Complete Works of Thomas Hardy (Illustrated), page 624
‘What is that powerful tune, sir — I have never heard anything like it?’ she said.
‘The Drum Polka,’ answered the Baron. ‘The strange dance I spoke of and that we practised — introduced from my country and other parts of the continent.’
Her surprise was not lessened when, at the entrance to the ballroom, she heard the names of her conductor and herself announced as ‘Mr. and Miss Brown.’
However, nobody seemed to take any notice of the announcement, the room beyond being in a perfect turmoil of gaiety and Margery’s consternation at sailing under false colours subsided. At the same moment she observed awaiting them a handsome, dark-haired, rather petite lady in cream — coloured satin. ‘Who is she?’ asked Margery of the Baron.
‘She is the lady of the mansion,’ he whispered. ‘She is the wife of a peer of the realm, the daughter of a marquis, has five Christian names; and hardly ever speaks to commoners, except for political purposes.’
‘How divine — what joy to be here!’ murmured Margery, as she contemplated the diamonds that flashed from the head of her ladyship, who was just inside the ball-room door, in front of a little gilded chair, upon which she sat in the intervals between one arrival and another. She had come down from London at great inconvenience to herself, openly to promote this entertainment.
As Mr. and Miss Brown expressed absolutely no meaning to Lady Toneborough (for there were three Browns already present in this rather mixed assembly), and as there was possibly a slight awkwardness in poor Margery’s manner, Lady Toneborough touched their hands lightly with the tips of her long gloves, said, ‘How d’ye do,’ and turned round for more comers.
‘Ah, if she only knew we were a rich Baron and his friend, and not Mr. and Miss Brown at all she wouldn’t receive us like that, would she?’ whispered Margery confidentially.
‘Indeed she wouldn’t!’ drily said the Baron. ‘Now let us drop into the dance at once; some of the people here, you see, dance much worse than you.’
Almost before she was aware she had obeyed his mysterious influence, by giving him one hand, placing the other upon his shoulder, and swinging with him round the room to the steps she had learnt on the sward.
At the first gaze the apartment had seemed to her to be floored with black ice; the figures of the dancers appearing upon it upside down. At last she realised that it was highly-polished oak, but she was none the less afraid to move.
‘I am afraid of falling down,’ she said.
‘Lean on me; you will soon get used to it,’ he replied. ‘You have no nails in your shoes now, dear.’
His words, like all his words to her, were quite true. She found it amazingly easy in a brief space of time. The floor, far from hindering her, was a positive assistance to one of her natural agility and litheness. Moreover, her marvellous dress of twelve flounces inspired her as nothing else could have done. Externally a new creature, she was prompted to new deeds. To feel as well-dressed as the other women around her is to set any woman at her ease, whencesoever she may have come: to feel much better dressed is to add radiance to that ease.
Her prophet’s statement on the popularity of the polka at this juncture was amply borne out. It was among the first seasons of its general adoption in country houses; the enthusiasm it excited tonight was beyond description, and scarcely credible to the youth of the present day. A new motive power had been introduced into the world of poesy — the polka, as a counterpoise to the new motive power that had been introduced into the world of prose — steam.
Twenty finished musicians sat in the music gallery at the end, with romantic mop-heads of raven hair, under which their faces and eyes shone like fire under coals.
The nature and object of the ball had led to its being very inclusive. Every rank was there, from the peer to the smallest yeoman, and Margery got on exceedingly well, particularly when the recuperative powers of supper had banished the fatigue of her long drive.
Sometimes she heard people saying, ‘Who are they? — brother and sister — father and daughter? And never dancing except with each other — how odd?’ But of this she took no notice.
When not dancing the watchful Baron took her through the drawing-rooms and picture-galleries adjoining, which tonight were thrown open like the rest of the house; and there, ensconcing her in some curtained nook, he drew her attention to scrap-books, prints, and albums, and left her to amuse herself with turning them over till the dance in which she was practised should again be called. Margery would much have preferred to roam about during these intervals; but the words of the Baron were law, and as he commanded so she acted. In such alternations the evening winged away; till at last came the gloomy words, ‘Margery, our time is up.’
‘One more — only one!’ she coaxed, for the longer they stayed the more freely and gaily moved the dance. This entreaty he granted; but on her asking for yet another, he was inexorable. ‘No,’ he said. ‘We have a long way to go.’
Then she bade adieu to the wondrous scene, looking over her shoulder as they withdrew from the hall; and in a few minutes she was cloaked and in the carriage. The Baron mounted to his seat on the box, where she saw him light a cigar; they plunged under the trees, and she leant back, and gave herself up to contemplate the images that filled her brain. The natural result followed: she fell asleep.
She did not awake till they stopped to change horses; when she saw against the stars the Baron sitting as erect as ever. ‘He watches like the Angel Gabriel, when all the world is asleep!’ she thought.
With the resumption of motion she slept again, and knew no more till he touched her hand and said, ‘Our journey is done — we are in Chillington Wood.’
It was almost daylight. Margery scarcely knew herself to be awake till she was out of the carriage and standing beside the Baron, who, having told the coachman to drive on to a certain point indicated, turned to her.
‘Now,’ he said, smiling, ‘run across to the hollow tree you know where it is. I’ll wait as before, while you perform the reverse operation to that you did last night.’ She took no heed of the path now, nor regarded whether her pretty slippers became scratched by the brambles or no. A walk of a few steps brought her to the particular tree which she had left about nine hours earlier; It was still gloomy at this spot, the morning not being clear.
She entered the trunk, dislodged the box containing her old clothing, pulled off the satin shoes, and gloves, and dress, and in ten minutes emerged in the cotton gown and shawl of shepherd’s plaid.
The Baron was not far off. ‘Now you look the milkmaid again,’ he said, coming towards her. ‘Where is the finery?’
‘Packed in the box, sir, as I found it.’ She spoke with more humility now. The difference between them was greater than it had been at the ball.
‘Good,’ he said. ‘I must just dispose of it; and then away we go.’
He went back to the tree, Margery following at a little distance. Bringing forth the box, he pulled out the dress as carelessly as if it had been rags. But this was not all. He gathered a few dry sticks, crushed the lovely garment into a loose billowy heap, the gloves, fan, and shoes on the top, then struck a light and ruthlessly set fire to the whole.
Margery was agonized. She ran forward; she implored and entreated. ‘Please, sir — do spare it — do! My lovely dress — my dear, dear slippers — my fan — it is cruel! Don’t burn them, please!’
‘Nonsense. We shall have no further use for them if we live a hundred years.’
‘But spare a bit of it — one little piece, sir — a scrap of the lace — one bow of the ribbon — the lovely fan — just something!’
But he was as immoveable as Rhadamanthus. ‘No,’ he said with a stern gaze of his aristocratic eye. ‘It is of no use for you to speak like that. The things are my property. I undertook to gratify you in what you might desire because you had saved my life. To go to a ball, you said. You might much more wisely have said anything else, but no; you said, to go to a ball. Very well — I have taken you to a ball. I have brought you back. The clothes were only the means, and I dispose of them my own way. Have I not a right to?’
‘Yes, sir,’ she said meekly.
He gave the fire a stir, and lace and ribbons, and the twelve flounces, and the embroidery, and all the rest crackled and disappeared. He then put in her hands the butter basket she had brought to take on to her grandmother’s and accompanied her to the edge of the wood, where it merged in the undulating open country in which her granddame dwelt.
‘Now, Margery,’ he said, ‘here we part. I have performed my contract — at some awkwardness, if I was recognized. But never mind that. How do you feel — sleepy?’
‘Not at all, sir,’ she said.
‘That long nap refreshed you eh? Now you must make me a promise. That if I require your presence at any time, you will come to me. . . . I am a man of more than one mood,’ he went on with sudden solemnity; ‘and I may have desperate need of you again, to deliver me from that darkness as of Death which sometimes encompasses me. Promise it, Margery — promise it; that no matter what stands in the way, you will come to me if I require you.’
‘I would have if you had not burnt my pretty clothes!’ she pouted.
‘Ah — ungrateful!’
‘Indeed, then, I will promise, sir,’ she said from her heart. ‘Wherever I am, if I have bodily strength I will come to you.’
He pressed her hand. ‘It is a solemn promise,’ he replied. ‘Now I must go, for you know your way.’
‘I shall hardly believe that it has not been all a dream!’ she said, with a childish instinct to cry at his withdrawal. ‘There will be nothing left of last night — nothing of my dress, nothing of my pleasure, nothing of the place!’
‘You shall remember it in this way,’ he said. ‘We’ll cut our initials on this tree as a memorial, so that whenever you walk this path you will see them.’
Then with a knife he inscribed on the smooth bark of a beech tree the letters M.T., and underneath a large X.
‘What, have you no Christian name, sir?’
‘Yes, but I don’t use it. Now, good-bye, my little friend. — What will you do with yourself today, when you are gone from me?’ he lingered to ask.
‘Oh — I shall go to my granny’s,’ she replied with some gloom; ‘and have breakfast, and dinner, and tea with her, I suppose; and in the evening I shall go home to Silverthorn Dairy, and perhaps Jim will come to meet me, and all will be the same as usual.’
‘Who is Jim?’
‘O, he’s nobody — only the young man I’ve got to marry some day.’
‘What! — you engaged to be married? — Why didn’t you tell me this before?’
‘I don’t know, sir.’
‘What is the young man’s name?’
‘James Hayward.’
‘What is he?’
‘A master lime burner’.
‘Engaged to a master lime-burner, and not a word of this to me! Margery, Margery! when shall a straightforward one of your sex be found! Subtle even in your simplicity! What mischief have you caused me to do, through not telling me this? I wouldn’t have so endangered anybody’s happiness for a thousand pounds. Wicked girl that you were; why didn’t you tell me?’
‘I thought I’d better not!’ said Margery, beginning to be frightened.
‘But don’t you see and understand that if you are already the property of a young man, and he were to find out this night’s excursion, he may be angry with you and part from you for ever? With him already in the field I had no right to take you at all; he undoubtedly ought to have taken you; which really might have been arranged, if you had not deceived me by saying you had nobody.’
Margery’s face wore that aspect of woe which comes from the repentant consciousness of having been guilty of an enormity. ‘But he wasn’t good enough to take me, sir!’ she said, almost crying; ‘and he isn’t absolutely my master until I have married him, is he?’
‘That’s a subject I cannot go into. However, we must alter our tactics. Instead of advising you, as I did at first to tell of this experience to your friends, I must now impress on you that it will be best to keep a silent tongue on the matter — perhaps for ever and ever. It may come right some day, and you may be able to say “All’s well that ends well.” Now, good morning, my friend. Think of Jim, and forget me.’
‘Ah, perhaps I can’t do that,’ she said, with a tear in her eye, and a full throat.
‘Well — do your best. I can say no more.’
He turned and retreated into the wood, and Margery, sighing, went on her way.
VI
Between six and seven o’clock in the evening of the same day a young man descended the hills into the valley of the Exe, at a point about midway between Silverthorn and the residence of Margery’s grandmother, four miles to the east.
He was a thoroughbred son of the country, as far removed from what is known as the provincial, as the latter is from the out-and-out gentleman of culture. His trousers and waistcoat were of fustian, almost white, but he wore a jacket of old-fashioned blue West-of-England cloth, so well preserved that evidently the article was relegated to a box whenever its owner engaged in such active occupations as he usually pursued. His complexion was fair, almost florid, and he had scarcely any beard.
A novel attraction about this young man, which a glancing stranger would know nothing of, was a rare and curious freshness of atmosphere that appertained to him, to his clothes, to all his belongings, even to the room in which he had been sitting. It might almost have been said that by adding him and his implements to an over-crowded apartment you made it healthful. This resulted from his trade. He was a lime-burner; he handled lime daily; and in return the lime rendered him an incarnation of salubrity. His hair was dry, fair, and frizzled, the latter possibly by the operation of the same caustic agent. He carried as a walking-stick a green sapling, whose growth had been contorted to a corkscrew pattern by a twining honeysuckle.
As he descended to the level ground of the water-meadows he cast his glance westward, with a frequency that revealed him to be in search of some object in the distance. It was rather difficult to do this, the low sunlight dazzling his eyes by glancing from the river away there, and from the ‘carriers’ (as they were called) in his path — narrow artificial brooks for conducting the water over the grass. His course was something of a zigzag from the necessity of finding points in these carriers convenient for jumping. Thus peering and leaping and winding, he drew near the Exe, the central river of the miles-long mead.
A moving spot became visible to him in the direction of his scrutiny, mixed up with the rays of the same river. The spot got nearer, and revealed itself to be a slight thing of pink cotton and shepherd’s plaid, which pursued a path on the brink of the stream. The young man so shaped his trackless course as to impinge on the path a little ahead of this coloured form, and when he drew near her he smiled and reddened. The girl smiled back to him; but her smile had not the life in it that the young man’s had shown.
‘My dear Margery — here I am!’ he said gladly in an undertone, as with a last leap he crossed the last intervening carrier, and stood at her side.
‘You’ve come all the way from the kiln, on purpose to meet me, and you shouldn’t have done it,’ she reproachfully returned.
‘We finished there at four, so it was no trouble; and if it had been — why, I should ha’ come.’
A small sigh was the response.
‘What, you are not even so glad to see me as you would be to see your dog or cat!’ he continued. ‘Come, Mis’ess Margery, this is rather hard. But, by George, how tired you dew look! Why, if you’d been up all night your eyes couldn’t be more like tea-saucers. You’ve walked tew far, that’s what it is. The weather is getting warm now, and the air of these low-lying meads is not strengthening in summer. I wish you lived up on higher ground with me, beside the kiln. You’d get as strong as a hoss! Well, there; all that will come in time.’
Instead of saying yes, the fair maid repressed another sigh.
‘What, won’t it, then?’ he said.
‘I suppose so,’ she answered. ‘If it is to be, it is.’
‘Well said — very well said, my dear.’
‘And if it isn’t to be it isn’t’.
‘What? Who’s been putting that into your head? Your grumpy granny, I suppose. However, how is she? Margery, I have been thinking today — in fact, I was thinking it yesterday and all the week — that really we might settle our little business this summer.’
‘This summer?’ she repeated, with some dismay. ‘But the partnership? Remember it was not to be till after that was completed.’
‘There I have you!’ said he, taking the liberty to pat her shoulder, and the further liberty of advancing his hand behind it to the other. ‘The partnership is settled. ‘Tis “Vine and Hayward, lime-burners,” now, and “Richard Vine” no longer. Yes, Cousin Richard has settled it so, for a time at least, and ‘tis to be painted on the carts this week — blue letters — yaller ground. I’ll hoss one of ‘em, and drive en round to your door as soon as the paint is dry, to show ‘ee how it looks?’
‘Oh, I am sure you needn’t take that trouble, Jim; I can see it quite well enough in my mind,’ replied the young girl — not without a flitting accent of superiority.
‘Hullo,’ said Jim, taking her by the shoulders, and looking at her hard. ‘What dew that bit of incivility mean? Now, Margery, let’s sit down here, and have this cleared.’ He rapped with his stick upon the rail of a little bridge they were crossing, and seated himself firmly, leaving a place for her.
‘But I want to get home along, dear Jim,’ she coaxed.
‘Fidgets. Sit down, there’s a dear. I want a straightforward answer, if you please. In what month, and on what day of the month, will you marry me?’
‘O, Jim,’ she said, sitting gingerly on the edge, ‘that’s too plain-spoken for you yet. Before I look at it in that business light I should have to — to — ’
