The authorized p funk so.., p.8

The Authorized P-Funk Song Reference, page 8

 

The Authorized P-Funk Song Reference
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  Bass Guitar: Lige Curry

  Piano: Danny Bedrosian

  Guitar: Blackbyrd McKnight

  Organ: Jerome Rodgers

  “Jolene”

  Vocals: George Clinton, Garry Shider, Sidney Barnes, Scarface, Kathryn Griffin, Mary Griffin, Dayonne Rollins, 13teen, Sa’D Ali, Barrence Dupree, Bouvier Richardson

  Drums: Savar Martin

  Bass: Anthony Nickels

  Guitars: Blackbyrd McKnight, Garry Shider, Scarface, Corey Stoops

  Trumpet: O.J.

  Trombone: Andre Grant

  Additional Drum Programming: Barrence Dupree

  “Nuclear Dog”

  Vocals: Trazae Lewis-Clinton, Tracey Lewis, Howard Mann, Navid Movistavi

  Drums, Synth Bass, Synthesizers: David Spradley

  Guitars: Blackbyrd McKnight, Trafael Lewis

  Didjeridoo: William Thoren

  “Nuclear Dog Part II”

  (Same personnel minus vocals)

  “Dirty Queen”

  Vocals: Trafael Lewis, Adam Maloney, Ali Schlick

  Drums: Trafael Lewis, Rudge Ravinewood

  Bass: Trafael Lewis, Bora Karaca

  Guitar: Trafael Lewis, Cliff Miles

  Violin: Jay Golden

  “You Can’t Unring the Bell”

  Vocals: George Clinton, Robert Peanut Johnson, Rey Joven, 13teen, Tonysha Nelson

  Bass: Cherokee Bunn

  Guitar: Blackbyrd McKnight, G-Koop

  Trombone: Fred Wesley

  Sax: Maceo Parker

  Additional Horns: Lincoln Adler

  Trumpets: Richard Griffith, Rick Gardner

  Keyboards, Synthesizers: Danny Bedrosian

  Music Programming: G-Koop

  “Old Fool”

  Vocals: George Clinton, Sidney Barnes, Ebony Houston, Brandi Scott, 13teen, G Koop, Ricky Tan, Garrett Shider, Robert Peanut Johnson

  Music Programming: G-Koop, Ricky Tan

  Synth Bass, Synthesizers: Danny Bedrosian

  “Pole Power”

  Vocals: George Clinton, Tracey Lewis, Ebony Houston, Rey Joven, 13teen, Sa’D Ali, Sidney Barnes, Paul Hill, Patavian Lewis, Dayonne Rollins, Tonysha Nelson

  Music Programming: G Koop

  Synthesizers, Piano, Synth Bass: Danny Bedrosian

  Guitars: Tracey Lewis, Trafael Lewis, Anthony Caruso

  Horns, Additional Keyboards: Anthony Caruso

  “Boom There We Go Again”

  Vocals: George Clinton, Tonysha Nelson, Danny Bedrosian, Ray Davis, Robert Peanut Johnson, Dayonne Rollins, Rey Joven, G Koop, 13teen, Brandi Scott, Ricky Tan

  Bass: Bootsy Collins

  Percussion: Bootsy Collins, Larry Fratangelo, Mudbone Cooper

  Piano, Synthesizer: Bernie Worrell

  Keyboard, Synthesizer: Danny Bedrosian

  Music Programming: G Koop

  “As in”

  Vocals: Jessica Cleaves, George Clinton, Robert Peanut Johnson, Dayonne Rollins, Rey Joven

  Drums: Tyrone Lampkin

  Bass: Cordell Mosson

  Guitar: Michael Hampton

  Piano, Keyboards, String Arrangement: Bernie Worrell

  Violins: Lili Haydn

  Orchestra: Detroit Symphony Orchestra

  “Bernadette”

  Vocals: Jamie Kaposta Pat Lewis, George Clinton

  Drum Programming, Synth Bass, Keyboards: David Spradley

  Keyboards, Synthesizer, Melodica: Danny Bedrosian

  Orchestra: Detroit Symphony Orchestra

  Arranger: Mike Terry

  “Meow Meow”

  Vocals: Brandi Scott, 13teen, Trazae Lewis-Clinton, Tonysha Nelson, George Clinton, Robert Peanut Johnson, G Koop, Buster the Cat

  Bass, Guitar: Bootsy Collins

  Synthesizers, Keyboards: Danny Bedrosian

  Music Programming: G Koop

  “Catchin Boogie Fever”

  Vocals: Tracey Lewis

  Trombone: Fred Wesley, Dave Richards

  Sax: Maceo Parker

  Trumpet: Dave Richards

  Sound Effects: David Spradley

  Guitars: G Koop

  Percussion: Larry Fratangelo

  Electric Piano, Synthesizers: Danny Bedrosian

  Drums: DJ Toure

  Additional Keyboards: Graham Richards

  “Talking to the Wall”

  Vocals: Garrett Shider, Dayonne Rollins

  Drum Programming: Sa’D Ali

  Bass: Rodney Curtis

  Guitar: Garrett Shider

  Piano, Strings: Danny Bedrosian

  “The Naz”

  Vocals: Sly Stone, Rob Manzoli

  All Instruments: Rob Manzoli

  “Where Would I Go?”

  Vocals: George Clinton, Garrett Shider, Sidney Barnes, Robert Peanut Johnson

  Guitars: Michael Hampton, Blackbyrd McKnight Garrett Shider

  Synthesizer, Piano, Clavinet, Strings: Danny Bedrosian

  Bass: Rodney Curtis

  Drums: Nestor Mumm Altuve

  “Yesterdejavu”

  Vocals: George Clinton, Tracey Lewis, Jerome Rogers, Kendra Foster, Rob Manzoli

  Guitar: Tracey Lewis, Rob Manzoli

  Bass: Rob Manzoli

  Piano: Sue Brooks, Bernie Worrell?

  Drums: Law

  “Zip It”

  Vocals: Tracey Lewis, Beobe Jones

  Bass Guitar: Jimmy Ali

  Guitars: Jerome Ali

  Piano: David Spradley

  Music Programming, Synthesizers: G Koop

  Additional Drum Programming: Barrence Dupree

  “The Wall”

  Vocals: George Clinton, Sidney Barnes, Trazae Lewis-Clinton, Rey Joven

  Guitars: Jerome Rodgers

  Music Programming, Keyboards: Ricky Tan

  “Snot n’ Booger”

  Vocals: George Clinton, Trazae Lewis-Clinton, Sidney Barnes, Robert Peanut Johnson, Ron Ford, Sa’D Ali, 13teen, Dayonne Rollins

  Samples, Drum Programming: George Clinton, Sa’D Ali, Ricky Tan

  Synthesizers: Jerome Rodgers

  “Yellow Light”

  Vocals, Keyboards, Man in the Box: Sly Stone

  Synth Bass: Sly Stone, Danny Bedrosian

  Synthesizers, Sound Effects: Danny Bedrosian

  Additional Drum Programming: William Tyler Pelt

  “Dipety Dipety Doo Stop the Violence”

  Vocals: George Clinton, Garry Shider, Robert Peanut Johnson, Sidney Barnes, Tonysha Nelson, Trazae Lewis-Clinton, Brandi Scott

  Keyboards, Synth Bass: David Spradley

  Music Programming: G Koop

  Guitars: Eddie Hazel

  Synthesizers: Danny Bedrosian

  “First Ya Gotta Shake the Gate (Samplecopydupeitandloopittostupid Mix)”

  Featuring: Soul Clap

  Parliafunkadelicment thang in Detroit. Kinley-McCoy / GROOVE MANEUVERS ARCHIVES

  Parliament-Funkadelic around 1980 L–R (top): Larry Fratangelo, Jerome Rodgers, Cordell “Boogie” Mosson, Ray Davis, Rodney “Skeet” Curtis, Dewayne “Blackbyrd” McKnight, Greg Boyer, Bennie Cowan, Dennis Chambers, Greg Thomas, Robert “Peanut” Johnson, Larry Hatcher, and David Spradley. L–R (bottom): Michael “Kidd Funkadelic” Hampton, Lige Curry, and Garry “Starchild” Shider. Kinley-McCoy / GROOVE MANEUVERS ARCHIVES

  “Peep This”

  Featuring: G Koop, Greg Paulus, Nick Monaco

  PARLIAMENT: 1970, 1974–1980, 2018–

  Parliament evolved out of the vocal group the Parliaments during the late 1960s and early 1970s. Parliament started out with a Beatles-esque penchant for genre bending, something George Clinton would return to again and again in his career. By the mid-1970s, however, Parliament became a massive hit-making machine, showing off more the rhythm-and-blues and dance floor side of P-Funk, drawing a contrast with the more heady Funkadelic. The Clinton–Collins–Worrell writing team penned hit after hit in the heyday of P-Funk, which is evinced most consistently with the Parliament discography. Parliament’s success is a key reason for P-Funk’s continued existence to the present day.

  Invictus Records

  Osmium

  “I Call My Baby Pussycat”

  Vocals: Calvin Simon, Fuzzy Haskins, Ray Davis, George Clinton, Grady Thomas

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitars: Eddie Hazel, Tawl Ross

  Keyboards: Bernie Worrell

  “I Call My Baby Pussycat” featured classic Parliament vocal swapping along with the original Funkadelic rhythm section. Osmium would be the first of many Parliament albums and is by far the most genre bending. The sound of this single was already indicative of what most would consider the Parliafunkadelicment sound.

  “Put Love in Your Life”

  Lead Vocals: George Clinton, Ray Davis, Fuzzy Haskins

  Backup Vocals: Calvin Simon, Grady Thomas, Ruth Copeland, Pat Lewis, Diane Lewis, Rose Williams

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitars: Eddie Hazel, Ray Monette

  Organ: Bernie Worrell

  “Put Love in Your Life” would be the first of several songs George Clinton would write that would have extremely varied stylistic genre and time changes (another notable one would be “Mixmaster Suite” some 16 years later). The song features some of the Parliaments’ most beautiful vocal swaps and some more psychedelia from the Funkadelics.

  “Little Ole Country Boy”

  Lead Vocals: Fuzzy Haskins

  Backup Vocals: George Clinton, Grady Thomas, Calvin Simon, Ruth Copeland

  Drums: Tiki Fulwood

  Acoustic Guitar: Tawl Ross

  Steel Guitar: Paul Franklin

  Juice Harp: James Wesley Jackson

  Keyboards: Bernie Worrell

  Fiddle: Unknown

  “Little Old Country Boy” is considered by many P-Funk fans to be among the strangest songs in the P-Funk canon. A straight country-and-western tune with hilarious lyrics recited by Fuzzy Haskins (with the Parliaments backing him up), “Little Old Country Boy” is one of several songs from both Osmium and other P-Funk albums that showcase P-Funk’s “yokel” side.

  “Moonshine Heather (Takin Care of Business)”

  Lead Vocals: George Clinton

  Backup Vocals: Grady Thomas, Calvin Simon, Fuzzy Haskins, Tawl Ross

  Drums: Tiki Fulwood

  Organ: Bernie Worrell

  Bass: Billy Nelson

  Guitars: Eddie Hazel, Tawl Ross

  “Oh Lord, Why Lord/Prayer”

  Lead Vocals: Calvin Simon

  Backup Vocals: Tommy Whitfield Singers

  Harpsichord, Organ, Piano: Bernie Worrell

  Harp: Detroit Symphony Orchestra

  Acoustic Guitar: Eddie Hazel

  Timpani: Detroit Symphony Orchestra

  “My Automobile”

  Lead Vocals: George Clinton, Fuzzy Haskins

  Backup Vocals: Calvin Simon, Grady Thomas

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitars: Eddie Hazel, Tawl Ross

  Piano, Keyboards: Bernie Worrell

  “There Is Nothing before Me but Thang”

  Lead Vocals: George Clinton, Calvin Simon, Fuzzy Haskins, Ray Davis, Billy Nelson

  Backup Vocals: George Clinton, Grady Thomas, Billy Nelson, Calvin Simon, Ray Davis, Fuzzy Haskins

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitars: Eddie Hazel, Tawl Ross

  Keyboards: Bernie Worrell

  “Funky Woman”

  Lead Vocals: George Clinton

  Backup Vocals: Fuzzy Haskins, Grady Thomas, Calvin Simon, Ray Davis

  Drums: Tiki Fulwood

  Organ: Bernie Worrell

  Guitar: Eddie Hazel

  Bass: Billy Nelson

  “Livin’ the Life”

  Lead Vocals: Calvin Simon

  Backup Vocals: Ruth Copeland, Grady Thomas, George Clinton, Fuzzy Haskins, Ray Davis, Billy Nelson

  Piano: Bernie Worrell

  Guitar: Ray Monette

  Drums: Tiki Fulwood

  Acoustic Guitar: Eddie Hazel

  Bass: Billy Nelson

  “The Silent Boatman”

  Lead Vocals: Jeffery Bowen

  Backup Vocals: Calvin Simon, George Clinton, Grady Thomas, Fuzzy Haskins, Ray Davis, Ruth Copeland, Tommy Whitfield Singers

  Acoustic Guitar: Ray Monette

  Organ: Bernie Worrell

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Harp: Detroit Symphony Orchestra

  Bagpipes: Detroit Symphony Orchestra

  “Red Hot Mama”

  Lead Vocals: George Clinton

  Backup Vocals: Pat Lewis, Diane Lewis, Rose Williams

  Guitars: Eddie Hazel

  Keyboards: Bernie Worrell

  Drums, Percussion: Tiki Fulwood

  Bass: Billy Nelson

  “Come in Out of the Rain”

  Lead Vocals: Clyde Wilson

  Backup Vocals: Pat Lewis, Diane Lewis, Rose Williams, Ruth Copeland?

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Piano: Bernie Worrell

  Guitar: Eddie Hazel, Tawl Ross

  “Breakdown”

  Lead Vocals: Clyde Wilson

  Backup Vocals: George Clinton, Calvin Simon, Grady Thomas, Fuzzy Haskins, Ray Davis

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitar: Eddie Hazel, Tawl Ross

  Piano: Bernie Worrell

  “Fantasy Is Reality”

  Lead Vocals: Fuzzy Haskins, Ernie Harris

  Backup Vocals: Pat Lewis, Diane Lewis, Rose Williams

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitars: Eddie Hazel, Tawl Ross

  Keyboards: Bernie Worrell

  “Loose Booty”

  Lead Vocals: George Clinton

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitar: Eddie Hazel, Tawl Ross

  Organ, Piano, Keyboards, Xylophone: Bernie Worrell

  “Unfinished Instrumental”

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitar: Eddie Hazel

  Piano: Bernie Worrell

  Unreleased (recorded the same time as Osmium)

  “Eddie’s Home: There’s a Chariot Coming”

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitars: Eddie Hazel, Tawl Ross

  Organ: Bernie Worrell

  “I Ain’t Got Nobody”

  Drums: Tiki Fulwood

  Bass, Lead Vocals: Billy Nelson

  Guitars: Eddie Hazel, Tawl Ross

  Keyboards: Bernie Worrell

  Backup Vocals: Eddie Hazel, Tawl Ross

  “As Good As I Think I Can Feel”

  Lead Vocals: Billy Nelson

  Backup Vocals: Pat Lewis, Diane Lewis, Rose Williams

  Drums: Tiki Fulwood

  Bass: Billy Nelson

  Guitars: Eddie Hazel, Tawl Ross

  Piano: Bernie Worrell

  “Common Law Wife”

  Lead Vocals: George Clinton

  Backup Vocals: Grady Thomas, Calvin Simon, Fuzzy Haskins, George Clinton

  Drums: Tyrone Lampkin

  Bass: Cordell Mosson

  Guitar: Garry Shider, Harold Beane

  Trumpet: Ronnie Greenaway, Chicken Gunnells

  Sax: Randy Wallace

  Keyboards: Bernie Worrell

  Casablanca Records

  Up for the Downstroke

  “Up for the Downstroke”

  Lead Vocals: George Clinton, Fuzzy Haskins, Eddie Hazel

  Backup Vocals: Bootsy Collins, Garry Shider, Mallia Franklin, Ray Davis, Pat Lewis, Sidney Barnes

  Drums: Tiki Fulwood

  Party Whistle: ?

  Bass: Bootsy Collins

  Guitar: Eddie Hazel

  Clavinet: Bernie Worrell

  Trumpet: Detroit Musicians

  Sax, Trombone: Detroit Musicians

  “Up for the Downstroke” would be the first P-Funk song to chart since “I Wanna Testify.” It firmly places Parliament on the dance floor as a more horn-dominated sound than the grungy rock and thematic, sometimes chaotic sounds of typical Funkadelic of the preceding period.

  “Testify”

  Lead Vocals: George Clinton

  Backup Vocals: Garry Shider, Eddie Hazel, Calvin Simon, Grady Thomas, Ray Davis, Fuzzy Haskins

  Clavinet: Bernie Worrell

  Guitar: Eddie Hazel

  Drums: Tiki Fulwood

  Bass: Cordell Mosson

  Trumpet, Sax, Trombone: Detroit Musicians

  “Testify,” without the “(I Wanna),” was a remake of the Parliaments’ classic single. George Clinton had stated in an interview that he wanted to redo it because so many of the Parliaments’ songs of the Revilot period featured them using a Dylanesque style of vocals, mostly on the endings of vocal phrases, as the idea was in vogue in Detroit at the time. Motown Classics like “Bernadette” by the Four Tops cemented the idea of approaching rhythm and blues with a Dylan vocal inflection added on top. However, it was now seven years later (1974), and musical landscapes had changed; Clinton’s music world itself had changed even more so than the previously mentioned ones, and he wanted to do these songs with possibly more original intentions or evolved ones. The result is a transcendent combination of both; it is part of what makes the remakes of previously existing songs in the canon just as authentic and historically important as the originals themselves.

  “The Goose”

  Lead Vocals: George Clinton

  Backup Vocals: Fuzzy Haskins, Calvin Simon, Grady Thomas, Ray Davis

  Drums, Percussion: George Clinton, Bernie Worrell, Man in the Box

  Bass: Cordell Mosson

  Guitar: Eddie Hazel

  Organ: Bernie Worrell

  “I Can Move You (If You Let Me)”

  Lead Vocals: Garry Shider

  Backup Vocals: Calvin Simon, George Clinton, Pat Lewis

  Drums: Tiki Fulwood

  Bass: Bootsy Collins, Cordell Mosson

  Guitar: Garry Shider, Bootsy Collins

  Electric Piano: Bernie Worrell

  Trumpet, Sax, Trombone: Detroit Musicians

  “I Just Got Back”

  Lead Vocals: George Clinton

  Whistling: Peter Chase

  Drums: Frosty

  Bass: Jimmy Calhoun

  Acoustic Guitar: Peter Chase

  Piano: Leon Patillo

  “All Your Goodies Are Gone”

  Lead Vocals: George Clinton

  Backup Vocals: Calvin Simon, Grady Thomas, Fuzzy Haskins

  Drums: Tiki Fulwood

 

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