Time Travel Omnibus, page 633
“I will save you!” he shouted, by way of reassurance, but his voice was muffled even in his own ears. It was answered by a further pathetic shriek. As the cloak was saturated it became increasingly difficult for him to escape its folds. He lost his temper and was deeper enmeshed. He tore at the thing. He freed his head.
“I am not your enemy, tender one, but your saviour,” he said. It was obvious that she could not hear him. With an impatient gesture he flung off his cloak at last and twisted a power ring. The volume of noise was immediately reduced. Another twist and the waves became calmer. She stared at him in wonder.
“Did you do that?” she asked.
“Of course. It is my scene, you see. But how you came to enter it, I do not know!”
“You are a wizard, then?” she said.
“Not at all. I have no interest in sport.” He clapped his hands and his parachute re-appeared, perhaps a trifle reluctantly as if it had enjoyed its brief independence, and drifted down until it was level with the boat. Werther lightened the sky. He could not bring himself, however, to dismiss the rain, but he let a little sun shine through it.
“There,” he said. “The storm has passed, eh? Did you like your experience?”
“It was horrifying! I was so afraid. I thought I would drown.”
“Yes? And did you like it?”
She was puzzled, unable to answer as he helped her aboard the nacelle and ordered the parachute home.
“You are a wizard!” she said. She did not seem disappointed. He did not quiz her as to her meaning. For the moment, if not for always, he was prepared to let her identify him however she wished.
“You are actually a child?” he asked hesitantly. “I do not mean to be insulting. A time traveller, perhaps? Or from another planet?”
“Oh, no. I am an orphan. My father and mother are now dead. I was born on Earth some fourteen years ago.” She looked in faint dismay over the side of the craft as they were whisked swiftly upward. “They were time travellers. We made our home in a forgotten menagerie—underground, but it was pleasant. My parents feared recapture, you see. Food still grew in the menagerie. There were books, too, and they taught me to read—and there were other records through which they were able to present me with a reasonable education. I am not illiterate. I know the world. I was taught to fear wizards.”
“Ah,” he crooned, “the world! But you are not a part of it, just as I am not a part.”
The parachute reached the window and, at his indication, she stepped gingerly from it to the tower. The parachute folded itself and placed itself upon the wall. Werther said: “You will want food, then? I will create whatever you wish!”
“Fairy food will not fill mortal stomachs, sir,” she told him.
“You are beautiful,” he said. “Regard me as your mentor, as your new father. I will teach you what this world is really like. Will you oblige me, at least, by trying the food?”
“I will.” She looked about her with a mixture of curiosity and suspicion. “You lead a Spartan life.” She noticed a cabinet. “Books? You read, then?”
“In transcription,” he admitted. “I listen. My enthusiasm is for Ivan Turgiditi, who created the Novel of Discomfort and remained its greatest practitioner. In, I believe, the 900th (though they could be spurious, invented, I have heard) . . .”
“Oh, no, no! I have read Turgiditi.” She blushed. “In the original. Wet Socks—four hours of discomfort, every second brought to life and in less than a thousand pages!”
“My favourite,” he told her, his expression softening still more into besotted wonderment. “I can scarcely believe—in this Age—one such as you! Innocent of device. Uncorrupted! Pure!”
She frowned. “My parents taught me well, sir. I am not . . .”
“You cannot know! And dead, you say? Dead! If only I could have witnessed—but no, I am insensitive. Forgive me. I mentioned food.”
“I am not really hungry.”
“Later, then. That I should have so recently mourned such things as lacking in this world. I was blind. I did not look. Tell me everything. Whose was the menagerie?”
“It belonged to one of the lords of this planet. My mother was from a period she called the October Century, but recently recovered from a series of interplanetary wars and fresh and optimistic in its rediscoveries of ancestral technologies. She was chosen to be the first into the future. She was captured upon her arrival and imprisoned by a wizard like yourself.”
“The word means little. But continue.”
“She said that she used the word because it had meaning for her and she had no other short description. My father came from a time known as the Preliminary Structure, where human kind was rare and machines proliferated. He never mentioned the nature of the transgression he made from the social code of his day, but as a result of it he was banished to this world. He, too, was captured for the same menagerie and there he met my mother. They lived originally, of course, in separate cages, where their normal environments were re-created for them. But the owner of the menagerie became bored, I think, and abandoned interest in his collection . . .”
“I have often remarked that people who cannot look after their collections have no business keeping them,” said Werther. “Please continue, my dear child.” He reached out and patted her hand.
“One day he went away and they never saw him again. It took them some time to realize that he was not returning. Slowly the more delicate creatures, whose environments required special attention, died.”
“No one came to resurrect them?”
“No one. Eventually my mother and father were the only ones left. They made what they could of their existence, too wary to enter the outer world in case they should be recaptured, and, to their astonishment, conceived me. They had heard that people from different historical periods could not produce children.”
“I have heard the same.”
“Well, then, I was a fluke. They were determined to give me as good an upbringing as they could and to prepare me for the dangers of your world.”
“Oh, they were right! For one so innocent, there are many dangers. I will protect you, never fear.”
“You are kind.” She hesitated. “I was not told by my parents that such as you existed.”
“I am the only one.”
“I see. My parents died in the course of this past year, first my father, then my mother (of a broken heart, I believe). I buried my mother and at first made an attempt to live the life we had always led, but I felt the lack of company and decided to explore the world, for it seemed to me I, too, could grow old and die before I had experienced anything!”
“Grow old,” mouthed Werther rhapsodically, “and die!”
“I set out a month or so ago and was disappointed to discover the absence of ogres, of malevolent creatures of any sort—and the wonders I witnessed, while a trifle bewildering, did not compare with those I had imagined I would find. I had fully expected to be snatched up for a menagerie by now, but nobody has shown interest, even when they have seen me.”
“Few follow the menagerie fad at present.” He nodded. “They would not have known you for what you were. Only I could recognize you. Oh, how lucky I am. And how lucky you are, my dear, to have met me when you did. You see, I, too, am a child of the womb. I, too, made my own hard way through the uterine gloom to breathe the air, to find the light of this faded, this senile globe. Of all those you could have met, you have met the only one who understands you, who is likely to share your passion, to relish your education. We are soul mates, child!”
He stood up and put a tender arm about her young shoulders.
“You have a new mother, a new father now! His name is Werther!”
IV. IN WHICH WERTHER FINDS SIN AT LAST
Her name was Catherine Lilly Marguerite Natasha Dolores Beatrice Machine-shop-Seven Flambeau Gratitude (the last two names but one being her father’s and her mother’s respectively).
Werther de Goethe continued to talk to her for some hours. Indeed, he became quite carried away as he described all the exciting things they would do, how they would live lives of the purest poetry and simplicity from now on, the quiet and tranquil places they would visit, the manner in which her education would be supplemented, and he was glad to note, he thought, her wariness dissipating, her attitude warming to him.
“I will devote myself entirely to your happiness,” he informed her, and then, noticing that she was fast asleep, he smiled tenderly: “Poor child. I am a worm of thoughtlessness. She is exhausted.”
He rose from his chair of unpolished quartz and strode to where she lay curled upon the iguana-skin rug; stooping, he placed his hands under her warm-smelling, her yielding body, and somewhat awkwardly lifted her. In her sleep she uttered a tiny moan, her cherry lips parted and her newly budded breasts rose and fell rapidly against his chest once or twice until she sank back into a deeper slumber.
He staggered, panting with the effort, to another part of the tower, and then he lowered her with a sigh to the floor. He realized that he had not prepared a proper bedroom for her.
Fingering his chin, he inspected the dank stones, the cold obsidian which had suited his mood so well for so long and now seemed singularly offensive. Then he smiled.
“She must have beauty,” he said, “and it must be subtle. It must be calm.”
An inspiration, a movement of a power ring, and the walls were covered with thick carpets embroidered with scenes from his own old book of fairy tales. He remembered how he had listened to the book over and over again—his only consolation in the lonely days of his extreme youth.
Here, Man Shelley, a famous harmonican, ventured into Odeon (a version of Hell) in order to be re-united with his favourite three-headed dog, Omnibus. The picture showed him with his harmonica (or “harp”) playing “Blues for a Nightingale”—a famous lost piece. There, Casablanca Bogard, with his single eye in the middle of his forehead, wielded his magic spade, Sam, in his epic fight with that ferocious bird, the Malted Falcon, to save his love, the Acrilan Queen, from the power of Big Sleepy (a dwarf who had turned himself into a giant) and Mutinous Caine, who had been cast out of Hollywood (or paradise) for the killing of his sister, the Blue Angel.
Such scenes were surely the very stuff to stir the romantic, delicate imagination of this lovely child, just as his had been stirred when—he felt the frisson—he had been her age. He glowed. His substance was suffused with delicious compassion for them both as he recalled, also, the torments of his own adolescence.
That she should be suffering as he had suffered filled him with the pleasure all must feel when a fellow spirit is recognized, and at the same time he was touched by her plight, determined that she should not know the anguish of his earliest years. Once, long ago, Werther had courted Jherek Carnelian, admiring him for his fortitude, knowing that locked in Jherek’s head were the memories of bewilderment, misery and despair which would echo his own. But Jherek, pampered progeny of that most artificial of all creatures, the Iron Orchid, had been unable to recount any suitable experiences at all, had, whilst cheerfully eager to please Werther, recalled nothing but pleasurable times, had reluctantly admitted, at last, to the possession of the happiest of childhoods. That was when Werther had concluded that Jherek Carnelian had no soul worth speaking of, and he had never altered his opinion (now he secretly doubted Jherek’s origins and sometimes believed that Jherek merely pretended to have been a child—merely one more of his boring and superficial affectations).
Next, a bed—a soft, downy bed, spread with sheets of silver silk, with posts of ivory and hangings of precious Perspex, antique and yellowed, and on the floor the finely tanned skins of albino hamsters and marmalade cats.
Werther added gorgeous lavs of intricately patterned red and blue ceramic, their bowls filled with living flowers: with whispering toadflax, dragonsnaps, goldilocks and shanghai lilies, with blooming scarlet margravines (his adopted daughter’s name-flower, as he knew to his pride), with soda-purple poppies and tea-green roses, with iodine and cerise and crimson hanging johnny, with golden cynthia and sky-blue truelips, calomine and creeping larrikin, until the room was saturated with their intoxicating scents.
Placing a few bunches of hitler’s balls in the corners near the ceiling, a toy fish-tank (capable of firing real fish), which he remembered owning as a boy, under the window, a trunk (it could be opened by pressing the navel) filled with clothes near the bed, a full set of bricks and two bats against the wall close to the doorway, he was able, at last, to view the room with some satisfaction.
Obviously, he told himself, she would make certain changes according to her own tastes. That was why he had shown such restraint. He imagined her naive delight when she wakened in the morning. And he must be sure to produce days and nights of regular duration, because at her age routine was the main thing a child needed. There was nothing like the certainty of a consistently glorious sunrise! This reminded him to make an alteration to a power ring on his left hand, to spread upon the black cushion of the sky crescent moons and stars and starlets in profusion. Bending carefully, he picked up the vibrant youth of her body and lowered her to the bed, drawing the silver sheets up to her vestal chin. Chastely he touched lips to her forehead and crept from the room, fashioning a leafy door behind him, hesitating for a moment, unable to define the mood in which he found himself. A rare smile illumined features set so long in lines of gloom. Returning to his own quarters, he murmured:
“I believe it is Contentment!”
A month swooned by. Werther lavished every moment of his time upon his new charge. He thought of nothing but her youthful satisfactions. He encouraged her in joy, in idealism, in a love of Nature. Gone were his blizzards, his rocky spires, his bleak wastes and his moody forests, to be replaced with gentle landscapes of green hills and merry, tinkling rivers, sunny glades in copses of poplars, rhododendrons, redwoods, laburnum, banyans and good old amiable oaks. When they went on a picnic, large-eyed cows and playful gorillas would come and nibble scraps of food from Catherine Gratitude’s palm. And when it was day, the sun always shone and the sky was always blue, and if there were clouds, they were high, hesitant puffs of whiteness and soon gone.
He found her books so that she might read. There was Turgiditi and Uto, Pett Ridge and Zakka, Pyat Sink—all the ancients. Sometimes he asked her to read to him, for the luxury of dispensing with his usual translators. She had been fascinated by a picture of a typewriter she had seen in a record, so he fashioned an air car in the likeness of one, and they travelled the world in it, looking at scenes created by Werther’s peers.
“Oh, Werther,” she said one day, “you are so good to me. Now that I realize the misery which might have been mine (as well as the life I was missing underground), I love you more and more.”
“And I love you more and more,” he replied, his head a-swim. And for a moment he felt a pang of guilt at having forgotten Mistress Christia so easily. He had not seen her since Catherine had come to him, and he guessed that she was sulking somewhere. He prayed that she would not decide to take vengeance on him.
They went to see Jherek Carnelian’s famous “London, 1896”, and Werther manfully hid his displeasure at her admiration for his rival’s buildings of white marble, gold and sparkling quartz. He showed her his own abandoned tomb, which he privately considered in better taste, but it was plain that it did not give her the same satisfaction.
They saw the Duke of Queens’ latest, “Ladies and Swans”, but not for long, for Werther considered it unsuitable. Later they paid a visit to Lord Jagged of Canaria’s somewhat abstract “War and Peace in Two Dimensions”, and Werther thought it too stark to please the girl, judging the experiment “successful”. But Catherine laughed with glee as she touched the living figures, and found that somehow it was true. Lord Jagged had given them length and breadth but not a scrap of width—when they turned aside, they disappeared.
* * *
It was on one of these expeditions, to Bishop Castle’s “A Million Angry Wrens” (an attempt in the recently revised art of Aesthetic Loudness), that they encountered Lord Mongrove, a particular confidant of Werther’s until they had quarrelled over the method of suicide adopted by the natives of Uranus during the period of the Great Sodium Breather. By now, if Werther had not found a new obsession, they would have patched up their differences, and Werther felt a pang of guilt for having forgotten the one person on this planet with whom he had, after all, shared something in common.
In his familiar dark green robes, with his leonine head hunched between his massive shoulders, the giant, apparently disdaining an air carriage, was riding home upon the back of a monstrous snail.
The first thing they saw, from above, was its shining trail over the azure rocks of some abandoned, half-created scene of Argonheart Po’s (who believed that nothing was worth making unless it tasted delicious and could be eaten and digested). It was Catherine who saw the snail itself first and exclaimed at the size of the man who occupied the swaying howdah on its back.
“He must be ten feet tall, Werther!”
And Werther, knowing whom she meant, made their typewriter descend, crying:
“Mongrove! My old friend!”
Mongrove, however, was sulking. He had chosen not to forget whatever insult it had been which Werther had levelled at him when they had last met. “What? Is it Werther? Bringing freshly sharpened dirks for the flesh between my shoulder blades? It is that Cold Betrayer himself, whom I befriended when a bare boy, pretending carelessness, feigning insouciance, as if he cannot remember, with relish, the exact degree of bitterness of the poisoned wine he fed me when we parted. Faster, steed! Bear me away from Treachery! Let me fly from further Insult! No more shall I suffer at the hands of Calumny!” And, with his long, jewelled stick he beat upon the shell of his molluscoid mount. The beast’s horns waved agitatedly for a moment, but it did not really seem capable of any greater speed. In good-humoured puzzlement, it turned its slimy head towards its master.
