Works of grant allen, p.506

Works of Grant Allen, page 506

 

Works of Grant Allen
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)


1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 967 968 969 970 971 972 973 974 975 976 977 978 979 980 981 982 983 984 985 986 987 988 989 990 991 992 993 994 995 996 997 998 999 1000 1001 1002 1003 1004 1005 1006 1007 1008 1009 1010 1011 1012 1013 1014 1015 1016 1017 1018 1019 1020 1021 1022 1023 1024 1025 1026 1027 1028 1029 1030 1031 1032 1033 1034 1035 1036 1037 1038 1039 1040 1041 1042 1043 1044 1045 1046 1047 1048 1049 1050 1051 1052 1053 1054 1055 1056 1057 1058 1059

Larger Font   Reset Font Size   Smaller Font  

  Now, we all know that in the matter of public appointment anything like backstairs influence or indirect canvassing is positively fatal to the success of a candidate. Accordingly, it may surprise you to learn that when Professor Brusegay (who held the appointment virtually in his hands) opened his letters next morning he said to his wife, “Why, Maria, that young fellow Vardon who wrote that astonishingly clever paper on commutators, you know, is tutor at Lady Surrey’s, and she wants him to get this place at the Admiralty. We must really see what we can do about it. Lady Surrey is such a very useful person to know, and besides it’s so important to keep on good terms with her, for the Paulsons would be absolutely intolerable if we hadn’t its acquaintance in the peerage to play off against their Lord Poodlebury.” And when the Professor shortly afterwards mentioned Harry’s name to Lord Ardenleigh, his lordship remarked immediately, “Why, bless my soul, that’s the very man Amelia wrote to me about. He shall have the place, by all means.” And they both wrote back nice little notes to Lady Surrey, to say that she might consider the matter settled, but that she mustn’t mention it to Harry until the appointment was regularly announced. Anything so remarkable in this age of purity I for my part have seldom heard of.

  Lady Surrey never did mention the matter to Harry from that day to this; and Sir Henry Vardon, K.C.B., does not for a moment imagine even now that he owes his advancement to anything but his own native merits. He married Ethel shortly after, and a prettier or more blushing bride you never saw. Lady Surrey has been their best friend in society, and still sighs occasionally when she sees Harry a great magnate in his way, and thinks of the narrow escape he had that night at Colyford. As to Gladys, she consistently refused several promising heirs, at least twenty younger sons, and a score or so of wealthy young men whose papas were something in the City, her first five seasons; and then, to Lord Surrey’s horror, she married a young Scotchman from Glasgow, who was merely a writer for some London paper, and had nothing on earth but a head on his shoulders to bless himself with. His lordship himself “bagged an heiress” as he expressively puts it, with several thousands a year of her own, and is now one of the most respected members of his party, who may be counted upon always to vote straight, and never to have any opinions of his own upon any subject except the improvement of the British racehorse. He often wishes Gladys had taken his advice and married Vardon, who is at least in respectable society, instead of that shock-headed Scotch fellow — but there, the girl was always full of fancies, and never would behave like other people.

  For myself, I am a horrid radical, and republican, and all that sort of thing, and have a perfectly rabid hatred of titles and so forth, don’t you know? — but still, on the first day when Ethel went to call on the countess dowager after Harry was knighted, I happened to be present (purely on business), and heard her duly announced as “Lady Vardon:” and I give you my word of honour I could not find it in my heart to grudge the dear little woman the flush of pride that rose upon her cheek as she entered the room for the first time in her new position. It was a pleasure to me (who know the whole story) to see Lady Surrey kiss the little ex-governess warmly on her cheek and say to her, “My dear Lady Vardon, I am so glad, so very very glad.” And I really believe she meant it. After all, in spite of her little weakness, there is a great deal of human nature left in the countess.

  MY NEW YEARS EVE AMONG THE MUMMIES.

  I have been a wanderer and a vagabond on the face of the earth for a good many years now, and I have certainly had some odd adventures in my time; but I can assure you, I never spent twenty-four queerer hours than those which I passed some twelve months since in the great unopened Pyramid of Abu Yilla.

  The way I got there was itself a very strange one. I had come to Egypt for a winter tour with the Fitz-Simkinses, to whose daughter Editha I was at that precise moment engaged. You will probably remember that old Fitz-Simkins belonged originally to the wealthy firm of Simkinson and Stokoe, worshipful vintners; but when the senior partner retired from the business and got his knighthood, the College of Heralds opportunely discovered that his ancestors had changed their fine old Norman name for its English equivalent some time about the reign of King Richard I.; and they immediately authorized the old gentleman to resume the patronymic and the armorial bearings of his distinguished forefathers. It’s really quite astonishing how often these curious coincidences crop up at the College of Heralds.

  Of course it was a great catch for a landless and briefless barrister like myself — dependent on a small fortune in South American securities, and my precarious earnings as a writer of burlesque — to secure such a valuable prospective property as Editha Fitz-Simkins. To be sure, the girl was undeniably plain; but I have known plainer girls than she was, whom forty thousand pounds converted into My Ladies: and if Editha hadn’t really fallen over head and ears in love with me, I suppose old Fitz-Simkins would never have consented to such a match. As it was, however, we had flirted so openly and so desperately during the Scarborough season, that it would have been difficult for Sir Peter to break it off: and so I had come to Egypt on a tour of insurance to secure my prize, following in the wake of my future mother-in-law, whose lungs were supposed to require a genial climate — though in my private opinion they were really as creditable a pair of pulmonary appendages as ever drew breath.

  Nevertheless, the course of our true love did not run so smoothly as might have been expected. Editha found me less ardent than a devoted squire should be; and on the very last night of the old year she got up a regulation lovers’ quarrel, because I had sneaked away from the boat that afternoon, under the guidance of our dragoman, to witness the seductive performances of some fair Ghawázi, the dancing girls of a neighbouring town. How she found it out heaven only knows, for I gave that rascal Dimitri five piastres to hold his tongue: but she did find it out somehow, and chose to regard it as an offence of the first magnitude: a mortal sin only to be expiated by three days of penance and humiliation.

  I went to bed that night, in my hammock on deck, with feelings far from satisfactory. We were moored against the bank at Abu Yilla, the most pestiferous hole between the cataracts and the Delta. The mosquitoes were worse than the ordinary mosquitoes of Egypt, and that is saying a great deal. The heat was oppressive even at night, and the malaria from the lotus beds rose like a palpable mist before my eyes. Above all, I was getting doubtful whether Editha Fitz-Simkins might not after all slip between my fingers. I felt wretched and feverish: and yet I had delightful interlusive recollections, in between, of that lovely little Gháziyah, who danced that exquisite, marvellous, entrancing, delicious, and awfully oriental dance that I saw in the afternoon.

  By Jove, she was a beautiful creature. Eyes like two full moons; hair like Milton’s Penseroso; movements like a poem of Swinburne’s set to action. If Editha was only a faint picture of that girl now! Upon my word, I was falling in love with a Gháziyah!

  Then the mosquitoes came again. Buzz — buzz — buzz. I make a lunge at the loudest and biggest, a sort of prima donna in their infernal opera. I kill the prima donna, but ten more shrill performers come in its place. The frogs croak dismally in the reedy shallows. The night grows hotter and hotter still. At last, I can stand it no longer. I rise up, dress myself lightly, and jump ashore to find some way of passing the time.

  Yonder, across the flat, lies the great unopened Pyramid of Abu Yilla. We are going to-morrow to climb to the top; but I will take a turn to reconnoitre in that direction now. I walk across the moonlit fields, my soul still divided between Editha and the Gháziyah, and approach the solemn mass of huge, antiquated granite-blocks standing out so grimly against the pale horizon. I feel half awake, half asleep, and altogether feverish: but I poke about the base in an aimless sort of way, with a vague idea that I may perhaps discover by chance the secret of its sealed entrance, which has ere now baffled so many pertinacious explorers and learned Egyptologists.

  As I walk along the base, I remember old Herodotus’s story, like a page from the “Arabian Nights,” of how King Rhampsinitus built himself a treasury, wherein one stone turned on a pivot like a door; and how the builder availed himself of this his cunning device to steal gold from the king’s storehouse. Suppose the entrance to the unopened Pyramid should be by such a door. It would be curious if I should chance to light upon the very spot.

  I stood in the broad moonlight, near the north-east angle of the great pile, at the twelfth stone from the corner. A random fancy struck me, that I might turn this stone by pushing it inward on the left side. I leant against it with all my weight, and tried to move it on the imaginary pivot. Did it give way a fraction of an inch? No, it must have been mere fancy. Let me try again. Surely it is yielding! Gracious Osiris, it has moved an inch or more! My heart beats fast, either with fever or excitement, and I try a third time. The rust of centuries on the pivot wears slowly off, and the stone turns ponderously round, giving access to a low dark passage.

  It must have been madness which led me to enter the forgotten corridor, alone, without torch or match, at that hour of the evening; but at any rate I entered. The passage was tall enough for a man to walk erect, and I could feel, as I groped slowly along, that the wall was composed of smooth polished granite, while the floor sloped away downward with a slight but regular descent. I walked with trembling heart and faltering feet for some forty or fifty yards down the mysterious vestibule: and then I felt myself brought suddenly to a standstill by a block of stone placed right across the pathway. I had had nearly enough for one evening, and I was preparing to return to the boat, agog with my new discovery, when my attention was suddenly arrested by an incredible, a perfectly miraculous fact.

  The block of stone which barred the passage was faintly visible as a square, by means of a struggling belt of light streaming through the seams. There must be a lamp or other flame burning within. What if this were a door like the outer one, leading into a chamber perhaps inhabited by some dangerous band of outcasts? The light was a sure evidence of human occupation: and yet the outer door swung rustily on its pivot as though it had never been opened for ages. I paused a moment in fear before I ventured to try the stone: and then, urged on once more by some insane impulse, I turned the massive block with all my might to the left. It gave way slowly like its neighbour, and finally opened into the central hall.

  Never as long as I live shall I forget the ecstasy of terror, astonishment, and blank dismay which seized upon me when I stepped into that seemingly enchanted chamber. A blaze of light first burst upon my eyes, from jets of gas arranged in regular rows tier above tier, upon the columns and walls of the vast apartment. Huge pillars, richly painted with red, yellow, blue, and green decorations, stretched in endless succession down the dazzling aisles. A floor of polished syenite reflected the splendour of the lamps, and afforded a base for red granite sphinxes and dark purple images in porphyry of the cat-faced goddess Pasht, whose form I knew so well at the Louvre and the British Museum. But I had no eyes for any of these lesser marvels, being wholly absorbed in the greatest marvel of all: for there, in royal state and with mitred head, a living Egyptian king, surrounded by his coiffured court, was banqueting in the flesh upon a real throne, before a table laden with Memphian delicacies!

  I stood transfixed with awe and amazement, my tongue and my feet alike forgetting their office, and my brain whirling round and round, as I remember it used to whirl when my health broke down utterly at Cambridge after the Classical Tripos. I gazed fixedly at the strange picture before me, taking in all its details in a confused way, yet quite incapable of understanding or realizing any part of its true import. I saw the king in the centre of the hall, raised on a throne of granite inlaid with gold and ivory; his head crowned with the peaked cap of Rameses, and his curled hair flowing down his shoulders in a set and formal frizz. I saw priests and warriors on either side, dressed in the costumes which I had often carefully noted in our great collections; while bronze-skinned maids, with light garments round their waists, and limbs displayed in graceful picturesqueness, waited upon them, half nude, as in the wall paintings which we had lately examined at Karnak and Syene. I saw the ladies, clothed from head to foot in dyed linen garments, sitting apart in the background, banqueting by themselves at a separate table; while dancing girls, like older representatives of my yesternoon friends, the Ghawázi, tumbled before them in strange attitudes, to the music of four-stringed harps and long straight pipes. In short, I beheld as in a dream the whole drama of everyday Egyptian royal life, playing itself out anew under my eyes, in its real original properties and personages.

  Gradually, as I looked, I became aware that my hosts were no less surprised at the appearance of their anachronistic guest than was the guest himself at the strange living panorama which met his eyes. In a moment music and dancing ceased; the banquet paused in its course, and the king and his nobles stood up in undisguised astonishment to survey the strange intruder.

  Some minutes passed before any one moved forward on either side. At last a young girl of royal appearance, yet strangely resembling the Gháziyah of Abu Yilla, and recalling in part the laughing maiden in the foreground of Mr. Long’s great canvas at the previous Academy, stepped out before the throng.

  “May I ask you,” she said in Ancient Egyptian, “who you are, and why you come hither to disturb us?”

  I was never aware before that I spoke or understood the language of the hieroglyphics: yet I found I had not the slightest difficulty in comprehending or answering her question. To say the truth, Ancient Egyptian, though an extremely tough tongue to decipher in its written form, becomes as easy as love-making when spoken by a pair of lips like that Pharaonic princess’s. It is really very much the same as English, pronounced in a rapid and somewhat indefinite whisper, and with all the vowels left out.

  “I beg ten thousand pardons for my intrusion,” I answered apologetically; “but I did not know that this Pyramid was inhabited, or I should not have entered your residence so rudely. As for the points you wish to know, I am an English tourist, and you will find my name upon this card;” saying which I handed her one from the case which I had fortunately put into my pocket, with conciliatory politeness. The princess examined it closely, but evidently did not understand its import.

  “In return,” I continued, “may I ask you in what august presence I now find myself by accident?”

  A court official stood forth from the throng, and answered in a set heraldic tone: “In the presence of the illustrious monarch, Brother of the Sun, Thothmes the Twenty-seventh, king of the Eighteenth Dynasty.”

  “Salute the Lord of the World,” put in another official in the same regulation drone.

  I bowed low to his Majesty, and stepped out into the hall. Apparently my obeisance did not come up to Egyptian standards of courtesy, for a suppressed titter broke audibly from the ranks of bronze-skinned waiting-women. But the king graciously smiled at my attempt, and turning to the nearest nobleman, observed in a voice of great sweetness and self-contained majesty: “This stranger, Ombos, is certainly a very curious person. His appearance does not at all resemble that of an Ethiopian or other savage, nor does he look like the pale-faced sailors who come to us from the Achaian land beyond the sea. His features, to be sure, are not very different from theirs; but his extraordinary and singularly inartistic dress shows him to belong to some other barbaric race.”

  I glanced down at my waistcoat, and saw that I was wearing my tourist’s check suit, of grey and mud colour, with which a Bond Street tailor had supplied me just before leaving town, as the latest thing out in fancy tweeds. Evidently these Egyptians must have a very curious standard of taste not to admire our pretty and graceful style of male attire.

  “If the dust beneath your Majesty’s feet may venture upon a suggestion,” put in the officer whom the king had addressed, “I would hint that this young man is probably a stray visitor from the utterly uncivilized lands of the North. The head-gear which he carries in his hand obviously betrays an Arctic habitat.”

  I had instinctively taken off my round felt hat in the first moment of surprise, when I found myself in the midst of this strange throng, and I was before me like a shield to protect my chest.

  “Let the stranger cover himself,” said the king.

  “Barbarian intruder, cover yourself,” cried the herald. I noticed throughout that the king never directly addressed anybody save the higher officials around him.

  I put on my hat as desired. “A most uncomfortable and silly form of tiara indeed,” said the great Thothmes.

  “Very unlike your noble and awe-spiring mitre, Lion of Egypt,” answered Ombos.

  “Ask the stranger his name,” the king continued.

  It was useless to offer another card, so I mentioned it in a clear voice.

  “An uncouth and almost unpronounceable designation truly,” commented his Majesty to the Grand Chamberlain beside him. “These savages speak strange languages, widely different from the flowing tongue of Memnon and Sesostris.”

  The chamberlain bowed his assent with three low genuflexions. I began to feel a little abashed at these personal remarks, and I almost think (though I shouldn’t like it to be mentioned in the Temple) that a blush rose to my cheek.

  The beautiful princess, who had been standing near me meanwhile in an attitude of statuesque repose, now appeared anxious to change the current of the conversation. “Dear father,” she said with a respectful inclination, “surely the stranger, barbarian though he be, cannot relish such pointed allusions to his person and costume. We must let him feel the grace and delicacy of Egyptian refinement. Then he may perhaps carry back with him some faint echo of its cultured beauty to his northern wilds.”

 

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 699 700 701 702 703 704 705 706 707 708 709 710 711 712 713 714 715 716 717 718 719 720 721 722 723 724 725 726 727 728 729 730 731 732 733 734 735 736 737 738 739 740 741 742 743 744 745 746 747 748 749 750 751 752 753 754 755 756 757 758 759 760 761 762 763 764 765 766 767 768 769 770 771 772 773 774 775 776 777 778 779 780 781 782 783 784 785 786 787 788 789 790 791 792 793 794 795 796 797 798 799 800 801 802 803 804 805 806 807 808 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 830 831 832 833 834 835 836 837 838 839 840 841 842 843 844 845 846 847 848 849 850 851 852 853 854 855 856 857 858 859 860 861 862 863 864 865 866 867 868 869 870 871 872 873 874 875 876 877 878 879 880 881 882 883 884 885 886 887 888 889 890 891 892 893 894 895 896 897 898 899 900 901 902 903 904 905 906 907 908 909 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 943 944 945 946 947 948 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 967 968 969 970 971 972 973 974 975 976 977 978 979 980 981 982 983 984 985 986 987 988 989 990 991 992 993 994 995 996 997 998 999 1000 1001 1002 1003 1004 1005 1006 1007 1008 1009 1010 1011 1012 1013 1014 1015 1016 1017 1018 1019 1020 1021 1022 1023 1024 1025 1026 1027 1028 1029 1030 1031 1032 1033 1034 1035 1036 1037 1038 1039 1040 1041 1042 1043 1044 1045 1046 1047 1048 1049 1050 1051 1052 1053 1054 1055 1056 1057 1058 1059
Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On
183