Chase, p.1

Chase, page 1

 

Chase
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Chase


  CAFFEINE NIGHTS PUBLISHING

  Table of Contents

  Title Page

  Chase

  ACKNOWLEDGEMENTS

  DEDICATION

  PART ONE

  THE CHILD | COLORADO, USA

  ONE

  TWO

  THE GATHERING | COLORADO, USA

  FOUR

  THE HOUSE | COLORADO, USA

  FIVE

  SIX

  SEVEN

  THE CHURCH | COLORADO, USA

  EIGHT

  THE INFECTION | COLORADO, USA

  NINE

  THE CAPTIVE | COLORADO, USA

  TEN

  ELEVEN

  THE THEORY | COLORADO, USA

  TWELVE

  THIRTEEN

  THE PRIEST | COLORADO, USA

  FOURTEEN

  ANOTHER SACRIFICE | COLORADO, USA

  FIFTEEN

  SIXTEEN

  SEVENTEEN

  SEVENTEEN

  THE CONVERSATION | COLORADO, USA

  EIGHTEEN

  THE CONFESSION | COLORADO, USA

  NINETEEN

  TWENTY

  TWENTY-ONE

  THE AFTERMATH

  TWENTY-TWO

  TWENTY-THREE

  THE MEETING | COLORADO, USA

  TWENTY-FOUR

  TWENTY-FIVE

  PART TWO

  TWENTY-SIX

  TWENTY-SEVEN

  TWENTY-EIGHT

  TWENTY-NINE

  THIRTY

  THIRTY-ONE

  THIRTY-TWO

  THIRTY-THREE

  THE OFFERING

  THIRTY-FOUR

  THIRTY-FIVE

  THE RECKONING

  THIRTY-SIX

  THIRTY-SEVEN

  THIRTY-EIGHT

  THIRTY-NINE

  FORTY

  FORTY-ONE

  FORTY-TWO

  FORTY-THREE

  FORTY-FOUR

  FORTY-FIVE

  FORTY-SIX

  FORTY-SEVEN

  FORTY-EIGHT

  FORTY-NINE

  FIFTY

  FIFTY-ONE

  FIFTY-TWO

  FIFTY-THREE

  FIFTY-FOUR

  FIFTY-FIVE

  FIFTY-SIX

  FIFTY-SEVEN

  FIFTY-EIGHT

  FIFTY-NINE

  SIXTY

  THE PURSUERS

  SIXTY-ONE

  SIXTY-TWO

  SIXTY-THREE

  SIXTY-FOUR

  SIXTY-FIVE

  SIXTY-SIX

  SIXTY-SEVEN

  SIXTY-EIGHT

  SIXTY-NINE

  SEVENTY

  SEVENTY-ONE

  SEVENTY-TWO

  SEVENTY-THREE

  SEVENTY-FOUR

  THE HOUSE

  SEVENTY-FIVE

  SEVENTY-SIX

  SEVENTY-SEVEN

  SEVENTY-EIGHT

  SEVENTY-NINE

  EIGHTY

  EIGHTY-ONE

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  Further Reading: Monolith

  Also By Shaun Hutson

  SHAUN HUTSON

  CHASE

  Fiction to die for...

  Published by Caffeine Nights Publishing 2017

  Copyright © Shaun Hutson 2017

  Shaun Hutson has asserted his rights under the Copyright, Designs and Patents Act 1998 to be identified as the author of this work

  CONDITIONS OF SALE

  All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, scanning, recording or otherwise, without the prior permission of the publisher

  This book has been sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

  All characters in this publication are fictitious and any resemblance to real persons, living or dead is purely coincidental

  Published in Great Britain by

  Caffeine Nights Publishing

  4 Eton Close

  Walderslade

  Chatham

  Kent

  ME5 9AT

  www.caffeinenights.com

  British Library Cataloguing in Publication Data.

  A CIP catalogue record for this book is available from the British Library

  ISBN: 978-1-910720-80-6

  Cover design by

  Michael Knight

  Massillusion.co.uk

  Everything else by

  Default, Luck and Accident

  Also by Shaun Hutson:

  ASSASSIN

  BODY COUNT

  BREEDING GROUND

  CAPTIVES

  COMPULSION

  DEADHEAD

  DEATHDAY

  DYING WORDS

  EPITAPH

  EREBUS

  EXIT WOUNDS

  HEATHEN

  HELL TO PAY

  HYBRID

  KNIFE EDGE

  LAST RITES

  LUCY'S CHILD

  MONOLITH

  NECESSARY EVIL

  NEMESIS

  PURITY

  RELICS

  RENEGADES

  SHADOWS

  SLUGS

  SPAWN

  STOLEN ANGELS

  THE SKULL

  TWISTED SOULS

  UNMARKED GRAVES

  VICTIMS

  WARHOL'S PROPHECY

  WHITE GHOST

  Hammer Novelizations

  TWINS OF EVIL

  X THE UNKNOWN

  THE REVENGE OF FRANKENSTEIN

  ACKNOWLEDGEMENTS

  DEDICATION

  PART ONE

  THE CHILD

  COLORADO, USA

  ONE

  TWO

  THE GATHERING

  COLORADO, USA

  FOUR

  THE HOUSE

  COLORADO, USA

  FIVE

  SIX

  SEVEN

  THE CHURCH

  COLORADO, USA

  EIGHT

  THE INFECTION

  COLORADO, USA

  NINE

  THE CAPTIVE

  COLORADO, USA

  TEN

  ELEVEN

  THE THEORY

  COLORADO, USA

  TWELVE

  THIRTEEN

  THE PRIEST

  COLORADO, USA

  FOURTEEN

  ANOTHER SACRIFICE

  COLORADO, USA

  FIFTEEN

  SIXTEEN

  SEVENTEEN

  SEVENTEEN

  THE CONVERSATION

  COLORADO, USA

  EIGHTEEN

  THE CONFESSION

  COLORADO, USA

  NINETEEN

  TWENTY

  TWENTY-ONE

  THE AFTERMATH

  TWENTY-TWO

  TWENTY-THREE

  THE MEETING

  COLORADO, USA

  TWENTY-FOUR

  TWENTY-FIVE

  PART TWO

  TWENTY-SIX

  TWENTY-SEVEN

  TWENTY-EIGHT

  TWENTY-NINE

  THIRTY

  THIRTY-ONE

  THIRTY-TWO

  THIRTY-THREE

  THE OFFERING

  THIRTY-FOUR

  THIRTY-FIVE

  THE RECKONING

  THIRTY-SIX

  THIRTY-SEVEN

  THIRTY-EIGHT

  THIRTY-NINE

  FORTY

  FORTY-ONE

  FORTY-TWO

  FORTY-THREE

  FORTY-FOUR

  FORTY-FIVE

  FORTY-SIX

  FORTY-SEVEN

  FORTY-EIGHT

  FORTY-NINE

  FIFTY

  FIFTY-ONE

  FIFTY-TWO

  FIFTY-THREE

  FIFTY-FOUR

  FIFTY-FIVE

  FIFTY-SIX

  FIFTY-SEVEN

  FIFTY-EIGHT

  FIFTY-NINE

  SIXTY

  THE PURSUERS

  SIXTY-ONE

  SIXTY-TWO

  SIXTY-THREE

  SIXTY-FOUR

  SIXTY-FIVE

  SIXTY-SIX

  SIXTY-SEVEN

  SIXTY-EIGHT

  SIXTY-NINE

  SEVENTY

  SEVENTY-ONE

  SEVENTY-TWO

  SEVENTY-THREE

  SEVENTY-FOUR

  THE HOUSE

  SEVENTY-FIVE

  SEVENTY-SIX

  SEVENTY-SEVEN

  SEVENTY-EIGHT

  SEVENTY-NINE

  EIGHTY

  EIGHTY-ONE

  ACKNOWLEDGEMENTS

  Thanks always seems too inadequate a word for some of the people who help, support or just have faith in me while I'm writing a book but, until someone comes up with a better word, that will have to suffice for the following individuals.

  I'd like to thank my publisher, Mr Darren Laws for all his support and faith. Thanks, mate. Also, a huge thanks to everyone at Caffeine Nights. A special thank you to Michael Knight.

  Many thanks to my agent, Meg Davies.

  I'd also like to thank Jonathan Sothcott (whose knowledge of obscure horror films is breathtaking) and Damien Morley. Matt Shaw, Emma Dark, Graeme Sayer, Jo Roberts, Claire and anyone else I've forgotten.

  I would also like to thank Cineworld Milton Keynes (where I seem to spend most of my spare time), particularly Elizabeth, Sonya, Alun, Phillip, James, Phil, Jake, Daniel, Ben, Alex, Charlotte, Nathan and anyone else I've forgotten or who's left by now.

  And big thanks too for The Broadway Cinema in Letchworth.

  My thanks to Gary Farrow as well (despite his taste in football teams).

  My Mum and my daughter deserve far more than just a thank you but, for now, it'll have to do. They know I mean so much more.

  And, as ever, a massive thanks to you lot. My readers. The most loyal, the most critical and the most valued.

  Let's go.

  Shaun Hutson.

  DEDICATION

  Everything I do and everything I write is for my daughter, Kelly.

  This is no exception.

  As always, it comes with all my love.

  Even though I tell you, you'll never know how much you mean to me.

  Chase

  SHAUN HUTSON

  ‘There falls no shadow where there shines no sun.’

  Hilaire Belloc

  PART ONE

  ‘The Hawk swoops down on its prey. So does the Indian.’

  Black Elk – Oglala Sioux Indian Chief (1863 - 1950)

  THE CHILD

  COLORADO, USA

  The child had stopped crying half an hour earlier.

  It had screamed, kicked and thrashed when he’d first taken it and in between mumbled entreaties to release it, it had cried almost incessantly. But now it was still and quiet as if all the fight had left it and all the tears had simply been used up.

  They didn’t all scream and cry and fight back. Some seemed to accept their fate almost noiselessly while others struggled.

  This one had struggled.

  He was barely eight. Dressed in a pair of jeans, holed at the knees, a grey t-shirt and a pair of trainers that had seen better days. The T-shirt was soaked with sweat and one of the trainers had been torn as the boy had been dragged into the back of the van.

  Now he sat silently, bound at the wrists with heavy rope that had cut into the flesh in places. His feet were bound too but now he just sat motionless, looking around, stretching his jaw to try and relieve the discomfort of the thick tape that had been dragged across his mouth to prevent him shouting. His cheeks were damp with tears and he looked around the room he was being held in with wide, fear filled eyes.

  He had no idea where he was and no idea why he was there, and on both counts he was lucky, for had he realized the reason for his presence in this place then he would probably have started screaming and crying again.

  He sniffed and continued to look around, both afraid and also puzzled by the bleakness of the room he found himself in.

  The walls were bare brilliant white plaster. They were so white they were practically luminescent. There wasn’t a mark on any of them and the boy wondered if someone came in every day and re-painted them such was their perfectly pristine nature.

  And covering these walls was transparent plastic that reminded him of the kind of food wrap his mother used to place around his sandwiches before she placed them in his lunch box on a school day.

  The thought of his mother made the boy whimper again.

  What he wouldn’t give to be with his mother now. What he wouldn’t give to be with anyone now as long as he was free of this white room and the ropes that held him prisoner.

  She would come looking for him. His mother would come. So would his father and they would find him. He was sure of that.

  He sniffed back more tears and shuffled uncomfortably on the bare wooden floor.

  There was a single door to his left, but even that was covered by the same transparent plastic that hung on the walls like a second skin.

  The boy pushed himself back against the wall and managed to straighten up. He felt uncomfortable. There was a horrible dampness around his groin where he’d wet himself earlier, the fear of being snatched having overcome him at that time. He felt uncomfortable but he felt ashamed too. Boys of his age weren’t supposed to wet themselves.

  He looked down at the wet patch on his jeans and felt like crying once again.

  Off to his left he heard movement and the door swung back on its hinges, causing the plastic sheeting to billow.

  A man entered the room.

  He was carrying a small holdall and the boy looked at him, shuffling backwards against the wall as though he was attempting to melt into the plaster itself.

  He could feel the terror rising swiftly inside him once more.

  The man unzipped the holdall he was carrying and dug his hand swiftly inside.

  When the boy saw what he’d taken from within it, he began to shake uncontrollably.

  ONE

  David Carson closed the lid of the laptop and looked across at his wife.

  ‘Done,’ he said, smiling.

  Amy Carson hit the mute button on the TV remote, jammed a piece of folded paper into the book she’d been reading and moved closer to him on the sofa. She leant over to kiss his cheek.

  ‘Thanks,’ David said, turning his face to kiss her on the lips. ‘I deserved that.’ He pulled her more tightly to him.

  ‘Is everything ok?’ Amy enquired.

  ‘I was just finalizing us picking up the RV with the company in the States.’

  ‘Ooh, the RV, get you,’ she said, prodding him with one index finger.

  ‘What do you want me to call it? A bloody camper van? It’s a bit more than that.’

  ‘A mobile caravan?’ She giggled.

  David looked at her with mock disdain.

  ‘It’s a lot more than that, I can give you the exact specifications if you like,’ he said, trying to look stern but failing miserably.

  ‘No, don’t do that,’ she said, shaking her head. ‘I don’t care how many bloody horsepower the engine is and all that shite.’

  David smiled.

  ‘I just hope we’ll be able to manage driving on the other side of the road,’ Amy went on. ‘I mean over here if someone cuts you up the worst that happens is that they shout at you or stick two fingers up but they’ve all got guns in the States haven’t they?’

  ‘Well, I wasn’t planning on forcing anyone to pull a gun on me,’ David said. ‘And not everyone carries guns you know. We’re not going to a shooting range for our holidays. You’ve been watching too many films. And the easiest way to avoid accidents once we’re there is for me to drive.’

  Amy jabbed him with her index finger again.

  ‘Cheeky,’ she said. ‘I’ll go on my own if you cast any more aspersions on my driving.’

  ‘I wasn’t casting aspersions I was just saying it might be easier for me to do the driving. You and Daisy can take pictures or play eye spy or something.’ He laughed.

  ‘I don’t think we’re going to have to resort to playing eye spy,’ Amy chuckled. ‘Daisy can’t wait. She talks about it every day. “When are we going Mum?” “How long do we have to fly for?” “Are we going to see any cowboys?”

  ‘We might see some cowboys,’ David mused. ‘If I take a wrong turning and drive through Texas by mistake.’

  Amy moved closer to her husband, one hand resting on his thigh.

  ‘We need this holiday,’ she said, quietly.

  ‘Tell me about it,’ David smiled.

  ‘It’s taken long enough to save up for it.’

  ‘Well, things haven’t been easy have they?’

  David opened his mouth to say something then contented himself with just a shake of the head. He didn’t particularly want to discuss what had made their lives less than idyllic during the past two or three years.

  Some things were best left unsaid. Like any married couple in their early thirties they’d had problems to solve (some of which they’d managed and some they hadn’t) and obstacles to overcome both professionally and privately but all they wanted to do now was look forward. It had, David told himself, been too long since they were in a position to do that.

  The thought of spending two weeks driving across America in an RV with just his wife and his seven-year-old daughter was the only thing he wanted to think about at this particular moment in time.

  Until he heard the thud from the floor above.

  TWO

  David sighed and hauled himself to his feet.

  ‘Do you want me to go?’ Amy asked.

  ‘Finish your book,’ he said. ‘She’s probably dreaming. I’ll see to her.’

  Amy nodded, glancing at her husband as he made his way from the room and out into the hall. Seconds later she heard his footfall on the stairs as he ascended.

  Amy flipped open her book again, her gaze flickering over the words but as she glanced at the page nothing seemed to be registering. She turned back a couple of pages and realized that she’d have to re-read some of the book. Her mind hadn’t been on it from the time she’d started earlier that evening. She put the paperback down and turned her attention back to the TV, flicking channels.

 

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