Time travel omnibus, p.666

Time Travel Omnibus, page 666

 

Time Travel Omnibus
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Emma (uk)  
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Kendra (us)
Russell (au)
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  “Think of it,” Dialta Downes had said, “as a kind of alternate America: a 1980 that never happened. An architecture of broken dreams.”

  And that was my frame of mind as I made the stations of her convoluted socioarchitectural cross in my red Toyota as I gradually tuned in to her image of a shadowy America-that-wasn’t, of Coca-Cola plants like beached submarines, and fifth-run movie houses like the temples of some lost sect that had worshiped blue mirrors and geometry. And as I moved among these secret ruins, I found myself wondering what the in-habitants of that lost future would think of the world I lived in. The Thirties dreamed white marble and slip-stream chrome, immortal crystal and burnished bronze, but the rockets on the covers of the Gernsback pulps had fallen on London in the dead of night, screaming. After the war, everyone had a car no wings for it and the promised superhighway to drive it down, so that the sky itself darkened, and the fumes ate the marble and pitted the miracle crystal . . .

  And one day, on the outskirts of Bolinas, when I was setting up to shoot a particularly lavish example of Ming’s martial architecture, I penetrated a fine membrane, a membrane of probability . . .

  Every so gently, I went over the Edge—

  And looked up to see a twelve-engined thing like a bloated boomerang, all wing, thrumming its way east with an elephantine grace, so low that I could count the rivets in its dull silver skin, and hear maybe the echo of jazz.

  I took it to Kihn.

  Merv Kihn, free-lance journalist with an extensive line in Texas pterodactyls, redneck UFO contactees, bush-league Loch Ness monsters, and the Top Ten conspiracy theories in the loonier reaches of the American mass mind.

  “It’s good,” said Kihn, polishing his yellow Polaroid shooting glasses on the hem of his Hawaiian shirt, “but it’s not mental; lacks the true quill.”

  But I saw it, Mervyn.” We were seated poolside in brilliant Arizona sunlight. He was in Tucson waiting for a group of retired Las Vegas civil servants whose leader received messages from Them on her microwave oven. I’d driven all night and was feeling it.

  “Of course you did. Of course you saw it. You’ve read my stuff; haven’t you grasped my blanket solution to the UFO problem? It’s simple, plain and country simple: people” he settled the glasses carefully on his long hawk nose and fixed me with his best basilisk glare “see . . . things. People see these things. Nothing’s there, but people see them anyway. Because they need to, probably. You’ve read Jung. You should know the score . . . In your case, it’s so obvious: You admit you were thinking about this crackpot architecture, having fantasies . . .”

  “Look, I’m sure you’ve taken your share of drugs, right? How many people survived the Sixties in California without having the odd hallucination? All those nights when you discovered that whole armies of Disney technicians had been employed to weave animated holograms of Egyptian hieroglyphs into the fabric of your jeans, say, or the times when . . .”

  “But it wasn’t like that.”

  “Of course not. It wasn’t like that at all; it was ‘in a setting of clear reality,’ right? Everything normal, and then there’s the monster, the mandala, the neon cigar. In your case, a giant Tom Swift airplane. It happens all the time. You aren’t even crazy. You know that, don’t you?” He fished a beer out of the battered foam cooler beside his deck chair.

  “Last week I was in Virginia. Grayson County. I interviewed a sixteen-year-old girl who’d been assaulted by—a bar hade.”

  “A what?”

  “A bear head. The severed head of a bear. This bar hade, see, was floating around on its own little flying saucer, looked kind of like the hubcaps on cousin Wayne’s vintage Caddy. Had red, glowing eyes like two cigar stubs and telescoping chrome antennas poking up behind its ears.” He burped.

  “It assaulted her? How?”

  “You don’t want to know; you’re obviously impressionable. ‘It was cold’ ” he lapsed into his bad southern accent, “ ‘and metallic.’ It made electronic noises. Now that is the real thing, the straight goods from the mass unconscious, friend; that little girl is a witch. There’s just no place for her to function in this society. She’d have seen the devil, if she hadn’t been brought up on ‘The Bionic Man’ and all those ‘Star Trek’ reruns. She is clued into the main vein. And she knows that it happened to her. I got out ten minutes before the heavy UFO boys showed up with the polygraph.”

  I must have looked pained, because he set his beer down carefully beside the cooler and sat up.

  “If you want a classier explanation, I’d say you saw a semiotic ghost. All these contactee stories, for in-stance, are framed in a kind of sci-fi imagery that permeates our culture. I could buy aliens, but not aliens that look like Fifties’ comic art. They’re semiotic phantoms, bits of deep cultural imagery that have split off and taken on a life of their own, like the Jules Verne air-ships that those old Kansas farmers were always seeing. But you saw a different kind of ghost, that’s all. That plane was part of the mass unconscious, once. You picked up on that, somehow. The important thing is not to worry about it.”

  I did worry about it, though.

  Kihn combed his thinning blond hair and went off to hear what They had had to say over the radar range lately, and I drew the curtains in my room and lay down in air-conditioned darkness to worry about it. I was still worrying about it when I woke up. Kihn had left a note on my door; he was flying up north in a chartered plane to check out a cattle-mutilation rumor (“muties,” he called them; another of his journalistic specialties).

  I had a meal, showered, took a crumbling diet pill that had been kicking around in the bottom of my shaving kit for three years, and headed back to Los Angeles.

  The speed limited my vision to the tunnel of the Toyota’s headlights. The body could drive, I told myself, while the mind maintained. Maintained and stayed away from the weird peripheral window dressing of amphetamine and exhaustion, the spectral, luminous vegetation that grows out of the corners of the mind’s eye along late-night highways. But the mind had its own ideas, and Kihn’s opinion of what I was already thinking of as my “sighting” rattled endlessly through my head in a tight, lopsided orbit. Semiotic ghosts. Fragments of the Mass Dream, whirling past in the wind of my passage. Somehow this feedback-loop aggravated the diet pill, and the speed-vegetation along the road began to assume the colors of infrared satellite images, glowing shreds blown apart in the Toyota’s slipstream.

  I pulled over, then, and a half-dozen aluminum beer cans winked goodnight as I killed the headlights. I wondered what time it was in London, and tried to imagine Dialta Downes having breakfast in her Hempstead flat, surrounded by streamlined chrome figurines and books on American culture.

  Desert nights in that country are enormous; the moon is closer. I watched the moon for a long time and decided that Kihn was right. The main thing was not to worry. All across the continent, daily, people who were more normal than I’d ever aspired to be saw giant birds, Bigfeet, flying oil refineries; they kept Kihn busy and solvent. Why should I be upset by a glimpse of the 1930s pop imagination loose over Bolinas? I decided to go to sleep, with nothing worse to worry about than rattle-snakes and cannibal hippies, safe amid the friendly roadside garbage of my own familiar continuum. In the morning I’d drive down to Nogales and photograph the old brothels, something I’d intended to do for years. The diet pill had given up.

  The light woke me, and then the voices.

  The light came from somewhere behind me and threw shifting shadows inside the car. The voices were calm, indistinct, male and female, engaged in conversation.

  My neck was stiff and my eyeballs felt gritty in their sockets. My leg had gone to sleep, pressed against the steering wheel. I fumbled for my glasses in the pocket of my work shirt and finally got them on.

  Then I looked behind me and saw the city.

  The books on Thirties design were in the trunk; one of them contained sketches of an idealized city that drew on Metropolis and Things to Come, but squared everything, soaring up through an architect’s perfect clouds to zeppelin docks and mad neon spires. That city was a scale model of the one that rose behind me. Spire stood on spire in gleaming ziggurat steps that climbed to a central golden temple tower ringed with the crazy radiator flanges of the Mongo gas stations. You could hide the Empire State Building in the smallest of those towers. Roads of crystal soared between the spires, crossed and recrossed by smooth silver shapes like beads of running mercury. The air was thick with ships: giant wing-liners, little darting silver things (sometimes one of the quicksilver shapes from the sky bridges rose gracefully into the air and flew up to join the dance), mile-long blimps, hovering dragonfly things that were gyrocopters . . .

  I closed my eyes tight and swung around in the seat. When I opened them, I willed myself to see the mileage meter, the pale road dust on the black plastic dashboard, the overflowing ashtray.

  “Amphetamine psychosis,” I said. I opened my eyes. The dash was still there, the dust, the crushed filtertips. Very carefully, without moving my head, I turned the headlights on.

  And saw them.

  They were blond. They were standing beside their car, an aluminum avocado with a central shark-fin rudder jutting up from its spine and smooth black tires like a child’s toy. He had his arm around her waist and was gesturing toward the city. They were both in white: loose clothing, bare legs, spotless white sun shoes. Neither of them seemed aware of the beams of my headlights. He was saying something wise and strong, and she was nodding, and suddenly I was frightened, frightened in an entirely different way. Sanity had ceased to be an issue; I knew, somehow, that the city behind me was Tucson—a dream Tucson thrown up out of the collective yearning of an era. That it was real, entirely real. But the couple in front of me lived in it, and they frightened me.

  They were the children of Dialta Downes’s ‘80-that-wasn’t; they were Heirs to the Dream. They were white, blond, and they probably had blue eyes. They were American. Dialta had said that the Future had come to America first, but had finally passed it by. But not here, in the heart of the Dream. Here, we’d gone on and on, in a dream logic that knew nothing of pollution, the finite bounds of fossil fuel, or foreign wars it was possible to lose. They were smug, happy, and utterly content with themselves and their world. And in the Dream, it was their world.

  Behind me, the illuminated city: Searchlights swept the sky for the sheer joy of it. I imagined them thronging the plazas of white marble, orderly and alert, their bright eyes shining with enthusiasm for their floodlit avenues and silver cars.

  It had all the sinister fruitiness of Hitler Youth propaganda.

  I put the car in gear and drove forward slowly, until the bumper was within three feet of them. They still hadn’t seen me. I rolled the window down and listened to what the man was saying. His words were bright and hollow as the pitch in some Chamber of Commerce brochure, and I knew that he believed in them absolutely.

  “John,” I heard the woman say, “we’ve forgotten to take our food pills.” She clicked two bright wafers from a thing on her belt and passed one to him. I backed onto the highway and headed for Los Angeles, wincing and shaking my head.

  I phoned Kihn from a gas station. A new one, in bad Spanish Modern. He was back from his expedition and didn’t seem to mind the call.

  “Yeah, that is a weird one. Did you try to get any pictures? Not that they ever come out, but it adds an interesting frisson to your story, not having the pictures turnout.

  But what should I do?

  “Watch lots of television, particularly game shows and soaps. Go to porn movies. Ever see Nazi Love Motel? They’ve got it on cable, here. Really awful. Just what you need.”

  What was he talking about?

  “Quit yelling and listen to me. I’m letting you in on a trade secret: Really bad media can exorcise your semiotic ghosts. If it keeps the saucer people off my back, it can keep these Art Deco futuroids off yours. Try it. What have you got to lose?”

  Then he begged off, pleading an early-morning date with the Elect.

  “The who?”

  “These oldsters from Vegas; the ones with the microwaves.”

  I considered putting a collect call through to Lon-don, getting Cohen at Barris-Watford and telling him his photographer was checked out for a protracted season in the Twilight Zone. In the end, I let a machine mix me a really impossible cup of black coffee and climbed back into the Toyota for the haul to Los Angeles.

  Los Angeles was a bad idea, and I spent two weeks there. It was prime Downes country; too much of the Dream there, and too many fragments of the Dream waiting to snare me. I nearly wrecked the car on a stretch of overpass near Disneyland, when the road fanned out like an origami trick and left me swerving through a dozen minilanes of whizzing chrome tear-drops with shark fins. Even worse, Hollywood was full of people who looked too much like the couple I’d seen in Arizona. I hired an Italian director who was making ends meet doing darkroom work and installing patio decks around swimming pools until his ship came in; he made prints of all the negatives I’d accumulated on the Downes job. I didn’t want to look at the stuff myself. It didn’t seem to bother Leonardo, though, and when he was finished I checked the prints, riffling through them like a deck of cards, sealed them up, and sent them air freight to London. Then I took a taxi to a theater that was showing Nazi Love Motel, and kept my eyes shut all the way.

  Cohen’s congratulatory wire was forwarded to me in San Francisco a week later. Dialta had loved the pictures. He admired the way I’d “really gotten into it,” and looked forward to working with me again. That afternoon I spotted a flying wing over Castro Street, but there was something tenuous about it, as though it were only half there. I rushed into the nearest newsstand and gathered up as much as I could find on the petroleum crisis and the nuclear energy hazard. I’d just decided to buy a plane ticket for New York.

  “Hell of a world we live in, huh?” The proprietor was a thin black man with bad teeth and an obvious wig. I nodded, fishing in my jeans for change, anxious to find a park bench where I could submerge myself in hard evidence of the human near-dystopia we live in. “But it could be worse, huh?”

  “That’s right,” I said, “or even worse, it could be perfect.”

  He watched me as I headed down the street with my little bundle of condensed catastrophe.

  THE PUSHER

  John Varley

  Things change. Ian Haise expected that. Yet there are certain constants, dictated by function and use. Ian looked for those and he seldom went wrong.

  The playground was not much like the ones he had known as a child. But playgrounds are built to entertain children. They will always have something to swing on, something to slide down, something to climb. This one had all those things, and more. Part of it was thickly wooded. There was a swimming hole. The stationary apparatus was combined with dazzling light sculptures that darted in and out of reality. There were animals, too: pygmy rhinoceros and elegant gazelles no taller than your knee. They seemed unnaturally gentle and unafraid.

  But most of all, the playground had children.

  Ian liked children.

  He sat on a wooden park bench at the edge of the trees, in the shadows, and watched them. They came in all colors and all sizes, in both sexes. There were black ones like animated licorice jellybeans and white ones like bunny rabbits, and brown ones with curly hair and more brown ones with slanted eyes and straight black hair and some who had been white but were now toasted browner than some of the brown ones.

  Ian concentrated on the girls. He had tried with boys before, long ago, but it had not worked out.

  He watched one black child for a time, trying to estimate her age. He thought it was around eight or nine. Too young. Another one was more like thirteen, judging from her shirt. A possibility, but he’d prefer something younger. Somebody less sophisticated, less suspicious.

  Finally he found a girl he liked. She was brown, but with startling blonde hair. Ten? Possibly eleven. Young enough, at any rate.

  He concentrated on her and did the strange thing he did when he had selected the right one. He didn’t know what it was, but it usually worked. Mostly it was just a matter of looking at her, keeping his eyes fixed on her no matter where she went or what she did, not allowing himself to be distracted by anything. And sure enough, in a few minutes she looked up, looked around, and her eyes locked with his. She held his gaze for a moment, then went back to her play.

  He relaxed. Possibly what he did was nothing at all. He had noticed, with adult women, that if one really caught his eye so he found himself staring at her she would usually look up from what she was doing and catch him. It never seemed to fail. Talking to other men, he had found it to be a common experience. It was almost as if they could feel his gaze. Women had told him it was nonsense, or if not, it was just reaction to things seen peripherally by people trained to alertness for sexual signals. Merely an unconscious observation penetrating to the awareness; nothing mysterious, like ESP.

  Perhaps. Still, Ian was very good at this sort of eye contact. Several times he had noticed the girls rubbing the backs of their necks while he observed them, or hunching their shoulders. Maybe they’d developed some kind of ESP and just didn’t recognize it as such.

  Now he merely watched her. He was smiling, so that every time she looked up to see him—which she did with increasing frequency—she saw a friendly, slightly graying man with a broken nose and powerful shoulders. His hands were strong, too. He kept them clasped in his lap.

  Presently she began to wander in his direction.

  No one watching her would have thought she was coming toward him. She probably didn’t know it herself. On her way, she found reasons to stop and tumble, jump on the soft rubber mats, or chase a flock of noisy geese. But she was coming toward him, and she would end up on the park bench beside him.

  He glanced around quickly. As before, there were few adults in this playground. It had surprised him when he arrived. Apparently the new conditioning techniques had reduced the numbers of the violent and twisted to the point that parents felt it safe to allow their children to run without supervision. The adults present were involved with each other. No one had given him a second glance when he arrived.

 

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