Complete Works of Thomas Hardy (Illustrated), page 270
‘What — Uncle Benjy — haw, haw! Here at this time of night?’
Uncle Benjy’s eyes grew paralyzed, and his mouth opened and shut like a frog’s in a drought, the action producing no sound.
‘What have we got here — a tin box — the box of boxes? Why, I’ll carry it for ‘ee, uncle! — I am going home.’
‘N-no-no, thanky, Festus: it is n-n-not heavy at all, thanky,’ gasped the squireen.
‘O but I must,’ said Festus, pulling at the box.
‘Don’t let him have it, Bob!’ screamed the excited Anne through the hole in the floor.
‘No, don’t let him!’ cried the uncle. ‘‘Tis a plot — there’s a woman at the window waiting to help him!’
Anne’s eyes flew to the window, and she saw Matilda’s face pressed against the pane.
Bob, though he did not know whence Anne’s command proceeded obeyed with alacrity, pulled the box from the two relatives, and placed it on the table beside him.
‘Now, look here, hearties; what’s the meaning o’ this?’ he said.
‘He’s trying to rob me of all I possess!’ cried the old man. ‘My heart-strings seem as if they were going crack, crack, crack!’
At this instant the miller in his shirt-sleeves entered the room, having got thus far in his undressing when he heard the noise. Bob and Festus turned to him to explain; and when the latter had had his say Bob added, ‘Well, all I know is that this box’ — here he stretched out his hand to lay it upon the lid for emphasis. But as nothing but thin air met his fingers where the box had been, he turned, and found that the box was gone, Uncle Benjy having vanished also.
Festus, with an imprecation, hastened to the door, but though the night was not dark Farmer Derriman and his burden were nowhere to be seen. On the bridge Festus joined a shadowy female form, and they went along the road together, followed for some distance by Bob, lest they should meet with and harm the old man. But the precaution was unnecessary: nowhere on the road was there any sign of Farmer Derriman, or of the box that belonged to him. When Bob re-entered the house Anne and Mrs. Loveday had joined the miller downstairs, and then for the first time he learnt who had been the heroine of Festus’s lamentable story, with many other particulars of that yeoman’s history which he had never before known. Bob swore that he would not speak to the traitor again, and the family retired.
The escape of old Mr. Derriman from the annoyances of his nephew not only held good for that night, but for next day, and for ever. Just after dawn on the following morning a labouring man, who was going to his work, saw the old farmer and landowner leaning over a rail in a mead near his house, apparently engaged in contemplating the water of a brook before him. Drawing near, the man spoke, but Uncle Benjy did not reply. His head was hanging strangely, his body being supported in its erect position entirely by the rail that passed under each arm. On after-examination it was found that Uncle Benjy’s poor withered heart had cracked and stopped its beating from damages inflicted on it by the excitements of his life, and of the previous night in particular. The unconscious carcass was little more than a light empty husk, dry and fleshless as that of a dead heron found on a moor in January.
But the tin box was not discovered with or near him. It was searched for all the week, and all the month. The mill-pond was dragged, quarries were examined, woods were threaded, rewards were offered; but in vain.
At length one day in the spring, when the mill-house was about to be cleaned throughout, the chimney-board of Anne’s bedroom, concealing a yawning fire-place, had to be taken down. In the chasm behind it stood the missing deed-box of Farmer Derriman.
Many were the conjectures as to how it had got there. Then Anne remembered that on going to bed on the night of the collision between Festus and his uncle in the room below, she had seen mud on the carpet of her room, and the miller remembered that he had seen footprints on the back staircase. The solution of the mystery seemed to be that the late Uncle Benjy, instead of running off from the house with his box, had doubled on getting out of the front door, entered at the back, deposited his box in Anne’s chamber where it was found, and then leisurely pursued his way home at the heels of Festus, intending to tell Anne of his trick the next day — an intention that was for ever frustrated by the stroke of death.
Mr. Derriman’s solicitor was a Casterbridge man, and Anne placed the box in his hands. Uncle Benjy’s will was discovered within; and by this testament Anne’s queer old friend appointed her sole executrix of his said will, and, more than that, gave and bequeathed to the same young lady all his real and personal estate, with the solitary exception of five small freehold houses in a back street in Budmouth, which were devised to his nephew Festus, as a sufficient property to maintain him decently, without affording any margin for extravagances. Oxwell Hall, with its muddy quadrangle, archways, mullioned windows, cracked battlements, and weed-grown garden, passed with the rest into the hands of Anne.
CHAPTER XLI.
JOHN MARCHES INTO THE NIGHT
During this exciting time John Loveday seldom or never appeared at the mill. With the recall of Bob, in which he had been sole agent, his mission seemed to be complete.
One mid-day, before Anne had made any change in her manner of living on account of her unexpected acquisition, Lieutenant Bob came in rather suddenly. He had been to Budmouth, and announced to the arrested senses of the family that the — th Dragoons were ordered to join Sir Arthur Wellesley in the Peninsula.
These tidings produced a great impression on the household. John had been so long in the neighbourhood, either at camp or in barracks, that they had almost forgotten the possibility of his being sent away; and they now began to reflect upon the singular infrequency of his calls since his brother’s return. There was not much time, however, for reflection, if they wished to make the most of John’s farewell visit, which was to be paid the same evening, the departure of the regiment being fixed for next day. A hurried valedictory supper was prepared during the afternoon, and shortly afterwards John arrived.
He seemed to be more thoughtful and a trifle paler than of old, but beyond these traces, which might have been due to the natural wear and tear of time, he showed no signs of gloom. On his way through the town that morning a curious little incident had occurred to him. He was walking past one of the churches when a wedding-party came forth, the bride and bridegroom being Matilda and Festus Derriman. At sight of the trumpet-major the yeoman had glared triumphantly; Matilda, on her part, had winked at him slily, as much as to say — . But what she meant heaven knows: the trumpet-major did not trouble himself to think, and passed on without returning the mark of confidence with which she had favoured him.
Soon after John’s arrival at the mill several of his friends dropped in for the same purpose of bidding adieu. They were mostly the men who had been entertained there on the occasion of the regiment’s advent on the down, when Anne and her mother were coaxed in to grace the party by their superior presence; and their well-trained, gallant manners were such as to make them interesting visitors now as at all times. For it was a period when romance had not so greatly faded out of military life as it has done in these days of short service, heterogeneous mixing, and transient campaigns; when the esprit de corps was strong, and long experience stamped noteworthy professional characteristics even on rank and file; while the miller’s visitors had the additional advantage of being picked men.
They could not stay so long to-night as on that earlier and more cheerful occasion, and the final adieus were spoken at an early hour. It was no mere playing at departure, as when they had gone to Exonbury barracks, and there was a warm and prolonged shaking of hands all round.
‘You’ll wish the poor fellows good-bye?’ said Bob to Anne, who had not come forward for that purpose like the rest. ‘They are going away, and would like to have your good word.’
She then shyly advanced, and every man felt that he must make some pretty speech as he shook her by the hand.
‘Good-bye! May you remember us as long as it makes ye happy, and forget us as soon as it makes ye sad,’ said Sergeant Brett.
‘Good-night! Health, wealth, and long life to ye!’ said Sergeant-major Wills, taking her hand from Brett.
‘I trust to meet ye again as the wife of a worthy man,’ said Trumpeter Buck.
‘We’ll drink your health throughout the campaign, and so good-bye t’ye,’ said Saddler-sergeant Jones, raising her hand to his lips.
Three others followed with similar remarks, to each of which Anne blushingly replied as well as she could, wishing them a prosperous voyage, easy conquest, and a speedy return.
But, alas, for that! Battles and skirmishes, advances and retreats, fevers and fatigues, told hard on Anne’s gallant friends in the coming time. Of the seven upon whom these wishes were bestowed, five, including the trumpet-major, were dead men within the few following years, and their bones left to moulder in the land of their campaigns.
John lingered behind. When the others were outside, expressing a final farewell to his father, Bob, and Mrs. Loveday, he came to Anne, who remained within.
‘But I thought you were going to look in again before leaving?’ she said gently.
‘No; I find I cannot. Good-bye!’
‘John,’ said Anne, holding his right hand in both hers, ‘I must tell you something. You were wise in not taking me at my word that day. I was greatly mistaken about myself. Gratitude is not love, though I wanted to make it so for the time. You don’t call me thoughtless for what I did?’
‘My dear Anne,’ cried John, with more gaiety than truthfulness, ‘don’t let yourself be troubled! What happens is for the best. Soldiers love here to-day and there to-morrow. Who knows that you won’t hear of my attentions to some Spanish maid before a month is gone by? ‘Tis the way of us, you know; a soldier’s heart is not worth a week’s purchase — ha, ha! Goodbye, good-bye!’
Anne felt the expediency of his manner, received the affectation as real, and smiled her reply, not knowing that the adieu was for evermore. Then with a tear in his eye he went out of the door, where he bade farewell to the miller, Mrs. Loveday, and Bob, who said at parting, ‘It’s all right, Jack, my dear fellow. After a coaxing that would have been enough to win three ordinary Englishwomen, five French, and ten Mulotters, she has to-day agreed to bestow her hand upon me at the end of six months. Good-bye, Jack, good-bye!’
The candle held by his father shed its waving light upon John’s face and uniform as with a farewell smile he turned on the doorstone, backed by the black night; and in another moment he had plunged into the darkness, the ring of his smart step dying away upon the bridge as he joined his companions-in-arms, and went off to blow his trumpet till silenced for ever upon one of the bloody battle-fields of Spain.
A LAODICEAN
This novel was first published in 1881 and the plot features uncommon aspects for a Hardy novel, such as falsified telegrams and faked photographs. In the narrative, the heroine Paula Power inherits a medieval castle from her industrialist father, who has purchased it from the aristocratic De Stancy family. She employs two architects, one local and one, George Somerset, newly qualified from London. Somerset represents modernity in the novel. The novel explores themes of modernity versus the traditional. A ‘Laodicean’ is another word for someone that is uncertain or half-hearted, like the heroine of the novel.
Hardy, close to the time of publication of this novel
A LAODICEAN
CONTENTS
PREFACE.
BOOK THE FIRST. GEORGE SOMERSET.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
CHAPTER XV.
BOOK THE SECOND. DARE AND HAVILL.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
BOOK THE THIRD. DE STANCY.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
BOOK THE FOURTH. SOMERSET, DARE AND DE STANCY.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
BOOK THE FIFTH. DE STANCY AND PAULA.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
BOOK THE SIXTH. PAULA.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
PREFACE.
The changing of the old order in country manors and mansions may be slow or sudden, may have many issues romantic or otherwise, its romantic issues being not necessarily restricted to a change back to the original order; though this admissible instance appears to have been the only romance formerly recognized by novelists as possible in the case. Whether the following production be a picture of other possibilities or not, its incidents may be taken to be fairly well supported by evidence every day forthcoming in most counties.
The writing of the tale was rendered memorable to two persons, at least, by a tedious illness of five months that laid hold of the author soon after the story was begun in a well-known magazine; during which period the narrative had to be strenuously continued by dictation to a predetermined cheerful ending.
As some of these novels of Wessex life address themselves more especially to readers into whose souls the iron has entered, and whose years have less pleasure in them now than heretofore, so “A Laodicean” may perhaps help to while away an idle afternoon of the comfortable ones whose lines have fallen to them in pleasant places; above all, of that large and happy section of the reading public which has not yet reached ripeness of years; those to whom marriage is the pilgrim’s Eternal City, and not a milestone on the way. T.H.
January 1896.
BOOK THE FIRST. GEORGE SOMERSET.
CHAPTER I.
The sun blazed down and down, till it was within half-an-hour of its setting; but the sketcher still lingered at his occupation of measuring and copying the chevroned doorway — a bold and quaint example of a transitional style of architecture, which formed the tower entrance to an English village church. The graveyard being quite open on its western side, the tweed-clad figure of the young draughtsman, and the tall mass of antique masonry which rose above him to a battlemented parapet, were fired to a great brightness by the solar rays, that crossed the neighbouring mead like a warp of gold threads, in whose mazes groups of equally lustrous gnats danced and wailed incessantly.
He was so absorbed in his pursuit that he did not mark the brilliant chromatic effect of which he composed the central feature, till it was brought home to his intelligence by the warmth of the moulded stonework under his touch when measuring; which led him at length to turn his head and gaze on its cause.
There are few in whom the sight of a sunset does not beget as much meditative melancholy as contemplative pleasure, the human decline and death that it illustrates being too obvious to escape the notice of the simplest observer. The sketcher, as if he had been brought to this reflection many hundreds of times before by the same spectacle, showed that he did not wish to pursue it just now, by turning away his face after a few moments, to resume his architectural studies.
He took his measurements carefully, and as if he reverenced the old workers whose trick he was endeavouring to acquire six hundred years after the original performance had ceased and the performers passed into the unseen. By means of a strip of lead called a leaden tape, which he pressed around and into the fillets and hollows with his finger and thumb, he transferred the exact contour of each moulding to his drawing, that lay on a sketching-stool a few feet distant; where were also a sketching-block, a small T-square, a bow-pencil, and other mathematical instruments. When he had marked down the line thus fixed, he returned to the doorway to copy another as before.
It being the month of August, when the pale face of the townsman and the stranger is to be seen among the brown skins of remotest uplanders, not only in England, but throughout the temperate zone, few of the homeward-bound labourers paused to notice him further than by a momentary turn of the head. They had beheld such gentlemen before, not exactly measuring the church so accurately as this one seemed to be doing, but painting it from a distance, or at least walking round the mouldy pile. At the same time the present visitor, even exteriorly, was not altogether commonplace. His features were good, his eyes of the dark deep sort called eloquent by the sex that ought to know, and with that ray of light in them which announces a heart susceptible to beauty of all kinds, — in woman, in art, and in inanimate nature. Though he would have been broadly characterized as a young man, his face bore contradictory testimonies to his precise age. This was conceivably owing to a too dominant speculative activity in him, which, while it had preserved the emotional side of his constitution, and with it the significant flexuousness of mouth and chin, had played upon his forehead and temples till, at weary moments, they exhibited some traces of being over-exercised. A youthfulness about the mobile features, a mature forehead — though not exactly what the world has been familiar with in past ages — is now growing common; and with the advance of juvenile introspection it probably must grow commoner still. Briefly, he had more of the beauty — if beauty it ought to be called — of the future human type than of the past; but not so much as to make him other than a nice young man.
