Complete Works of Ford Madox Ford, page 804
air. The joy that follows
Drafts of wine o’ west wind, o’ north wind, o’ summer breeze,
Never grape’s hath equalled from the wine hills
by the summer seas.
Whilst the breezes live, joy shall contrive,
Still to tear asunder, and to scatter near and far
Those nets small and thin
That spider sorrows spin
In the brooding hollows where no breezes are.
SIDERA CADENTIA
(ON THE DEATH OF QUEEN VICTORIA)
WHEN one of the old, little stars doth fall from its place,
The eye,
Glimpsing aloft must sadden to see that its space
In the sky
Is darker, lacking a spot of its ancient, shimmering grace,
And sadder, a little, for loss of the glimmer on high.
Very remote, a glitter, a mote far away, is your star,
But its glint being gone from the place where it shone
The night’s somewhat grimmer and something is gone
Out of the comforting quiet of things as they are.
A shock,
A change in the beat of the clock;
And the ultimate change that we fear feels a little less far.
NIGHT PIECE
AH, of those better tides of dark and melancholy —
When one’s abroad, in a field — the night very deep, very holy;
The turf very sodden a-foot, walking heavy — the
small ring of light,
O’ the lanthorn one carries, a-swinging to left and to right,
Revealing a flicker of hedgerow, a flicker of rushes
— and Night
Ev’rywhere; ev’rywhere sleep and a hushing to sleep —
I — know that I never shall utter the uttermost secrets aright,
They lie so deep.
THANKS WHILST UNHARNESSING
I
[He gets down from the cart.)
WEST’RING the last silver light doth gleam,
Whilst in the welling shimmer of the lamp
From the tired horse the blanketing of steam
Flickers and whirls aloft into the damp
Sharp winter darkness. In the deadened air
The long, still night doth settle everywhere.
And hark! there comes the rapt, sweet, crooning snatches
Of song from where the little robin watches
Close in the thorn, beyond the ring of light.
II
(He speaks towards the bushes.)
Softest of all the birds that sing at night,
For the most mellowest sound,
That the long year brings round,
Sweet robin. I give thanks and love you best
Of birds that nest.
(He follows the horse in, humming?)
Sing! it is well, though the rest of life be bitter,
Sing! (Z swill the oats in the trough and loose the girth.)
Warble! It is well. ( There’s a rustle in the litter:
Thafs the old grey rat.) It is well upon the earth.
III
Clotht-up and snug and warm, a-munching oats
Old Tom doth make a comfortable sound,
A rhythmic symphony for your sweet notes.
[He speaks from the stable door.)
Small brother, flit in here, since all around
The frost hath gripped the ground;
And oh! I would not like to have you die.
We’s help each other,
Little Brother Beady-eye.
(The Robin flits in.)
There — Sing! Warm and mellow the lanthorn lights the stable.
Little brother, sing! In-a-doors beside the hearth.
Slippers are a-toast, and the tea’s upon the table.
Robin when you sing it is well tipon the earth.
[He closes the stable door and enters the cottage.)
GREY MATTER
THEY leave us nothing.
He. — Still, a little’s left.
She. A crabbèd, ancient, dried biologist,
Somewhere very far from the sea, closed up from the sky,
Shut in from the leaves, destroys our hopes and us.
He. Why, no, our hopes and...
She. — In his “Erster Heft.”
Page something, I forget the line, he says
That, hidden as deep in the brain as he himself from hope,
There’s this grey matter.
He. — Why,’tis there, dear heart.
She. That, if that hidden matter cools, decays,
Dies — what you will — our souls die out as well;
Since, hidden in the millionth of a cell,
Is all we have to give us consciousness.
He. Suppose it true.
She. — Ah, never; better die,
Better have never lived than face this mist,
Better have never toiled to such distress.
He. It matters little.
She. — Little! — Where shall I,
The woman, where shall you take part,
My poet? Where has either of us scope
In this dead-dawning century that lacks all faith,
All hope, all aim, and all the mystery
That comforteth. Since he victorious
With his cold vapours chill out you and me,
The woman and the poet?
He. — Never, dear.
For you and I remain,
The woman and the poet. And soft rain
Still falls and still the crocus flames,
The blackbird calls.
She. — But halt the sweet is gone.
The voices of our children at their games
Lack half their ring.
He. — Why, never, dear. Out there,
The sea’s a cord of silver, still to south
Beyond the marsh.
She. — Ah, but beyond it all,
And all beneath and all above, half of the glory’s done.
And I and you....
He. — Why, no. The ancient sun
Shines as it ever shone, and still your mouth
Is sweet as of old it was.
She. — But what remains?
He. All the old pains,
And all the old sweet pleasures and the mystery
Of time, slow travel and unfathomed deep.
She. And then this cold extinction?...
He. — Dreamless sleep.
She. And nothing matters?
He. — All the old, old things.
Whether to Church or College rings
The clamorous bell of creeds,
We, in the lush, far meads,
Poet and woman, past the city walls,
Hear turn by turn the burden of their calls,
Believe what we believe, feel what we feel,
Like what we list of what they cry within
Cathedral or laborat’ry,
Since, by the revolution of the wheel,
The one swings under, let us wait content.
She. Yet it is hard.
He. — Ah no. A sure intent,
For me and you.
The right, true, joyful word, the sweet, true phrase,
The calling of our children from the woods these garden days
Remain. — These drops of rain have laid the dust
And in our soft brown seed-beds formed the crust
We needed for our sowings. Bring your seed,
And you shall prick it in, I close the row.
Be sure the little grains your hands have pressed
Tenderly, lovingly, home, shall flourish best.
She. Aye you are still my poet.
He. — Even so
Betwixt the rain and shine. Half true’s still true
More truly than the thing that’s proved and dead.
The sun lends flame to every crocus head
Once more, and we once more must sow and weed
Since in the earth the newly stirring seed
Begins the ancient mystery anew.
OLD MAN’S EVENSONG
‘TIS but a teeny mite
Hard, road side edge,
OF missus’ candle light
Shines through thet broken hedge.
Reach me my coat, lads,
Give me a lift into it,
Rowin’ they tater-clads
Tasks me to do it
Terribly;
Time was when I weer mad
Diggin’ by star’s light,
Now I am mortial glad
T’ reach my dure-ajar’s light,
‘N’ eat my tea.
Reach me my tools, boys,
Ah mun quit this talk’n’ lurry;
Theer’s my ol’ missus’ voice
Calls: “Or meastur, hurry,
Y’r tea-time’s come.”
Smells from the chimney side
Sniff down this plaguy mist,
Wanst I’d wander far an’ wide,
Now I’m terr’ble stiff an’ whist
‘N’ stay at home.
‘Tis but a yeard or two
Hard road, thank God.
Then off the hard an’ goo
Home on the sod.
CHILDREN’S SONG
SOMETIMES wind and sometimes rain,
Then the sun comes back again;
Sometimes rain and sometimes snow,
Goodness, how we’d like to know
Why the weather alters so.
When the weather’s really good
We go nutting in the wood;
When it rains we stay at home,
And then sometimes other some
Of the neighbours’ children come.
Sometimes we have jam and meat,
All the things we like to eat;
Sometimes we make do with bread
And potatoes boiled instead.
Once when we were put to bed
We had nowt and mother cried,
But that was after father died.
So, sometimes wind and sometimes rain,
Then the sun comes back again;
Sometimes rain and sometimes snow,
Goodness, how we’d like to know
If things will always alter so.
FROM THE SOIL
(TWO MONOLOGUES)
I
The Field Labourer speaks.
AH am a mighty simple man and only
Good wi’ my baggin’ hook and sichlike and’tis . lonely
Wheer Ah do hedge on Farmer Finn his farm.
Often Ah gits to thinking
When it grows dark and the ol’ sun’s done sinking,
And Ah hev had my sheere
Of fear
And wanted to feel sure that God were near
And goodly warm —
As near as th’eldritch shave I were at wark about...
Plenty o’ time for thinking
We hes between the getting up and sinking
Of that ol’ sun — about the God we tark about...
In the beginning God made Heaven and
The’ Arth,’n Sea we sometimes hear a-calling
When wind she bloweth from the rainy land
An’ says ther’ll soon be wet an’ rain a-falling.
Ah’ll give you, parson, God he made the sea,
An’ made this’Arth, ner yit Ah wo-an’t scrimmage
But what He made the sky; what passes me
Is that what follows: “Then the Lord made we
In his own image.”
For, let alone the difference in us creatures,
Some short o’ words like me, and others preachers
With stores of them, like you; some fair, some middlin’,
Some black-avis’d like you and good at fiddlin’,
Some crabb’d, some mad, some mighty gay and pleasant,
No two that’s more alike than jackdaw is to pheasant,
We’re poorish stuff at best.
We doesn’t last no time before we die,
Nor leave more truck behind than they poor thrushes.
You find, stiff feathers, laid aside the bushes
After a hard ol’ frost in Janu-ry.
Ol’ crow he lives much longer,
Ol’ mare’s a de-al stronger
‘N the hare’s faster...
If so be God’s like we and we like He
The man’s as good’s his Master.
You are a civil, decent-spoken man, Muss Parson.
‘N’ I don’t think ye’ll say this kind o’ tark is worse’n arson —
That’s burning stacks, I think — surety it isn’ meant so,
I tell you, Parson, no;
‘N’ us poor folk we doesn’t want to blame
You parsons fer the things that’s said and sung
Up there in church. My apple tree is crook’d because
‘twere bent so
When it were young.
‘N’ them as had you preacher-folk to tame,
Taught you the tales that you are bound to tell
Us folk below
About three Gods that’s one an’ Heav’n an’ Hell,
An’ things us folk ain’t meant to understand.
I — tell you, sir, we men that’s on the land
Needs summut we can chew when trouble’s brewing,
When our ol’’ooman’s bad an’ rent is due
‘N’ we no farden,
‘N’ when it’s late to sow’n’ still too wet to dig the garden,
Something as we can chew like that ol’ cow be chewing.
Something told plain and something we gits holt on,
— You need a simple sort o’ feed to raise a colt on —
We needs it, parson, life’s a bitter scrimmage,
Livin’ and stuggin’ in the mud and things we do
Enow confound us;
We hain’t no need for fear
Of God, to make the living hardly worth —
You tell us, sir, that “God He made this Earth
In His own image,”
An’ make the Lord seem near.
So’s we could think that when we come to die
We’ll lie
In this same goodly’Arth, an’ things goo on around us
Much as they used to goo.
II
The Small Farmer soliloquizes.
I wonder why we toiled upon the earth
From sunrise until sunset, dug and delved,
Crook-backed, cramp-fingered, making little marks
On the unmoving bosoms of the hills,
And nothing came of it. And other men
In the same places dug and delved and ended
As we have done; and other men just there
Shall do the self-same things until the end.
I wonder why we did it — Underneath
The grass that fed my sheep, I often thought
Something lay hidden, some sinister thing
Lay looking up at us as if it looked
Upwards thro’ quiet waters; that it saw
Us futile toilers scratching little lines
And doing nothing. And maybe it smiled
Because it knew that we must come to this —
I lay and heard the rain upon the roof
All night when rain spelt ruin, lay and heard
The east wind shake the windows when that wind
Meant parched up land, dried herbage, blighted wheat,
And ruin, always ruin creeping near
In the long droughts and bitter frosts and floods.
And when at dawning I went out-a-doors
I used to see the top of the tall shaft
O’ the workhouse here, peep just above the downs,
It was as if the thing were spying, waiting,
Watching my movements, saying, “You will come,
Will come at last to me.” And I am here...
And down below that Thing lay there and smiled;
Or no, it did not smile; it was as if
One might have caught it smiling, but one saw
The earth immovable, the unmoved sheep
And senseless hedges run like little strings
All over hill and dale —
WISDOM
THE young girl questions: “Whether were it better
To lie for ever, a warm slug-a-bed
Or to rise up and bide by F ate and Chance,
The rawness of the morning,
The gibing and the scorning
Of the stern Teacher of my ignorance?’’
“I know not,” Wisdom said.
The young girl questions: “Friend, shall I die calmer,
If I’ve lain for ever, sheets above the head,
Warm in a dream, or rise to take the worst
Of peril in the highways
Of straying in the by-ways.
Of hunger for the truth, of drought and thirst?”
“We do not know,” he said,
“Nor may till we be dead.”
THE POSY-RING
(AFTER CLEMENT MAROT)
THIS on thy posy-ring I’ve writ:
“True Love and Faith.”
For, failing Love, Faith droops her head,
And lacking faith, why love is dead
And’s but a wraith.
But Death is stingless where they’ve lit
And stayed, whose names hereon I’ve writ.
THE GREAT VIEW
UP here, where the air’s very clear
And the hills slope away nigh down to the bay,
It is very like Heaven...
For the sea’s wine-purple and lies half asleep
In the sickle of the shore and, serene in the west,
Lion-like purple and brooding in the even,
Low hills lure the sun to rest.
Very like Heaven — For the vast marsh dozes,
And waving plough-lands and willowy closes
Creep and creep up the soft south steep;
In the pallid North the grey and ghostly downs do fold away.
And, spinning spider-threadlets down the sea, the
sea-lights dance
And shake out a wavering radiance.
Very like Heaven — For a shimmering of pink.
East, far east, past the sea-lights’ distant blink,
Like a cloud shell-pink, like the ear of a girl,
Like Venice-glass mirroring mother-o’-pearl,
Like the small pink nails of my lovely lady’s fingers,
Where the skies drink the sea and the last light lies and lingers,
There is France.
WIFE TO HUSBAND
Drafts of wine o’ west wind, o’ north wind, o’ summer breeze,
Never grape’s hath equalled from the wine hills
by the summer seas.
Whilst the breezes live, joy shall contrive,
Still to tear asunder, and to scatter near and far
Those nets small and thin
That spider sorrows spin
In the brooding hollows where no breezes are.
SIDERA CADENTIA
(ON THE DEATH OF QUEEN VICTORIA)
WHEN one of the old, little stars doth fall from its place,
The eye,
Glimpsing aloft must sadden to see that its space
In the sky
Is darker, lacking a spot of its ancient, shimmering grace,
And sadder, a little, for loss of the glimmer on high.
Very remote, a glitter, a mote far away, is your star,
But its glint being gone from the place where it shone
The night’s somewhat grimmer and something is gone
Out of the comforting quiet of things as they are.
A shock,
A change in the beat of the clock;
And the ultimate change that we fear feels a little less far.
NIGHT PIECE
AH, of those better tides of dark and melancholy —
When one’s abroad, in a field — the night very deep, very holy;
The turf very sodden a-foot, walking heavy — the
small ring of light,
O’ the lanthorn one carries, a-swinging to left and to right,
Revealing a flicker of hedgerow, a flicker of rushes
— and Night
Ev’rywhere; ev’rywhere sleep and a hushing to sleep —
I — know that I never shall utter the uttermost secrets aright,
They lie so deep.
THANKS WHILST UNHARNESSING
I
[He gets down from the cart.)
WEST’RING the last silver light doth gleam,
Whilst in the welling shimmer of the lamp
From the tired horse the blanketing of steam
Flickers and whirls aloft into the damp
Sharp winter darkness. In the deadened air
The long, still night doth settle everywhere.
And hark! there comes the rapt, sweet, crooning snatches
Of song from where the little robin watches
Close in the thorn, beyond the ring of light.
II
(He speaks towards the bushes.)
Softest of all the birds that sing at night,
For the most mellowest sound,
That the long year brings round,
Sweet robin. I give thanks and love you best
Of birds that nest.
(He follows the horse in, humming?)
Sing! it is well, though the rest of life be bitter,
Sing! (Z swill the oats in the trough and loose the girth.)
Warble! It is well. ( There’s a rustle in the litter:
Thafs the old grey rat.) It is well upon the earth.
III
Clotht-up and snug and warm, a-munching oats
Old Tom doth make a comfortable sound,
A rhythmic symphony for your sweet notes.
[He speaks from the stable door.)
Small brother, flit in here, since all around
The frost hath gripped the ground;
And oh! I would not like to have you die.
We’s help each other,
Little Brother Beady-eye.
(The Robin flits in.)
There — Sing! Warm and mellow the lanthorn lights the stable.
Little brother, sing! In-a-doors beside the hearth.
Slippers are a-toast, and the tea’s upon the table.
Robin when you sing it is well tipon the earth.
[He closes the stable door and enters the cottage.)
GREY MATTER
THEY leave us nothing.
He. — Still, a little’s left.
She. A crabbèd, ancient, dried biologist,
Somewhere very far from the sea, closed up from the sky,
Shut in from the leaves, destroys our hopes and us.
He. Why, no, our hopes and...
She. — In his “Erster Heft.”
Page something, I forget the line, he says
That, hidden as deep in the brain as he himself from hope,
There’s this grey matter.
He. — Why,’tis there, dear heart.
She. That, if that hidden matter cools, decays,
Dies — what you will — our souls die out as well;
Since, hidden in the millionth of a cell,
Is all we have to give us consciousness.
He. Suppose it true.
She. — Ah, never; better die,
Better have never lived than face this mist,
Better have never toiled to such distress.
He. It matters little.
She. — Little! — Where shall I,
The woman, where shall you take part,
My poet? Where has either of us scope
In this dead-dawning century that lacks all faith,
All hope, all aim, and all the mystery
That comforteth. Since he victorious
With his cold vapours chill out you and me,
The woman and the poet?
He. — Never, dear.
For you and I remain,
The woman and the poet. And soft rain
Still falls and still the crocus flames,
The blackbird calls.
She. — But halt the sweet is gone.
The voices of our children at their games
Lack half their ring.
He. — Why, never, dear. Out there,
The sea’s a cord of silver, still to south
Beyond the marsh.
She. — Ah, but beyond it all,
And all beneath and all above, half of the glory’s done.
And I and you....
He. — Why, no. The ancient sun
Shines as it ever shone, and still your mouth
Is sweet as of old it was.
She. — But what remains?
He. All the old pains,
And all the old sweet pleasures and the mystery
Of time, slow travel and unfathomed deep.
She. And then this cold extinction?...
He. — Dreamless sleep.
She. And nothing matters?
He. — All the old, old things.
Whether to Church or College rings
The clamorous bell of creeds,
We, in the lush, far meads,
Poet and woman, past the city walls,
Hear turn by turn the burden of their calls,
Believe what we believe, feel what we feel,
Like what we list of what they cry within
Cathedral or laborat’ry,
Since, by the revolution of the wheel,
The one swings under, let us wait content.
She. Yet it is hard.
He. — Ah no. A sure intent,
For me and you.
The right, true, joyful word, the sweet, true phrase,
The calling of our children from the woods these garden days
Remain. — These drops of rain have laid the dust
And in our soft brown seed-beds formed the crust
We needed for our sowings. Bring your seed,
And you shall prick it in, I close the row.
Be sure the little grains your hands have pressed
Tenderly, lovingly, home, shall flourish best.
She. Aye you are still my poet.
He. — Even so
Betwixt the rain and shine. Half true’s still true
More truly than the thing that’s proved and dead.
The sun lends flame to every crocus head
Once more, and we once more must sow and weed
Since in the earth the newly stirring seed
Begins the ancient mystery anew.
OLD MAN’S EVENSONG
‘TIS but a teeny mite
Hard, road side edge,
OF missus’ candle light
Shines through thet broken hedge.
Reach me my coat, lads,
Give me a lift into it,
Rowin’ they tater-clads
Tasks me to do it
Terribly;
Time was when I weer mad
Diggin’ by star’s light,
Now I am mortial glad
T’ reach my dure-ajar’s light,
‘N’ eat my tea.
Reach me my tools, boys,
Ah mun quit this talk’n’ lurry;
Theer’s my ol’ missus’ voice
Calls: “Or meastur, hurry,
Y’r tea-time’s come.”
Smells from the chimney side
Sniff down this plaguy mist,
Wanst I’d wander far an’ wide,
Now I’m terr’ble stiff an’ whist
‘N’ stay at home.
‘Tis but a yeard or two
Hard road, thank God.
Then off the hard an’ goo
Home on the sod.
CHILDREN’S SONG
SOMETIMES wind and sometimes rain,
Then the sun comes back again;
Sometimes rain and sometimes snow,
Goodness, how we’d like to know
Why the weather alters so.
When the weather’s really good
We go nutting in the wood;
When it rains we stay at home,
And then sometimes other some
Of the neighbours’ children come.
Sometimes we have jam and meat,
All the things we like to eat;
Sometimes we make do with bread
And potatoes boiled instead.
Once when we were put to bed
We had nowt and mother cried,
But that was after father died.
So, sometimes wind and sometimes rain,
Then the sun comes back again;
Sometimes rain and sometimes snow,
Goodness, how we’d like to know
If things will always alter so.
FROM THE SOIL
(TWO MONOLOGUES)
I
The Field Labourer speaks.
AH am a mighty simple man and only
Good wi’ my baggin’ hook and sichlike and’tis . lonely
Wheer Ah do hedge on Farmer Finn his farm.
Often Ah gits to thinking
When it grows dark and the ol’ sun’s done sinking,
And Ah hev had my sheere
Of fear
And wanted to feel sure that God were near
And goodly warm —
As near as th’eldritch shave I were at wark about...
Plenty o’ time for thinking
We hes between the getting up and sinking
Of that ol’ sun — about the God we tark about...
In the beginning God made Heaven and
The’ Arth,’n Sea we sometimes hear a-calling
When wind she bloweth from the rainy land
An’ says ther’ll soon be wet an’ rain a-falling.
Ah’ll give you, parson, God he made the sea,
An’ made this’Arth, ner yit Ah wo-an’t scrimmage
But what He made the sky; what passes me
Is that what follows: “Then the Lord made we
In his own image.”
For, let alone the difference in us creatures,
Some short o’ words like me, and others preachers
With stores of them, like you; some fair, some middlin’,
Some black-avis’d like you and good at fiddlin’,
Some crabb’d, some mad, some mighty gay and pleasant,
No two that’s more alike than jackdaw is to pheasant,
We’re poorish stuff at best.
We doesn’t last no time before we die,
Nor leave more truck behind than they poor thrushes.
You find, stiff feathers, laid aside the bushes
After a hard ol’ frost in Janu-ry.
Ol’ crow he lives much longer,
Ol’ mare’s a de-al stronger
‘N the hare’s faster...
If so be God’s like we and we like He
The man’s as good’s his Master.
You are a civil, decent-spoken man, Muss Parson.
‘N’ I don’t think ye’ll say this kind o’ tark is worse’n arson —
That’s burning stacks, I think — surety it isn’ meant so,
I tell you, Parson, no;
‘N’ us poor folk we doesn’t want to blame
You parsons fer the things that’s said and sung
Up there in church. My apple tree is crook’d because
‘twere bent so
When it were young.
‘N’ them as had you preacher-folk to tame,
Taught you the tales that you are bound to tell
Us folk below
About three Gods that’s one an’ Heav’n an’ Hell,
An’ things us folk ain’t meant to understand.
I — tell you, sir, we men that’s on the land
Needs summut we can chew when trouble’s brewing,
When our ol’’ooman’s bad an’ rent is due
‘N’ we no farden,
‘N’ when it’s late to sow’n’ still too wet to dig the garden,
Something as we can chew like that ol’ cow be chewing.
Something told plain and something we gits holt on,
— You need a simple sort o’ feed to raise a colt on —
We needs it, parson, life’s a bitter scrimmage,
Livin’ and stuggin’ in the mud and things we do
Enow confound us;
We hain’t no need for fear
Of God, to make the living hardly worth —
You tell us, sir, that “God He made this Earth
In His own image,”
An’ make the Lord seem near.
So’s we could think that when we come to die
We’ll lie
In this same goodly’Arth, an’ things goo on around us
Much as they used to goo.
II
The Small Farmer soliloquizes.
I wonder why we toiled upon the earth
From sunrise until sunset, dug and delved,
Crook-backed, cramp-fingered, making little marks
On the unmoving bosoms of the hills,
And nothing came of it. And other men
In the same places dug and delved and ended
As we have done; and other men just there
Shall do the self-same things until the end.
I wonder why we did it — Underneath
The grass that fed my sheep, I often thought
Something lay hidden, some sinister thing
Lay looking up at us as if it looked
Upwards thro’ quiet waters; that it saw
Us futile toilers scratching little lines
And doing nothing. And maybe it smiled
Because it knew that we must come to this —
I lay and heard the rain upon the roof
All night when rain spelt ruin, lay and heard
The east wind shake the windows when that wind
Meant parched up land, dried herbage, blighted wheat,
And ruin, always ruin creeping near
In the long droughts and bitter frosts and floods.
And when at dawning I went out-a-doors
I used to see the top of the tall shaft
O’ the workhouse here, peep just above the downs,
It was as if the thing were spying, waiting,
Watching my movements, saying, “You will come,
Will come at last to me.” And I am here...
And down below that Thing lay there and smiled;
Or no, it did not smile; it was as if
One might have caught it smiling, but one saw
The earth immovable, the unmoved sheep
And senseless hedges run like little strings
All over hill and dale —
WISDOM
THE young girl questions: “Whether were it better
To lie for ever, a warm slug-a-bed
Or to rise up and bide by F ate and Chance,
The rawness of the morning,
The gibing and the scorning
Of the stern Teacher of my ignorance?’’
“I know not,” Wisdom said.
The young girl questions: “Friend, shall I die calmer,
If I’ve lain for ever, sheets above the head,
Warm in a dream, or rise to take the worst
Of peril in the highways
Of straying in the by-ways.
Of hunger for the truth, of drought and thirst?”
“We do not know,” he said,
“Nor may till we be dead.”
THE POSY-RING
(AFTER CLEMENT MAROT)
THIS on thy posy-ring I’ve writ:
“True Love and Faith.”
For, failing Love, Faith droops her head,
And lacking faith, why love is dead
And’s but a wraith.
But Death is stingless where they’ve lit
And stayed, whose names hereon I’ve writ.
THE GREAT VIEW
UP here, where the air’s very clear
And the hills slope away nigh down to the bay,
It is very like Heaven...
For the sea’s wine-purple and lies half asleep
In the sickle of the shore and, serene in the west,
Lion-like purple and brooding in the even,
Low hills lure the sun to rest.
Very like Heaven — For the vast marsh dozes,
And waving plough-lands and willowy closes
Creep and creep up the soft south steep;
In the pallid North the grey and ghostly downs do fold away.
And, spinning spider-threadlets down the sea, the
sea-lights dance
And shake out a wavering radiance.
Very like Heaven — For a shimmering of pink.
East, far east, past the sea-lights’ distant blink,
Like a cloud shell-pink, like the ear of a girl,
Like Venice-glass mirroring mother-o’-pearl,
Like the small pink nails of my lovely lady’s fingers,
Where the skies drink the sea and the last light lies and lingers,
There is France.
WIFE TO HUSBAND




