The problem of the many, p.7

The Problem of the Many, page 7

 

The Problem of the Many
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)


1 2 3 4 5 6 7 8 9 10 11 12

Larger Font   Reset Font Size   Smaller Font  

  briefly as if his own, even as his method of vanilla pollination

  belonged first to his master, then Madagascar, and then the world,

  with nearly all vanilla produced today as Albius taught us, including

  the kind in Breyers since 1866, fourteen years before Albius died

  unrecognized, in poverty, in misery to be exact, while everyone white

  around him grew rich with vanilla, adding it to candy, Coca-Cola,

  Chanel No. 5, and even in effigy to the air freshener dangling

  down in my Uber, its waves whispering Albius, Albius, but inaudibly.

  Escape into Time

  Back where the start was

  in time I came to feel, before

  or without any basic understanding,

  the hands holding me down

  wanted likewise to reassure me

  there was no place other

  than right where I was kept:

  chair, table, void-side window

  overlooking the nothingness

  and the hands that held me there

  must have held me without

  understanding in time

  I would come to feel to keep me

  implied other places must likewise

  exist, otherwise what

  was I kept from to begin with,

  and by extension, everywhere

  apart from where the hands were

  congealed into one

  comprehensive elsewhere, all time

  not the present became one time,

  and even when denied

  any movement not a form

  of leaning forward, nonetheless

  I arrived at the border of

  all other places every time at once,

  so that to hold out my hand

  would bring it no closer

  to the garment of my caretaker

  than to the first known garment

  of its kind, or to the hand

  that designed it, or to the hand of

  the godhead etching into stone,

  a stone rolled back from

  the mouth of a tomb, or the mouth

  of a painter of clock faces

  numbering the void with light

  steps around a pit the uranium rises

  out of like a crib in Colorado

  where a dirt path into the endless

  distance erases itself as I too

  will erase myself when I take it

  the way I always have

  reverberating inwardly, a machine

  through time, each future inescapably

  historical, but I am traveling

  back where the start was

  not yet waiting for me all along.

  Traveler

  Admittedly, there have been times, as after antihistamines

  and a lager at the airport bar, when I can make like

  I belong here, minding my own carry-on behind me

  like the nonchalant, buoyed through a mount in cheer

  or cheerfulness I can’t call false, or can but just plain

  don’t, my fixity dissolving like some paper boat on blue

  carpet scrolling down the gate and aisle, shoulders brushed

  to others’ gently, neighborlike, and often, and as if

  I hadn’t noticed, but I do, it is my task. A sudden flash

  of what might happen when it did, but days ago, and then

  the rope of calm around my neck again, I settle in my seat,

  a window in the back, and pray to what I pay for,

  which is an empty sky, or else a cloud in what appears

  to be the center of the sky, to feel the fade of what I only

  recently eased into, this lack of history between us

  making it all the easier. (I think I hadn’t expected life

  to be kind to me, not in light of the pounding of it, so I must have

  thought I could trick it, lead it into thinking I wasn’t

  really there. Later on, I think I changed my mind, but by

  then it was too late.)

  Gone forward, pulling it off

  but awkwardly, timed as if time’s artichoke had wept in

  front of me in the white kitchen, or on a pond on which

  intoned a lotus, then a moon; greased in plenitude, up to

  and including—then all its little hands, which knit

  a lifework out of hours, days; centuries unstuck like yellow

  vinyl from the tabletop, the noise of it so common-

  place we didn’t notice it, or when we did, we let it pass

  by tacitly as nails until all the landscapes they held up

  dropped out of custody, and now it can’t be heard again.

  Or say the flatness of the tabletop were the known

  universe, all of it, and I’m just a random smirch residing

  in the northeast corner, comparable to many other smirches,

  nothing special, until I vanish from this flatness into another

  layer of it, into depth. We might think of it as traveling

  under the table, but the smirches, who only experience

  flatness, know no under. They only know that I was there

  and then I wasn’t. And when I resurface in an instant

  somewhere in the south, it’s still just an instant to me,

  but to the others, who are nowhere to be found, it was an instant

  three hundred years in the past.

  White birches lean

  through a mist like plastic drinking straws, the same

  kind a tribesman from Papua New Guinea once drove

  through the hole in his septum in lieu of the traditional

  wooden spoke or bone. The anthropologist in the back of

  the room cried. She had seen the documentary many times before

  but still cried. She sensed in this image the collapse

  of a culture, its unstoppable tumbling into the corporate

  fast-food abyss. I could see this. At the same time I couldn’t

  look up into his face and make myself see anything less

  or more than a person, one with the capacity to choose

  or choose not to do what he had done. I knew I had to

  be wrong. I knew I should want him not to choose what

  he possibly only appeared to have chosen, meaning external

  forces might have compelled him to take up the straw

  instead of materials his ancestors used, but I couldn’t distinguish

  between wanting this and wanting to preserve him

  in time like an object, even if to do so meant denying him

  his ability to choose, permitting him only to do to his face

  what left Baltimore comfortable.

  Anyone moves through

  days less than completely, the washing of dishes

  start to finish, water half-scalding the hands so the feet

  don’t remember events that the land underneath

  them supported, a hope for gain so consistent in the humus

  it becomes for us an unavoidable drink, the whole

  crow family chuffing overhead as we trust our taproots

  to skirt the bad aquifer. Anyone oftener in the soft-

  scented borders abuzz beside museum doors will anchor

  thoughts elsewhere than in insects on whose loud labor

  we depend unendingly. As for me, I like to think of myself as able

  to function at a certain level, equipped to walk among

  a company of bees at ease with my place in an ancient

  relation, a live participant in a pattern whose longevity

  is a thing of beauty, admiring our symbiosis in Sunday

  sun as an abstract love with benefits, but then I think

  we’d cloud them in a stink of toxins if they didn’t pollinate

  the fruit we ate or vomit honey, and they don’t think

  of us at all, they’re too busy, or aren’t equipped to, or don’t

  see the point, if there is any.

  Half-aware in the dark

  air above New York, a common swift, known to doze in flight

  the way a dolphin does through the sea, one hemi-

  sphere of its brain set to slow-wave sleep while the other

  maintains vigilance, the inner eye of us widening

  as it beams back and forth godlike across the soft office

  floor of our experience, the outer and inner divisions of it

  parted by a cleft that looks from this height like nothing

  but a papercut, I drop in on red activity filed in the

  fourth quadrant outer division, labyrinth of mismanagement

  as far as the eye can see, its index cards alone the size

  of antlers on Irish elk, which is to say so large they prevent

  successful completion of “the normal business of life,”

  I’ve heard it said, or else it was just some idea I had

  once about futility in a bathtub, but when I reach out

  to grab the file, having been lowered down to the air-

  space just above it, the antiquated suspension system up

  and reverses, hauling me backward through the element

  I belong to, torn as if from the hand that would spare me

  the burden of remembering.

  Nothing to be afraid of but

  nothing now, a light-absorbing liquid tucked behind a dam

  constantly wanting to unknit itself, thinking to fail by plan

  might be better than to succeed for a stretch through

  violent worry, only to fail in time anyway; you sat beside me

  on the green chair, birdlike, fidgeting in your girlhood

  as we read together from a magazine, facts about the lives

  of honeybees, nothing to be afraid of: to generate,

  on average, a single pound of honey, a colony has to draw

  nectar from two million flowers, or enough red roses

  to send a dozen red roses to every resident of Columbia, Mo.

  And to visit all those flowers, the colony has to fly,

  collectively, fifty thousand miles, over one-fifth the distance

  from the earth to the moon, which holds our thoughts

  in place if we have nowhere else to place them, as when

  we read the average worker bee, in all its lifetime, will only

  produce one-twelfth a teaspoon of honey, meaning that I

  have stirred the lifework of a dozen bees into my teacup

  thoughtlessly, a devourer of lifeworks, this present only

  one example, I turn my head away.

  Awake again in under-

  brush, helmet of scrub pine and sassafras, an earth beneath

  my hooved feet elastic with its mosses, I walk out

  to the human clearing, late winter, under a surplus of stars.

  Gently, neighborlike, my animal ear upheld against

  the wigwam, the stripped-bark sides of it like the surface

  of a rumored planet, discernible at last in the late winter

  sky that appears, as noted, invested with more stars

  than necessary, although necessity would seem to have

  no place in the matter, and it must be I who has imported it.

  In the firelight the colonist feeds the dying sachem

  fruit preserves with a blunt English knife, nursing him back

  to health, and it’s my task to determine, through

  the tension of the wigwam, whether he performs this

  kindness out of love, strategy, or else some mixture of

  the two, and if this last, I am asked to determine whether

  the two feelings stay distinct in the mixture, or do

  they fuse, and if the latter, what known apparatus might

  best take the measure, or what new one might we devise,

  and is it love-strategy then, or strategy-love, is one half

  always stronger, or is it not like that at all.

  When I fly

  back to where I’m from, or feel I must be, will I be thought

  a failure to the others there, because I am, but only

  in the strict sense, having failed to accomplish what I felt

  I had been asked to, which was to undertake what

  can’t in fact be done, not the way we had been made to

  think we might be able to. That was our mistake, if we were

  more than one. If not, then it was mine. I worry that

  I won’t be able, in the strict sense, to make the others

  see the beauty of it, all of it, which I admit I can only

  see in part, even after lifelong travels, and then I think,

  this must be what they want, for me to return incapable,

  brokener, insisting on the beauty of what can’t be

  understood, not the way we thought, and they, if more

  than one, will welcome me, nodding in time like the holy

  entities on a diptych, and if otherwise, I will be there

  to becalm myself, and to be the ship I wait for, and the ocean

  will be ocean, no matter how I cross it, and late winter

  sky will still be sky, until there’s no ship left to wait for.

  Jonah

  If I don’t speak to

  the darkness it

  swallows me.

  The Death of Print Culture

  There’s a sort of meteorologist

  Jeremy Jacoby Joffrey Jagger Josh

  that likes to make a show

  of his sensitivity in the hopes of

  winning the favor of strong

  female onlookers, particularly those

  who resemble his primary

  care physician, and watching it

  “all play out on the screen”

  my friends, it is like watching

  Storm Spencer Pomponius Vince

  an anthropomorphized pistachio

  ice-cream cone incrementally

  baring its pale ass to a category-

  five hurricane, which is not to

  comment on the conduct

  of meteorologists categorically

  or to compare them all

  to cartoon food or strong women to

  dangerous weather, it’s just that

  increasingly there are all

  these sensitive meteorologists

  Connor Conover Constantine Wolf

  peering through their tears

  to notice the anchor tilting her

  head noticeably as if to measure

  a previously undetected depth

  when in truth she is remembering

  a rapidly bitten-into falafel

  sandwich falling apart all over

  our nation’s leading news periodical

  dampening gloss pages

  as she wonders if she should just

  throw it into the trash or else

  surreptitiously return it to

  the stack of other periodicals

  compromised by happenstance

  in the network kitchenette,

  wash hands with rose geranium

  foaming hand soap and call it a day

  but not once does she ever

  consider taking it home with her.

  The Death of the Author

  One warm Good Friday after having fasted

  I rode my azure Huffy to Benny’s Home & Auto

  2.5 miles away with David Simoneau

  for what I can’t remember, a good deal farther

  than ever before, much less on a rumbling

  holy empty stomach, and the strange air turned

  impatient with me, palpable, and the new-tire smell

  of small business blurred my vision

  in from the edges as I walked automatic

  to the sliding door but missed, banging pins

  and needles of my face against the plate-

  glass window, dying in public the first time ever

  backwards for a minute on the rutted welcome mat

  till flights of angels did around me sing

  He’s on drugs is what he is, but all I was

  was Catholic. As for drugs, some years later

  for all I could tell I was dead again all over

  on Scott and Kathy’s bathroom tile with a stone-

  cold paralysis I still access on occasion

  as I wish, only this time I was shall we say

  eager to be revived, and then the green foil

  cylindrical canister of Comet scouring powder

  told me to muster all my strength and hurl it

  down the hall in an arc like the celestial

  object from which our product draws its name

  whereupon rescuers would come the way the magi

  came to the Christ child guided by a star.

  Lynn was dead too but probably remembers it

  differently than I. Something tells me for a time

  I might have been torn between the Comet and Kathy’s

  marquetry jewelry box, which would have been

  too personal a sacrifice so I’m happy to say

  I chose the cleanser in the end, not that marquetry

  for all its repulsive involvement and dizzy

  suggestiveness of hands isn’t almost always better off

  destroyed, at least to someone whose most vivid

  if not earliest association with hands is

  about which probably the less said the better,

  but between these deaths I was in fact killed

  on the regular, over and over, albeit in the iffy

  safety of a home, where the dead in time mistook

  me for one of them, or to put it accurately

  came to know and stand around the bed of,

  intending then, I thought, to terrorize me more

  but since the art of what went down is left

  mine to decipher, I say what they did was keep

  part of me alive, wrapping it in the plastic of

  cloud architecture, for some other world than this.

  The Death of Truth

  The world is a horrible place. —Think Big, Donald Trump

  But my own value fluctuates, falling up and down

  with the markets and with attitudes and with feelings,

  even my own feelings, but I try. Studies have shown

  how I try. The sheer force of numbers. The ceiling

  shakes with it, which only goes to show—all the science

  is on my side. If I want more, I put an order in. I sing

  the body mac and cheese, deep-fried: Tom Jefferson’s

 

1 2 3 4 5 6 7 8 9 10 11 12
Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On
183