Complete works of ford m.., p.804

Complete Works of Ford Madox Ford, page 804

 

Complete Works of Ford Madox Ford
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air. The joy that follows

  Drafts of wine o’ west wind, o’ north wind, o’ summer breeze,

  Never grape’s hath equalled from the wine hills

  by the summer seas.

  Whilst the breezes live, joy shall contrive,

  Still to tear asunder, and to scatter near and far

  Those nets small and thin

  That spider sorrows spin

  In the brooding hollows where no breezes are.

  SIDERA CADENTIA

  (ON THE DEATH OF QUEEN VICTORIA)

  WHEN one of the old, little stars doth fall from its place,

  The eye,

  Glimpsing aloft must sadden to see that its space

  In the sky

  Is darker, lacking a spot of its ancient, shimmering grace,

  And sadder, a little, for loss of the glimmer on high.

  Very remote, a glitter, a mote far away, is your star,

  But its glint being gone from the place where it shone

  The night’s somewhat grimmer and something is gone

  Out of the comforting quiet of things as they are.

  A shock,

  A change in the beat of the clock;

  And the ultimate change that we fear feels a little less far.

  NIGHT PIECE

  AH, of those better tides of dark and melancholy —

  When one’s abroad, in a field — the night very deep, very holy;

  The turf very sodden a-foot, walking heavy — the

  small ring of light,

  O’ the lanthorn one carries, a-swinging to left and to right,

  Revealing a flicker of hedgerow, a flicker of rushes

  — and Night

  Ev’rywhere; ev’rywhere sleep and a hushing to sleep —

  I — know that I never shall utter the uttermost secrets aright,

  They lie so deep.

  THANKS WHILST UNHARNESSING

  I

  [He gets down from the cart.)

  WEST’RING the last silver light doth gleam,

  Whilst in the welling shimmer of the lamp

  From the tired horse the blanketing of steam

  Flickers and whirls aloft into the damp

  Sharp winter darkness. In the deadened air

  The long, still night doth settle everywhere.

  And hark! there comes the rapt, sweet, crooning snatches

  Of song from where the little robin watches

  Close in the thorn, beyond the ring of light.

  II

  (He speaks towards the bushes.)

  Softest of all the birds that sing at night,

  For the most mellowest sound,

  That the long year brings round,

  Sweet robin. I give thanks and love you best

  Of birds that nest.

  (He follows the horse in, humming?)

  Sing! it is well, though the rest of life be bitter,

  Sing! (Z swill the oats in the trough and loose the girth.)

  Warble! It is well. ( There’s a rustle in the litter:

  Thafs the old grey rat.) It is well upon the earth.

  III

  Clotht-up and snug and warm, a-munching oats

  Old Tom doth make a comfortable sound,

  A rhythmic symphony for your sweet notes.

  [He speaks from the stable door.)

  Small brother, flit in here, since all around

  The frost hath gripped the ground;

  And oh! I would not like to have you die.

  We’s help each other,

  Little Brother Beady-eye.

  (The Robin flits in.)

  There — Sing! Warm and mellow the lanthorn lights the stable.

  Little brother, sing! In-a-doors beside the hearth.

  Slippers are a-toast, and the tea’s upon the table.

  Robin when you sing it is well tipon the earth.

  [He closes the stable door and enters the cottage.)

  GREY MATTER

  THEY leave us nothing.

  He. — Still, a little’s left.

  She. A crabbèd, ancient, dried biologist,

  Somewhere very far from the sea, closed up from the sky,

  Shut in from the leaves, destroys our hopes and us.

  He. Why, no, our hopes and...

  She. — In his “Erster Heft.”

  Page something, I forget the line, he says

  That, hidden as deep in the brain as he himself from hope,

  There’s this grey matter.

  He. — Why,’tis there, dear heart.

  She. That, if that hidden matter cools, decays,

  Dies — what you will — our souls die out as well;

  Since, hidden in the millionth of a cell,

  Is all we have to give us consciousness.

  He. Suppose it true.

  She. — Ah, never; better die,

  Better have never lived than face this mist,

  Better have never toiled to such distress.

  He. It matters little.

  She. — Little! — Where shall I,

  The woman, where shall you take part,

  My poet? Where has either of us scope

  In this dead-dawning century that lacks all faith,

  All hope, all aim, and all the mystery

  That comforteth. Since he victorious

  With his cold vapours chill out you and me,

  The woman and the poet?

  He. — Never, dear.

  For you and I remain,

  The woman and the poet. And soft rain

  Still falls and still the crocus flames,

  The blackbird calls.

  She. — But halt the sweet is gone.

  The voices of our children at their games

  Lack half their ring.

  He. — Why, never, dear. Out there,

  The sea’s a cord of silver, still to south

  Beyond the marsh.

  She. — Ah, but beyond it all,

  And all beneath and all above, half of the glory’s done.

  And I and you....

  He. — Why, no. The ancient sun

  Shines as it ever shone, and still your mouth

  Is sweet as of old it was.

  She. — But what remains?

  He. All the old pains,

  And all the old sweet pleasures and the mystery

  Of time, slow travel and unfathomed deep.

  She. And then this cold extinction?...

  He. — Dreamless sleep.

  She. And nothing matters?

  He. — All the old, old things.

  Whether to Church or College rings

  The clamorous bell of creeds,

  We, in the lush, far meads,

  Poet and woman, past the city walls,

  Hear turn by turn the burden of their calls,

  Believe what we believe, feel what we feel,

  Like what we list of what they cry within

  Cathedral or laborat’ry,

  Since, by the revolution of the wheel,

  The one swings under, let us wait content.

  She. Yet it is hard.

  He. — Ah no. A sure intent,

  For me and you.

  The right, true, joyful word, the sweet, true phrase,

  The calling of our children from the woods these garden days

  Remain. — These drops of rain have laid the dust

  And in our soft brown seed-beds formed the crust

  We needed for our sowings. Bring your seed,

  And you shall prick it in, I close the row.

  Be sure the little grains your hands have pressed

  Tenderly, lovingly, home, shall flourish best.

  She. Aye you are still my poet.

  He. — Even so

  Betwixt the rain and shine. Half true’s still true

  More truly than the thing that’s proved and dead.

  The sun lends flame to every crocus head

  Once more, and we once more must sow and weed

  Since in the earth the newly stirring seed

  Begins the ancient mystery anew.

  OLD MAN’S EVENSONG

  ‘TIS but a teeny mite

  Hard, road side edge,

  OF missus’ candle light

  Shines through thet broken hedge.

  Reach me my coat, lads,

  Give me a lift into it,

  Rowin’ they tater-clads

  Tasks me to do it

  Terribly;

  Time was when I weer mad

  Diggin’ by star’s light,

  Now I am mortial glad

  T’ reach my dure-ajar’s light,

  ‘N’ eat my tea.

  Reach me my tools, boys,

  Ah mun quit this talk’n’ lurry;

  Theer’s my ol’ missus’ voice

  Calls: “Or meastur, hurry,

  Y’r tea-time’s come.”

  Smells from the chimney side

  Sniff down this plaguy mist,

  Wanst I’d wander far an’ wide,

  Now I’m terr’ble stiff an’ whist

  ‘N’ stay at home.

  ‘Tis but a yeard or two

  Hard road, thank God.

  Then off the hard an’ goo

  Home on the sod.

  CHILDREN’S SONG

  SOMETIMES wind and sometimes rain,

  Then the sun comes back again;

  Sometimes rain and sometimes snow,

  Goodness, how we’d like to know

  Why the weather alters so.

  When the weather’s really good

  We go nutting in the wood;

  When it rains we stay at home,

  And then sometimes other some

  Of the neighbours’ children come.

  Sometimes we have jam and meat,

  All the things we like to eat;

  Sometimes we make do with bread

  And potatoes boiled instead.

  Once when we were put to bed

  We had nowt and mother cried,

  But that was after father died.

  So, sometimes wind and sometimes rain,

  Then the sun comes back again;

  Sometimes rain and sometimes snow,

  Goodness, how we’d like to know

  If things will always alter so.

  FROM THE SOIL

  (TWO MONOLOGUES)

  I

  The Field Labourer speaks.

  AH am a mighty simple man and only

  Good wi’ my baggin’ hook and sichlike and’tis . lonely

  Wheer Ah do hedge on Farmer Finn his farm.

  Often Ah gits to thinking

  When it grows dark and the ol’ sun’s done sinking,

  And Ah hev had my sheere

  Of fear

  And wanted to feel sure that God were near

  And goodly warm —

  As near as th’eldritch shave I were at wark about...

  Plenty o’ time for thinking

  We hes between the getting up and sinking

  Of that ol’ sun — about the God we tark about...

  In the beginning God made Heaven and

  The’ Arth,’n Sea we sometimes hear a-calling

  When wind she bloweth from the rainy land

  An’ says ther’ll soon be wet an’ rain a-falling.

  Ah’ll give you, parson, God he made the sea,

  An’ made this’Arth, ner yit Ah wo-an’t scrimmage

  But what He made the sky; what passes me

  Is that what follows: “Then the Lord made we

  In his own image.”

  For, let alone the difference in us creatures,

  Some short o’ words like me, and others preachers

  With stores of them, like you; some fair, some middlin’,

  Some black-avis’d like you and good at fiddlin’,

  Some crabb’d, some mad, some mighty gay and pleasant,

  No two that’s more alike than jackdaw is to pheasant,

  We’re poorish stuff at best.

  We doesn’t last no time before we die,

  Nor leave more truck behind than they poor thrushes.

  You find, stiff feathers, laid aside the bushes

  After a hard ol’ frost in Janu-ry.

  Ol’ crow he lives much longer,

  Ol’ mare’s a de-al stronger

  ‘N the hare’s faster...

  If so be God’s like we and we like He

  The man’s as good’s his Master.

  You are a civil, decent-spoken man, Muss Parson.

  ‘N’ I don’t think ye’ll say this kind o’ tark is worse’n arson —

  That’s burning stacks, I think — surety it isn’ meant so,

  I tell you, Parson, no;

  ‘N’ us poor folk we doesn’t want to blame

  You parsons fer the things that’s said and sung

  Up there in church. My apple tree is crook’d because

  ‘twere bent so

  When it were young.

  ‘N’ them as had you preacher-folk to tame,

  Taught you the tales that you are bound to tell

  Us folk below

  About three Gods that’s one an’ Heav’n an’ Hell,

  An’ things us folk ain’t meant to understand.

  I — tell you, sir, we men that’s on the land

  Needs summut we can chew when trouble’s brewing,

  When our ol’’ooman’s bad an’ rent is due

  ‘N’ we no farden,

  ‘N’ when it’s late to sow’n’ still too wet to dig the garden,

  Something as we can chew like that ol’ cow be chewing.

  Something told plain and something we gits holt on,

  — You need a simple sort o’ feed to raise a colt on —

  We needs it, parson, life’s a bitter scrimmage,

  Livin’ and stuggin’ in the mud and things we do

  Enow confound us;

  We hain’t no need for fear

  Of God, to make the living hardly worth —

  You tell us, sir, that “God He made this Earth

  In His own image,”

  An’ make the Lord seem near.

  So’s we could think that when we come to die

  We’ll lie

  In this same goodly’Arth, an’ things goo on around us

  Much as they used to goo.

  II

  The Small Farmer soliloquizes.

  I wonder why we toiled upon the earth

  From sunrise until sunset, dug and delved,

  Crook-backed, cramp-fingered, making little marks

  On the unmoving bosoms of the hills,

  And nothing came of it. And other men

  In the same places dug and delved and ended

  As we have done; and other men just there

  Shall do the self-same things until the end.

  I wonder why we did it — Underneath

  The grass that fed my sheep, I often thought

  Something lay hidden, some sinister thing

  Lay looking up at us as if it looked

  Upwards thro’ quiet waters; that it saw

  Us futile toilers scratching little lines

  And doing nothing. And maybe it smiled

  Because it knew that we must come to this —

  I lay and heard the rain upon the roof

  All night when rain spelt ruin, lay and heard

  The east wind shake the windows when that wind

  Meant parched up land, dried herbage, blighted wheat,

  And ruin, always ruin creeping near

  In the long droughts and bitter frosts and floods.

  And when at dawning I went out-a-doors

  I used to see the top of the tall shaft

  O’ the workhouse here, peep just above the downs,

  It was as if the thing were spying, waiting,

  Watching my movements, saying, “You will come,

  Will come at last to me.” And I am here...

  And down below that Thing lay there and smiled;

  Or no, it did not smile; it was as if

  One might have caught it smiling, but one saw

  The earth immovable, the unmoved sheep

  And senseless hedges run like little strings

  All over hill and dale —

  WISDOM

  THE young girl questions: “Whether were it better

  To lie for ever, a warm slug-a-bed

  Or to rise up and bide by F ate and Chance,

  The rawness of the morning,

  The gibing and the scorning

  Of the stern Teacher of my ignorance?’’

  “I know not,” Wisdom said.

  The young girl questions: “Friend, shall I die calmer,

  If I’ve lain for ever, sheets above the head,

  Warm in a dream, or rise to take the worst

  Of peril in the highways

  Of straying in the by-ways.

  Of hunger for the truth, of drought and thirst?”

  “We do not know,” he said,

  “Nor may till we be dead.”

  THE POSY-RING

  (AFTER CLEMENT MAROT)

  THIS on thy posy-ring I’ve writ:

  “True Love and Faith.”

  For, failing Love, Faith droops her head,

  And lacking faith, why love is dead

  And’s but a wraith.

  But Death is stingless where they’ve lit

  And stayed, whose names hereon I’ve writ.

  THE GREAT VIEW

  UP here, where the air’s very clear

  And the hills slope away nigh down to the bay,

  It is very like Heaven...

  For the sea’s wine-purple and lies half asleep

  In the sickle of the shore and, serene in the west,

  Lion-like purple and brooding in the even,

  Low hills lure the sun to rest.

  Very like Heaven — For the vast marsh dozes,

  And waving plough-lands and willowy closes

  Creep and creep up the soft south steep;

  In the pallid North the grey and ghostly downs do fold away.

  And, spinning spider-threadlets down the sea, the

  sea-lights dance

  And shake out a wavering radiance.

  Very like Heaven — For a shimmering of pink.

  East, far east, past the sea-lights’ distant blink,

  Like a cloud shell-pink, like the ear of a girl,

  Like Venice-glass mirroring mother-o’-pearl,

  Like the small pink nails of my lovely lady’s fingers,

  Where the skies drink the sea and the last light lies and lingers,

  There is France.

  WIFE TO HUSBAND

 

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