The problem of the many, p.6

The Problem of the Many, page 6

 

The Problem of the Many
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  The way the darkness makes the stars stand out

  more intensely, appear more precisely themselves,

  likewise the many

  canisters of Pringles, this entire supermarket

  aisle of them, make me more humanly aware of my human

  than I know what to do with.

  Nietzsche says that in order to make life bearable

  step by step the Greeks had to dream up an array

  of new gods, shiningly

  exemplified by Apollo, who through ongoing

  battle lays order to chaos and puts an end to the Titans’

  “divine reign of terror.”

  Most sources say your misuse of technology

  for destructive ends compels Zeus to deploy his

  weapon of choice

  against you; others say Poseidon, your own

  foster child, rises from the sea like architecture to impale

  you with the seismic

  trident you forge for him; while Servius’s gloss

  on Virgil’s epic attributes the honor to none other

  than Apollo himself

  taking the shape of the wolf in part to beautify

  it from within, “as roses burst forth from the thorn-bush”

  to quote Nietzsche again

  in a context different but not unrelated, like tropical

  milkweed to the native variety, whose scent

  the Times describes as

  “sweet, spicy and ripe with an overtone of honey.”

  Well-meaning gardeners keep planting tropical milkweed

  in droves in their borders

  to provide habitats and food for the monarch butterfly—

  who affixes her eggs to the undersides

  of the milkweed’s leaves

  and whose larvae eat nothing but—in hopes

  of offsetting all the native plants you continue to destroy

  along the fringes of corn and soy

  fields throughout the Midwest, but unlike the plainer

  native species, the tropical doesn’t die back

  in winter, a fact agreeable

  to monarch-infecting parasites, but flummoxing

  to the monarchs themselves, many of whom,

  taken in by the luxury of a year-round milkweed supply,

  end up forsaking their famous migratory flight

  to Mexico, an exercise which has come to ensure

  the overall strength

  of the swarm. Enthusiasts like to call a swarm

  of butterflies a “kaleidoscope,” another practice which to

  my mind means well, but fails

  to do justice to the monarch, in effect diminishing

  colonies that curtain fir trees in the tens of millions

  per hectare into a single

  handheld toy meant to enchant the eye away

  from the truth in front of it—deforestation, extreme weather,

  dozens of species lost every week.

  From your maternal grandparents, Darkness

  and Night,

  you inherit the knack of existing largely

  in the figurative

  but with tangible impact. Not as entities

  with distinct

  shapes one might doodle in the margins

  of an almanac

  like Cheney’s face on the body of Cthulhu,

  but as a human

  tendency to destroy a thing as a way of

  controlling it

  and with no regard for what effects this

  might have on

  things nearby, things over time, or things

  not immediately

  apparent, e.g., our groundwater supply—

  which glyphosate

  snakes its way into, here and abroad, despite

  biotech’s reassurance

  that the compound’s slow soil mobility

  in effect prevents

  groundwater contamination—and then

  there’s our gut flora.

  Looking back, I remember the BeltBuster,

  and fondly, as comprising

  two meat patties, two cheese slices,

  seasoned taco meat, Fritos, and possibly more cheese

  in a more liquid form, like a queso sauce

  or its approximation, served

  on a fairly straightforward bun

  that fell apart halfway through—

  not a problem, because by that point my belt

  had, as advertised, been busted,

  again in the figurative, and I ate

  with my hands what remained

  of its meat, which by that point had grown

  inseparable from the cheese,

  because, as a rule of thumb, if a higher life form

  dies for my meal, I do what I can.

  On the way home I tried

  for twenty minutes to photograph

  streak lightning on my phone

  but failed every time, all I could capture was

  a gravel road, dead and living

  trees, cacti and the purple clouds

  where all the lightning had been happening

  and which, for Callimachus,

  might call to mind the fury

  of Zeus, but I thought of the comedy The Clouds

  by Aristophanes, whose heretical

  windbag depiction of Socrates—who in act 1

  calls clouds “the only true gods”—

  is believed to have played

  a role in the philosopher’s

  trial and execution just shy of a quarter

  century later. In The Birth of Tragedy

  Nietzsche says Athens, mindful of the eyes

  of posterity, would only have gone

  so far as to punish its self-described “gadfly”

  with exile, and supposes it

  was Socrates himself, so tyrannically

  opposed to instinct, including even

  the instinct to live, who proposed his

  own death as the answer to

  the charges of impiety against

  the city-state’s gods and corruption

  of its youth. What’s more, Nietzsche

  also says Socrates, now a daemonic force

  via Euripides, was responsible

  for the death of Greek tragedy,

  which was once “that most magnificent temple”

  and then just another pile of

  rubble when what Nietzsche calls “the murderous

  principle” of aesthetic Socratism,

  i.e., “In order to be beautiful,

  everything must be intelligible,” sank

  anchor in a harbor far deeper than

  sense, pointed skiffs like viruses to shore

  to infect dull reason into the amphitheater

  where the individual, once valiant

  as a golden pheasant among porcupine,

  had come to face the abyss

  with pleasure because it meant

  constructing an illusion over it in front

  of everybody, a new bridge

  leading not to the conclusion the abyss

  wasn’t there, or wasn’t real, but that it’s all

  that’s ever either, and the truth of this

  infuses the illusion with necessity.

  Regarding his assessment of Socrates’s

  asceticism, Nietzsche may have gone a bit

  overboard. It is known

  that Socrates exhibited robustness

  here and there, having served in three battles

  as a hoplite and excelled at masonry

  in his youth. He wed

  Xanthippe late in life, and together

  they brought three sons into a world

  we might be wrong to imagine

  him too eager to escape from. After

  hemlock, they made him walk around

  until his legs went heavy-numb.

  After lying down, and as the toxin eelily

  found his heart, he told his companion

  Crito to remember the cock

  owed to Asclepius, god of medicine. Nietzsche

  interprets this as a tribute to be paid to the god

  for curing him of the long sickness

  of existence. More recently, Asclepius

  was remembered in the plant name

  Asclepias syriaca, our native milkweed.

  Here the grasshopper Apollo says bid a hardy

  welcome to the emptiness

  already inside you. Sit down together

  on the verandah

  of coming to know it and what it will do. It will do

  what it will regardless. It is in

  your interest. Also in your interest—

  offer me beet greens on a nonreactive platter

  at my temple at Delphi

  as has been customary

  for several millennia. Just make sure

  that they’re harvested

  at least six miles away

  from the nearest sugar beet, as all the sugar

  beets in America, which account for

  roughly half your country’s

  sugar production, are genetically modified

  to be glyphosate-resistant, and at a distance

  less than that, transgenic contamination

  with plants in the same family,

  e.g., table beets and Swiss chard, isn’t just likely,

  it’s inevitable.

  As for the emptiness, you can depend on it

  the way strings

  depend on the hollow body

  of the guitar. I know you don’t ordinarily

  trust rhetoric like that, but I see

  you have already taken my word for it.

  One night I will walk out under a sky so clear

  I’ll forget I am anywhere. The landscape won’t regard

  me any differently than itself—I’ll be the portion of a somewhat

  greater density than beeswax, lesser when inhaling

  at maximum capacity. A movement through lashes

  of wind-bent June grass; counter to the wind, but only

  in velocity. That figure of the human as loge towards which

  Earth’s orchestra exists to tend its point will sit

  quaint then, or irrelevant, like an excavated pull-tab

  harvester ants paraded out the mouth of their habitat

  in order to make life bearable. I took their photograph

  on my phone but it looks for all the world like the surface

  of the moon. Then I took another of a lone jackrabbit

  I thought might be the jackrabbit I saw earlier today—

  when I turned, I saw maybe a dozen jackrabbits ricochet

  into the scrub and vanish. In a way they were

  all the same jackrabbit, just as I’m the same human

  they’ll always run from. But we have lived too long

  in the actual to let ourselves cave into the thought

  we should now try living in the abstract. There’s a knot

  in the wood floor where I am I keep mistaking for a scorpion.

  It keeps mistaking me for Socrates, pacing the room

  as we lose the feeling. But what I’m really doing is

  trying to get it back, weaving to and fro if not to sweat

  the toxin out, then to stage a demonstration to myself I am

  alive. In the prologue to his long poem on the many

  causes of what is, Callimachus says he feels mortality

  sliding off him like “the three-cornered mass of Sicily.”

  I don’t feel that. I feel malevolent forms of rationality at play.

  I feel the Arctic flounder’s gene sequence allowing it

  to withstand frigid temperatures patched into the DNA

  of flavorless tomatoes in 1991. I feel trembling in the milk

  of today’s goats in Utah tinkered with to produce a high-

  grade spider silk for military jumpsuits. I feel the pull of Earth’s

  newfound moon on the aquifer beneath me and a panic

  rustle wings awake on hot hexagons in Mexico, and then I

  don’t. But I still feel hands around my throat. I still feel

  Stevens when he says: “a violence from within . . .

  protects us from a violence without.” I feel ribbed undersides

  of milkweed’s leaves and a silkiness to its parachutes

  split from pods in airborne childhood. I feel at odds with

  what I feel but not enough to stop. My finger in the dark

  aligns the divot in the drywall with the sad last gasp of GMO-fed

  catfish. I feel the sickness of existence and its portal

  back in. I feel the times I walk across dissolve but I still walk.

  I feel the only way to make life bearable is to make it.

  The Earth Itself

  To quantify the foolishness of the already long since failed

  construction project, the famous German polymath

  undertook to calculate the precise number of bricks

  the Tower of Babel would have required had it ever been

  finished. The figure he came up with ran an impressive

  eighteen digits in length, climbing all the way up

  to that rarely occupied hundred-quadrillions place.

  Looking at it now, between loads of laundry, the figure

  calls to mind an American telephone number—area code first,

  then the prefix, then the line number, followed in turn

  by a trail of eight additional zeros. I feel a little lost

  through the hypnosis of those zeros, but I still pick up

  the phone and dial that number now. A recording says

  the number I’ve dialed isn’t an actual telephone number

  after all. Please try again. I do. Same result. I try dialing

  that trail of zeros instead. This time the recording says

  that the call I’m making might itself be recorded. I hesitate a bit

  at the thought of that, when all this pseudoscience, all

  this poking into mysteries, panting for answers, always

  harder, higher, my phone calls today and the recordings

  and the laundry, the laundry—it all comes crashing down.

  I don’t have time to experiment. I’m hanging up the phone.

  But wait, there’s more! On my rush back to the laundromat

  I remembered I forgot a part. The polymath figured out, too,

  that if the tower had reached its destination, it would have

  taken over eight hundred years to climb to the top.

  And further, his calculations say the mass of all those bricks

  would have outweighed, albeit slightly, the earth’s own mass,

  meaning the tower would have used up all the matter of

  the planet it was built on, which is foolish enough, and then

  a little more, which is absurd, unless the tower is secretly

  just the earth itself, with the added weight of all the living on it.

  Happiness

  Even if it could be felt

  all at once, instead of

  in installments, instead of

  this staggering

  out over a lifetime

  of feeling it without

  warning, or even

  without wanting it, seize

  before sliding back

  into its opposite, seismic

  event, so that

  by analogy, being itself

  grows corrugated,

  as sand does recalling

  the motion of water,

  or like ridges on the roof

  of a good dog’s mouth

  science says serve

  to stop the water from

  escaping when lapping it

  up—then again

  by analogy, the feeling

  of how it would feel

  likewise would escape me.

  Hymn to Edmond Albius

  Too busy peddling my fire and trying to keep the mouths fed

  and packing up belongings of the recent dead right now to access

  your luxurious philosophy, though one looks forward to a time

  when the universe permits, I said to my electric correspondent

  who came at me puffed pink in thoughtfulness when what I needed

  then as now was a quiet high enough to envision a half-gallon

  brick of all-natural vanilla ice cream softening on the hot hood

  of an idling cop car: the earliest rivulets, a slow loss of strict

  rectangularity, then the wild gliding around on the beautiful bleak

  enamel paint job as its sweet fragrance fills the air like a gift

  from Madagascar I can breathe. Rapt Cortés transported cuttings

  of vanilla across the Atlantic during his plunder of the Aztecs;

  the Aztecs themselves fell captive to its magic after vanquishing

  its first cultivators the Totonacs, who paid their conquerors tributes

  of baskets stacked to heaven with cured vanilla pods like long

  sentences of salutiferous essence. This is one of those instances

  history likes to push your face into to try to stir your appetite

  for cruelty a little, or at least make you covet the perks of it: I too

  want vanilla in quantity. I want it all around me, like a fortress

  of mellow dangles. It will move with me as I move and it will ward

  hateful people off. For centuries Europeans tried to cultivate it

  outside its native Mexico and failed. They could get the vine

  to flower, but in the absence of ancestral pollinators, specifically

  hummingbirds and a stingless bee, the flowers dropped off podless.

  Meanwhile, Edmond Albius—born into slavery on an island

  east of Madagascar known then as Bourbon, lush French colony

  and home to roses, home to one active volcano, one dormant, and one

  arena-like caldera that holds the record for most rainfall shed

  in one location by a single tropical cyclone ever, namely Hyacinthe—

  knew enough from orchids at age twelve in 1841 to think to lift

  with a bamboo splint the flap of the rostellum dividing the pollen-

  heavy male anther from the female stigma in order to rub the pollen

  on the stigma’s eager wand. Within weeks the pods had begun

  to form and lengthen into joyous beanlike squiggles laden with

  tiny seeds like secrets of the universe as Albius at the shore and under

  bright southern stars breathed out I hope in a kind of enlargement

  akin to liberty from time, so that on that occasion he might feel

 

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