The combinations, p.82

The Combinations, page 82

 

The Combinations
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  --That night, at the Cabaret, what were you doing with Faktor?

  --You mean Viktor? Viktor’s all bluff. He likes to come in &

  big-note himself, drink champagne, invite the “girls” to his table. He

  gives me attention, is all. Jealous?

  --What about Volta?

  --What about him?

  --Are they connected?

  --Not that I’m aware. Viktor might act like he’s a

  Schwarzenberg, but he’s nothing but a peddler of fake antiques. He

  runs a bazaar on Libeňský Island. Specialises in Habsburg kitsch &

  War memorabilia. Some kids with a garage out in Kladno knock it up

  for him by the truckload. You should pay him a visit.

  --Maybe I will.

  Alice laughed, but her eyes didn’t laugh:

  --Why did you really come to see me?

  --Does the Devil & the Carmelite mean anything to you?

  --…?

  --Your striptease act at the Green Fairy.

  --That’s unfriendly.

  He rubbed his eyes. Suddenly he felt very tired. To continue

  talking in this vein made no sense. He struggled to explain the

  frontispiece from the Black Book, if for no other reason than to

  convince himself of the extent of his own stupidity. She laughed

  genuinely this time.

  --Mmm, antiquarian smut… A bit corny, though, don’t you think?

  Priestesses, devils…

  --Not a priestess. The Sisters of the Blessed Virgin Mary of

  Mount Carmel…

  --Whatever.

  --Distinctions are important.

  --That’s the kind of thing Viktor would say.

  --Will he be there tonight?

  --You’ll have to find that out for yourself.

  --Will you be there tonight?

  --I’m not making any promises.

  527

  *APPENDIX 1:

  THE TRANSFORMATIONS OF ALICE STEINEROVÁ

  *APPENDIX 2:

  REAL LIFE/TRUE STORY OF ALICE STEINEROVÁ (CONVERSION KEY)

  528

  39

  ___________

  REISE IN DIE NACHT

  ‘When I was eight there was this kid, Horst Wechsel, had the biggest shvanz on

  the block. Used to flash it at all the shiksas. He’d go up to them & say, You

  wanna see the Promised Land? then whip it out & they’d run squealin’ up the

  street. Man, he was hung like one of them doorposts in Deuteronomy. But you

  know, an act like that doesn’t have a real big future, ’cause pretty soon all the

  shiksas catch on & maybe they tell their memas & one day while he’s flashing

  his klobasa some old bird turns up & starts waving a cleaver at him. Maybe give

  him some sort of trauma. You know, pass the rest of his days flat-out on a

  headshrinker’s couch. What they call in the profession, Gentile Dysfunction

  issues. I mean, what use’s a mezuzah with nothing inside, right?* Well pretty

  soon Horst started having bigger ideas. Like when he got to hanging out at the

  shule with all them kids who think one day they’re gonna be the Messiah, look

  in the mirror each morning to see if the beard’s started to sprout yet. Wanna be

  the right-hand man sitting at The Gate, you know, when The Day comes. With

  their mitzvahs & their minhags. Pulling each other’s ears. Hear, O Babylon, the

  Nin our god & all that. So one day Horst is, you know, diggin’ the scene &

  whatever, when Reb Moravec comes up & says, Ain’t you that kid been shoving the

  salami at Frau Schiklgruber’s pansy son?

  ‘Let me tell you something about racial hatred. Now, a lot of people say…

  Well you know what they say, right? They say all sorts of unpleasant things

  about the Nicest People on Earth. I mean, you know who I’m talking about.

  Some of your best friends are the Nicest People on Earth, am I right? I think

  what it comes down to, it’s some kind of envy. Here you’ve got this couple, man

  & wife in holy matrimony, the whole eight inches, sitting at a table in one of

  those swish joints downtown on Pařížská. You know, where they bulldozed the

  Ghetto for so they could whack up a whole lotta swanky condos with that art

  nouveau smeared all over them? Yeah, one of those joints. Now, she’s a blonde,

  dig? Got the Versace backless number, the matching pearl earrings & necklace

  * זוכ זסכומב וזוכ. (A Caesar cipher. Give unto & all that.) [:]

  529

  combo. He’s sporting the moustache, got a silver cigar case in his breast pocket,

  probably wears designer deodorant. They’re stirring some caviar around with bits

  of expensive stale toast. How it is with these exclusive types, man. I mean,

  they’ve got it tough. You think you’ve got it tough, but no-one forced your

  grandma to sit around all day eating caviar on stale toast, did they? So while

  these two are stuffing down the fish-eggs, right then some bigshot who runs a

  chain of pig farms they’re acquainted with walks in. Can’t take a shit in this

  town without there’s someone knows about it already. You dig? So there’s this

  guy, name of Herrgott or Heimlich or whatever, walks in like he owns the joint.

  And with him, see if you can guess this one. You got it yet? Right. One of those

  Nicest People on Earth. Just like that, right past the doorman & everything. Dark

  eyes, tight little skirt slit up to here, four-inch heels. I mean a real showstopper.

  And the blonde in the Versace sees this & says to hubby, What’s that just came in

  with whatsisname? Isn’t he supposed to be married to sonandso? And hubby says, Oh,

  that’s whatsisname’s Nicest Person on Earth. Isn’t she something? So the blonde

  sneers & tells hubby, Liebling, OUR Nicest Person on Earth is much nicer than his!

  ‘Just the other day… You ever get the feeling you already know what’s

  gonna happen, before it happens? Like you’re walking down the street & there’s

  a cop & you just know this cop’s gonna call you over, ask a bunch of questions,

  go through your I.D. Know what I mean? ’Cause the second they see you

  coming, those beady little cop eyes zero right in. That’s right, I’m looking at you.

  Like you’ve got kike written all over your forehead. Shit, man, ain’t that scene all

  washed up? I mean, man, this’s the Free World. We got McDonalds and Kentucky

  Chuck and NATO fer chrissakes. Woah! You wanna be careful there. These guys,

  you know. These guys are unreformed. Anyone here ever been to a reformatory?

  That’s what’s reserved for the losers. These guys, they all been to the Economics

  University, trained in the protection of Free Market Interests. Now you might

  think that means the Worldwide Zhiddish Conspiracy, but what it really

  means… It’s like, if these people were any more rightwing they’d be mistaken

  for an amputated albatross. A real cop nowadays gonna make even Joe Stalin

  look like Commie trash. It’s like, is the Pope Catholic? So just the other day I’m

  doing that, walking down the street, minding my own proverbial, when this cop

  comes up to me & says, Goin’ somewhere, son? Now what would Jesus have done?

  Well, I’d sure appreciate some directions, orificer. See, I’m looking for that Garden of

  Gethsemane. I guess it’s round here some place… But you’ve gotta wonder, don’t

  you, about the kind of people ask a cop for directions. I mean, you’d really wanna

  be lost, like yer life depended on it. Orificer! Orificer! I’m lookin’ fer Jesus! I can’t 530

  find him anywhere! Oh orificer, help me, help me pleeeeeez…

  ‘You know what this dude said to me this morning in the Metro? Suicide’s

  just the poor man’s alternative to waging total war… That’s what he said. I’m not

  kiddin’ you. I mean, he had a beard & everything, so he had to be right, right? I

  said, Total war? But ain’t that sort of outdated? And he said, Whatya think I am,

  some kind of Allen Ginsberg? But you’ve gotta love these guys. Total war. That

  reminds me of my mother. She had a thing about all those pamphlet pushers,

  always stuffing somethin’ in yer hand every time you go down the street. Always

  on about some kinda cause. How the hell do those people eat? she’d say. It’s the war, I’d tell her. What war you mean? she’d say. It was like . Whadya tell a

  woman like that? Mum, I just got my call-up papers. They want me for the army.

  Well some army YOU’LL make, she’d say. Used to tell us how gramps was an

  Admiral, back when they still had those great big man-o-wars goin’ up & down

  the Vltava. Ain’t gonna make you wear that yella star or nothin’, are they? Hell, to

  be fair to the old lady, she’d really done it hard, bringing us kids up. Oh no, you

  think I’m gonna joke about that? Forget it. Now goin’ in the army, that was

  definitely gonna be like suicide. All these peaceniks, you dig, were sneaking over

  the border, ’cause you know life’s all wine & roses over there. Join the army? No

  sir! Oh boy! You’ve gotta understand, it was different back then. Can’t ride a

  theory home from work, they’d be sayin’ on the radio. A man’s gotta be pragmatic

  about his future. The ol’ Proles’ Paradise not all it was cracked up to be? Stand

  firm, son, a man’s gotta struggle to make anything right in this here world, see?

  Breakin’ the earth with yer bare hands. Tryin’ to raise a crop with all them

  Capitalist doomsayin’ crows stealin’ it out from right in front of yer face. No sir!

  Well it weren’t like most of us ever had that problem, seeing as there was no

  employment going round anyhow. But it gives that nice warm & fuzzy feeling

  inside, doesn’t it, when some Old Hand credits you with high ideals? Shit. How

  come I always get stuck with these holier-than, self-made autodidact types, with

  All the Answers to Everything? Just the other day I was sitting in a bar. Some

  one-armed thalidomide poet comes in spouting that shit about how the World’s

  gonna end, brother, you dig? Just another one of those caftan-wearing self-haters

  of the species, can’t bear to hear the sound of anything but their own croaking.

  And you just wanna shout at these sonsofbitches, Revolution’s over, you arsehole!

  ’Cause you know what God had to say about these losers, don’t you? It’s like, did

  Jesus Christ commit suicide or what? It had to be downright despair, that’s the

  only reasonable explanation. Just thinkin’ it’s a sin, though, right? But there he

  goes. Man, didn’t he have any shame? Getting’ crucified right out in front of

  531

  everyone, some of those people knew his mother fer chrissakes! But maybe God

  just got tired lookin’ after business, wipin’ out the ENEMY every other day of

  the week, decided to do a deal, start a Franchise instead, subcontract the stuff to

  the professionals, industrialise. Son, he said , time for you to go out ’n’ do some

  killin’, pay yer own way, shouldn’t expect a free ride in this here world… And there’s

  that Jesus with the long hair, he just ain’t gonna cut it with those number-

  cruncher, button-pushin’, suit-&-tie jerks. That’s what the Franchise’s for. Let

  the boys from I.B.M. handle the Soylent Green stuff so the kid can hang out on

  the Dead Sea, smoke some of that weed, dip his sandals. You know they’ve got a

  sign over there nowadays, NO WALKIN’ ON THE WATER! Just takes one

  arsehole to spoil the fun for everyone else, isn’t that right? Well it’d serve the

  precious little Mummy’s Love if his number really did come up like that. Can’t

  you picture it? Just what kind of shit would they be givin’ this guy in the

  barracks? Yo, JC, latrine duty ’n’ don’t go givin’ me none a that miracle crap… Oh,

  but it’s true, there does indeed come a time in every man’s life when he’s gotta

  do his duty. That’s what they say, right? You gonna expect the Son of God to

  turn out a conscientious objector? Wasn’t that what the Ghetto was for? Well we

  tried that one, God, & it didn’t work. Some flaws in the design. Like taking an

  Egyptian holiday with that guy Ramses on the loose. Hey, Red Sea’s lookin’ kinda

  nice this time of year, whadya say?

  ‘Now, speaking of losers…’

  A Waltz in a Valise

  The camera crew were taking up most of the bar & half the tables around the

  stage, doubling as extras in a sea of Wermacht feldgrau. Sound technicians,

  gaffers, grips, wranglers, loaders. A script girl in black Schiaparelli. The make-up

  department sporting Vionnet. In the midst of it all was Mistress Vicarious,

  resplendent in knitwear Chanel & surrounded by a dozen Hugo Bosses rubbing

  shoulderpads with the resident sorority in Pernod-green, appleblossom pink,

  mimosa yellow & carnation blush. No sign of a director.

  No-one paid the slightest attention to Němec’s arrival & why would they?

  The doorman, the coatcheck girl, the spoonman, the anatomy dummy, the

  schnorer, the cast of hundreds if not thousands, standing around like future

  tape-recorded presences waiting to be played back against the archival footage,

  for some remote-control voice on a wire to say Cut! & Action! Alice Steinerová

  led the way into this den of iniquity. Whatever misgivings Němec may’ve had,

  532

  dissipated into the fog that hung everywhere. It’d followed them all the way

  along the riverfront, a wall of dreadnaught-grey that closed like a portcullis upon

  Legion Bridge as upon some Bridge of Doom. Dead streetlights stood sentry.

  Weird echoes across the water. The groaning of the locks. Flurry of batwing. A

  distant frog-concert in the sough of the wind & bells tolling under silent

  hammerstrokes from afar, afar, afar. It was after midnight when they descended

  the steps to the island, the château enveloped like a sphinx in the darkness of its

  own enigma. But as they crossed the threshold of the Kabaret Grünegast, time

  seemed as once before to wind back up on itself, five decades in five precipitous

  steps. The curtain parted & the last days of the War listed in the gloom that

  closed in on al sides.

  It was like a charade of a charade in which Němec, never one to miss a

  trick, found himself once more playing the role of the interloper waiting to be

  found out. A freak come to a freakshow. He followed Alice’s kimono gamely

  through the crowd. From the middle of the room came the sound of the Great

  Toad, Mistress Vicarious, laughing, if you could call it that: a high, flat, cracked

  sound. For a moment the sea of grey parted & Němec beheld the enormous

  creature’s heavily rouged lips & semi-disgorged yellow teeth. Everything about

  her was in character: the slightly moist eye, the porcine face, the false eyelashes

  clotted with mascara, the hands in a permanent state of gesticulation like a

  Balinese dancer’s, fingers crusted with glasspaste rubies, diamonds, sapphires, a

  gold tiara atop gaudily sculpted hair — there was nowhere for a description to

  stop. Then just as suddenly the sea closed again. Němec found himself at the

  edge of the stage. The Lenny Bruce impersonator was facing into the lights,

  mouthing into the microphone. The crowd went through the motions. It was

  like watching a rehearsal for a funeral. The man pointed a bicycle horn at the

  side of his head. Honkhonk. All it needed was a bucketful of bad blood.

  When the comedy act ended, some time-expired chanteuse in a girdle got

  wheeled out onto the stage & started lip-syncing to a scratched vinyl that

  must’ve been older even than she was. She looked vaguely familiar. If he let his

  eyes go out of focus, Němec could almost call to mind the vaseline-misted

  features of some UFA-era screen siren for rent. A vague approximation would

  do. The stuff wet dreams used to be made of on the Eastern Front. That or a

  bullet from a Tokarev SVT-.…

  Vorbei, vorbei sind all die schönen Stunden

  die wir verlebt am schönen Ostseestrand

  533

  Wir hatten uns, ja uns so schön zusamm’n gefunden

  es war für uns der allerschönste Ort…*

  Well, Němec thought, sure sounds like everything’s schön. He peered across the

  dancefloor to see Alice beckoning him towards a table on the far side. He arrived

  just as the coatcheck “girl” he’d run into on his previous visit was snapping her

  fingers & calling for martinis all-round. A waiter descended with a tray &

  glasses. It all seemed part of the act. Besides the coatcheck girl, the table was

  occupied by a scrawny-looking brunette with hair that was long & crimped &

  parted in the middle. She wore one of those pearl chokers over her Adam’s apple

  that were meant to’ve been popular with the demimonde back in the old days &

  a tight satin shift reminiscent of period photographs of Edith la Sylphe, & like

  the Sylphe she had no expression to speak of. Next to her was a Max Reinhardt

 

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