A virtuosic new poetry collection from Sally Wen Mao, "a consistently inspiring and exciting voice" (Morgan Parker)In The Kingdom of Surfaces, award-winning poet Sally Wen Mao examines art and history—especially the provenance of objects such as porcelain, silk, and pearls—to frame an important conversation on beauty, empire, commodification, and violence. In lyric poems and wide-ranging sequences, Mao interrogates gendered expressions such as the contemporary "leftover women," which denotes unmarried women, and the historical "castle-toppler," a term used to describe a concubine whose beauty ruins an emperor and his empire. These poems also explore the permeability of object and subject through the history of Chinese women in America, labor practices around the silk loom, and the ongoing violence against Asian people during the COVID-19 pandemic.At its heart, The Kingdom of Surfaces imagines the poet wandering into a Western fantasy,...

“A sumptuous and lively collection, leaping from story to story in much the same way a fox does — surprisingly, gracefully, and with impressive aim. I loved this book.” – Kelly Link, Pulitzer Prize finalist and bestselling author of Get in Trouble and The Book of Love“What I love most about Ninetails is its fierce allegiance to underdogs of all kinds, its careful and myriad empathy for its characters, but also its pure and artisanal delight in language and fictive possibilities.” —Ocean Vuong, New York Times-bestselling author of On Earth, We're Briefly Gorgeous and Time is a MotherA “lyrical and virtuosic” fabulist debut collection of stories re-imagining the nine-tailed fox spirit of Asian folklore (Gina Chung).A fox spirit avenges a teen girl by seducing her abuser. A shapeshifting woman finds herself chased through the woods by fox...

A brilliant second collection by Sally Wen Mao on the violence of the spectacle—starring the film legend Anna May WongIn Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement but as a migration through time and a reckoning with technology. The title poem follows a nineteen-year-old girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence spanning the collection speaks in the voice of the international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many...