Delphi complete works of.., p.762

Delphi Complete Works of Booth Tarkington (Illustrated), page 762

 

Delphi Complete Works of Booth Tarkington (Illustrated)
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  The toy was still there in the bright window; the gay little acrobatic monkey that would climb up or down a red string as the string slacked or straightened; but Collinson’s eye fixed itself upon the card marked with the price: “35 cents.”

  He stared and stared. “Thirty-five cents!” he said to himself. “Thirty-five cents!”

  Then suddenly he burst into loud and prolonged laughter.

  The sound was startling in the quiet night, and roused the interest of a meditative policeman who stood in the darkened doorway of the next shop. He stepped out, not unfriendly.

  “What you havin’ such a good time over, this hour o’ the night?” he inquired. “What’s all the joke?”

  Collinson pointed to the window. “It’s that monkey on the string,” he said. “Something about it struck me as mighty funny!”

  So, with a better spirit, he turned away, still laughing, and went home to face his wife.

  JEANNETTE

  THE NURSES AT the sanitarium were all fond of the gentlest patient in the place, and they spoke of him as “Uncle Charlie,” though he was so sweetly dignified that usually they addressed him as “Mr. Blake,” even when it was necessary to humour his delusion. The delusion was peculiar and of apparently interminable persistence; he had but the one during his sixteen years of incarceration — yet it was a misfortune painful only to himself (painful through the excessive embarrassment it cost him) and was never for an instant of the slightest distress to any one else, except as a stimulant of sympathy. For all that, it closed him in, shutting out the moving world from him as completely as if he had been walled up in concrete. Moreover, he had been walled up overnight — one day he was a sane man, and the next he was in custody as a lunatic; yet nothing had happened in this little interval, or during any preceding interval in his life, to account for a seizure so instantaneous.

  In 1904 no more commonplace young man could have been found in any of the great towns of our Eastern and near-Eastern levels. “Well brought up,” as we used to say, he had inherited the quiet manner, the good health, and the moderate wealth of his parents; and not engaging in any business or profession, he put forth the best that was in him when he planned a lunch for a pretty “visiting girl,” or, again, when he bought a pair of iron candle-snuffers for what he thought of as his “collection.” This “collection,” consisting of cheerless utensils and primitive furniture once used by woodsmen and farmers, and naturally discarded by their descendants, gave him his principal occupation, though he was sometimes called upon to lead a cotillion, being favourably regarded in the waltz and two-step; but he had no eccentricities, no habitual vices, and was never known to exhibit anything in the nature of an imagination.

  It was in the autumn of the year just mentioned that he went for the first time to Europe, accompanying his sister, Mrs. Gordon Troup, an experienced traveller. She took him through the English cathedrals, then across the Channel; and they arrived unfatigued at her usual hotel in Paris after dark on a clear November evening — the fated young gentleman’s last evening of sanity. Yet, as Mrs. Troup so often recalled later, never in his life had her brother been more “absolutely normal” than all that day: not even the Channel had disturbed him, for it was as still as syrup in a pantry jug; he slept on the French train, and when he awoke, played gently with Mrs. Troup’s three-year-old daughter Jeannette who, with a nurse, completed the small party. His talk was not such as to cause anxiety, being in the main concerned with a tailor who had pleased him in London, and a haberdasher he made sure would please him in Paris.

  They dined in the salon of their apartment; and at about nine o’clock, as they finished their coffee, flavoured with a little burnt cognac, Mrs. Troup suggested the theatre — a pantomime or ballet for preference, since her brother’s unfamiliarity with the French language rapidly spoken might give him a dull evening at a comedy. So, taking their leisure, they went to the Marigny, where they saw part of a potpourri called a “revue,” which Mrs. Troup declared to be at once too feeble and too bold to detain them as spectators; and they left the Marigny for the Folies Bergères, where she had once seen a fine pantomime; but here they found another “revue,” and fared no better. The “revue” at the Folies Bergères was even feebler, she observed to her brother, and much bolder than that at the Marigny: the feebleness was in the wit, the boldness in the anatomical exposures, which were somewhat discomfiting— “even for Paris!” she said.

  She remembered afterward that he made no response to her remark but remained silent, frowning at the stage, where some figurantes just then appeared to be dressed in ball gowns, until they turned, when they appeared to be dressed almost not at all. “Mercy!” said Mrs. Troup; and presently, as the costume designer’s ideas became less and less reassuring, she asked her brother if he would mind taking her back to the hotel: so much dullness and so much brazenness together fatigued her, she explained.

  He assented briefly, though with some emphasis; and they left during the entr’acte, making their way through the outer room where a “Hungarian” band played stormily for a painted and dangerous-looking procession slowly circling like torpid skaters in a rink. The bang-whang of the music struck full in the face like an impulsive blow from a fist; so did the savage rouging of the promenaders; and young Mr. Blake seemed to be startled: he paused for a moment, looking confused. But Mrs. Troup pressed his arm. “Let’s get out to the air,” she said. “Did you ever see anything like it?”

  He replied that he never did, went on quickly; they stepped into a cab at the door; and on the way to the hotel Mrs. Troup expressed contrition as a courier. “I shouldn’t have given you this for your first impression of Paris,” she said. “We ought to have waited until morning and then gone to the Sainte Chapelle. I’ll try to make up for to-night by taking you there the first thing to-morrow.”

  He murmured something to the effect that he would be glad to see whatever she chose to show him, and afterward she could not remember that they had any further conversation until they reached their apartment in the hotel. There she again expressed her regret, not with particular emphasis, of course, but rather lightly; for to her mind, at least, the evening’s experience was the slightest of episodes; and her brother told her not to “bother,” but to “forget it.” He spoke casually, even negligently, but she was able to recall that as he went into his own room and closed the door, his forehead still showed the same frown, perhaps of disapproval, that she had observed in the theatre.

  The outer door of the apartment, giving entrance to their little hallway, opened upon a main corridor of the hotel; she locked this door and took the key with her into her bedchamber, having some vague idea that her jewels were thus made safer; and this precaution of hers later made it certain that her brother had not gone out again, but without doubt passed the night in his own room — in his own room and asleep, so far as might be guessed.

  Her little girl’s nurse woke her the next morning; and the woman’s voice and expression showed such distress, even to eyes just drowsily opening, that Mrs. Troup jumped up at once. “Is something wrong with Jeannette?”

  “No, ma’am. It is Mr. Blake.”

  “Is he ill?”

  “I think so. That is, I don’t know, ma’am. A valet-de-chambre went into his room half an hour ago, and Mr. Blake hid himself under the bed.”

  “What?”

  “Perhaps you’d better come and see, ma’am. The valet-de-chambre is very frightened of him.”

  But it was poor young Mr. Blake who was afraid of the valet-de-chambre, and of everybody else, for that matter, as Mrs. Troup discovered. He declined to come out from under the bed so long as she and the nurse and the valet were present, and in response to his sister’s entreaties, he earnestly insisted that she should leave the room at once and take the servants with her.

  “But what’s the matter, Charlie dear?” she asked, greatly disturbed. “Why are you under the bed?”

  In his voice, as he replied, a pathetic indignation was audible: “Because I haven’t got any clothes on!”

  At this her relief was manifest, and she began to laugh. “Good heavens — —”

  “But no, madame!” the valet explained. “He has his clothes on. He is dressed all entirely. If you will stoop and look — —”

  She did as he suggested, and saw that her brother was fully dressed and making gestures as eloquently plaintive as the limited space permitted. “Can’t you take these people away?” he cried pettishly. “Do you think it’s nice to stand around looking at a person that’s got nothing on?”

  He said the same thing an hour later to the doctor Mrs. Troup summoned, though by that time he had left his shelter under the bed and had locked himself in a wardrobe. And thus, out of a clear sky and with no premonitory vagaries, began his delusion — his long, long delusion, which knew no variation in the sixteen years it possessed him. From first to last he was generally regarded as a “strange case;” yet his state of mind may easily be realized by anybody who dreams; for in dreams, everybody has undergone, however briefly, experiences similar to those in which Mr. Blake fancied himself so continuously involved.

  He was taken from the hotel to a private asylum near Paris, where he remained until the following year, when Mrs. Troup had him quietly brought home to a suburban sanitarium convenient for her to visit at intervals; and here he remained, his condition changing neither for the better nor for the worse. He was violent only once or twice in the whole period, and, though he was sometimes a little peevish, he was the most tractable patient in the institution, so long as his delusion was discreetly humoured; yet it is probable that the complete records of kleptomania would not disclose a more expert thief.

  This was not a new form of his disease, but a natural by-product and outgrowth of it, which within a year or two had developed to the point of fine legerdemain; and at the end of ten years Doctor Cowrie, the chief at the sanitarium, declared that his patient, Uncle Charlie Blake, could “steal the trousers off a man’s legs without the man’s knowing it.” The alienist may have exaggerated; but it is certain that “Uncle Charlie” could steal the most carefully fastened and safety-pinned apron from a nurse, without the nurse’s being aware of it. Indeed, attendants, nurses and servants who wore aprons learned to remove them before entering his room; for the most watchful could seldom prevent what seemed a miraculous exchange, and “Uncle Charlie” would be wearing the apron that had seemed, but a moment before, to be secure upon the intruder. It may be said that he spent most of his time purloining and collecting aprons; for quantities of them were frequently discovered hidden in his room, and taken away, though he always wore several, by permission. Nor were other garments safe from him: it was found that he could not be allowed to take his outdoor exercise except in those portions of the grounds remotest from the laundry yard; and even then as he was remarkably deft in concealing himself behind trees and among shrubberies, he was sometimes able to strip a whole length of clothesline, to don many of the damp garments, and to hide the others, before being detected.

  He read nothing, had no diversions, and was immersed in the sole preoccupation of devising means to obtain garments, which, immediately after he put them on, were dissolved into nothingness so far as his consciousness was concerned. Mrs. Troup could not always resist the impulse to argue with him as if he were a rational man; and she made efforts to interest him in “books and the outside world,” kindly efforts that only irritated him. “How can I read books and newspapers?” he inquired peevishly from under the bed, where he always remained when he received her. “Don’t you know any better than to talk about intellectual pursuits to a man that hasn’t got a stitch of clothes to his name? Try it yourself if you want to know how it feels. Find yourself totally undressed, with all sorts of people likely to drop in on you at any minute, and then sit down and read a newspaper! Please use your reason a little, Frances!”

  Mrs. Troup sighed, and rose to depart — but found that her fur cloak had disappeared under the bed.

  In fact, though Mrs. Troup failed to comprehend this, he had explained his condition to her quite perfectly: it was merely an excessive protraction of the nervous anxiety experienced by a rational person whose entire wardrobe is missing. No sensitive gentleman, under such circumstances, has attention to spare from his effort to clothe himself; and all information not bearing upon that effort will fail of important effect upon his mind. You may bring him the news that the Brooklyn Bridge has fallen with a great splash, but the gravity of the event will be lost upon him until he has obtained trousers.

  Thus, year after year, while Uncle Charlie Blake became more and more dextrous at stealing aprons, history paced on outside the high iron fence inclosing the grounds of the sanitarium, and all the time he was so concerned with his embarrassment, and with his plans and campaigns to relieve it, that there was no room left in his mind for the plans and campaigns of Joffre and Hindenburg and Haig and Foch. Armistice Day, as celebrated by Uncle Charlie, was the day when, owing to some cheerful preoccupation on the part of doctors and attendants, he stole nine aprons, three overcoats, a waistcoat and seventeen pillow-slips.

  Rip Van Winkle beat Uncle Charlie by four years. The likeness between the two experiences is pathetically striking, and the difference between them more apparent than actual; for though Rip Van Winkle’s body lay upon the hill like a stone, the while his slumber was vaguely decorated with thousands of dreams, and although Uncle Charlie Blake had the full use of his body, and was all the time lost in one particular and definite dream, still if Rip Van Winkle could wake, so could Uncle Charlie. At least, this was the view of the younger alienist, Doctor Morphy, who succeeded Doctor Cowrie in 1919.

  In the course of some long and sympathetic talks with his patient, Doctor Morphy slightly emphasized a suggestion that of late tin had come to be considered the most desirable clothing material: the stiffness and glitter of tin, as well as the sound of it, enabled a person to be pretty sure he had something over him, so long as he wore one of the new tin suits, the Doctor explained. Then he took an engraving of Don Quixote in armour to a tinsmith, had him make a suit of armour in tin, and left it in Uncle Charlie’s corridor to be stolen.

  The awakening, or cure, began there; for the patient accepted the tin armour as substance, even when it was upon him, the first apparel he had believed to be tangible and opaque enough for modesty since the night his sister had taken him to the Folies Bergères in 1904. The patient’s satisfaction when he had put on this Don Quixote armour was instant, but so profound that at first he could express it only in long sighs, like those of a swimmer who has attained the land with difficulty and lies upon the bank flaccid with both his struggle and his relief. That morning, for the first time, he made no dive under his bed at the sound of a knock upon the door, and when he went out for his exercise, he broke his long habit of darting from the shelter of one tree to another. He was even so confident as to walk up to a woman nurse and remark that it was a pleasant day.

  Thence onward, the measures to be taken for his restoration to society were obvious. The tin greaves pinched him at the joints when he moved, and Doctor Morphy pointed out that silver cloth, with rows of tiny bells sewed upon it here and there, would glitter and sound even better than tin. Then, when the patient had worn a suit of this silver cloth, instead of tin, for a few weeks, the bells were gradually removed, a row at a time, until finally they were all gone, and Uncle Charlie was convinced by only the glitter that he went apparelled. After that, the silver was secretly tarnished, yet the patient remained satisfied. Next a woollen suit of vivid green and red plaid was substituted; and others followed, each milder than its predecessor, until at last Uncle Charlie grew accustomed to the daily thought that he was clothed, and, relieved of his long anxiety, began to play solitaire in his room. His delusion had been gradually worn away, but not to make room for another; moreover, as it lost actuality to him, he began to forget it. His intelligence cleared, in fact, until upon Thanksgiving Day, 1920, when Mrs. Troup came to take him away, he was in everything — except a body forty-six years old — the same young man who had arrived in Paris on a November evening in 1904. His information, his point of view and his convictions were those of a commonplace, well-brought-up, conventional young American of that period; he had merely to bridge the gap.

  Doctor Morphy advised Mrs. Troup that the bridging must be done with as little strain as possible upon the convalescent’s mind — a mind never too hardily robust — and therefore the devoted lady took her brother to a mountain health resort, where for a month they lived in a detached cottage, walked footpaths in the woods, went to bed at nine, and made no acquaintances. Mrs. Troup dispensed with newspapers for the time (her charge did not appear to be aware of their absence) but she had brought such books as she thought might be useful; and every day she talked to him, as instructively as she could, of the terrific culminations history had seen during the latter part of his incarceration.

  Of Bolshevism he appeared unable to make anything at all, though Mrs. Troup’s explanations struck out a single spark from his memory. “Oh, yes,” he said, “I remember a rather talky chap — he was one of the guests at that queer place where I used to live, you know — well, he used to make speeches the whole day long. He said the doctors got all the money and it was our money. If it wasn’t for us, the doctors wouldn’t have a cent, he said; and since we produced all the wealth, we ought to organize, and lock the doctors up in the cellar, and get the money ourselves. I remember some of the other guests seemed to think there was a good deal in the talky chap’s speeches, and I suppose it must be something of this sort that’s happened in Russia. It’s very confusing, though.”

 

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