Complete Works of Aldous Huxley, page 198
From the Mexican case the symbol of death in crystal and that other skull inlaid with turquoise stared out at him as he passed. ‘Nobody cares . . .’ It should have been his opportunity. He had dreamt of her unhappiness — in an agony of commiseration, but also with hope. Unhappy, she would turn to him. ‘Nobody cares . . .’
‘Nobody except you.’ His exultant pride and pleasure in those words had been tempered, as he read on, by the realization that she didn’t really understand how he cared, didn’t appreciate the exact quality of his feeling. ‘My mother?’ she had written. ‘But, after all, ever since she started taking that horrible stuff, she’s somebody else — always was somebody else really, even when she was well (though of course not so else). Just as I was always somebody else, if it comes to that. She expected a daughter; but I was always selfish and irresponsible. Just as she was. Somebody else. How could she care? You’re not selfish, Hugh. You’re . . .’ But it wasn’t a question merely of selfishness or unselfishness, he began to protest, with all the painted faces of the Peruvian vases staring down from the right with an unwinking intensity of frozen life. It was a question of something different, something deeper and more spiritual. On his left the trophies of the Papuan head-hunters hung shrivelled, but fantastically painted, like the heads of decapitated clowns. The skulls from the Torres Straits had been given round shining eyes of mother-of-pearl. Yes, more spiritual, Hugh insisted, thinking of what he had written about her — lyrically, lyrically! — and of that subtle analysis of his own emotions. The unselfishness was there, but melted down, as it were, in contemplation, refined into something aesthetic. Unselfishness in a picture. Unselfishness by Watteau, by Cima da Conegliano. And she herself, the object of his contemplative and aesthetic unselfishness — she too, in his imaginings, in the accumulating pages of his manuscript, had possessed the quality of a picture or a piece of music; something that it would be sufficient happiness merely to look at for ever, to listen to; perhaps, occasionally, to touch, as though she were a statue, to caress with an almost imperceptible tenderness. And sometimes in those imaginings she was cold, was unhappy — nobody cared a pin — and she asked to be comforted and made warm, she crept into his arms, into those unselfish, contemplative, impalpable arms of his, and lay there safely, but naked, lay there a picture, virginal, ideal, but melting, melting . . . Feathered like an ambassador in full dress uniform, with the beak of a bird, the teeth of a shark, this wooden mask had once made its wearer feel, as he danced, that he was more than human, akin to the gods. ‘You’ve said you’d like to be always with me. Well, I’ve been thinking about it a lot recently, and I believe that that’s what I’d like too. Dear Hugh, I’m not in love with you; but I like you more than anyone else. I think you’re nicer, kinder, gentler, less selfish. And surely that’s a good enough foundation to build on.’ The words, when he read them first, had filled him with a kind of panic; and it was with the same protesting agitation that he now walked between New Caledonia and the Solomon Islands. In the belly of a wooden bonito fish the Melanesian widow opened a little door, and there, like a chamberpot, was her husband’s skull. But it was always spiritually and aesthetically that he had wanted to be with her. Hadn’t she been able to understand that? Surely he had made it clear enough? ‘If you still want it, there I am — I want it too.’ It was terrible, he was thinking, terrible! She was forcing a decision on him, making it impossible for him to say no by assuming that he had already said yes. He felt himself hemmed in, driven into a corner. Marriage? But he would have to change his whole way of life. The flat wouldn’t be large enough. She’d want to eat meat at night. Mrs Barton would give notice. Of the spears on his left some were tipped with obsidian, some with the spines of sting-rays, some with human bone. ‘You probably think I’m a fool, and flighty and irresponsible; and it’s true, I have been up till now. I’m hopeless. But I wasn’t born hopeless — I was made it, because of the kind of life I’ve lived. Now I want to be something else, and I know I can be something else. Sérieuse. A good wife and all that, ridiculous and embarrassing as it sounds when one puts it down on paper. But I refuse to be ashamed of goodness any longer. I absolutely refuse.’ That irresponsibility, he was thinking, was one of the loveliest and most moving things about her. It separated her from the common world, it promoted her out of vulgar humanity. He didn’t want her to be responsible and a good wife. He wanted her to be like Ariel, like the delicate creature in his own manuscript, a being of another order, beyond good and evil. Meanwhile he had walked into Africa. The image of a Negress holding her long pointed breasts in her two hands glistened darkly from behind the confining glass. Her belly was tattooed, her navel projected in a little cone. The spears in the next case were headed with iron. Like Ariel, he repeated to himself, like those Watteaus at Dresden, like Debussy. For resonator, this xylophone had, not the usual gourd, but a human skull, and there were skulls festooned along the ivory fetish horns, thigh-bones around the sacrificial drum from Ashanti. She was spoiling everything, he said to himself resentfully. And suddenly, lifting his eyes, he saw that she was there, hurrying along the narrow passage between the cases to meet him.
‘You?’ he managed to whisper.
But Helen was too much perturbed to see the look of dismay, the pallor, and then the guilty blush, too intensely preoccupied with her own thoughts to hear the note of startled apprehension in his voice.
‘I’m sorry,’ she said breathlessly, as she took his hand. ‘I didn’t mean to come and pester you here. But you don’t know what it’s been like this morning at home.’ She shook her head; her lips trembled. ‘Mother’s been like a mad-woman. I can’t tell you. . . . You’re the only person, Hugh . . .’
Clumsily, he tried to console her. But the reality was profoundly different from his imagination of her unhappiness. The imagination had always been his delicious opportunity; the reality was the menace of an unavoidable doom. Desperately, he tried the effect of changing the subject. These things from Benin were rather interesting. The ivory leopard, spotted with disks of copper inlay. The Negro warriors, in bronze, with their leaf-shaped spears and swords, and the heads of their enemies hanging from their belts. The Europeans, bearded and aquiline, in their high sixteenth-century morions and baggy hose, their matchlocks in their hands, and the cross hanging round their necks. Comic, he remarked, parenthetically, that the only thing these blackamoors ever got out of Christianity should have been the art of crucifying people. The punitive expedition in 1897 found the place full of crosses. And this beautiful head of the young girl with her tapering Phrygian cap of coral beads . . .
‘Look at this,’ Helen suddenly interrupted; and, pulling up her sleeve, she showed him two red semicircular marks on the skin of her forearm a few inches above the wrist. ‘That’s where she bit me, when I tried to make her go back to bed.’
Hugh was startled into pitying indignation. ‘But it’s awful!’ he cried. ‘It’s too awful.’ He took her hand. ‘My poor child!’ They stood for a moment in silence. Then, suddenly, his pity was shot through by the realization that the thing had happened. There could be no escape now. He found himself thinking again of Mrs Barton. If she were to give notice, what would he do?
CHAPTER FORTY-SIX. October 30th 1934
MARK, AT DINNER, said he’d been re-reading Anna Karenina. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses — catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities — ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood.
Lying by omission turns inevitably into positive lying. The implications of literature are that human beings are controlled, if not by reason, at least by comprehensible, well-organized, avowable sentiments. Whereas the facts are quite different. Sometimes the sentiments come in, sometimes they don’t. All for love, or the world well lost; but love may be the title of nobility given to an inordinate liking for a particular person’s smell or texture, a lunatic desire for the repetition of a sensation produced by some particular dexterity. Or consider those cases (seldom published, but how numerous, as anyone in a position to know can tell!), those cases of the eminent statesmen, churchmen, lawyers, captains of industry — seemingly so sane, demonstrably so intelligent, publicly so high-principled; but, in private, under irresistible compulsion towards brandy, towards young men, towards little girls in trains, towards exhibitionism, towards gambling or hoarding, towards bullying, towards being whipped, towards all the innumerable, crazy perversions of the lust for money and power and position on the one hand, for sexual pleasure on the other. Mere tics and tropisms, lunatic and unavowable cravings — these play as much part in human life as the organized and recognized sentiments. And imaginative literature suppresses the fact. Propagates an enormous lie about the nature of men and women.
‘Rightly, no doubt. Because, if human beings were shown what they’re really like, they’d either kill one another as vermin, or hang themselves. But meanwhile, I really can’t be bothered to read any more imaginative literature. Lies don’t interest me. However poetically they may be expressed. They’re just a bore.’
Agreed with Mark that imaginative literature wasn’t doing its duty. That it was essential to know everything — and to know it, not merely through scientific textbooks, but also in a form that would have power to bring the facts home to the whole mind, not merely to the intellect. A complete expression (in terms of imaginative literature) leading to complete knowledge (with the whole mind) of the complete truth: indispensable preliminary condition of any remedial action, any serious attempt at the construction of a genuinely human being. Construction from within, by training in proper use of the self — training, simultaneously physical and mental. Construction, at the same time, from without, by means of social and economic arrangements devised in the light of a complete knowledge of the individual, and of the way in which the individual can modify himself.
Mark only laughed, and said I reminded him of the men who go round from house to house selling electric washing-machines.
November 4th 1934
Very good meeting in Newcastle with Miller and Purchas. Large and enthusiastic crowds — predominantly of the dispossessed. Note the significant fact that pacifism is in inverse ratio, generally, to prosperity. The greater the poverty, the longer the unemployment, the more whole-hearted the determination not to fight again, and the more complete the scepticism about the conventional idols, Empire, National Honour, and the like. A negative attitude closely correlated with bad economic conditions. Therefore not to be relied on. Such pacifism is without autonomous life. At the mercy, first of all, of anyone who comes along with money — and threats of war would lead to a vast increase of employment. At the mercy, in the second place, of anyone who comes along with an alluring positive doctrine — however crazy and criminal its positiveness may be. The mind abhors a vacuum. Negative pacifism and scepticism about existing institutions are just holes in the mind, emptinesses waiting to be filled. Fascism or communism have sufficient positive content to act as fillers. Someone with the talents of Hitler may suddenly appear. The negative void will be pumped full in a twinkling. These disillusioned pacifist sceptics will be transformed overnight into drilled fanatics of nationalism, class war, or whatever it may be. Question: have we time to fill the vacuum with positive pacifism? Or, having the time, have we the ability?
CHAPTER FORTY-SEVEN. January 10th and 11th 1934
OSTENSIBLY, DON JORGE’S telegram was an order for the immediate sale of six hundred bags of coffee. In fact, it announced that the moment had come, and that he was urgently expecting them.
Mark looked at his companion with an expression that was frankly hostile. ‘Those blasted guts of yours!’ he said.
Anthony protested that he was all right again.
‘You’re not fit to do the journey.’
‘Yes, I am.’
‘You’re not,’ Mark repeated with a solicitude that was at the same time a passionate resentment. ‘Three days on a mule across these damned mountains. It’s too much for anyone in your condition.’
Piqued by the other’s words, and afraid, if he agreed with Mark, of seeming unwilling to face the difficulties and dangers that lay in front of them, Anthony insisted obstinately that he was fit for anything. Wishing to believe it, Mark soon allowed himself to be persuaded. An answer was dispatched to Don Jorge — the six hundred bags were being sold immediately; he might expect to hear further details on Friday — and after lunch, in the blazing heat of the early afternoon, they set out for the finca, lying high in the mountains above Tapatlan, where one of Don Jorge’s friends would put them up for the night. Mark produced his pocket Shakespeare once again and, for four hours, they spurred their reluctant beasts, up and up, between dusty maize stubbles, and, above the fields, through a dry leafless scrub that gave place at last to the green darkness and golden lights of coffee plantations under their towering shade trees. Up and up, while Mark read the whole of Hamlet and two acts of Troilus and Cressida, and Anthony sat wondering, in a mist of fatigue, how much longer he could stand it. But at last, as night was falling, they reached their destination.
At four the next morning they were in the saddle again. Under the trees there was a double night of starless shadow; but the mules picked their way along the windings of the track with a reassuring certainty. From time to time they rode under invisible lemon trees, and in the darkness the scent of the flowers was like the brief and inenarrable revelation of something more than earthly — a moment’s ecstasy, and then, as the mules advanced, hoof after hoof, up the stony path, the fading of the supernatural presence, the return to a common life symbolically represented by the smell of leather and sweat.
The sun rose, and a little later they emerged from the cultivated forest of the coffee plantations into an upland country of bare rocks and pine woods. Almost level, the track went winding in and out along the buttressed and indented flank of a mountain. To the left, the ground fell steeply away into valleys still dark with shadow. Far off, through air made hazy by the dry season’s dust and the smoke of forest fires, a dim whiteness high up in the sky was the Pacific.
Mark went on reading Troilus and Cressida.
A descent so steep that they had to dismount and lead their animals brought them in another hour to the banks of a river. They forded it, and, in the blistering sunshine, began to climb the slope beyond. There was no shade, and the vast bald hills were the colour of dust and burnt grass. Nothing stirred, not even a lizard among the stones. There was no sight or sound of life. Hopelessly empty, the chaos of tumbled mountains seemed to stretch away interminably. It was as though they had ridden across the frontier of the world out into nothingness, into an infinite expanse of hot and dusty negation.
At eleven they halted for a meal, and an hour later, with the sun almost perpendicularly above them, were off once more. The path climbed, dropped fifteen hundred feet into a ravine and climbed again. By three o’clock Anthony was so tired that he could scarcely think or even see. The landscape seemed to advance and retreat before his eyes, turned black sometimes and faded away altogether. He heard voices, and, in his mind, his thoughts began to lead a life of their own — a life that was autonomous in its mad and maddening irrelevance. Image succeeded image in a phantasmagoria that it was beyond his power to exorcize. It was as though he were possessed, as though he were being forced to lead someone else’s life and think with another person’s mind. But the sweat that poured like water off his face and soaked through his shirt and cotton riding-breeches, the intolerable aching of loins and thighs — these were his own. His own and excruciating, intolerable. He was tempted to groan, even to burst into tears. But through the other person’s delirium he remembered his assurances to Mark, his confident promise that he wouldn’t be tired. He shook his head and rode on — rode on through the illusory world of alien fancy and half-seen, vanishing landscape, rode on through the hideous reality of his pain and fatigue.
Mark’s voice startled him out of his stupor.
‘Are you all right?’
Looking up, and, with an effort, focusing his eyes, he saw that Mark had halted and was waiting at the turn of the track just above him. Fifty yards further up the slope the mozo was riding behind the baggage-mule.
‘Mula-a-a!’ came the long-drawn shout, and along with it the dull thump of a stick on mule-skin.
‘Sorry,’ Anthony mumbled, ‘I must have dropped behind.’
‘You’re sure you’re all right?’
He nodded.
‘There’s less than an hour to go,’ said Mark. ‘Stick it out if you can.’ In the shadow of the enormous straw hat, his worn face twisted itself into a smile of encouragement.
