Complete Works of D.H. Lawrence, page 555
“What is your idea in coming here, daughter?” she asked. “I love it here, mother.”
“But what do you expect to achieve by it?”
“I was rather hoping, mother, to escape achievement. I’ll tell you — and you mustn’t get cross if it sounds silly. As far as people go, my heart is quite broken. And far as people go, I don’t want any more. I can’t stand any more. What heart I ever had for it — for life with people — is quite broken. I want to be alone, mother: with you here, and Phoenix perhaps to look after horses and drive a car. But I want to be by myself, really.”
“With Phoenix in the background! Are you sure he won’t be coming into the foreground before long?”
“No, mother, no more of that. If I’ve got to say it, Phoenix is a servant: he’s really placed, as far as I can see. Always the same, playing about in the old back yard. I can’t take those men seriously. I can’t fool round with them, or fool myself about them. I can’t and I won’t fool myself any more, mother, especially about men. They don’t count. So why should you want them to pay me out?”
For the moment, this silenced Mrs. Witt. Then she said:
“Why, I don’t want it. Why should I? But after all, you’ve got to live. You’ve never lived yet: not in my opinion.”
“Neither, mother, in my opinion, have you,” said Lou dryly.
And this silenced Mrs. Witt altogether. She had to be silent, or angrily on the defensive. And the latter she wouldn’t be. She couldn’t really, in honesty.
“What do you call life?” Lou continued. “Wriggling half naked at a public show and going off in a taxi to sleep with some half-drunken fool who thinks he’s a man because — Oh, mother, I don’t even want to think of it. I know you have a lurking idea that that is life. Let it be so then. But leave me, out. Men in that aspect simply nauseate me: so grovelling and ratty. Life in that aspect simply drains all my life away. I tell you, for all that sort of thing, I’m broken, absolutely broken: if I wasn’t broken to start with.”
“Well, Louise,” said Mrs. Witt after a pause, “I’m convinced that ever since men and women were men and women, people who took things seriously, and had time for it, got their hearts broken. Haven’t I had mine broken! It’s as sure as having your virginity broken: and it amounts to about as much. It’s a beginning rather than an end.”
“So it is, mother. It’s the beginning of something else, and the end of something that’s done with. I know, and there’s no altering it, that I’ve got to live differently. It sounds silly, but I don’t know how else to put it. I’ve got to live for something that matters, way, way down in me. And I think sex would matter, to my very soul, if it was really sacred. But cheap sex kills me.”
“You have had a fancy for rather cheap men, perhaps.”
“Perhaps I have. Perhaps I should always be a fool, where people are concerned. Now I want to leave off that kind of foolery. There’s something else, mother, that I want to give myself to. I know it. I know it absolutely. Why should I let myself be shouted down any more?”
Mrs. Witt sat staring at the distance, her face a cynical mask.
“What is the something bigger? And pray, what is it bigger than?” she asked, in that tone of honeyed suavity which was her deadliest poison. “I want to learn. I am out to know. I’m terribly intrigued by it. Something bigger! Girls in my generation occasionally entered convents for something bigger. I always wondered if they found it. They seemed to me inclined in the imbecile direction, but perhaps that was because I was something less — ”
There was a definite pause between the mother and daughter, a silence that was a pure breach. Then Lou said:
“You know quite well I’m not conventy, mother, whatever else I am — even a bit of an imbecile. But that kind of religion seems to me the other half of men. Instead of running after them you run away from them, and get the thrill that way. I don’t hate men because they’re men, as nuns do. I dislike them because they’re not men enough: babies, and playboys, and poor things showing off all the time, even to themselves.
“I don’t say I’m any better. I only wish, with all my soul, that some men were bigger and stronger and deeper than I am...”
“How do you know they’re not? — ” asked Mrs. Witt.
“How do I know? — ” said Lou mockingly.
And the pause that was a breach resumed itself. Mrs. Witt was teasing with a little stick the bewildered black ants among the fir-needles.
“And no doubt you are right about men,” she said at length. “But at your age, the only sensible thing is to try and keep up the illusion. After all, as you say, you may be no better.”
“I may be no better. But keeping up the illusion means fooling myself. And I won’t do it. When I see a man who is even a bit attractive to me — even as much as Phoenix — I say to myself: ‘Would you care for him afterwards? Does he really mean anything to you, except just a sensation?’ — And I know he doesn’t. No, mother, of this I am convinced: either my taking a man shall have a meaning and a mystery that penetrates my very soul, or I will keep to myself. — And what I know is, that the time has come for me to keep to myself. No more messing about.”
“Very well, daughter. You will probably spend your life keeping to yourself.”
“Do you think I mind! There’s something else for me, mother. There’s something else even that loves me and wants me. I can’t tell you what it is. It’s a spirit. And it’s here, on this ranch. It’s here, in this landscape. It’s something more real to me than men are, and it soothes me, and it holds me up. I don’t know what it is, definitely. It’s something wild, that will hurt me sometimes and will wear me down sometimes. I know it. But it’s something big, bigger than men, bigger than people, bigger than religion. It’s something to do with wild America. And it’s something to do with me. It’s a mission, if you like. I am imbecile enough for that! — But it’s my mission to keep myself for the spirit that is wild, and has waited so long here: even waited for such as me. Now I’ve come! Now I’m here. Now I am where I want to be: with the spirit that wants me. — And that’s how it is. And neither Rico nor Phoenix nor anybody else really matters to me. They are in the world’s back-yard. And I am here, right deep in America, where there’s a wild spirit wants me, a wild spirit more than men. And it doesn’t want to save me either. It needs me. It craves for me. And to it, my sex is deep and sacred, deeper than I am, with a deep nature aware deep down of my sex. It saves me from cheapness, mother. And even you could never do that for me.”
Mrs. Witt rose to her feet and stood looking far, far away at the turquoise ridge of mountains half sunk under the horizon.
“How much did you say you paid for Las Chivas?” she asked
“Twelve hundred dollars,” said Lou, surprised.
“Then I call it cheap, considering all there is to it: even the name.”
THE END
THE VIRGIN AND THE GIPSY
This famous novella was written in 1926 and published posthumously in 1930. The tale concerns two sisters, daughters of an Anglican vicar, who return from overseas to a drab, lifeless vicarage in the post-First World War East Midlands. Their mother has run off, a scandal that is not talked about by the family. Their new home is dominated by a blind and selfish grandmother along with her mean spirited, poisonous daughter. The two girls, Yvette and Lucille, risk being suffocated by the life they now lead at the Vicarage. They try their utmost every day to bring colour and fun into their lives. Out on a trip with some friends one Sunday afternoon, Yvette encounters a Gypsy and his family and this meeting reinforces her disenchantment with the oppressive domesticity of the vicarage. It also awakens in her a sexual curiosity she has not felt before, despite having admirers. She also befriends a Jewish woman and her paramour. When her father finds out about this friendship, he threatens her with “the asylum” and Yvette realizes that at his heart her father, too, is mean spirited and shallow. At the end of the novel, one of the daughters is rescued during a surprise flood that washes through the home and drowns the grandmother. The rescuer who breathes life and warmth back into the virginal Yvette is the free-spirited Gypsy, whose name is finally revealed. The novella is now regarded as one of the best written in the twentieth century.
Lawrence and his wife Freida, 1926
CONTENTS
ONE
TWO
THREE
FOUR
FIVE
SIX
SEVEN
EIGHT
NINE
TEN
To Frieda
ONE
When the vicar’s wife went off with a young and penniless man the scandal knew no bounds. Her two little girls were only seven and nine years old respectively. And the vicar was such a good husband. True, his hair was grey. But his moustache was dark, he was handsome, and still full of furtive passion for his unrestrained and beautiful wife.
Why did she go? Why did she burst away with such an éclat of revulsion, like a touch of madness?
Nobody gave any answer. Only the pious said she was a bad woman. While some of the good women kept silent. They knew.
The two little girls never knew. Wounded, they decided that it was because their mother found them negligible.
The ill wind that blows nobody any good swept away the vicarage family on its blast. Then lo and behold! the vicar, who was somewhat distinguished as an essayist and a controversialist, and whose case had aroused sympathy among the bookish men, received the living of Papplewick. The Lord had tempered the wind of misfortune with a rectorate in the north country.
The rectory was a rather ugly stone house down by the river Papple, before you come into the village. Further on, beyond where the road crosses the stream, were the big old stone cotton-mills, once driven by water. The road curved uphill, into the bleak stone streets of the village.
The vicarage family received decided modification, upon its transference into the rectory. The vicar, now the rector, fetched up his old mother and his sister, and a brother from the city. The two little girls had a very different milieu from the old home.
The rector was now forty-seven years old, he had displayed an intense and not very dignified grief after the flight of his wife. Sympathetic ladies had stayed him from suicide. His hair was almost white, and he had a wild-eyed, tragic look. You had only to look at him, to know how dreadful it all was, and how he had been wronged.
Yet somewhere there was a false note. And some of the ladies, who had sympathised most profoundly with the vicar, secretly rather disliked the rector. There was a certain furtive self-righteousness about him, when all was said and done.
The little girls, of course, in the vague way of children, accepted the family verdict. Granny, who was over seventy and whose sight was failing, became the central figure in the house. Aunt Cissie, who was over forty, pale, pious, and gnawed by an inward worm, kept house. Uncle Fred, a stingy and grey-faced man of forty, who just lived dingily for himself, went into town every day. And the rector, of course, was the most important person, after Granny.
They called her The Mater. She was one of those physically vulgar, clever old bodies who had got her own way all her life by buttering the weaknesses of her men-folk. Very quickly she took her cue. The rector still “loved” his delinquent wife, and would “love her” till he died. Therefore hush! The rector’s feeling was sacred. In his heart was enshrined the pure girl he had wedded and worshipped.
Out in the evil world, at the same time, there wandered a disreputable woman who had betrayed the rector and abandoned his little children. She was now yoked to a young and despicable man, who no doubt would bring her the degradation she deserved. Let this be clearly understood, and then hush! For in the pure loftiness of the rector’s heart still bloomed the pure white snowflower of his young bride. This white snowflower did not wither. That other creature, who had gone off with that despicable young man, was none of his affair.
The Mater, who had been somewhat diminished and insignificant as a widow in a small house, now climbed into the chief arm-chair in the rectory, and planted her old bulk firmly again. She was not going to be dethroned. Astutely she gave a sigh of homage to the rector’s fidelity to the pure white snowflower, while she pretended to disapprove. In sly reverence for her son’s great love, she spoke no word against that nettle which flourished in the evil world, and which had once been called Mrs. Arthur Saywell. Now, thank heaven, having married again, she was no more Mrs. Arthur Saywell. No woman bore the rector’s name. The pure white snow-flower bloomed in perpetuum, without nomenclature. The family even thought of her as She-who-was-Cynthia.
All this was water on the Mater’s mill. It secured her against Arthur’s ever marrying again. She had him by his feeblest weakness, his skulking self-love. He had married an imperishable white snowflower. Lucky man! He had been injured! Unhappy man! He had suffered. Ah, what a heart of love! And he had — forgiven! Yes, the white snowflower was forgiven. He even had made provision in his will for her, when that other scoundrel — But hush! Don’t even think too near to that horrid nettle in the rank outer world! She-who-was-Cynthia. Let the white snowflower bloom inaccessible on the heights of the past. The present is another story.
The children were brought up in this atmosphere of cunning self-sanctification and of unmentionability. They too, saw the snowflower on inaccessible heights. They too knew that it was throned in lone splendour aloft their lives, never to be touched.
At the same time, out of the squalid world sometimes would come a rank, evil smell of selfishness and degraded lust, the smell of that awful nettle, She-who-was-Cynthia. This nettle actually contrived, at intervals, to get a little note through to her girls, her children. And at this the silver-haired Mater shook inwardly with hate. For if She-who-was-Cynthia ever came back, there wouldn’t be much left of the Mater. A secret gust of hate went from the old granny to the girls, children of that foul nettle of lust, that Cynthia who had had such an affectionate contempt for the Mater.
Mingled with all this, was the children’s perfectly distinct recollection of their real home, the Vicarage in the south, and their glamorous but not very dependable mother, Cynthia. She had made a great glow, a flow of life, like a swift and dangerous sun in the home, forever coming and going. They always associated her presence with brightness, but also with danger; with glamour, but with fearful selfishness.
Now the glamour was gone, and the white snowflower, like a porcelain wreath, froze on its grave. The danger of instability, the peculiarly dangerous sort of selfishness, like lions and tigers, was also gone. There was now a complete stability, in which one could perish safely.
But they were growing up. And as they grew, they became more definitely confused, more actively puzzled. The Mater, as she grew older, grew blinder. Somebody had to lead her about. She did not get up till towards midday. Yet blind or bed-ridden, she held the house.
Besides, she wasn’t bed-ridden. Whenever the men were present, the Mater was in her throne. She was too cunning to court neglect. Especially as she had rivals.
Her great rival was the younger girl, Yvette. Yvette had some of the vague, careless blitheness of She-who-was-Cynthia. But this one was more docile. Granny perhaps had caught her in time. Perhaps!
The rector adored Yvette, and spoiled her with a doting fondness; as much as to say: am I not a soft-hearted, indulgent old boy! He liked to have weaknesses to a hair’s-breadth. She knew them, this opinion of himself, and the Mater knew his and she traded on them by turning them into decorations for him, for his character. He wanted, in his own eyes, to have a fascinating character, as women want to have fascinating dresses. And the Mater cunningly put beauty-spots over his defects and deficiencies. Her mother-love gave her the clue to his weaknesses, and she hid them for him with decorations. Whereas She-who-was-Cynthia — ! But don’t mention her, in this connection. In her eyes, the rector was almost humpbacked and an idiot.
The funny thing was, Granny secretly hated Lucille, the elder girl, more than the pampered Yvette. Lucille, the uneasy and irritable, was more conscious of being under Granny’s power, than was the spoilt and vague Yvette.
On the other hand, Aunt Cissie hated Yvette. She hated her very name. Aunt Cissie’s life had been sacrificed to the Mater, and Aunt Cissie knew it, and the Mater knew she knew it. Yet as the years went on, it became a convention. The convention of Aunt Cissie’s sacrifice was accepted by everybody, including the self-same Cissie. She prayed a good deal about it. Which also showed that she had her own private feelings somewhere, poor thing. She had ceased to be Cissie, she had lost her life and her sex. And now, she was creeping towards fifty, strange green flares of rage would come up in her, and at such times, she was insane.
But Granny held her in her power. And Aunt Cissie’s one object in life was to look after The Mater.
Aunt Cissie’s green flares of hellish hate would go up against all young things, sometimes. Poor thing, she prayed and tried to obtain forgiveness from heaven. But what had been done to her, she could not forgive, and the vitriol would spurt in her veins sometimes.
It was not as if the Mater were a warm, kindly soul. She wasn’t. She only seemed it, cunningly. And the fact dawned gradually on the girls. Under her old-fashioned lace cap, under her silver hair, under the black silk of her stout, forward-bulging body, this old woman had a cunning heart, seeking forever her own female power. And through the weakness of the unfresh, stagnant men she had bred, she kept her power, as her years rolled on, seventy to eighty, and from eighty on the new lap, towards ninety.
For in the family there was a whole tradition of “loyalty”; loyalty to one another, and especially to the Mater. The Mater, of course, was the pivot of the family. The family was her own extended ego. Naturally she covered it with her power. And her sons and daughters, being weak and disintegrated, naturally were loyal. Outside the family, what was there for them but danger and insult and ignominy? Had not the rector experienced it, in his marriage. So now, caution! Caution and loyalty, fronting the world! Let there be as much hate and friction inside the family, as you like. To the outer world, a stubborn fence of unison.
