Delphi Collected Works of Grant Allen, page 804
But, if seeing is believing, it is equally true, as all who have looked into the phenomena of spiritualism and ‘psychical research’ (modern English for ghost-hunting) know too well, that believing is seeing also. The origin of the faith in thunderbolts must be looked for (like the origin of the faith in ghosts and ‘psychical phenomena’) far back in the history of our race. The noble savage, at that early period when wild in woods he ran, naturally noticed the existence of thunder and lightning, because thunder and lightning are things that forcibly obtrude themselves upon the attention of the observer, however little he may by nature be scientifically inclined. Indeed, the noble savage, sleeping naked on the bare ground, in tropical countries where thunder occurs almost every night on an average, was sure to be pretty often awaked from his peaceful slumbers by the torrents of rain that habitually accompany thunderstorms in the happy realms of everlasting dog-days. Primitive man was thereupon compelled to do a little philosophising on his own account as to the cause and origin of the rumbling and flashing which he saw so constantly around him. Naturally enough, he concluded that the sound must be the voice of somebody; and that the fiery shaft, whose effects he sometimes noted upon trees, animals, and his fellow-man, must be the somebody’s arrow. It is immaterial from this point of view whether, as the scientific anthropologists hold, he was led to his conception of these supernatural personages from his prior belief in ghosts and spirits, or whether, as Professor Max Müller will have it, he felt a deep yearning in his primitive savage breast toward the Infinite and the Unknowable (which he would doubtless have spelt, like the Professor, with a capital initial, had he been acquainted with the intricacies of the yet uninvented alphabet); but this much at least is pretty certain, that he looked upon the thunder and the lightning as in some sense the voice and the arrows of an aërial god.
Now, this idea about the arrows is itself very significant of the mental attitude of primitive man, and of the way that mental attitude has coloured all subsequent thinking and superstition upon this very subject. Curiously enough, to the present day the conception of the thunderbolt is essentially one of a bolt — that is to say, an arrow, or at least an arrowhead. All existing thunderbolts (and there are plenty of them lying about casually in country houses and local museums) are more or less arrow-like in shape and appearance; some of them, indeed, as we shall see by-and-by, are the actual stone arrowheads of primitive man himself in person. Of course the noble savage was himself in the constant habit of shooting at animals and enemies with a bow and arrow. When, then, he tried to figure to himself the angry god, seated in the storm-clouds, who spoke with such a loud rumbling voice, and killed those who displeased him with his fiery darts, he naturally thought of him as using in his cloudy home the familiar bow and arrow of this nether planet. To us nowadays, if we were to begin forming the idea for ourselves all over again de novo, it would be far more natural to think of the thunder as the noise of a big gun, of the lightning as the flash of the powder, and of the supposed ‘bolt’ as a shell or bullet. There is really a ridiculous resemblance between a thunderstorm and a discharge of artillery. But the old conception derived from so many generations of primitive men has held its own against such mere modern devices as gunpowder and rifle balls; and none of the objects commonly shown as thunderbolts are ever round: they are distinguished, whatever their origin, by the common peculiarity that they more or less closely resemble a dart or arrowhead.
Let us begin, then, by clearly disembarrassing our minds of any lingering belief in the existence of thunderbolts. There are absolutely no such things known to science. The two real phenomena that underlie the fable are simply thunder and lightning. A thunderstorm is merely a series of electrical discharges between one cloud and another, or between clouds and the earth; and these discharges manifest themselves to our senses under two forms — to the eye as lightning, to the ear as thunder. All that passes in each case is a huge spark — a commotion, not a material object. It is in principle just like the spark from an electrical machine; but while the most powerful machine of human construction will only send a spark for three feet, the enormous electrical apparatus provided for us by nature will send one for four, five, or even ten miles. Though lightning when it touches the earth always seems to us to come from the clouds to the ground, it is by no means certain that the real course may not at least occasionally be in the opposite direction. All we know is that sometimes there is an instantaneous discharge between one cloud and another, and sometimes an instantaneous discharge between a cloud and the earth.
But this idea of a mere passage of highly concentrated energy from one point to another was far too abstract, of course, for primitive man, and is far too abstract even now for nine out of ten of our fellow-creatures. Those who don’t still believe in the bodily thunderbolt, a fearsome aërial weapon which buries itself deep in the bosom of the earth, look upon lightning as at least an embodiment of the electric fluid, a long spout or line of molten fire, which is usually conceived of as striking the ground and then proceeding to hide itself under the roots of a tree or beneath the foundations of a tottering house. Primitive man naturally took to the grosser and more material conception. He figured to himself the thunderbolt as a barbed arrowhead; and the forked zigzag character of the visible flash, as it darts rapidly from point to point, seemed almost inevitably to suggest to him the barbs, as one sees them represented on all the Greek and Roman gems, in the red right hand of the angry Jupiter.
The thunderbolt being thus an accepted fact, it followed naturally that whenever any dart-like object of unknown origin was dug up out of the ground, it was at once set down as being a thunderbolt; and, on the other hand, the frequent occurrence of such dart-like objects, precisely where one might expect to find them in accordance with the theory, necessarily strengthened the belief itself. So commonly are thunderbolts picked up to the present day that to disbelieve in them seems to many country people a piece of ridiculous and stubborn scepticism. Why, they’ve ploughed up dozens of them themselves in their time, and just about the very place where the thunderbolt struck the old elm-tree two years ago, too.
The most favourite form of thunderbolt is the polished stone hatchet or ‘celt’ of the newer stone age men. I have never heard the very rude chipped and unpolished axes of the older drift men or cave men described as thunderbolts: they are too rough and shapeless ever to attract attention from any except professed archæologists. Indeed, the wicked have been known to scoff at them freely as mere accidental lumps of broken flint, and to deride the notion of their being due in any way to deliberate human handicraft. These are the sort of people who would regard a grand piano as a fortuitous concourse of atoms. But the shapely stone hatchet of the later neolithic farmer and herdsman is usually a beautifully polished wedge-shaped piece of solid greenstone; and its edge has been ground to such a delicate smoothness that it seems rather like a bit of nature’s exquisite workmanship than a simple relic of prehistoric man. There is something very fascinating about the naïf belief that the neolithic axe is a genuine unadulterated thunderbolt. You dig it up in the ground exactly where you would expect a thunderbolt (if there were such things) to be. It is heavy, smooth, well shaped, and neatly pointed at one end. If it could really descend in a red-hot state from the depths of the sky, launched forth like a cannon-ball by some fierce discharge of heavenly artillery, it would certainly prove a very formidable weapon indeed; and one could easily imagine it scoring the bark of some aged oak, or tearing off the tiles from a projecting turret, exactly as the lightning is so well known to do in this prosaic workaday world of ours. In short, there is really nothing on earth against the theory of the stone axe being a true thunderbolt, except the fact that it unfortunately happens to be a neolithic hatchet.
But the course of reasoning by which we discover the true nature of the stone axe is not one that would in any case appeal strongly to the fancy or the intelligence of the British farmer. It is no use telling him that whenever one opens a barrow of the stone age one is pretty sure to find a neolithic axe and a few broken pieces of pottery beside the mouldering skeleton of the old nameless chief who lies there buried. The British farmer will doubtless stolidly retort that thunderbolts often strike the tops of hills, which are just the places where barrows and tumuli (tumps, he calls them) most do congregate; and that as to the skeleton, isn’t it just as likely that the man was killed by the thunderbolt as that the thunderbolt was made by a man? Ay, and a sight likelier, too.
All the world over, this simple and easy belief, that the buried stone axe is a thunderbolt, exists among Europeans and savages alike. In the West of England, the labourers will tell you that the thunder-axes they dig up fell from the sky. In Brittany, says Mr. Tylor, the old man who mends umbrellas at Carnac, beside the mysterious stone avenues of that great French Stonehenge, inquires on his rounds for pierres de tonnerre, which of course are found with suspicious frequency in the immediate neighbourhood of prehistoric remains. In the Chinese Encyclopædia we are told that the ‘lightning stones’ have sometimes the shape of a hatchet, sometimes that of a knife, and sometimes that of a mallet. And then, by a curious misapprehension, the sapient author of that work goes on to observe that these lightning stones are used by the wandering Mongols instead of copper and steel. It never seems to have struck his celestial intelligence that the Mongols made the lightning stones instead of digging them up out of the earth. So deeply had the idea of the thunderbolt buried itself in the recesses of his soul, that though a neighbouring people were still actually manufacturing stone axes almost under his very eyes, he reversed mentally the entire process, and supposed they dug up the thunderbolts which he saw them using, and employed them as common hatchets. This is one of the finest instances on record of the popular figure which grammarians call the hysteron proteron, and ordinary folk describe as putting the cart before the horse. Just so, while in some parts of Brazil the Indians are still laboriously polishing their stone hatchets, in other parts the planters are digging up the precisely similar stone hatchets of earlier generations, and religiously preserving them in their houses as undoubted thunderbolts. I have myself had pressed upon my attention as genuine lightning stones, in the West Indies, the exquisitely polished greenstone tomahawks of the old Carib marauders. But then, in this matter, I am pretty much in the position of that philosophic sceptic who, when he was asked by a lady whether he believed in ghosts, answered wisely, ‘No, madam, I have seen by far too many of them.’
One of the finest accounts ever given of the nature of thunderbolts is that mentioned by Adrianus Tollius in his edition of ‘Boethius on Gems.’ He gives illustrations of some neolithic axes and hammers, and then proceeds to state that in the opinion of philosophers they are generated in the sky by a fulgureous exhalation (whatever that may look like) conglobed in a cloud by a circumfixed humour, and baked hard, as it were, by intense heat. The weapon, it seems, then becomes pointed by the damp mixed with it flying from the dry part, and leaving the other end denser; while the exhalations press it so hard that it breaks out through the cloud, and makes thunder and lightning. A very lucid explanation certainly, but rendered a little difficult of apprehension by the effort necessary for realising in a mental picture the conglobation of a fulgureous exhalation by a circumfixed humour.
One would like to see a drawing of the process, though the sketch would probably much resemble the picture of a muchness, so admirably described by the mock turtle. The excellent Tollius himself, however, while demurring on the whole to this hypothesis of the philosophers, bases his objection mainly on the ground that, if this were so, then it is odd the thunderbolts are not round, but wedge-shaped, and that they have holes in them, and those holes not equal throughout, but widest at the ends. As a matter of fact, Tollius has here hit the right nail on the head quite accidentally; for the holes are really there, of course, to receive the haft of the axe or hammer. But if they were truly thunderbolts, and if the bolts were shafted, then the holes would have been lengthwise, as in an arrowhead, not crosswise, as in an axe or hammer. Which is a complete reductio ad absurdum of the philosophic opinion.
Some of the cerauniæ, says Pliny, are like hatchets. He would have been nearer the mark if he had said ‘are hatchets’ outright. But this aperçu, which was to Pliny merely a stray suggestion, became to the northern peoples a firm article of belief, and caused them to represent to themselves their god Thor or Thunor as armed, not with a bolt, but with an axe or hammer. Etymologically Thor, Thunor, and thunder are the self-same word; but while the southern races looked upon Zeus or Indra as wielding his forked darts in his red right hand, the northern races looked upon the Thunder-god as hurling down an angry hammer from his seat in the clouds. There can be but little doubt that the very notion of Thor’s hammer itself was derived from the shape of the supposed thunderbolt, which the Scandinavians and Teutons rightly saw at once to be an axe or mallet, not an arrow-head. The ‘fiery axe’ of Thunor is a common metaphor in Anglo-Saxon poetry. Thus, Thor’s hammer is itself merely the picture which our northern ancestors formed to themselves, by compounding the idea of thunder and lightning with the idea of the polished stone hatchets they dug up among the fields and meadows.
Flint arrowheads of the stone age are less often taken for thunderbolts, no doubt because they are so much smaller that they look quite too insignificant for the weapons of an angry god. They are more frequently described as fairy-darts or fairy-bolts. Still, I have known even arrow-heads regarded as thunderbolts, and preserved superstitiously under that belief. In Finland, stone arrows are universally so viewed; and the rainbow is looked upon as the bow of Tiermes, the thunder-god, who shoots with it the guilty sorcerers.
But why should thunderbolts, whether stone axes or flint arrowheads, be preserved, not merely as curiosities, but from motives of superstition? The reason is a simple one. Everybody knows that in all magical ceremonies it is necessary to have something belonging to the person you wish to conjure against, in order to make your spells effectual. A bone, be it but a joint of the little finger, is sufficient to raise the ghost to which it once belonged; cuttings of hair or clippings of nails are enough to put their owner magically in your power; and that is the reason why, if you are a prudent person, you will always burn all such off-castings of your body, lest haply an enemy should get hold of them, and cast the evil eye upon you with their potent aid. In the same way, if you can lay hands upon anything that once belonged to an elf, such as a fairy-bolt or flint arrowhead, you can get its former possessor to do anything you wish by simply rubbing it and calling upon him to appear. This is the secret of half the charms and amulets in existence, most of which are either real old arrowheads, or carnelians cut in the same shape, which has now mostly degenerated from the barb to the conventional heart, and been mistakenly associated with the idea of love. This is the secret, too, of all the rings, lamps, gems, and boxes, possession of which gives a man power over fairies, spirits, gnomes, and genii. All magic proceeds upon the prime belief that you must possess something belonging to the person you wish to control, constrain, or injure. And, failing anything else, you must at least have a wax image of him, which you call by his name, and use as his substitute in your incantations.
On this primitive principle, possession of a thunderbolt gives you some sort of hold, as it were, over the thunder-god himself in person. If you keep a thunderbolt in your house it will never be struck by lightning. In Shetland, stone axes are religiously preserved in every cottage as a cheap and simple substitute for lightning-rods. In Cornwall, the stone hatchets and arrowheads not only guard the house from thunder, but also act as magical barometers, changing colour with the changes of the weather, as if in sympathy with the temper of the thunder-god. In Germany, the house where a thunderbolt is kept is safe from the storm; and the bolt itself begins to sweat on the approach of lightning-clouds. Nay, so potent is the protection afforded by a thunderbolt that where the lightning has once struck it never strikes again; the bolt already buried in the soil seems to preserve the surrounding place from the anger of the deity. Old and pagan in their nature as are these beliefs, they yet survive so thoroughly into Christian times that I have seen a stone hatchet built into the steeple of a church to protect it from lightning. Indeed, steeples have always of course attracted the electric discharge to a singular degree by their height and tapering form, especially before the introduction of lighting-rods; and it was a sore trial of faith to mediæval reasoners to understand why heaven should hurl its angry darts so often against the towers of its very own churches. In the Abruzzi the flint axe has actually been Christianised into St. Paul’s arrows — saetti de San Paolo. Families hand down the miraculous stones from father to son as a precious legacy; and mothers hang them on their children’s necks side by side with medals of saints and madonnas, which themselves are hardly so highly prized as the stones that fall from heaven.
