Delphi complete works of.., p.231

Delphi Complete Works of Booth Tarkington (Illustrated), page 231

 

Delphi Complete Works of Booth Tarkington (Illustrated)
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  “Only one,” Mrs. Henry Franklin Foster admitted. “But I’d like to know if he isn’t spoiled enough for a whole carload!”

  Again she found none to challenge her.

  At the age of nine, George Amberson Minafer, the Major’s one grandchild, was a princely terror, dreaded not only in Amberson Addition but in many other quarters through which he galloped on his white pony. “By golly, I guess you think you own this town!” an embittered labourer complained, one day, as Georgie rode the pony straight through a pile of sand the man was sieving. “I will when I grow up,” the undisturbed child replied. “I guess my grandpa owns it now, you bet!” And the baffled workman, having no means to controvert what seemed a mere exaggeration of the facts could only mutter “Oh, pull down your vest!”

  “Don’t haf to! Doctor says it ain’t healthy!” the boy returned promptly. “But I’ll tell you what I’ll do: I’ll pull down my vest if you’ll wipe off your chin!”

  This was stock and stencil: the accustomed argot of street badinage of the period; and in such matters Georgie was an expert. He had no vest to pull down; the incongruous fact was that a fringed sash girdled the juncture of his velvet blouse and breeches, for the Fauntleroy period had set in, and Georgie’s mother had so poor an eye for appropriate things, where Georgie was concerned, that she dressed him according to the doctrine of that school in boy decoration. Not only did he wear a silk sash, and silk stockings, and a broad lace collar, with his little black velvet suit: he had long brown curls, and often came home with burrs in them.

  Except upon the surface (which was not his own work, but his mother’s) Georgie bore no vivid resemblance to the fabulous little Cedric. The storied boy’s famous “Lean on me, grandfather,” would have been difficult to imagine upon the lips of Georgie. A month after his ninth birthday anniversary, when the Major gave him his pony, he had already become acquainted with the toughest boys in various distant parts of the town, and had convinced them that the toughness of a rich little boy with long curls might be considered in many respects superior to their own. He fought them, learning how to go berserk at a certain point in a fight, bursting into tears of anger, reaching for rocks, uttering wailed threats of murder and attempting to fulfil them. Fights often led to intimacies, and he acquired the art of saying things more exciting than “Don’t haf to!” and “Doctor says it ain’t healthy!” Thus, on a summer afternoon, a strange boy, sitting bored upon the gate-post of the Reverend Malloch Smith, beheld George Amberson Minafer rapidly approaching on his white pony, and was impelled by bitterness to shout: “Shoot the ole jackass! Look at the girly curls! Say, bub, where’d you steal your mother’s ole sash!”

  “Your sister stole it for me!” Georgie instantly replied, checking the pony. “She stole it off our clo’es-line an’ gave it to me.”

  “You go get your hair cut!” said the stranger hotly. “Yah! I haven’t got any sister!”

  “I know you haven’t at home,” Georgie responded. “I mean the one that’s in jail.”

  “I dare you to get down off that pony!”

  Georgie jumped to the ground, and the other boy descended from the Reverend Mr. Smith’s gatepost — but he descended inside the gate. “I dare you outside that gate,” said Georgie.

  “Yah! I dare you half way here. I dare you—”

  But these were luckless challenges, for Georgie immediately vaulted the fence — and four minutes later Mrs. Malloch Smith, hearing strange noises, looked forth from a window; then screamed, and dashed for the pastor’s study. Mr. Malloch Smith, that grim-bearded Methodist, came to the front yard and found his visiting nephew being rapidly prepared by Master Minafer to serve as a principal figure in a pageant of massacre. It was with great physical difficulty that Mr. Smith managed to give his nephew a chance to escape into the house, for Georgie was hard and quick, and, in such matters, remarkably intense; but the minister, after a grotesque tussle, got him separated from his opponent, and shook him.

  “You stop that, you!” Georgie cried fiercely; and wrenched himself away. “I guess you don’t know who I am!”

  “Yes, I do know!” the angered Mr. Smith retorted. “I know who you are, and you’re a disgrace to your mother! Your mother ought to be ashamed of herself to allow—”

  “Shut up about my mother bein’ ashamed of herself!”

  Mr. Smith, exasperated, was unable to close the dialogue with dignity. “She ought to be ashamed,” he repeated. “A woman that lets a bad boy like you—”

  But Georgie had reached his pony and mounted. Before setting off at his accustomed gallop, he paused to interrupt the Reverend Malloch Smith again. “You pull down your vest, you ole Billygoat, you!” he shouted, distinctly. “Pull down your vest, wipe off your chin — an’ go to hell!”

  Such precocity is less unusual, even in children of the Rich, than most grown people imagine. However, it was a new experience for the Reverend Malloch Smith, and left him in a state of excitement. He at once wrote a note to Georgie’s mother, describing the crime according to his nephew’s testimony; and the note reached Mrs. Minafer before Georgie did. When he got home she read it to him sorrowfully.

  Dear Madam: Your son has caused a painful distress in my household. He made an unprovoked attack upon a little nephew of mine who is visiting in my household, insulted him by calling him vicious names and falsehoods, stating that ladies of his family were in jail. He then tried to make his pony kick him, and when the child, who is only eleven years old, while your son is much older and stronger, endeavoured to avoid his indignities and withdraw quietly, he pursued him into the enclosure of my property and brutally assaulted him. When I appeared upon this scene he deliberately called insulting words to me, concluding with profanity, such as “go to hell,” which was heard not only by myself but by my wife and the lady who lives next door. I trust such a state of undisciplined behaviour may be remedied for the sake of the reputation for propriety, if nothing higher, of the family to which this unruly child belongs.

  Georgie had muttered various interruptions, and as she concluded the reading he said: “He’s an ole liar!”

  “Georgie, you mustn’t say ‘liar.’ Isn’t this letter the truth?”

  “Well,” said Georgie, “how old am I?”

  “Ten.”

  “Well, look how he says I’m older than a boy eleven years old.”

  “That’s true,” said Isabel. “He does. But isn’t some of it true, Georgie?”

  Georgie felt himself to be in a difficulty here, and he was silent.

  “Georgie, did you say what he says you did?”

  “Which one?”

  “Did you tell him to — to — Did you say, ‘Go to hell?”

  Georgie looked worried for a moment longer; then he brightened. “Listen here, mamma; grandpa wouldn’t wipe his shoe on that ole story-teller, would he?”

  “Georgie, you mustn’t—”

  “I mean: none of the Ambersons wouldn’t have anything to do with him, would they? He doesn’t even know you, does he, mamma?”

  “That hasn’t anything to do with it.”

  “Yes, it has! I mean: none of the Amberson family go to see him, and they never have him come in their house; they wouldn’t ask him to, and they prob’ly wouldn’t even let him.”

  “That isn’t what we’re talking about.”

  “I bet,” said Georgie emphatically, “I bet if he wanted to see any of ’em, he’d haf to go around to the side door!”

  “No, dear, they—”

  “Yes, they would, mamma! So what does it matter if I did say somep’m’ to him he didn’t like? That kind o’ people, I don’t see why you can’t say anything you want to, to ’em!”

  “No, Georgie. And you haven’t answered me whether you said that dreadful thing he says you did.”

  “Well—” said Georgie. “Anyway, he said somep’m’ to me that made me mad.” And upon this point he offered no further details; he would not explain to his mother that what had made him “mad” was Mr. Smith’s hasty condemnation of herself: “Your mother ought to be ashamed,” and, “A woman that lets a bad boy like you—” Georgie did not even consider excusing himself by quoting these insolences.

  Isabel stroked his head. “They were terrible words for you to use, dear. From his letter he doesn’t seem a very tactful person, but—”

  “He’s just riffraff,” said Georgie.

  “You mustn’t say so,” his mother gently agreed “Where did you learn those bad words he speaks of? Where did you hear any one use them?”

  “Well, I’ve heard ’em several places. I guess Uncle George Amberson was the first I ever heard say ’em. Uncle George Amberson said ’em to papa once. Papa didn’t like it, but Uncle George was just laughin’ at papa, an’ then he said ’em while he was laughin’.”

  “That was wrong of him,” she said, but almost instinctively he detected the lack of conviction in her tone. It was Isabel’s great failing that whatever an Amberson did seemed right to her, especially if the Amberson was either her brother George, or her son George. She knew that she should be more severe with the latter now, but severity with him was beyond her power; and the Reverend Malloch Smith had succeeded only in rousing her resentment against himself. Georgie’s symmetrical face — altogether an Amberson face — had looked never more beautiful to her. It always looked unusually beautiful when she tried to be severe with him. “You must promise me,” she said feebly, “never to use those bad words again.”

  “I promise not to,” he said promptly — and he whispered an immediate codicil under his breath: “Unless I get mad at somebody!” This satisfied a code according to which, in his own sincere belief, he never told lies.

  “That’s a good boy,” she said, and he ran out to the yard, his punishment over. Some admiring friends were gathered there; they had heard of his adventure, knew of the note, and were waiting to see what was going to “happen” to him. They hoped for an account of things, and also that he would allow them to “take turns” riding his pony to the end of the alley and back.

  They were really his henchmen: Georgie was a lord among boys. In fact, he was a personage among certain sorts of grown people, and was often fawned upon; the alley negroes delighted in him, chuckled over him, flattered him slavishly. For that matter, he often heard well-dressed people speaking of him admiringly: a group of ladies once gathered about him on the pavement where he was spinning a top. “I know this is Georgie!” one exclaimed, and turned to the others with the impressiveness of a showman. “Major Amberson’s only grandchild!” The others said, “It is?” and made clicking sounds with their mouths; two of them loudly whispering, “So handsome!”

  Georgie, annoyed because they kept standing upon the circle he had chalked for his top, looked at them coldly and offered a suggestion:

  “Oh, go hire a hall!”

  As an Amberson, he was already a public character, and the story of his adventure in the Reverend Malloch Smith’s front yard became a town topic. Many people glanced at him with great distaste, thereafter, when they chanced to encounter him, which meant nothing to Georgie, because he innocently believed most grown people to be necessarily cross-looking as a normal phenomenon resulting from the adult state; and he failed to comprehend that the distasteful glances had any personal bearing upon himself. If he had perceived such a bearing, he would have been affected only so far, probably, as to mutter, “Riffraff!” Possibly he would have shouted it; and, certainly, most people believed a story that went round the town just after Mrs. Amberson’s funeral, when Georgie was eleven. Georgie was reported to have differed with the undertaker about the seating of the family; his indignant voice had become audible: “Well, who is the most important person at my own grandmother’s funeral?” And later he had projected his head from the window of the foremost mourners’ carriage, as the undertaker happened to pass.

  “Riffraff!”

  There were people — grown people they were — who expressed themselves longingly: they did hope to live to see the day, they said, when that boy would get his come-upance! (They used that honest word, so much better than “deserts,” and not until many years later to be more clumsily rendered as “what is coming to him.”) Something was bound to take him down, some day, and they only wanted to be there! But Georgie heard nothing of this, and the yearners for his taking down went unsatisfied, while their yearning grew the greater as the happy day of fulfilment was longer and longer postponed. His grandeur was not diminished by the Malloch Smith story; the rather it was increased, and among other children (especially among little girls) there was added to the prestige of his gilded position that diabolical glamour which must inevitably attend a boy who has told a minister to go to hell.

  Chapter III

  UNTIL HE REACHED the age of twelve, Georgie’s education was a domestic process; tutors came to the house; and those citizens who yearned for his taking down often said: “Just wait till he has to go to public school; then he’ll get it!” But at twelve Georgie was sent to a private school in the town, and there came from this small and dependent institution no report, or even rumour, of Georgie’s getting anything that he was thought to deserve; therefore the yearning still persisted, though growing gaunt with feeding upon itself. For, although Georgie’s pomposities and impudence in the little school were often almost unbearable, the teachers were fascinated by him. They did not like him — he was too arrogant for that — but he kept them in such a state of emotion that they thought more about him than they did about all of the other ten pupils. The emotion he kept them in was usually one resulting from injured self-respect, but sometimes it was dazzled admiration. So far as their conscientious observation went, he “studied” his lessons sparingly; but sometimes, in class, he flashed an admirable answer, with a comprehension not often shown by the pupils they taught; and he passed his examinations easily. In all, without discernible effort, he acquired at this school some rudiments of a liberal education and learned nothing whatever about himself.

  The yearners were still yearning when Georgie, at sixteen, was sent away to a great “Prep School.” “Now,” they said brightly, “he’ll get it! He’ll find himself among boys just as important in their home towns as he is, and they’ll knock the stuffing out of him when he puts on his airs with them! Oh, but that would be worth something to see!” They were mistaken, it appeared, for when Georgie returned, a few months later, he still seemed to have the same stuffing. He had been deported by the authorities, the offense being stated as “insolence and profanity”; in fact, he had given the principal of the school instructions almost identical with those formerly objected to by the Reverend Malloch Smith.

  But he had not got his come-upance, and those who counted upon it were embittered by his appearance upon the down-town streets driving a dog-cart at criminal speed, making pedestrians retreat from the crossings, and behaving generally as if he “owned the earth.” A disgusted hardware dealer of middle age, one of those who hungered for Georgie’s downfall, was thus driven back upon the sidewalk to avoid being run over, and so far forgot himself as to make use of the pet street insult of the year: “Got ‘ny sense! See here, bub, does your mother know you’re out?”

  Georgie, without even seeming to look at him, flicked the long lash of his whip dexterously, and a little spurt of dust came from the hardware man’s trousers, not far below the waist. He was not made of hardware: he raved, looking for a missile; then, finding none, commanded himself sufficiently to shout after the rapid dog-cart: “Turn down your pants, you would-be dude! Raining in dear ole Lunnon! Git off the earth!”

  Georgie gave him no encouragement to think that he was heard. The dog-cart turned the next corner, causing indignation there, likewise, and, having proceeded some distance farther, halted in front of the “Amberson Block” — an old-fashioned four-story brick warren of lawyers offices, insurance and realestate offices, with a “drygoods store” occupying the ground floor. Georgie tied his lathered trotter to a telegraph pole, and stood for a moment looking at the building critically: it seemed shabby, and he thought his grandfather ought to replace it with a fourteen-story skyscraper, or even a higher one, such as he had lately seen in New York — when he stopped there for a few days of recreation and rest on his way home from the bereaved school. About the entryway to the stairs were various tin signs, announcing the occupation and location of upper-floor tenants, and Georgie decided to take some of these with him if he should ever go to college. However, he did not stop to collect them at this time, but climbed the worn stairs — there was no elevator — to the fourth floor, went down a dark corridor, and rapped three times upon a door. It was a mysterious door, its upper half, of opaque glass, bearing no sign to state the business or profession of the occupants within; but overhead, upon the lintel, four letters had been smearingly inscribed, partly with purple ink and partly with a soft lead pencil, “F. O. T. A.” and upon the plaster wall, above the lintel, there was a drawing dear to male adolescence: a skull and crossbones.

  Three raps, similar to Georgie’s, sounded from within the room. Georgie then rapped four times the rapper within the room rapped twice, and Georgie rapped seven times. This ended precautionary measures; and a well-dressed boy of sixteen opened the door; whereupon Georgie entered quickly, and the door was closed behind him. Seven boys of congenial age were seated in a semicircular row of damaged office chairs, facing a platform whereon stood a solemn, red-haired young personage with a table before him. At one end of the room there was a battered sideboard, and upon it were some empty beer bottles, a tobacco can about two-thirds full, with a web of mold over the surface of the tobacco, a dusty cabinet photograph (not inscribed) of Miss Lillian Russell, several withered old pickles, a caseknife, and a half-petrified section of icing-cake on a sooty plate. At the other end of the room were two rickety card-tables and a stand of bookshelves where were displayed under dust four or five small volumes of M. Guy de Maupassant’s stories, “Robinson Crusoe,” “Sappho,” “Mr. Barnes of New York,” a work by Giovanni Boccaccio, a Bible, “The Arabian Nights’ Entertainment,” “Studies of the Human Form Divine,” “The Little Minister,” and a clutter of monthly magazines and illustrated weeklies of about that crispness one finds in such articles upon a doctor’s ante-room table. Upon the wall, above the sideboard, was an old framed lithograph of Miss Della Fox in “Wang”; over the bookshelves there was another lithograph purporting to represent Mr. John L. Sullivan in a boxing costume, and beside it a halftone reproduction of “A Reading From Horner.” The final decoration consisted of damaged papiermache — a round shield with two battle-axes and two cross-hilted swords, upon the wall over the little platform where stood the red-haired presiding officer. He addressed Georgie in a serious voice:

 

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