Complete works of thomas.., p.780

Complete Works of Thomas Hardy (Illustrated), page 780

 

Complete Works of Thomas Hardy (Illustrated)
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  Not have assayed you,

  Not have implanted, to your deep rue,

  The Clytaemnestra spirit in you,

  And with purblind vision

  Sowed a tare

  In a field so fair,

  And a thing of symmetry, seemly to view,

  Brought to derision!

  January 6, 1923.

  THE CHURCH AND THE WEDDING

  “I’ll restore this old church for our marriage:

  I’ve ordered the plans:

  Style of wedding your choice — foot or carriage —

  By licence, or banns.”

  He restored it, as though built newly:

  The bishop was won

  To preach, who pronounced it truly

  A thing well done.

  But the wedding waits; long, long has waited;

  And guesswork is dumb

  Why those who were there to have mated

  Do not come.

  And when the nights moan like the wailings

  Of souls sore-tried,

  The folk say who pass the church-palings

  They hear inside

  Strange sounds as of anger and sadness

  That cut the heart’s core,

  And shaken words bitter to madness;

  And then no more.

  THE SHIVER

  Five lone clangs from the house-clock nigh,

  And I woke with a sigh:

  Stars wore west like a slow tide flowing,

  And my lover had told yesternight of his going, —

  That at this gray hour he’d be hasting by,

  Starting betimes on a journey afar: —

  So, casement ajar,

  I eyed in the upland pasture his figure,

  A dim dumb speck, growing darker and bigger,

  Then smalling to nought where the nut-trees are.

  He could not bend his track to my window, he’d said,

  Being hurried ahead:

  But I wished he had tried to! — and then felt a shiver,

  Corpse-cold, as he sank toward the town by the river;

  And back I went sadly and slowly to bed.

  What meant my shiver while seeing him pass

  As a dot on the grass

  I surmised not then. But later I knew it

  When came again he; and my words outdrew it,

  As said he: “It’s hard for your bearing, alas!

  “But I’ve seen, I have clasped, where the smart ships plough,

  One of far brighter brow.

  A sea-goddess. Shiver not. One far rarer

  In gifts than I find thee; yea, warmer and fairer: —

  I seek her again; and I love you not now.”

  NOT ONLY I

  Not only I

  Am doomed awhile to lie

  In this close bin with earthen sides;

  But the things I thought, and the songs I sang,

  And the hopes I had, and the passioned pang

  For people I knew

  Who passed before me,

  Whose memory barely abides;

  And the visions I drew

  That daily upbore me!

  And the joyous springs and summers,

  And the jaunts with blithe newcomers,

  And my plans and appearances; drives and rides

  That fanned my face to a lively red;

  And the grays and blues

  Of the far-off views,

  That nobody else discerned outspread;

  And little achievements for blame or praise;

  Things left undone; things left unsaid;

  In brief, my days!

  Compressed here in six feet by two,

  In secrecy

  To lie with me

  Till the Call shall be,

  Are all these things I knew,

  Which cannot be handed on;

  Strange happenings quite unrecorded,

  Lost to the world and disregarded,

  That only thinks: “Here moulders till Doom’s-dawn

  A woman’s skeleton.”

  SHE SAW HIM, SHE SAID

  “Why, I saw you with the sexton, outside the church-door,

  So I did not hurry me home,

  Thinking you’d not be come,

  Having something to him to say. —

  Yes: ‘twas you, Dear, though you seemed sad, heart-sore;

  How fast you’ve got therefrom!”

  “I’ve not been out. I’ve watched the moon through the birch,

  And heard the bell toll. Yes,

  Like a passing soul in distress!”

  “ — But no bell’s tolled to-day?” . . .

  His face looked strange, like the face of him seen by the church,

  And she sank to musefulness.

  ONCE AT SWANAGE

  The spray sprang up across the cusps of the moon,

  And all its light loomed green

  As a witch-flame’s weirdsome sheen

  At the minute of an incantation scene;

  And it greened our gaze — that night at demilune.

  Roaring high and roaring low was the sea

  Behind the headland shores:

  It symboled the slamming of doors,

  Or a regiment hurrying over hollow floors. . . .

  And there we two stood, hands clasped; I and she!

  THE FLOWER’S TRAGEDY

  In the bedchamber window, near the glass,

  Stood the little flower in the little vase,

  Unnoticed quite

  For a whole fortnight,

  And withered for lack of watering

  To a skeleton mere — a mummied thing.

  But it was not much, mid a world of teen,

  That a flower should waste in a nook unseen!

  One needed no thought to ascertain

  How it happened; that when she went in the rain

  To return here not,

  She was mindless what

  She had left here to perish. — Ah, well: for an hour

  I wished I had not found the flower!

  Yet it was not much. And she never had known

  Of the flower’s fate; nor it of her own.

  AT THE AQUATIC SPORTS

  With their backs to the sea two fiddlers stand

  Facing the concourse on the strand,

  And a third man who sings.

  The sports proceed; there are crab-catchings;

  The people laugh as levity spreads;

  Yet these three do not turn their heads

  To see whence the merriment springs.

  They cease their music, but even then

  They stand as before, do those three men,

  Though pausing, nought to do:

  They never face to the seaward view

  To enjoy the contests, add their cheer,

  So wholly is their being here

  A business they pursue.

  A WATCHER’S REGRET

  J. E.’S STORY

  I slept across the front of the clock,

  Close to the long case-door;

  The hours were brought by their brazen knock

  To my ear as the slow nights wore.

  Thus did I, she being sick to death,

  That each hour as it belled

  Should wake me to rise, and learn by her breath

  Whether her strength still held.

  Yet though throughout life’s midnights all

  I would have watched till spent

  For her dear sake, I missed the call

  Of the hour in which she went.

  HORSES ABOARD

  Horses in horsecloths stand in a row

  On board the huge ship that at last lets go:

  Whither are they sailing? They do not know,

  Nor what for, nor how. —

  They are horses of war,

  And are going to where there is fighting afar;

  But they gaze through their eye-holes unwitting they are,

  And that in some wilderness, gaunt and ghast,

  Their bones will bleach ere a year has passed,

  And the item be as “war-waste” classed. —

  And when the band booms, and the folk say “Good-bye!”

  And the shore slides astern, they appear wrenched awry

  From the scheme Nature planned for them, — wondering why.

  THE HISTORY OF AN HOUR

  Vain is the wish to try rhyming it, writing it!

  Pen cannot weld into words what it was;

  Time will be squandered in toil at inditing it;

  Clear is the cause!

  Yea, ‘twas too satiate with soul, too ethereal;

  June-morning scents of a rose-bush in flower

  Catch in a clap-net of hempen material;

  So catch that hour!

  THE MISSED TRAIN

  How I was caught

  Hieing home, after days of allure,

  And forced to an inn — small, obscure —

  At the junction, gloom-fraught.

  How civil my face

  To get them to chamber me there —

  A roof I had scorned, scarce aware

  That it stood at the place.

  And how all the night

  I had dreams of the unwitting cause

  Of my lodgment. How lonely I was;

  How consoled by her sprite!

  Thus onetime to me . . .

  Dim wastes of dead years bar away

  Then from now. But such happenings to-day

  Fall to lovers, may be!

  Years, years as shoaled seas,

  Truly, stretch now between! Less and less

  Shrink the visions then vast in me. — Yes,

  Then in me: Now in these.

  UNDER HIGH-STOY HILL

  Four climbed High-Stoy from Ivelwards,

  Where hedge meets hedge, and cart-ruts wind,

  Chattering like birds,

  And knowing not what lay behind.

  We laughed beneath the moonlight blink,

  Said supper would be to our mind,

  And did not think

  Of Time, and what might lie behind. . . .

  The moon still meets that tree-tipped height,

  The road — as then — still trails inclined;

  But since that night

  We have well learnt what lay behind!

  For all of the four then climbing here

  But one are ghosts, and he brow-lined;

  With him they fare,

  Yet speak not of what lies behind.

  AT THE MILL

  O Miller Knox, whom we knew well,

  And the mill, and the floury floors,

  And the corn, — and those two women,

  And infants — yours!

  The sun was shining when you rode

  To market on that day:

  The sun was set when home-along

  You ambled in the gray,

  And gathered what had taken place

  While you were away.

  O Miller Knox, ‘twas grief to see

  Your good wife hanging there

  By her own rash and passionate hand,

  In a throe of despair;

  And those two children, one by her,

  And one by the waiting-maid,

  Borne the same hour, and you afar,

  And she past aid.

  And though sometimes you walk of nights,

  Sleepless, to Yalbury Brow,

  And glance the graveyard way, and grunt,

  “‘Twas not much, anyhow:

  She shouldn’t ha’ minded!” nought it helps

  To say that now.

  And the water dribbles down your wheel,

  Your mead blooms green and gold,

  And birds ‘twit in your apple-boughs

  Just as of old.

  ALIKE AND UNLIKE

  (GREAT-ORME’S HEAD)

  We watched the selfsame scene on that long drive,

  Saw the magnificent purples, as one eye,

  Of those near mountains; saw the storm arrive;

  Laid up the sight in memory, you and I,

  As if for joint recallings by and by.

  But our eye-records, like in hue and line,

  Had superimposed on them, that very day,

  Gravings on your side deep, but slight on mine! —

  Tending to sever us thenceforth alway;

  Mine commonplace; yours tragic, gruesome, gray.

  THE THING UNPLANNED

  The white winter sun struck its stroke on the bridge,

  The meadow-rills rippled and gleamed

  As I left the thatched post-office, just by the ridge,

  And dropped in my pocket her long tender letter,

  With: “This must be snapped! it is more than it seemed;

  And now is the opportune time!”

  But against what I willed worked the surging sublime

  Of the thing that I did — the thing better!

  THE SHEEP-BOY

  A yawning, sunned concave

  Of purple, spread as an ocean wave

  Entroughed on a morning of swell and sway

  After a night when wind-fiends have been heard to rave:

  Thus was the Heath called “Draäts,” on an August day.

  Suddenly there intunes a hum:

  This side, that side, it seems to come.

  From the purple in myriads rise the bees

  With consternation mid their rapt employ.

  So headstrongly each speeds him past, and flees,

  As to strike the face of the shepherd-boy.

  Awhile he waits, and wonders what they mean;

  Till none is left upon the shagged demesne.

  To learn what ails, the sheep-boy looks around;

  Behind him, out of the sea in swirls

  Flexuous and solid, clammy vapour-curls

  Are rolling over Pokeswell Hills to the inland ground,

  Into the heath they sail,

  And travel up the vale

  Like the moving pillar of cloud raised by the Israelite: —

  In a trice the lonely sheep-boy seen so late ago,

  Draäts’-Hollow in gorgeous blow,

  And Kite-Hill’s regal glow,

  Are viewless — folded into those creeping scrolls of white.

  On Rainbarrows.

  RETTY’S PHASES

  I

  Retty used to shake her head,

  Look with wicked eye;

  Say, “I’d tease you, simple Ned,

  If I cared to try!”

  Then she’d hot-up scarlet red,

  Stilly step away,

  Much afraid that what she’d said

  Sounded bold to say.

  II

  Retty used to think she loved

  (Just a little) me.

  Not untruly, as it proved

  Afterwards to be.

  For, when weakness forced her rest

  If we walked a mile,

  She would whisper she was blest

  By my clasp awhile.

  III

  Retty used at last to say

  When she neared the Vale,

  “Mind that you, Dear, on that day

  Ring my wedding peal!”

  And we all, with pulsing pride,

  Vigorous sounding gave

  Those six bells, the while outside

  John filled in her grave.

  IV

  Retty used to draw me down

  To the turfy heaps,

  Where, with yeoman, squire, and clown

  Noticeless she sleeps.

  Now her silent slumber-place

  Seldom do I know,

  For when last I saw her face

  Was so long ago!

  From an old draft of 1868.

  In many villages it was customary after the funeral of an unmarried young woman to ring a peal as for her wedding while the grave was being filled in, as if Death were not to be allowed to balk her of bridal honours. Young unmarried men were always her bearers.

  A POOR MAN AND A LADY

  We knew it was not a valid thing,

  And only sanct in the sight of God

  (To use your phrase), as with fervent nod

  You swore your assent when I placed the ring

  On your pale slim hand. Our whispering

  Was soft as the fan of a turtledove

  That round our heads might have seemed to wing;

  So solemn were we; so sincere our love.

  We could do no better; and thus it stood

  Through a time of timorous secret bliss,

  Till we were divided, and never a kiss

  Of mine could touch you, or likelihood

  Illumed our sky that we might, or should

  Be each to each in the world’s wide eye

  What we were unviewed; and our vows make good

  In the presence of parents and standers by.

  I was a striver with deeds to do,

  And little enough to do them with,

  And a comely woman of noble kith,

  With a courtly match to make, were you;

  And we both were young; and though sterling-true

  You had proved to our pledge under previous strains,

  Our “union,” as we called it, grew

  Less grave to your eyes in your town campaigns.

  Well: the woeful neared, you needn’t be told:

  The current news-sheets clarioned soon

  That you would be wived on a summer noon

  By a man of illustrious line and old:

  Nor better nor worse than the manifold

  Of marriages made, had there not been

  Our faith-swearing when fervent-souled,

  Which, to me, seemed a breachless bar between.

  We met in a Mayfair church, alone:

  (The request was mine, which you yielded to.)

 

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