Complete works of thomas.., p.67

Complete Works of Thomas Hardy (Illustrated), page 67

 

Complete Works of Thomas Hardy (Illustrated)
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931

Larger Font   Reset Font Size   Smaller Font  

  CHAPTER X

  CHAPTER XI

  CHAPTER XII

  CHAPTER XIII

  CHAPTER XIV

  CHAPTER XV

  CHAPTER XVI

  CHAPTER XVII

  CHAPTER XVIII

  CHAPTER XIX

  CHAPTER XX

  CHAPTER XXI

  CHAPTER XXII

  CHAPTER XXIII

  CHAPTER XXIV

  CHAPTER XXV

  CHAPTER XXVI

  CHAPTER XXVII

  CHAPTER XXVIII

  CHAPTER XXIX

  CHAPTER XXX

  CHAPTER XXXI

  CHAPTER XXXII

  CHAPTER XXXIII

  CHAPTER XXXIV

  CHAPTER XXXV

  CHAPTER XXXVI

  CHAPTER XXXVII

  CHAPTER XXXVIII

  CHAPTER XXXIX

  CHAPTER XL

  A PAIR OF BLUE EYES

  ‘A violet in the youth of primy nature,

  Forward, not permanent, sweet not lasting,

  The perfume and suppliance of a minute;

  No more.’

  PREFACE

  The following chapters were written at a time when the craze for indiscriminate church-restoration had just reached the remotest nooks of western England, where the wild and tragic features of the coast had long combined in perfect harmony with the crude Gothic Art of the ecclesiastical buildings scattered along it, throwing into extraordinary discord all architectural attempts at newness there. To restore the grey carcases of a mediaevalism whose spirit had fled, seemed a not less incongruous act than to set about renovating the adjoining crags themselves.

  Hence it happened that an imaginary history of three human hearts, whose emotions were not without correspondence with these material circumstances, found in the ordinary incidents of such church-renovations a fitting frame for its presentation.

  The shore and country about ‘Castle Boterel’ is now getting well known, and will be readily recognized. The spot is, I may add, the furthest westward of all those convenient corners wherein I have ventured to erect my theatre for these imperfect little dramas of country life and passions; and it lies near to, or no great way beyond, the vague border of the Wessex kingdom on that side, which, like the westering verge of modern American settlements, was progressive and uncertain.

  This, however, is of little importance. The place is pre-eminently (for one person at least) the region of dream and mystery. The ghostly birds, the pall-like sea, the frothy wind, the eternal soliloquy of the waters, the bloom of dark purple cast, that seems to exhale from the shoreward precipices, in themselves lend to the scene an atmosphere like the twilight of a night vision.

  One enormous sea-bord cliff in particular figures in the narrative; and

  for some forgotten reason or other this cliff was described in the story

  as being without a name. Accuracy would require the statement to be

  that a remarkable cliff which resembles in many points the cliff of the

  description bears a name that no event has made famous.

  T. H.

  March 1899

  THE PERSONS

  ELFRIDE SWANCOURT a young Lady

  CHRISTOPHER SWANCOURT a Clergyman

  STEPHEN SMITH an Architect

  HENRY KNIGHT a Reviewer and Essayist

  CHARLOTTE TROYTON a rich Widow

  GERTRUDE JETHWAY a poor Widow

  SPENSER HUGO LUXELLIAN a Peer

  LADY LUXELLIAN his Wife

  MARY AND KATE two little Girls

  WILLIAM WORM a dazed Factotum

  JOHN SMITH a Master-mason

  JANE SMITH his Wife

  MARTIN CANNISTER a Sexton

  UNITY a Maid-servant

  Other servants, masons, labourers, grooms, nondescripts, etc., etc.

  THE SCENE

  Mostly on the outskirts of Lower Wessex.

  CHAPTER I

  ‘A fair vestal, throned in the west’

  Elfride Swancourt was a girl whose emotions lay very near the surface. Their nature more precisely, and as modified by the creeping hours of time, was known only to those who watched the circumstances of her history.

  Personally, she was the combination of very interesting particulars, whose rarity, however, lay in the combination itself rather than in the individual elements combined. As a matter of fact, you did not see the form and substance of her features when conversing with her; and this charming power of preventing a material study of her lineaments by an interlocutor, originated not in the cloaking effect of a well-formed manner (for her manner was childish and scarcely formed), but in the attractive crudeness of the remarks themselves. She had lived all her life in retirement — the monstrari gigito of idle men had not flattered her, and at the age of nineteen or twenty she was no further on in social consciousness than an urban young lady of fifteen.

  One point in her, however, you did notice: that was her eyes. In them was seen a sublimation of all of her; it was not necessary to look further: there she lived.

  These eyes were blue; blue as autumn distance — blue as the blue we see between the retreating mouldings of hills and woody slopes on a sunny September morning. A misty and shady blue, that had no beginning or surface, and was looked INTO rather than AT.

  As to her presence, it was not powerful; it was weak. Some women can make their personality pervade the atmosphere of a whole banqueting hall; Elfride’s was no more pervasive than that of a kitten.

  Elfride had as her own the thoughtfulness which appears in the face of the Madonna della Sedia, without its rapture: the warmth and spirit of the type of woman’s feature most common to the beauties — mortal and immortal — of Rubens, without their insistent fleshiness. The characteristic expression of the female faces of Correggio — that of the yearning human thoughts that lie too deep for tears — was hers sometimes, but seldom under ordinary conditions.

  The point in Elfride Swancourt’s life at which a deeper current may be said to have permanently set in, was one winter afternoon when she found herself standing, in the character of hostess, face to face with a man she had never seen before — moreover, looking at him with a Miranda-like curiosity and interest that she had never yet bestowed on a mortal.

  On this particular day her father, the vicar of a parish on the sea-swept outskirts of Lower Wessex, and a widower, was suffering from an attack of gout. After finishing her household supervisions Elfride became restless, and several times left the room, ascended the staircase, and knocked at her father’s chamber-door.

  ‘Come in!’ was always answered in a hearty out-of-door voice from the inside.

  ‘Papa,’ she said on one occasion to the fine, red-faced, handsome man of forty, who, puffing and fizzing like a bursting bottle, lay on the bed wrapped in a dressing-gown, and every now and then enunciating, in spite of himself, about one letter of some word or words that were almost oaths; ‘papa, will you not come downstairs this evening?’ She spoke distinctly: he was rather deaf.

  ‘Afraid not — eh-hh! — very much afraid I shall not, Elfride. Piph-ph-ph! I can’t bear even a handkerchief upon this deuced toe of mine, much less a stocking or slipper — piph-ph-ph! There ‘tis again! No, I shan’t get up till to-morrow.’

  ‘Then I hope this London man won’t come; for I don’t know what I should do, papa.’

  ‘Well, it would be awkward, certainly.’

  ‘I should hardly think he would come to-day.’

  ‘Why?’

  ‘Because the wind blows so.’

  ‘Wind! What ideas you have, Elfride! Who ever heard of wind stopping a man from doing his business? The idea of this toe of mine coming on so suddenly!...If he should come, you must send him up to me, I suppose, and then give him some food and put him to bed in some way. Dear me, what a nuisance all this is!’

  ‘Must he have dinner?’

  ‘Too heavy for a tired man at the end of a tedious journey.’

  ‘Tea, then?’

  ‘Not substantial enough.’

  ‘High tea, then? There is cold fowl, rabbit-pie, some pasties, and things of that kind.’

  ‘Yes, high tea.’

  ‘Must I pour out his tea, papa?’

  ‘Of course; you are the mistress of the house.’

  ‘What! sit there all the time with a stranger, just as if I knew him, and not anybody to introduce us?’

  ‘Nonsense, child, about introducing; you know better than that. A practical professional man, tired and hungry, who has been travelling ever since daylight this morning, will hardly be inclined to talk and air courtesies to-night. He wants food and shelter, and you must see that he has it, simply because I am suddenly laid up and cannot. There is nothing so dreadful in that, I hope? You get all kinds of stuff into your head from reading so many of those novels.’

  ‘Oh no; there is nothing dreadful in it when it becomes plainly a case of necessity like this. But, you see, you are always there when people come to dinner, even if we know them; and this is some strange London man of the world, who will think it odd, perhaps.’

  ‘Very well; let him.’

  ‘Is he Mr. Hewby’s partner?’

  ‘I should scarcely think so: he may be.’

  ‘How old is he, I wonder?’

  ‘That I cannot tell. You will find the copy of my letter to Mr. Hewby, and his answer, upon the table in the study. You may read them, and then you’ll know as much as I do about our visitor.’

  ‘I have read them.’

  ‘Well, what’s the use of asking questions, then? They contain all I know. Ugh-h-h!...Od plague you, you young scamp! don’t put anything there! I can’t bear the weight of a fly.’

  ‘Oh, I am sorry, papa. I forgot; I thought you might be cold,’ she said, hastily removing the rug she had thrown upon the feet of the sufferer; and waiting till she saw that consciousness of her offence had passed from his face, she withdrew from the room, and retired again downstairs.

  CHAPTER II

  ‘Twas on the evening of a winter’s day.’

  When two or three additional hours had merged the same afternoon in evening, some moving outlines might have been observed against the sky on the summit of a wild lone hill in that district. They circumscribed two men, having at present the aspect of silhouettes, sitting in a dog-cart and pushing along in the teeth of the wind. Scarcely a solitary house or man had been visible along the whole dreary distance of open country they were traversing; and now that night had begun to fall, the faint twilight, which still gave an idea of the landscape to their observation, was enlivened by the quiet appearance of the planet Jupiter, momentarily gleaming in intenser brilliancy in front of them, and by Sirius shedding his rays in rivalry from his position over their shoulders. The only lights apparent on earth were some spots of dull red, glowing here and there upon the distant hills, which, as the driver of the vehicle gratuitously remarked to the hirer, were smouldering fires for the consumption of peat and gorse-roots, where the common was being broken up for agricultural purposes. The wind prevailed with but little abatement from its daytime boisterousness, three or four small clouds, delicate and pale, creeping along under the sky southward to the Channel.

  Fourteen of the sixteen miles intervening between the railway terminus and the end of their journey had been gone over, when they began to pass along the brink of a valley some miles in extent, wherein the wintry skeletons of a more luxuriant vegetation than had hitherto surrounded them proclaimed an increased richness of soil, which showed signs of far more careful enclosure and management than had any slopes they had yet passed. A little farther, and an opening in the elms stretching up from this fertile valley revealed a mansion.

  ‘That’s Endelstow House, Lord Luxellian’s,’ said the driver.

  ‘Endelstow House, Lord Luxellian’s,’ repeated the other mechanically. He then turned himself sideways, and keenly scrutinized the almost invisible house with an interest which the indistinct picture itself seemed far from adequate to create. ‘Yes, that’s Lord Luxellian’s,’ he said yet again after a while, as he still looked in the same direction.

  ‘What, be we going there?’

  ‘No; Endelstow Vicarage, as I have told you.’

  ‘I thought you m’t have altered your mind, sir, as ye have stared that way at nothing so long.’

  ‘Oh no; I am interested in the house, that’s all.’

  ‘Most people be, as the saying is.’

  ‘Not in the sense that I am.’

  ‘Oh!...Well, his family is no better than my own, ‘a b’lieve.’

  ‘How is that?’

  ‘Hedgers and ditchers by rights. But once in ancient times one of ‘em, when he was at work, changed clothes with King Charles the Second, and saved the king’s life. King Charles came up to him like a common man, and said off-hand, “Man in the smock-frock, my name is Charles the Second, and that’s the truth on’t. Will you lend me your clothes?” “I don’t mind if I do,” said Hedger Luxellian; and they changed there and then. “Now mind ye,” King Charles the Second said, like a common man, as he rode away, “if ever I come to the crown, you come to court, knock at the door, and say out bold, ‘Is King Charles the Second at home?’ Tell your name, and they shall let you in, and you shall be made a lord.” Now, that was very nice of Master Charley?’

  ‘Very nice indeed.’

  ‘Well, as the story is, the king came to the throne; and some years after that, away went Hedger Luxellian, knocked at the king’s door, and asked if King Charles the Second was in. “No, he isn’t,” they said. “Then, is Charles the Third?” said Hedger Luxellian. “Yes,” said a young feller standing by like a common man, only he had a crown on, “my name is Charles the Third.” And — — ’

  ‘I really fancy that must be a mistake. I don’t recollect anything in English history about Charles the Third,’ said the other in a tone of mild remonstrance.

  ‘Oh, that’s right history enough, only ‘twasn’t prented; he was rather a queer-tempered man, if you remember.’

  ‘Very well; go on.’

  ‘And, by hook or by crook, Hedger Luxellian was made a lord, and everything went on well till some time after, when he got into a most terrible row with King Charles the Fourth.

  ‘I can’t stand Charles the Fourth. Upon my word, that’s too much.’

  ‘Why? There was a George the Fourth, wasn’t there?’

  ‘Certainly.’

  ‘Well, Charleses be as common as Georges. However I’ll say no more about it....Ah, well! ‘tis the funniest world ever I lived in — upon my life ‘tis. Ah, that such should be!’

  The dusk had thickened into darkness while they thus conversed, and the outline and surface of the mansion gradually disappeared. The windows, which had before been as black blots on a lighter expanse of wall, became illuminated, and were transfigured to squares of light on the general dark body of the night landscape as it absorbed the outlines of the edifice into its gloomy monochrome.

  Not another word was spoken for some time, and they climbed a hill, then another hill piled on the summit of the first. An additional mile of plateau followed, from which could be discerned two light-houses on the coast they were nearing, reposing on the horizon with a calm lustre of benignity. Another oasis was reached; a little dell lay like a nest at their feet, towards which the driver pulled the horse at a sharp angle, and descended a steep slope which dived under the trees like a rabbit’s burrow. They sank lower and lower.

  ‘Endelstow Vicarage is inside here,’ continued the man with the reins. ‘This part about here is West Endelstow; Lord Luxellian’s is East Endelstow, and has a church to itself. Pa’son Swancourt is the pa’son of both, and bobs backward and forward. Ah, well! ‘tis a funny world. ‘A b’lieve there was once a quarry where this house stands. The man who built it in past time scraped all the glebe for earth to put round the vicarage, and laid out a little paradise of flowers and trees in the soil he had got together in this way, whilst the fields he scraped have been good for nothing ever since.’

  ‘How long has the present incumbent been here?’

  ‘Maybe about a year, or a year and half: ‘tisn’t two years; for they don’t scandalise him yet; and, as a rule, a parish begins to scandalise the pa’son at the end of two years among ‘em familiar. But he’s a very nice party. Ay, Pa’son Swancourt knows me pretty well from often driving over; and I know Pa’son Swancourt.’

  They emerged from the bower, swept round in a curve, and the chimneys and gables of the vicarage became darkly visible. Not a light showed anywhere. They alighted; the man felt his way into the porch, and rang the bell.

  At the end of three or four minutes, spent in patient waiting without hearing any sounds of a response, the stranger advanced and repeated the call in a more decided manner. He then fancied he heard footsteps in the hall, and sundry movements of the door-knob, but nobody appeared.

  ‘Perhaps they beant at home,’ sighed the driver. ‘And I promised myself a bit of supper in Pa’son Swancourt’s kitchen. Sich lovely mate-pize and figged keakes, and cider, and drops o’ cordial that they do keep here!’

  ‘All right, naibours! Be ye rich men or be ye poor men, that ye must needs come to the world’s end at this time o’ night?’ exclaimed a voice at this instant; and, turning their heads, they saw a rickety individual shambling round from the back door with a horn lantern dangling from his hand.

  ‘Time o’ night, ‘a b’lieve! and the clock only gone seven of ‘em. Show a light, and let us in, William Worm.’

  ‘Oh, that you, Robert Lickpan?’

  ‘Nobody else, William Worm.’

  ‘And is the visiting man a-come?’

  ‘Yes,’ said the stranger. ‘Is Mr. Swancourt at home?’

  ‘That ‘a is, sir. And would ye mind coming round by the back way? The front door is got stuck wi’ the wet, as he will do sometimes; and the Turk can’t open en. I know I am only a poor wambling man that ‘ill never pay the Lord for my making, sir; but I can show the way in, sir.’

 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931
Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On
183