Complete works of thomas.., p.313

Complete Works of Thomas Hardy (Illustrated), page 313

 

Complete Works of Thomas Hardy (Illustrated)
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  Somerset and Paula then went on to another point of view near the gymnasium, where they could not be seen by the crowd. Three-quarters of a mile off, on their left hand, the powerful irradiation fell upon the brick chapel in which Somerset had first seen the woman who now stood beside him as his wife. It was the only object visible in that direction, the dull hills and trees behind failing to catch the light. She significantly pointed it out to Somerset, who knew her meaning, and they turned again to the more serious matter.

  It had long been apparent that in the face of such a wind all the pigmy appliances that the populace could bring to act upon such a mass of combustion would be unavailing. As much as could burn that night was burnt, while some of that which would not burn crumbled and fell as a formless heap, whence new flames towered up, and inclined to the north-east so far as to singe the trees of the park. The thicker walls of Norman date remained unmoved, partly because of their thickness, and partly because in them stone vaults took the place of wood floors.

  The tower clock kept manfully going till it had struck one, its face smiling out from the smoke as if nothing were the matter, after which hour something fell down inside, and it went no more.

  Cunningham Haze, with his body of men, was devoted in his attention, and came up to say a word to our two spectators from time to time. Towards four o’clock the flames diminished, and feeling thoroughly weary, Somerset and Paula remained no longer, returning to Markton as they had come.

  On their journey they pondered and discussed what course it would be best to pursue in the circumstances, gradually deciding not to attempt rebuilding the castle unless they were absolutely compelled. True, the main walls were still standing as firmly as ever; but there was a feeling common to both of them that it would be well to make an opportunity of a misfortune, and leaving the edifice in ruins start their married life in a mansion of independent construction hard by the old one, unencumbered with the ghosts of an unfortunate line.

  ‘We will build a new house from the ground, eclectic in style. We will remove the ashes, charred wood, and so on from the ruin, and plant more ivy. The winter rains will soon wash the unsightly smoke from the walls, and Stancy Castle will be beautiful in its decay. You, Paula, will be yourself again, and recover, if you have not already, from the warp given to your mind (according to Woodwell) by the mediaevalism of that place.’

  ‘And be a perfect representative of “the modern spirit”?’ she inquired; ‘representing neither the senses and understanding, nor the heart and imagination; but what a finished writer calls “the imaginative reason”?’

  ‘Yes; for since it is rather in your line you may as well keep straight on.’

  ‘Very well, I’ll keep straight on; and we’ll build a new house beside the ruin, and show the modern spirit for evermore.... But, George, I wish — ’ And Paula repressed a sigh.

  ‘Well?’

  ‘I wish my castle wasn’t burnt; and I wish you were a De Stancy!’

  TWO ON A TOWER

  Two on a Tower (1882) was classified by Hardy as a romance and fantasy. The novel features the uncharacteristic theme of astronomy and tells the story of unhappily married Lady Constantine, who breaks the rules of social decorum when she falls in love with Swithin St. Cleeve, an astronomer who is ten years her junior. Notable for its constant plot twists and surprising ending, the novel is now classed as one of Hardy’s minor works.

  Hardy, close to the time of this novel’s publication

  TWO ON A TOWER

  CONTENTS

  PREFACE.

  CHAPTER I

  CHAPTER II

  CHAPTER III

  CHAPTER IV

  CHAPTER V

  CHAPTER VI

  CHAPTER VII

  CHAPTER VIII

  CHAPTER IX

  CHAPTER X

  CHAPTER XI

  CHAPTER XII

  CHAPTER XIII

  CHAPTER XIV

  CHAPTER XV

  CHAPTER XVI

  CHAPTER XVII

  CHAPTER XVIII

  CHAPTER XIX

  CHAPTER XX

  CHAPTER XXI

  CHAPTER XXII

  CHAPTER XXIII

  CHAPTER XXIV

  CHAPTER XXV

  CHAPTER XXVI

  CHAPTER XXVII

  CHAPTER XXVIII

  CHAPTER XXIX

  CHAPTER XXX

  CHAPTER XXXI

  CHAPTER XXXII

  CHAPTER XXXIII

  CHAPTER XXXIV

  CHAPTER XXXV

  CHAPTER XXXVI

  CHAPTER XXXVII

  CHAPTER XXXVIII

  CHAPTER XXXIX

  CHAPTER XL

  CHAPTER XLI

  ‘Ah, my heart! her eyes and she

  Have taught thee new astrology.

  Howe’er Love’s native hours were set,

  Whatever starry synod met,

  ‘Tis in the mercy of her eye,

  If poor Love shall live or die.’

  Crashaw: Love’s Horoscope.

  PREFACE.

  This slightly-built romance was the outcome of a wish to set the emotional history of two infinitesimal lives against the stupendous background of the stellar universe, and to impart to readers the sentiment that of these contrasting magnitudes the smaller might be the greater to them as men.

  But, on the publication of the book people seemed to be less struck with these high aims of the author than with their own opinion, first, that the novel was an ‘improper’ one in its morals, and, secondly, that it was intended to be a satire on the Established Church of this country. I was made to suffer in consequence from several eminent pens.

  That, however, was thirteen years ago, and, in respect of the first opinion, I venture to think that those who care to read the story now will be quite astonished at the scrupulous propriety observed therein on the relations of the sexes; for though there may be frivolous, and even grotesque touches on occasion, there is hardly a single caress in the book outside legal matrimony, or what was intended so to be.

  As for the second opinion, it is sufficient to draw attention, as I did at the time, to the fact that the Bishop is every inch a gentleman, and that the parish priest who figures in the narrative is one of its most estimable characters.

  However, the pages must speak for themselves. Some few readers, I trust — to take a serious view — will be reminded by this imperfect story, in a manner not unprofitable to the growth of the social sympathies, of the pathos, misery, long-suffering, and divine tenderness which in real life frequently accompany the passion of such a woman as Viviette for a lover several years her junior.

  The scene of the action was suggested by two real spots in the part of the country specified, each of which has a column standing upon it. Certain surrounding peculiarities have been imported into the narrative from both sites.

  T. H.

  July 1895.

  CHAPTER I

  On an early winter afternoon, clear but not cold, when the vegetable world was a weird multitude of skeletons through whose ribs the sun shone freely, a gleaming landau came to a pause on the crest of a hill in Wessex. The spot was where the old Melchester Road, which the carriage had hitherto followed, was joined by a drive that led round into a park at no great distance off.

  The footman alighted, and went to the occupant of the carriage, a lady about eight- or nine-and-twenty. She was looking through the opening afforded by a field-gate at the undulating stretch of country beyond. In pursuance of some remark from her the servant looked in the same direction.

  The central feature of the middle distance, as they beheld it, was a circular isolated hill, of no great elevation, which placed itself in strong chromatic contrast with a wide acreage of surrounding arable by being covered with fir-trees. The trees were all of one size and age, so that their tips assumed the precise curve of the hill they grew upon. This pine-clad protuberance was yet further marked out from the general landscape by having on its summit a tower in the form of a classical column, which, though partly immersed in the plantation, rose above the tree-tops to a considerable height. Upon this object the eyes of lady and servant were bent.

  ‘Then there is no road leading near it?’ she asked.

  ‘Nothing nearer than where we are now, my lady.’

  ‘Then drive home,’ she said after a moment. And the carriage rolled on its way.

  A few days later, the same lady, in the same carriage, passed that spot again. Her eyes, as before, turned to the distant tower.

  ‘Nobbs,’ she said to the coachman, ‘could you find your way home through that field, so as to get near the outskirts of the plantation where the column is?’

  The coachman regarded the field. ‘Well, my lady,’ he observed, ‘in dry weather we might drive in there by inching and pinching, and so get across by Five-and-Twenty Acres, all being well. But the ground is so heavy after these rains that perhaps it would hardly be safe to try it now.’

  ‘Perhaps not,’ she assented indifferently. ‘Remember it, will you, at a drier time?’

  And again the carriage sped along the road, the lady’s eyes resting on the segmental hill, the blue trees that muffled it, and the column that formed its apex, till they were out of sight.

  A long time elapsed before that lady drove over the hill again. It was February; the soil was now unquestionably dry, the weather and scene being in other respects much as they had been before. The familiar shape of the column seemed to remind her that at last an opportunity for a close inspection had arrived. Giving her directions she saw the gate opened, and after a little manoeuvring the carriage swayed slowly into the uneven field.

  Although the pillar stood upon the hereditary estate of her husband the lady had never visited it, owing to its insulation by this well-nigh impracticable ground. The drive to the base of the hill was tedious and jerky, and on reaching it she alighted, directing that the carriage should be driven back empty over the clods, to wait for her on the nearest edge of the field. She then ascended beneath the trees on foot.

  The column now showed itself as a much more important erection than it had appeared from the road, or the park, or the windows of Welland House, her residence hard by, whence she had surveyed it hundreds of times without ever feeling a sufficient interest in its details to investigate them. The column had been erected in the last century, as a substantial memorial of her husband’s great-grandfather, a respectable officer who had fallen in the American war, and the reason of her lack of interest was partly owing to her relations with this husband, of which more anon. It was little beyond the sheer desire for something to do — the chronic desire of her curiously lonely life — that had brought her here now. She was in a mood to welcome anything that would in some measure disperse an almost killing ennui. She would have welcomed even a misfortune. She had heard that from the summit of the pillar four counties could be seen. Whatever pleasurable effect was to be derived from looking into four counties she resolved to enjoy to-day.

  The fir-shrouded hill-top was (according to some antiquaries) an old Roman camp, — if it were not (as others insisted) an old British castle, or (as the rest swore) an old Saxon field of Witenagemote, — with remains of an outer and an inner vallum, a winding path leading up between their overlapping ends by an easy ascent. The spikelets from the trees formed a soft carpet over the route, and occasionally a brake of brambles barred the interspaces of the trunks. Soon she stood immediately at the foot of the column.

  It had been built in the Tuscan order of classic architecture, and was really a tower, being hollow with steps inside. The gloom and solitude which prevailed round the base were remarkable. The sob of the environing trees was here expressively manifest; and moved by the light breeze their thin straight stems rocked in seconds, like inverted pendulums; while some boughs and twigs rubbed the pillar’s sides, or occasionally clicked in catching each other. Below the level of their summits the masonry was lichen-stained and mildewed, for the sun never pierced that moaning cloud of blue-black vegetation. Pads of moss grew in the joints of the stone-work, and here and there shade-loving insects had engraved on the mortar patterns of no human style or meaning; but curious and suggestive. Above the trees the case was different: the pillar rose into the sky a bright and cheerful thing, unimpeded, clean, and flushed with the sunlight.

  The spot was seldom visited by a pedestrian, except perhaps in the shooting season. The rarity of human intrusion was evidenced by the mazes of rabbit-runs, the feathers of shy birds, the exuviæ of reptiles; as also by the well-worn paths of squirrels down the sides of trunks, and thence horizontally away. The fact of the plantation being an island in the midst of an arable plain sufficiently accounted for this lack of visitors. Few unaccustomed to such places can be aware of the insulating effect of ploughed ground, when no necessity compels people to traverse it. This rotund hill of trees and brambles, standing in the centre of a ploughed field of some ninety or a hundred acres, was probably visited less frequently than a rock would have been visited in a lake of equal extent.

  She walked round the column to the other side, where she found the door through which the interior was reached. The paint, if it had ever had any, was all washed from the wood, and down the decaying surface of the boards liquid rust from the nails and hinges had run in red stains. Over the door was a stone tablet, bearing, apparently, letters or words; but the inscription, whatever it was, had been smoothed over with a plaster of lichen.

  Here stood this aspiring piece of masonry, erected as the most conspicuous and ineffaceable reminder of a man that could be thought of; and yet the whole aspect of the memorial betokened forgetfulness. Probably not a dozen people within the district knew the name of the person commemorated, while perhaps not a soul remembered whether the column were hollow or solid, whether with or without a tablet explaining its date and purpose. She herself had lived within a mile of it for the last five years, and had never come near it till now.

  She hesitated to ascend alone, but finding that the door was not fastened she pushed it open with her foot, and entered. A scrap of writing-paper lay within, and arrested her attention by its freshness. Some human being, then, knew the spot, despite her surmises. But as the paper had nothing on it no clue was afforded; yet feeling herself the proprietor of the column and of all around it her self-assertiveness was sufficient to lead her on. The staircase was lighted by slits in the wall, and there was no difficulty in reaching the top, the steps being quite unworn. The trap-door leading on to the roof was open, and on looking through it an interesting spectacle met her eye.

  A youth was sitting on a stool in the centre of the lead flat which formed the summit of the column, his eye being applied to the end of a large telescope that stood before him on a tripod. This sort of presence was unexpected, and the lady started back into the shade of the opening. The only effect produced upon him by her footfall was an impatient wave of the hand, which he did without removing his eye from the instrument, as if to forbid her to interrupt him.

  Pausing where she stood the lady examined the aspect of the individual who thus made himself so completely at home on a building which she deemed her unquestioned property. He was a youth who might properly have been characterized by a word the judicious chronicler would not readily use in such a connection, preferring to reserve it for raising images of the opposite sex. Whether because no deep felicity is likely to arise from the condition, or from any other reason, to say in these days that a youth is beautiful is not to award him that amount of credit which the expression would have carried with it if he had lived in the times of the Classical Dictionary. So much, indeed, is the reverse the case that the assertion creates an awkwardness in saying anything more about him. The beautiful youth usually verges so perilously on the incipient coxcomb, who is about to become the Lothario or Juan among the neighbouring maidens, that, for the due understanding of our present young man, his sublime innocence of any thought concerning his own material aspect, or that of others, is most fervently asserted, and must be as fervently believed.

  Such as he was, there the lad sat. The sun shone full in his face, and on his head he wore a black velvet skull-cap, leaving to view below it a curly margin of very light shining hair, which accorded well with the flush upon his cheek.

  He had such a complexion as that with which Raffaelle enriches the countenance of the youthful son of Zacharias, — a complexion which, though clear, is far enough removed from virgin delicacy, and suggests plenty of sun and wind as its accompaniment. His features were sufficiently straight in the contours to correct the beholder’s first impression that the head was the head of a girl. Beside him stood a little oak table, and in front was the telescope.

  His visitor had ample time to make these observations; and she may have done so all the more keenly through being herself of a totally opposite type. Her hair was black as midnight, her eyes had no less deep a shade, and her complexion showed the richness demanded as a support to these decided features. As she continued to look at the pretty fellow before her, apparently so far abstracted into some speculative world as scarcely to know a real one, a warmer wave of her warm temperament glowed visibly through her, and a qualified observer might from this have hazarded a guess that there was Romance blood in her veins.

  But even the interest attaching to the youth could not arrest her attention for ever, and as he made no further signs of moving his eye from the instrument she broke the silence with —

  ‘What do you see? — something happening somewhere?’

  ‘Yes, quite a catastrophe!’ he automatically murmured, without moving round.

  ‘What?’

  ‘A cyclone in the sun.’

  The lady paused, as if to consider the weight of that event in the scale of terrene life.

  ‘Will it make any difference to us here?’ she asked.

 

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