grandfer Cantle, stopping in his dance.
“Dostn’t wish wast young again, I say? There’s a hole in thy poor bellows nowadays seemingly.”
“But there’s good art in me? If I couldn’t make a little wind go a long ways I should seem no younger than the most aged man, should I, Timothy?”
“And how about the new-married folks down there at the Quiet Woman Inn?” the other inquired, pointing towards a dim light in the direction of the distant highway, but considerably apart from where the reddleman was at that moment resting. “What’s the rights of the matter about ‘em? You ought to know, being an understanding man.”
“But a little rakish, hey? I own to it. Master Cantle is that, or he’s nothing. Yet ‘tis a gay fault, neigbbour Fairway, that age will cure.”
“I heard that they were coming home tonight. By this time they must have come. What besides?”
“The next thing is for us to go and wish ‘em joy, I suppose?”
“Well, no.”
“No? Now, I thought we must. I must, or ‘twould be very unlike me — the first in every spree that’s going!
“Do thou’ put on’ a fri’-ar’s coat’,
And I’ll’ put on’ a-no’-ther,
And we’ will to’ Queen Ele’anor go’,
Like Fri’ar and’ his bro’ther.
I met Mis’ess Yeobright, the young bride’s aunt, last night, and she told me that her son Clym was coming home a’ Christmas. Wonderful clever, ‘a believe — ah, I should like to have all that’s under that young man’s hair. Well, then, I spoke to her in my well-known merry way, and she said, ‘O that what’s shaped so venerable should talk like a fool!’ — that’s what she said to me. I don’t care for her, be jowned if I do, and so I told her. ‘Be jowned if I care for ‘ee,’ I said. I had her there — hey?”
“I rather think she had you,” said Fairway.
“No,” said Grandfer Cantle, his countenance slightly flagging. “‘Tisn’t so bad as that with me?”
“Seemingly ‘tis, however, is it because of the wedding that Clym is coming home a’ Christmas — to make a new arrangement because his mother is now left in the house alone?”
“Yes, yes — that’s it. But, Timothy, hearken to me,” said the Grandfer earnestly. “Though known as such a joker, I be an understanding man if you catch me serious, and I am serious now. I can tell ‘ee lots about the married couple. Yes, this morning at six o’clock they went up the country to do the job, and neither vell nor mark have been seen of ‘em since, though I reckon that this afternoon has brought ‘em home again man and woman — wife, that is. Isn’t it spoke like a man, Timothy, and wasn’t Mis’ess Yeobright wrong about me?”
“Yes, it will do. I didn’t know the two had walked together since last fall, when her aunt forbad the banns. How long has this new set-to been in mangling then? Do you know, Humphrey?”
“Yes, how long?” said Grandfer Cantle smartly, likewise turning to Humphrey. “I ask that question.”
“Somebody who wants looking after?”
“Yes.”
Not long after this a faint cry sounded from the interior. The reddleman hastened to the back, looked in, and came away again.
“You have a child there, my man?”
“No, sir, I have a woman.”
“The deuce you have! Why did she cry out?”
“Oh, she has fallen asleep, and not being used to traveling, she’s uneasy, and keeps dreaming.”
“A young woman?”
“Yes, a young woman.”
“That would have interested me forty years ago. Perhaps she’s your wife?”
“My wife!” said the other bitterly. “She’s above mating with such as I. But there’s no reason why I should tell you about that.”
“That’s true. And there’s no reason why you should not. What harm can I do to you or to her?”
The reddleman looked in the old man’s face. “Well, sir,” he said at last, “I knew her before today, though perhaps it would have been better if I had not. But she’s nothing to me, and I am nothing to her; and she wouldn’t have been in my van if any better carriage had been there to take her.”
“Where, may I ask?”
“At Anglebury.”
“I know the town well. What was she doing there?”
“Oh, not much — to gossip about. However, she’s tired to death now, and not at all well, and that’s what makes her so restless. She dropped off into a nap about an hour ago, and ‘twill do her good.”
“A nice-looking girl, no doubt?”
“You would say so.”
The other traveller turned his eyes with interest towards the van window, and, without withdrawing them, said, “I presume I might look in upon her?”
“No,” said the reddleman abruptly. “It is getting too dark for you to see much of her; and, more than that, I have no right to allow you. Thank God she sleeps so well, I hope she won’t wake till she’s home.”
“Who is she? One of the neighbourhood?”
“‘Tis no matter who, excuse me.”
“It is not that girl of Blooms-End, who has been talked about more or less lately? If so, I know her; and I can guess what has happened.”
“‘Tis no matter....Now, sir, I am sorry to say that we shall soon have to part company. My ponies are tired, and I have further to go, and I am going to rest them under this bank for an hour.”
The elder traveller nodded his head indifferently, and the reddleman turned his horses and van in upon the turf, saying, “Good night.” The old man replied, and proceeded on his way as before.
The reddleman watched his form as it diminished to a speck on the road and became absorbed in the thickening films of night. He then took some hay from a truss which was slung up under the van, and, throwing a portion of it in front of the horses, made a pad of the rest, which he laid on the ground beside his vehicle. Upon this he sat down, leaning his back against the wheel. From the interior a low soft breathing came to his ear. It appeared to satisfy him, and he musingly surveyed the scene, as if considering the next step that he should take.
To do things musingly, and by small degrees, seemed, indeed, to be a duty in the Egdon valleys at this transitional hour, for there was that in the condition of the heath itself which resembled protracted and halting dubiousness. It was the quality of the repose appertaining to the scene. This was not the repose of actual stagnation, but the apparent repose of incredible slowness. A condition of healthy life so nearly resembling the torpor of death is a noticeable thing of its sort; to exhibit the inertness of the desert, and at the same time to be exercising powers akin to those of the meadow, and even of the forest, awakened in those who thought of it the attentiveness usually engendered by understatement and reserve.
The scene before the reddleman’s eyes was a gradual series of ascents from the level of the road backward into the heart of the heath. It embraced hillocks, pits, ridges, acclivities, one behind the other, till all was finished by a high hill cutting against the still light sky. The traveller’s eye hovered about these things for a time, and finally settled upon one noteworthy object up there. It was a barrow. This bossy projection of earth above its natural level occupied the loftiest ground of the loneliest height that the heath contained. Although from the vale it appeared but as a wart on an Atlantean brow, its actual bulk was great. It formed the pole and axis of this heathery world.
As the resting man looked at the barrow he became aware that its summit, hitherto the highest object in the whole prospect round, was surmounted by something higher. It rose from the semiglobular mound like a spike from a helmet. The first instinct of an imaginative stranger might have been to suppose it the person of one of the Celts who built the barrow, so far had all of modern date withdrawn from the scene. It seemed a sort of last man among them, musing for a moment before dropping into eternal night with the rest of his race.
There the form stood, motionless as the hill beneath. Above the plain rose the hill, above the hill rose the barrow, and above the barrow rose the figure. Above the figure was nothing that could be mapped elsewhere than on a celestial globe.
Such a perfect, delicate, and necessary finish did the figure give to the dark pile of hills that it seemed to be the only obvious justification of their outline. Without it, there was the dome without the lantern; with it the architectural demands of the mass were satisfied. The scene was strangely homogeneous, in that the vale, the upland, the barrow, and the figure above it amounted only to unity. Looking at this or that member of the group was not observing a complete thing, but a fraction of a thing.
The form was so much like an organic part of the entire motionless structure that to see it move would have impressed the mind as a strange phenomenon. Immobility being the chief characteristic of that whole which the person formed portion of, the discontinuance of immobility in any quarter suggested confusion.
Yet that is what happened. The figure perceptibly gave up its fixity, shifted a step or two, and turned round. As if alarmed, it descended on the right side of the barrow, with the glide of a water-drop down a bud, and then vanished. The movement had been sufficient to show more clearly the characteristics of the figure, and that it was a woman’s.
The reason of her sudden displacement now appeared. With her dropping out of sight on the right side, a newcomer, bearing a burden, protruded into the sky on the left side, ascended the tumulus, and deposited the burden on the top. A second followed, then a third, a fourth, a fifth, and ultimately the whole barrow was peopled with burdened figures.
The only intelligible meaning in this sky-backed pantomime of silhouettes was that the woman had no relation to the forms who had taken her place, was sedulously avoiding these, and had come thither for another object than theirs. The imagination of the observer clung by preference to that vanished, solitary figure, as to something more interesting, more important, more likely to have a history worth knowing than these newcomers, and unconsciously regarded them as intruders. But they remained, and established themselves; and the lonely person who hitherto had been queen of the solitude did not at present seem likely to return.
CHAPTER 3
The Custom of the Country
Had a looker-on been posted in the immediate vicinity of the barrow, he would have learned that these persons were boys and men of the neighbouring hamlets. Each, as he ascended the barrow, had been heavily laden with furze faggots, carried upon the shoulder by means of a long stake sharpened at each end for impaling them easily — two in front and two behind. They came from a part of the heath a quarter of a mile to the rear, where furze almost exclusively prevailed as a product.
Every individual was so involved in furze by his method of carrying the faggots that he appeared like a bush on legs till he had thrown them down. The party had marched in trail, like a travelling flock of sheep; that is to say, the strongest first, the weak and young behind.
The loads were all laid together, and a pyramid of furze thirty feet in circumference now occupied the crown of the tumulus, which was known as Rainbarrow for many miles round. Some made themselves busy with matches, and in selecting the driest tufts of furze, others in loosening the bramble bonds which held the faggots together. Others, again, while this was in progress, lifted their eyes and swept the vast expanse of country commanded by their position, now lying nearly obliterated by shade. In the valleys of the heath nothing save its own wild face was visible at any time of day; but this spot commanded a horizon enclosing a tract of far extent, and in many cases lying beyond the heath country. None of its features could be seen now, but the whole made itself felt as a vague stretch of remoteness.
While the men and lads were building the pile, a change took place in the mass of shade which denoted the distant landscape. Red suns and tufts of fire one by one began to arise, flecking the whole country round. They were the bonfires of other parishes and hamlets that were engaged in the same sort of commemoration. Some were distant, and stood in a dense atmosphere, so that bundles of pale straw-like beams radiated around them in the shape of a fan. Some were large and near, glowing scarlet-red from the shade, like wounds in a black hide. Some were Maenades, with winy faces and blown hair. These tinctured the silent bosom of the clouds above them and lit up their ephemeral caves, which seemed thenceforth to become scalding caldrons. Perhaps as many as thirty bonfires could be counted within the whole bounds of the district; and as the hour may be told on a clock-face when the figures themselves are invisible, so did the men recognize the locality of each fire by its angle and direction, though nothing of the scenery could be viewed.
The first tall flame from Rainbarrow sprang into the sky, attracting all eyes that had been fixed on the distant conflagrations back to their own attempt in the same kind. The cheerful blaze streaked the inner surface of the human circle — now increased by other stragglers, male and female — with its own gold livery, and even overlaid the dark turf around with a lively luminousness, which softened off into obscurity where the barrow rounded downwards out of sight. It showed the barrow to be the segment of a globe, as perfect as on the day when it was thrown up, even the little ditch remaining from which the earth was dug. Not a plough had ever disturbed a grain of that stubborn soil. In the heath’s barrenness to the farmer lay its fertility to the historian. There had been no obliteration, because there had been no tending.
It seemed as if the bonfire-makers were standing in some radiant upper story of the world, detached from and independent of the dark stretches below. The heath down there was now a vast abyss, and no longer a continuation of what they stood on; for their eyes, adapted to the blaze, could see nothing of the deeps beyond its influence. Occasionally, it is true, a more vigorous flare than usual from their faggots sent darting lights like aides-de-camp down the inclines to some distant bush, pool, or patch of white sand, kindling these to replies of the same colour, till all was lost in darkness again. Then the whole black phenomenon beneath represented Limbo as viewed from the brink by the sublime Florentine in his vision, and the muttered articulations of the wind in the hollows were as complaints and petitions from the “souls of mighty worth” suspended therein.
It was as if these men and boys had suddenly dived into past ages, and fetched therefrom an hour and deed which had before been familiar with this spot. The ashes of the original British pyre which blazed from that summit lay fresh and undisturbed in the barrow beneath their tread. The flames from funeral piles long ago kindled there had shone down upon the lowlands as these were shining now. Festival fires to Thor and Woden had followed on the same ground and duly had their day. Indeed, it is pretty well known that such blazes as this the heathmen were now enjoying are rather the lineal descendants from jumbled Druidical rites and Saxon ceremonies than the invention of popular feeling about Gunpowder Plot.
Moreover to light a fire is the instinctive and resistant act of man when, at the winter ingress, the curfew is sounded throughout Nature. It indicates a spontaneous, Promethean rebelliousness against that fiat that this recurrent season shall bring foul times, cold darkness, misery and death. Black chaos comes, and the fettered gods of the earth say, Let there be light.
The brilliant lights and sooty shades which struggled upon the skin and clothes of the persons standing round caused their lineaments and general contours to be drawn with Dureresque vigour and dash. Yet the permanent moral expression of each face it was impossible to discover, for as the nimble flames towered, nodded, and swooped through the surrounding air, the blots of shade and flakes of light upon the countenances of the group changed shape and position endlessly. All was unstable; quivering as leaves, evanescent as lightning. Shadowy eye-sockets, deep as those of a death’s head, suddenly turned into pits of lustre: a lantern-jaw was cavernous, then it was shining; wrinkles were emphasized to ravines, or obliterated entirely by a changed ray. Nostrils were dark wells; sinews in old necks were gilt mouldings; things with no particular polish on them were glazed; bright objects, such as the tip of a furze-hook one of the men carried, were as glass; eyeballs glowed like little lanterns. Those whom Nature had depicted as merely quaint became grotesque, the grotesque became preternatural; for all was in extremity.
Hence it may be that the face of an old man, who had like others been called to the heights by the rising flames, was not really the mere nose and chin that it appeared to be, but an appreciable quantity of human countenance. He stood complacently sunning himself in the heat. With a speaker, or stake, he tossed the outlying scraps of fuel into the conflagration, looking at the midst of the pile, occasionally lifting his eyes to measure the height of the flame, or to follow the great sparks which rose with it and sailed away into darkness. The beaming sight, and the penetrating warmth, seemed to breed in him a cumulative cheerfulness, which soon amounted to delight. With his stick in his hand he began to jig a private minuet, a bunch of copper seals shining and swinging like a pendulum from under his waistcoat: he also began to sing, in the voice of a bee up a flue —
“The king’ call’d down’ his no-bles all’,
By one’, by two’, by three’;
Earl Mar’-shal, I’ll’ go shrive’-the queen’,
And thou’ shalt wend’ with me’.
“A boon’, a boon’, quoth Earl’ Mar-shal’,
And fell’ on his bend’-ded knee’,
That what’-so-e’er’ the queen’ shall say’,
No harm’ there-of’ may be’.”
Want of breath prevented a continuance of the song; and the breakdown attracted the attention of a firm-standing man of middle age, who kept each corner of his crescent-shaped mouth rigorously drawn back into his cheek, as if to do away with any suspicion of mirthfulness which might erroneously have attached to him.
“A fair stave, Grandfer Cantle; but I am afeard ‘tis too much for the mouldy weasand of such a old man as you,” he said to the wrinkled reveller. “Dostn’t wish th’ wast three sixes again, Grandfer, as you was when you first learnt to sing it?”
“Hey?” said Grandfer Cantle, stopping in his dance.
“Dostn’t wish wast young again, I say? There’s a hole in thy poor bellows nowadays seemingly.”
“But there’s good art in me? If I couldn’t make a little wind go a long ways I should seem no younger than the most aged man, should I, Timothy?”
“And how about the new-married folks down there at the Quiet Woman Inn?” the other inquired, pointing towards a dim light in the direction of the distant highway, but considerably apart from where the reddleman was at that moment resting. “What’s the rights of the matter about ‘em? You ought to know, being an understanding man.”
“But a little rakish, hey? I own to it. Master Cantle is that, or he’s nothing. Yet ‘tis a gay fault, neigbbour Fairway, that age will cure.”
“I heard that they were coming home tonight. By this time they must have come. What besides?”
“The next thing is for us to go and wish ‘em joy, I suppose?”
“Well, no.”
“No? Now, I thought we must. I must, or ‘twould be very unlike me — the first in every spree that’s going!
“Do thou’ put on’ a fri’-ar’s coat’,
And I’ll’ put on’ a-no’-ther,
And we’ will to’ Queen Ele’anor go’,
Like Fri’ar and’ his bro’ther.
I met Mis’ess Yeobright, the young bride’s aunt, last night, and she told me that her son Clym was coming home a’ Christmas. Wonderful clever, ‘a believe — ah, I should like to have all that’s under that young man’s hair. Well, then, I spoke to her in my well-known merry way, and she said, ‘O that what’s shaped so venerable should talk like a fool!’ — that’s what she said to me. I don’t care for her, be jowned if I do, and so I told her. ‘Be jowned if I care for ‘ee,’ I said. I had her there — hey?”
“I rather think she had you,” said Fairway.
“No,” said Grandfer Cantle, his countenance slightly flagging. “‘Tisn’t so bad as that with me?”
“Seemingly ‘tis, however, is it because of the wedding that Clym is coming home a’ Christmas — to make a new arrangement because his mother is now left in the house alone?”
“Yes, yes — that’s it. But, Timothy, hearken to me,” said the Grandfer earnestly. “Though known as such a joker, I be an understanding man if you catch me serious, and I am serious now. I can tell ‘ee lots about the married couple. Yes, this morning at six o’clock they went up the country to do the job, and neither vell nor mark have been seen of ‘em since, though I reckon that this afternoon has brought ‘em home again man and woman — wife, that is. Isn’t it spoke like a man, Timothy, and wasn’t Mis’ess Yeobright wrong about me?”
“Yes, it will do. I didn’t know the two had walked together since last fall, when her aunt forbad the banns. How long has this new set-to been in mangling then? Do you know, Humphrey?”
“Yes, how long?” said Grandfer Cantle smartly, likewise turning to Humphrey. “I ask that question.”
