Complete Works of Ford Madox Ford, page 266
One of the Indians, a man of huge stature, made to them in the boat a long speech. He pointed to the sea, to eastward, and to the heavens above; he raised one finger and then six; he affected to draw his bow and shook his head; he made as women do when they cast ashes on their heads and bewail the dead. The warriors around him leaned up in their bows and were silent. From time to time old Jan screamed and jabbered and then the chief paused and looked at him, afterwards resuming his sonorous words. Finally he paused for a long time too, and leaning on his own bow seemed to await speech from the boat. He was a man near seven feet high, and his coronal of feathers made him appear to have a great majesty. Suddenly he uttered one single word, and he and all his companions had vanished into the road as if they had sunk into the ground.
Old Jan remained alone on the shore, naked and gibbering, and when they drove the boat to take him aboard he ran away over the stones of the shore, crying out unintelligible words. But at last he fell down, and they bound him with the rope and took him aboard.
Henry Hudson was like a man mad with grief for a time; he cried out upon the Dutchmen that it was because of their firing on the canoes that the Indians had slain his innocent mate and friend, and he said that the Indians with their clemency were better Christians than they all. But they could not understand one word in ten of what he said, and at last, signing them to up-anchor, he went down into his cabin to be lonely with his grief. So they sailed away up that broad stream.
THE END
A CALL
In December 1908 Ford established The English Review, a literary periodical, with the first issue containing original work by Thomas Hardy, Henry James, Joseph Conrad, John Galsworthy, W. H. Hudson and H. G. Wells, with even a short story by Leo Tolstoy. This high standard of literature was maintained in later issues, with Ford introducing the early work of Ezra Pound and D. H. Lawrence, amongst other aspiring and future modern masters. In 1910 Ford published his novel A Call as a serial in the magazine. Written at a time when the editor had published works by the leading literary figures of the day, it is easy to understand Ford’s eagerness to contribute his best work to the journal. Now, some critics argue that A Call is Ford’s greatest achievement to be published before his masterpiece The Good Soldier.
The novel tells the story of Robert Grimshaw, a thirty-five year old Londoner, who is a typical Fordian figure of indecisiveness, meddling in the affairs of other characters. Grimshaw is caught between his passion for two entirely different women. Firstly there is the headstrong and passionate Katya, an expert in mental disorders, who wishes to dominate him completely whilst living together unmarried; secondly, there is the supine and passive Pauline, who adores Grimshaw tenderly, with unquestioning devotion. Another key character of the novel is Grimshaw’s long time friend, the somewhat dim-witted member of the nobility, Dudley Leicester, who Grimshaw ‘arranges’ for the impoverished Pauline to marry. However, when Leicester is unwittingly trapped in the house of seductress one evening and he receives a telephone call from a mysterious voice that knows his identity, he is sent into a mad frenzy.
Ford’s novel depicts the two fundamentally different aspects of love with artistic deftness, conveying the sense of a world fraught with passion and agonised denial – a characteristic already familiar in Ford’s works, but one that had yet to be portrayed so successfully.
The first issue of Ford’s publishing sensation ‘The English Review’
The first page of the table of contents
CONTENTS
PART I.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
PART II.
CHAPTER I.
CHAPTER II.
CHAPTER III.
PART III.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV
CHAPTER V.
CHAPTER VI.
PART IV.
CHAPTER I.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
CHAPTER VI.
PART V.
CHAPTER I.
CHAPTER II.
EPISTOLARY EPILOGUE.
A CALL
THE TALE OF TWO PASSIONS
“We have a flower in our garden,
We call it Marygold:
And if you will not when you may,
You shall not when you wold.”
PART I.
CHAPTER I.
IT was once said of Mr. Robert Grimshaw: “That chap is like a seal” — and the simile was a singularly just one. He was like a seal who is thrusting his head and shoulders out of the water, and, with large, dark eyes and sensitive nostrils, is on the watch. All that could be known of him seemed to be known; all that could be known of the rest of the world he moved in he seemed to know. He carried about with him usually, in a crook of his arm, a polished, light brown dachshund that had very large feet, and eyes as large, as brown, and as luminous, as those of his master. Upon the occasion of Pauline Lucas’s marriage to Dudley Leicester the dog was not upon his arm, but he carried it into the drawing-rooms of the many ladies who welcomed him to afternoon tea. Apparently it had no attractions save its clear and beautiful colour, its excellent if very grotesque shape, and its complete docility. He called upon a lady at tea-time, and, with the same motion that let him down into his chair, he would set the dog upon the floor between his legs. There it would remain, as motionless and as erect as a fire-dog, until it was offered a piece of buttered tea-cake, which it would accept, or until its master gave it a minute and hardly audible permission to rove about. Then it would rove. The grotesque, large-little feet paddled set wide upon the carpet, the long ears flapped to the ground. But, above all, the pointed and sensitive nose would investigate with a minute attention, but with an infinite gentleness, every object within its reach in the room, from the line of the skirting-board to the legs of the piano and the flounced skirts of the ladies sitting near the tea-tables. Robert Grimshaw would observe these investigations with an indulgent approval; and, indeed, someone else once said — and perhaps with more justness — that Mr. Grimshaw resembled most nearly his own dog Peter.
But upon the occasion of Pauline Lucas’s marriage to Dudley Leicester, in the rustle of laces, the brushing sound of feet upon the cocoa-nut matting, to the strains of the organ, and the “honk” of automobiles that, arriving, set down perpetually new arrivals, the dog Peter pursued no investigations. Neither, indeed, did Mr. Grimshaw, for he was upon ground absolutely familiar. He was heard to be asked and to answer: “Where did Cora Strangeways get her dresses made?” with the words: “Oh, she gets them at Madame Serafine’s, in Sloane Street. I waited outside once in her brougham for nearly two hours.”
And to ladies who asked for information as to the bride’s antecedents, he would answer patiently and gently (it was at the very beginning of the winter season, and there were present a great many people “back from” all sorts of places — from the Rhine to Caracas) —
“Oh, Pauline’s folk are the very best sort of people in the world. Her mother was army, her father navy — well, you all know the Lucases of Laughton, or you ought to. Yes, it’s quite true what you’ve heard, Mrs. Tressillian; Pauline was a nursery governess.
What do you make of it? Her father would go a mucker in South American water-works because he’d passed a great deal of his life on South American stations and thought he knew the country. So he joined the other Holy Innocents — the ones with wings — and Pauline had to go as a nursery governess till her mother’s people compounded with her father’s creditors.”
And to Hartley Jenx’s croaking remark that Dudley Leicester might have done himself better, Grimshaw, with his eyes upon the bride, raised and hardened his voice to say:
“Nobody in the world could have done better, my good man. If it hadn’t been Dudley, it would have been me. You’re come to the wrong shop. I know what I’m talking about. I haven’t been carting Yankees around ruins; I’ve been in the centre of things.”
Hartley Jenx, who estimated Dudley Leicester at five thousand a year and several directorates, estimated Grimshaw at a little over ten, plus what he must have saved in the six years since he had come into the Spartalide money. For it was obvious that Grimshaw, who lived in rooms off Cadogan Square and had only the smallest of bachelor shoots — that Grimshaw couldn’t spend anything like his income. And amongst the guests at the subsequent reception, Hartley Jenx — who made a living by showing Americans round the country in summer, and by managing a charitable steam-laundry in the winter — with croaking voice, might at intervals be heard exclaiming:
“My dear Mrs. Van Notten, my dear Miss Schuylkill, we don’t estimate a girl’s fortune here by what she’s got, but by what she’s refused.” And to the accentuated “My’s!” of, the two ladies from Poughkeepsie he added, with a singular gravity:
“The bride of the day has refused sixty thousand dollars a year!”
So that, although the illustrated papers lavishly reproduced Pauline’s pink-and-white beauty, stated that her father was the late Commodore Lucas, and her mother a daughter of Quarternion Castlemaine, and omitted the fact that she had refused twelve thousand a year to marry seven and a few directorates, there were very few of those whom Grimshaw desired to have the knowledge that did not know this his tragedy.
On the steps of the church, Robert Grimshaw was greeted by his cousin, Ellida Langham, whose heavily patterned black veil, drooping hat of black fur, and long coat all black with the wide black sleeves, enhanced the darkness of her coal-black eyes, the cherry colour of her cheeks, and the rich red of her large lips. Holding out her black-gloved hand with an odd little gesture, as if at the same time she were withdrawing it, she uttered the words:
“Have you heard anything of Katya?” Her head seemed to be drawn back, birdlike, into the thick furs on her neck, and her voice had in it a plaintive quality. Being one of two daughters of the late Peter Lascarides, and the wife of Paul Langham, she was accounted fortunate as owning great possessions, a very attached husband, and sound health. The plaintive tone in her voice was set down to the fact that her little daughter of six was said to be mentally afflicted, and her sister Katya to have behaved in the strangest possible manner. Indeed, Mr. Hartley Jenx was accustomed to assure his American friends that Katya Lascarides had been sent abroad under restraint, though her friends gave it out that she was in Philadelphia working at a nerve-cure place.
“She is still in Philadelphia,” Robert Grimshaw answered, “but I haven’t heard from her.” Ellida Langham shivered a little in her furs. “These November weddings always make me think of Katya and you,” she said; “it was to have been done for you in November, too. I don’t think you have forgotten.”
“I’m going to walk in the Park for ten minutes,” Grimshaw replied. “Peter’s in the shop. Come too.”
She hooked herself on to his arm to be conducted to her coupé at the end of a strip of red carpet, and in less than two minutes they were dropped on the pavement beside the little cigar-shop that is set, as it were, into the railings of the Park. Here Peter the dachshund, sitting patiently on the spot where his master had left him, beside the doormat, greeted Robert Grimshaw with one tiny whimper and a bow of joy; and then, his nose a hair’s-breadth from Robert Grimshaw’s heel, he paddled after them into the Park.
It was very grey, leafless, and deserted.
The long rows of chairs stretched out untenanted, and the long perspective of the soft-going Ladies’ Mile had no single rider. They walked very slowly, and spoke in low tones.
“I almost wish,” Ellida Langham said, “that you had taken Katya’s offer. What could have been said worse of her than they say now?”
“What do you say of her as it is?” Robert Grimshaw answered.
Mrs. Langham drooped in discouragement.
“That she is engaged in good works. But in Philadelphia! Who believes in good works in Philadelphia? Besides, she’s acting as a nurse — for payment. That isn’t good works, and it’s disagreeable to lie even about one’s sister.”
“Whatever Katya did,” Robert Grimshaw answered seriously, “she would be engaged in good works. You might pay her a king’s salary, and she’d still do more than she was paid for. That’s what it is to do good works.”
“But if you had taken her on her own terms...” Mrs. Langham seemed as if she were pleading with him—”don’t you think that one day she or you will give in?”
“I think she never will, and she may be right,” he answered. “I think I never shall, and I know I am.”
“But if no one ever knew,” she said “wouldn’t it be the same thing as the other thing?”
“Ellida, dear,” he answered gravely, “wouldn’t that mean a great deal more lying for you — about your sister?”
“But wouldn’t it be much better worth lying about?” she appealed to him. “You are such a dear, she’s such a dear, and I could cry; I want you to come together so much!”
“I don’t think I shall ever give in,” he answered. And then, seeing a real moisture of tears in the eyes that were turned towards him, he said:
“I might, but not till I grow much more tired — oh, much more tired! — than I am.”
And then he added, as briskly as he could, for he spoke habitually in low tones, “I am coming in to supper to-night, tell Paul. How’s Kitty?”
They were turning across the soft going, down towards where Mrs. Langham’s motor was waiting for her beside the door of the French Embassy.
“Oh, Doctor Tressider says there’s nothing to be fundamentally anxious about. He says that there are many children of six who are healthy enough and can’t speak. I don’t exactly know how to put it, but he says — well, you might call it a form of obstinacy.” Robert Grimshaw said “Ah!”
“Oh, I know you think,” his cousin commented, “that that runs in the family. At any rate, there’s Kitty as lively as a lark and perfectly sound physically, and she won’t speak.”
“And there’s Katya,” Mr. Grimshaw said, “as lively as a thoroughbred, and as sound as a roach, and a great deal better than any angel — and she won’t marry.”
Again Mrs. Langham was silent for a moment or two, then she added:
“There was mother, too. I suppose that was a form of obstinacy. You remember she always used to say that she would imitate poor mother to the death. Why — mother used to dress ten years before her age so that Katya should not look like a lady of fifty. What a couple of angels they were, weren’t they?”
“You haven’t heard” — Mr. Grimshaw continued his musings—”you haven’t heard from your mother’s people that there was any obstacle?”
“None in the world,” she answered. “There couldn’t have been. We’ve made all the inquiries that were possible. Why, my father’s private bank-books for years and years back exist to this day, and there’s no payment in them that can’t be traced. There would have been mysterious cheques if there were anything of the sort, but there’s nothing, nothing. And mother — well, you know the Greek system of dealing with girls — she was shut up in a harem till she — till she came out here to father. No, it’s inexplicable.”
“Well, if Kitty’s obstinate not to imitate people,” Grimshaw commented, “you can only say that Katya’s obstinacy takes the form of imitation.”
Mrs. Langham gave vent to a little sort of wail.
“You aren’t going back on Katya?” she said. “It isn’t true, is it, that there’s another?”
“I don’t know whether it’s true or not true,” Grimshaw said, “but you can take it that today’s ceremony has hit me a little hard. Katya is always first, but think of that dear little woman tied to the sort of obtuse hypochondriac that Dudley Leicester is!”
“Oh, but there’s nothing in Pauline Lucas,” Mrs. Langham objected, “and I shouldn’t say Dudley was a hypochondriac. He looks the picture of health.”
“Ah, you don’t know Dudley Leicester as I do,” Grimshaw said. “I’ve been his best friend for years.”
“I know you’ve been very good to him,” Ellida Langham answered.
“I know I have,” Grimshaw replied, as nearly as possible grimly. “And haven’t I now given him what was dearest and best to me?”
“But Katya?” Mrs. Langham said.
“One wants Katya,” Grimshaw said—”one wants Katya. She is vigour, she is life, she is action, she is companionship. One wants her, if you like, because she is chivalry itself, and so she’s obstinate; but, if one can’t have Katya, one wants....”
He paused and looked at the dachshund that, when he paused, paused and looked back at him.
“That’s what one wants,” he continued. “One wants tenderness, fidelity, pretty grace, quaintness, and, above all, worship. Katya could give me companionship; but wouldn’t Pauline have given me worship?”
“But still...” Mrs. Langham commenced. “Oh, I know,” Grimshaw interrupted, “there’s nothing in her, but still....”
“But still,” Mrs. Langham mocked him, “dear old Toto, you do want to talk about her. Let’s take another little turn; I can give you five minutes more.”
She beckoned to her car to come in at the gates and follow them along the side-walk past the tall barracks in the direction of Kensington.
“Yes, I dearly want to talk about Pauline,” Grimshaw said, and his cousin laughed out the words:
“Oh, you strong, silent men! Don’t you know you are called a strong, silent man? I remember how you used to talk to Katya and me about all the others before you got engaged to Katya. When I come to think of it, the others were all little doll-things like Pauline Leicester. Katya used to say: ‘There’s nothing in them!’ She used to say it in private to me. It tore her heart to shreds, you know. I couldn’t understand how you came to turn from them to her, but I know you did and I know you do....
