1960. Lady Fawcett is eager to vet her daughter Amy’s current beau, aspiring film director Bartholomew Hackle, who is shooting his first major movie in the charming Suffolk town of Southwold. As Amy is unable to accompany her mother, Rosy Gilchrist is strong-armed into tagging along.On the set of The Languid Labyrinth nobody really knows what is going on - least of all FelixSmythe whose bit part is constantly changing, much to his chagrin. But the unambiguous death by gunshot of a female cast member injects some drama into proceedings - something sorely lacking in the film itself. Lady Fawcett, Rosy and Felix are at the centre of a murder mystery in which further victims may face the cut.

All the Reverend Francis Oughterard had ever wanted was some peace and quiet, instead he becomes entangled in a nightmare world of accidental murder, predatory female parishioners, officious policemen and a drunken bishop. As the vicar’s life spirals out of control it is his supercilious cat, Maurice, and bone obsessed hound, Bouncer, who save the day. A Load of Old Bones is a charming and farcical romp through a 1950’s mythical Surrey.

Rosy Gilchrist and her hesitant sidekicks, Felix Smythe and Professor Cedric Dillworthy, are visiting Cambridge: Rosy to attend a Newnham reunion, and Felix and Cedric to attend preparations for the unveiling of a statue of the latter's old tutor. But plans for the statue are far from set in stone, and the meddling Gloria Biggs-Boothby is determined to see it created by another artist. It's inconvenient, then, when he turns up dead...As Rosy and her associates become increasingly embroiled in events, they face a number of teasing questions: is the deaf and frail Emeritus Prof., Aldous Phipps, quite as benign as he seems? Is the Bursar a secret misogynist with a rooted aversion to large women (e.g. to Gloria)? And who is the unwitting husband that Dr John Smithers is so busy cuckolding?

1954, Venice. For Rosy Gilchrist the tables may have turned. Her boss at the British Museum, Dr Stanley, has chosen her to travel to Venice, track down a rare edition of Horace's Odes and bring it back for their collection. Rosy jumps at the chance to spend time away from her capricious supervisor and hopefully indulge in a little Venetian culture Following Dr Stanley's advice, she roams the cobbled streets of Venice in search of the book and crosses paths with old friends Felix Smythe and Cedric Dillworthy. With their help, Rosy thinks she's laid her hands on the treasure but things soon take a drastic downward spiral. A wealthy and eccentric recluse offers a £1 million reward for anyone who can find Horace's Odes and pair it with a missing Murano vase. The price on the book's head brings all sorts of murky characters out of the shadows. Soon Rosy finds herself in a race against time as her rivals will go to any lengths to secure the prize . . ....

Primrose Oughterard, an eccentric artist living in East Sussex, has recently taken custody of her dead brother's cat and dog, Maurice and Bouncer. The brother - the Revd Francis Oughterard - has had the misfortune to murder one of his parishioners, and (aided and abetted by his pets and sister) had devoted much of his time to concealing the crime and escaping the gallows (which he did). Following his heroic death rescuing another parishioner from impalement on a gargoyle, his sister feels duty-bound to take responsibility for the two animals. The arrangement results in a number of questionable entanglements including the usual mishaps of murder, foiled intentions, concealment of evidence - plus a peculiar manoeuvre on the cliff at Beachy Head.

London, early 1950s. Marcia Beasley of St John's Wood is discovered dead in her home, naked and covered with a coal scuttle. Detective Sergeant Greenleaf is tasked with solving the crime and bringing meaning to her gruesome death. It is a discomfiting matter, not only for the victim's niece Rosy Gilchrist – eager to distance herself from her aunt's fate and raffish reputation – but to all members of the deceased's social circle. The floral Felix and acidic Cedric, awful Vera, self-enamoured artist Clovis Thistlehyde, the amiably inane Fawcett family – all, it seems, have secrets to hide and grudges to bear.Reluctantly Rosy is drawn into a mesh of intrigue, encountering those she would prefer to avoid and uncovering facts she would rather not know. Dragged from her ordered world, she is thrust into one of mad uncertainty. Who, for example, is the limping midnight visitor? Is the bibulous priest as ingenious as he seems? And will Mrs Burkiss ever yield her...