Picasso's War, page 59
Spanish Refugee Relief Campaign, 341–42, 353
Spingarn, Joel, 54
Spring-Rice, Sir Cecil, 109
Stalin, Joseph, 34, 200–201, 310, 355, 386
Steichen, Edward, 12
Stein, Gertrude, 37, 39; The Autobiography of Alice B. Toklas, 27, 277; collection of early Picassos, 27; disdain for MoMA, 352; Four Saints in Three Acts, 277, 278, 280, 281, 282; limited influence on American collectors, 27–28; Picasso and, 27, 35, 80, 115, 122, 303, 352, 414n6; Picasso and Eva and, 78–79, 98, 104; Picasso rivalry, 278; Picasso’s portrait of, 27, 350, 352; on Roché, 115; WWII and, 350, 352
Stein, Leo, 27, 35, 37, 39, 115, 404n5
Steinberg, Leo, 328
Stettheimer, Florine, 277
Stieglitz, Alfred, 11, 12; artists shown by, 86–87; art purchased from Armory Show, 53; Carroll Galleries sale of Picassos and, 90; indigenous sculptures and, 159; offers eighty-one Picasso drawings to the Metropolitan Museum, 18–19; Picasso and Braque show (1914), 89, 410n9; Picasso drawings show (1911), 18, 23, 24; purchases Picasso’s Standing Female Nude, 18, 26; Quinn buying art from, 88, 94, 170; 291 gallery, 11–12, 13, 18, 58–59, 86
Stokowski, Leopold, 277
Stone, Edward Durrell, 323
Stone, Irving, 286, 289, 293
Stransky, Joseph, 170
Strindberg, August, 37
Strindberg, Frida, 36–37, 38, 39
Stuttgart, Germany, 263; Barr and Marga in (1932–33), 263–68, 428n7, 429n21; modernism in, 263; Nazism and crackdown on modern art, 265–66; Picasso Cubist period show in, 263; Schemmer exhibition, visit to Hotel Monte Verità, 429n21; Württemberg Art Society, 265–66; State Gallery of Art, 266; Weissenhof Estate, 263, 267, 269
Sullivan, Mary Quinn, 189, 202, 203, 205–10
Surrealism, 297, 298, 304; MoMA’s Fantastic Art, Dada, Surrealism exhibition, 298, 300, 307, 312–13; in Paris, 307; Picasso and, 224; Picasso’s circle and, 307, 309; Roy’s The Electrification of the Countryside, 275; Wadsworth Atheneum show, 276
Switzerland: Barr in, 268; Kahnweiler in, WWI, 101–2, 137; Kunsthaus Zürich Picasso show, 260, 261–62; Lucerne auction of confiscated paintings and Barr’s acquisitions, 345–46
Synge, J. M., 22, 49
T
Tanguy, Yves, 373, 386
Tatlin, Vladimir, 32
Tériade (art critic), 226, 240
Thannhauser Gallery, Munich, 33
Thannhauser, Heinrich, 68
Thannhauser, Justin, 349, 351, 354, 364, 376–77
Thomson, Virgil, 251, 254; Four Saints in Three Acts, 277, 278, 280, 281, 282
Three Musicians (Picasso), 135, 156, 158–59, 261, 349, 353, 359, 364, 381; Barr attempts acquisition, 325–26, 328
Thursby, Alice Brisbane, 65, 113
Time magazine, Picasso cover, 337, 338
Toklas, Alice, 104, 350
Toulouse-Lautrec, Henri de, 70, 144, 250; as the “Baudelaire of painting,” 70–71; in Quinn’s collection, 186; Rosenberg exhibition for, 69, 70
Transatlantic Review, 4
Trotsky, Leon, 200
Truffaut, François, 132
291 Gallery, 11–12, 13, 18, 23, 24, 86; Picasso’s first U.S. show (1911), 11–13, 18, 23, 24, 25–26, 89; Stieglitz’s limitations and the tax law, 58–59
U
Ucelay, José María de, 318
Uhde, Wilhelm, 181, 404n10
Ulysses (Joyce), 133, 160–61
Underwood, Oscar, 59, 62, 114
United States: anti-Semitism in, 169–70; art museums in, 128, 414n19; censorship and morality squads, 21; coal miners’ strike (1921), 143; concept of cultural degeneracy, 147–48, 285, 289; economy of (1921), 143; eugenics and concept of racial purity, 148; European goods imported yearly, 57; first Picasso show in, 11–13, 14, 18, 23, 24, 25–26, 89; foreign artists emigrating to, 86, 87; Great Depression, 238, 249, 272–74; immigration and, 21; industrial advance in, 20; isolationism and, 334–35; Klan violence, 143; modern art and democracy in, 351; modernization and pace of change, 20, 23; optimism in (1939), 334–35; paranoia about foreign subversion, 146; as parochial and xenophobic, 20, 144; Picasso embraced by, 359–60; provincialism of, 274; race issues in, 20–21, 170, 310; Rosenberg’s ambitions for, 128–30; spread of modern art in, x, 22, 27, 144, 145, 203; stock market crash (1929), 214; tax law on importing art, 56–63, 86, 87, 109; world power status, 20, 22; world’s fairs (1939–40), 335; WWI, 96, 109; WWI, Trading with the Enemy Act, 143, 411n31, 416n1; WWII, 357; WWII, art world refugees and, 373, 376–77, 385–86. See also American art; American culture
V
Valentine Gallery, N.Y., 353
Valentiner, Wilhelm, 288, 431n11
Vanderbilt, Mrs. Cornelius, 342
Vanderbilt, Mrs. George, 150
van Dongen, Kees, 101
van Gogh, Vincent, 4, 12, 13, 22, 41, 42, 67, 117, 123, 144, 145; American market and, 285, 430n1; Armory Show and, 45, 54, 55, 285; Bedroom in Arles, 72, 408n9, 430n1; Daubigny’s Garden, 288, 294; exhibitions 1892 and 1895, 408n9; first American museum to acquire, 288; first Paris show, 72; Germany’s modernists and, 288–89; Kröller-Müller collection, 286–87, 290–92; mental struggles, 285–86, 289; as modernist progenitor, 160, 304; MoMA and, 212, 213; MoMA exhibition (1935), 284–95, 298, 324, 365, 379, 432n27; Montross Gallery exhibition (1920), 285; Portrait of Dr. Gachet, 288, 292, 294; Quinn buying works of, 180, 186; Self-Portrait (purchased by Quinn), 55, 285, 430n1; Sonderbund exhibition, Cologne (1912), 289; Starry Night, 324, 383; Stone’s novel and popularization of, 286, 289; suicide of, 292; work in New York galleries, 85, 88, 89
van Gogh, V. W. “the Engineer,” 291, 292
Vanity Fair, 4, 47, 93, 186; Barr on founding MoMA, 209; Gregg on modern art in New York, 86, 87; Gregg on Armory Show, 53; Quinn on Joyce’s Portrait, 110
Vassar College, 211, 217
Vauxcelles, Louis, 69–70; Gil Blas column, 69, 70; naming of art movements and, 70; review of Toulouse-Lautrec show, 70; on Rosenberg’s gallery, 71, 228
Velázquez, Diego, Philip IV, 19
Villard, Antoine, 179, 181
Villon, Jacques, 88, 89, 160
Vlaminck, Maurice de, 29, 67, 68, 70, 80, 82, 144, 161, 171, 272; Kahnweiler and, 101, 138; in MoMA’s Painting in Paris show (1930), 216; Quinn buying works of, 180, 186
Vollard, Ambroise, 28, 38, 39, 41, 42, 95, 133, 142, 314, 408n9; gallery of, 73; Quinn buying art from, 91, 92, 94, 99, 136, 161, 415n13; WWI, storage of art and, 99
Vorticism, 4
W
Wadsworth Atheneum, Hartford, Conn., 274–82; acquisitions, 275; Austin’s vision for, 275; Avery Memorial annex, 277; collection of, 279; Italian Renaissance show, 276; Picasso show, 277–83; Stein-Thomson opera performed at, 277, 278, 280, 281, 282; Surrealist art show, 276
Wailly, Charles de, 230
Walter, Marie-Thérèse, 229–30, 255, 301, 308, 309, 314, 347, 356
Washington Square Gallery, N.Y., 83–86, 88
Waste Land, The (Eliot), 15, 259
Watson, Forbes, 145, 187
Weber, Max, 186
Wedderkop, Hermann von, 173
Wellesley College, 198, 199
Westheim, Paul, 294, 432n26
White, Stanford, 22
Whitney, Gertrude Vanderbilt, 51, 144
Whitney, Harry Payne, 150
Widener, Peter, 19
Wildenstein, Felix, 166, 167
Wildenstein, Georges, 125, 128–30, 167, 230–32, 239, 278, 371; affair with Margot Rosenberg, 257–58, 427n18; Gallery, rue La Boétie, 230; marketing Picasso and, 231
Wildenstein Gallery, N.Y., 165, 237; Picasso show (1923), 163, 164, 165–67; Rosenberg and, 258, 422n9
Wilson, Woodrow, 59, 61–62, 96, 103, 109, 145
Wood, Beatrice, 117
Wood, Grant, 294
Woolf, Virginia, 36
Worcester Art Museum, Mass., 420n3
World War I (WWI): America and, 96, 109; America’s Trading with the Enemy Act, 143, 411n31, 416n1; artists and writers lost in, 114; artists used to paint camouflage, 104–5, 412n26; art world and, 98–99; Battle of Verdun, 105, 106, 141, 144; Braque wounded, 102–3, 115; casualties, 92, 102, 103, 104; declaration of, summer 1914, 79, 81; French artists in, 79–80, 92, 93, 96, 97, 102, 103–4, 105, 409n14; German advance and, 92; German artists in, 105; Kahnweiler and, 80–84; modern art in America and, 86; Pach’s buying trip and, 92; Picasso and, 79–80, 97–98, 102–3; sinking of the Lusitania, 96, 103
World War II (WWII): Allies’ appeasement policy, 341; American isolationism and, 334–35; art world refugees in America, 373, 376–77; deteriorating situation in Europe (1939), 340–41, 348; France and England declare war, 347, 351; France buys U.S. war planes (1939), 334; France falls, 371, 373; getting art out of Europe, 345–46, 350, 351–54; Hitler-Stalin nonaggression pact, 347, 355; Jewish flight and persecution, 367–71; Munich Agreement of 1938, 336; Nazi conquests, Europe (1940), 366–67; Nazi invasion of Poland, 347, 348; Nazi takeover of Czechoslovakia, 340–41; sinking of the S.S. Athenia, 350
Y
Yeats, Jack, 41
Yeats, John Butler, 21, 48–49, 111, 112, 146; death of, 158; Foster and, 107–8
Yeats, W. B., 7, 14, 17, 41, 48, 49, 158; Cathleen ni Houlihan, 17; “The Man and the Echo,” 17; Quinn and national celebrity of, 17; Quinn letter to, 383
Yeats family, 14, 48–49, 108
Z
Zaturenska, Marya, 112
Zervos, Christian, 308, 309, 311, 314, 317, 319, 351, 355, 356, 434n15; Complete Works of Picasso, 254; Picasso’s Guernica and, 319. See also Cahiers d’Art
Zervos, Yvonne, 308, 309, 311, 314, 351
Zilczer, Judith, 421n23
Zola, Émile, “J’accuse!,” 73, 408n10
Zonnestraal Sanatorium, Hilversum, 259
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ABOUT THE AUTHOR
Hugh Eakin is a senior editor at Foreign Affairs. His writing about museums and the art world has appeared in The New York Review of Books, Vanity Fair, The New Yorker, and The New York Times.
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Hugh Eakin, Picasso's War
