“When did she die?” asked Camilla softly, sympathy shining, starlike, in her dark eyes.

  “She — she didn’t die,” said Mrs. Falconer. “She went away. She was a pretty girl and gay and fond of fun — but such a good girl. Oh, Missy was always a good girl! Her father and I were so proud of her — too proud, I suppose. She had her little faults — she was too fond of dress and gaiety, but then she was so young, and we indulged her. Then Bert Williams came to Lindsay to work in the factory. He was a handsome fellow, with taking ways about him, but he was drunken and profane, and nobody knew anything about his past life. He fascinated Missy. He kept coming to see her until her father forbade him the house. Then our poor, foolish child used to meet him elsewhere. We found this out afterwards. And at last she ran away with him, and they were married over at Peterboro and went there to live, for Bert had got work there. We — we were too hard on Missy. But her father was so dreadful hurt about it. He’d been so fond and proud of her, and he felt that she had disgraced him. He disowned her, and sent her word never to show her face here again, for he’d never forgive her. And I was angry too. I didn’t send her any word at all. Oh, how I’ve wept over that! If I had just sent her one little word of forgiveness, everything might have been different. But Father forbade me to.

  “Then in a little while there was a dreadful trouble. A woman came to Peterboro and claimed to be Bert Williams’s wife — and she was — she proved it. Bert cleared out and was never seen again in these parts. As soon as we heard about it Father relented, and I went right down to Peterboro to see Missy and bring her home. But she wasn’t there — she had gone, nobody knew where. I got a letter from her the next week. She said her heart was broken, and she knew we would never forgive her, and she couldn’t face the disgrace, so she was going away where nobody would ever find her. We did everything we could to trace her, but we never could. We’ve never heard from her since, and it is fifteen years ago. Sometimes I am afraid she is dead, but then again I feel sure she isn’t. Oh, Camilla, if I could only find my poor child and bring her home!

  “This was her room. And when she went away I made up my mind I would keep it for her just as she left it, and I have up to now. Nobody has ever been inside the door but myself. I’ve always hoped that Missy would come home, and I would lead her up here and say, ‘Missy, here is your room just as you left it, and here is your place in your mother’s heart just as you left it,’ But she never came. I’m afraid she never will.”

  Mrs. Falconer dropped her face in her hands and sobbed softly. Camilla came over to her and put her arms about her.

  “I think she will,” she said. “I think — I am sure your love and prayers will bring Missy home yet. And I understand how good you have been in giving me her room — oh, I know what it must have cost you! I will pray tonight that God will bring Missy back to you.”

  When Mrs. Falconer returned to the kitchen to close the house for the night, her husband being already sound asleep; she heard a low, timid knock at the door. Wondering who it could be so late, she opened it. The light fell on a shrinking, shabby figure on the step, and on a pale, pinched face in which only a mother could have recognized the features of her child. Mrs. Falconer gave a cry.

  “Missy! Missy! Missy!”

  She caught the poor wanderer to her heart and drew her in.

  “Oh, Missy, Missy, have you come back at last? Thank God! Oh, thank God!”

  “I had to come back. I was starving for a glimpse of your face and of the old home, Mother,” sobbed Missy. “But I didn’t mean you should know — I never meant to show myself to you. I’ve been sick, and just as soon as I got better I came here. I meant to creep home after dark and look at the dear old house, and perhaps get a glimpse of you and Father through the window if you were still here. I didn’t know if you were. And then I meant to go right away on the night train. I was under the window and I heard you telling my story to someone. Oh, Mother, when I knew that you had forgiven me, that you loved me still and had always kept my room for me, I made up my mind that I’d show myself to you.”

  The mother had got her child into a rocking-chair and removed the shabby hat and cloak. How ill and worn and faded Missy looked! Yet her face was pure and fine, and there was in it something sweeter than had ever been there in her beautiful girlhood.

  “I’m terribly changed, am I not, Mother?” said Missy, with a faint smile. “I’ve had a hard life — but an honest one, Mother. When I went away I was almost mad with the disgrace my wilfulness had brought on you and Father and myself. I went as far as I could get away from you, and I got work in a factory. I’ve worked there ever since, just making enough to keep body and soul together. Oh, I’ve starved for a word from you — the sight of your face! But I thought Father would spurn me from his door if I should ever dare to come back.”

  “Oh, Missy!” sobbed the mother. “Your poor father is just like a child. He got a terrible hurt ten years ago, and never got over it. I don’t suppose he’ll even know you — he’s clean forgot everything. But he forgave you before it happened. You poor child, you’re done right out. You’re too weak to be travelling. But never mind, you’re home now, and I’ll soon nurse you up. I’ll put on the kettle and get you a good cup of tea first thing. And you’re not to do any more talking till the morning. But, oh, Missy, I can’t take you to your own room after all. Camilla Clark has it, and she’ll be asleep by now; we mustn’t disturb her, for she’s been real sick. I’ll fix up a bed for you on the sofa, though. Missy, Missy, let us kneel down here and thank God for His mercy!”

  Late that night, when Missy had fallen asleep in her improvised bed, the wakeful mother crept in to gloat over her.

  “Just to think,” she whispered, “if I hadn’t taken Camilla Clark in, Missy wouldn’t have heard me telling about the room, and she’d have gone away again and never have known. Oh, I don’t deserve such a blessing when I was so unwilling to take Camilla! But I know one thing: this is going to be Camilla’s home. There’ll be no leaving it even when she does get well. She shall be my daughter, and I’ll love her next to Missy.”

  Ted’s Afternoon Off

  Ted was up at five that morning, as usual. He always had to rise early to kindle the fire and go for the cows, but on this particular morning there was no “had to” about it. He had awakened at four o’clock and had sprung eagerly to the little garret window facing the east, to see what sort of a day was being born. Thrilling with excitement, he saw that it was going to be a glorious day. The sky was all rosy and golden and clear beyond the sharp-pointed, dark firs on Lee’s Hill. Out to the north the sea was shimmering and sparkling gaily, with little foam crests here and there ruffled up by the cool morning breeze. Oh, it would be a splendid day!

  And he, Ted Melvin, was to have a half holiday for the first time since he had come to live in Brookdale four years ago — a whole afternoon off to go to the Sunday School picnic at the beach beyond the big hotel. It almost seemed too good to be true!

  The Jacksons, with whom he had lived ever since his mother had died, did not think holidays were necessities for boys. Hard work and cast-off clothes, and three grudgingly allowed months of school in the winter, made up Ted’s life year in and year out — his outer life at least. He had an inner life of dreams, but nobody knew or suspected anything about that. To everybody in Brookdale he was simply Ted Melvin, a shy, odd-looking little fellow with big dreamy black eyes and a head of thick tangled curls which could never be made to look tidy and always annoyed Mrs. Jackson exceedingly.

  It was as yet too early to light the fire or go for the cows. Ted crept softly to a corner in the garret and took from the wall an old brown fiddle. It had been his father’s. He loved to play on it, and his few rare spare moments were always spent in the garret corner or the hayloft, with his precious fiddle. It was his one link with the old life he had lived in a little cottage far away, with a mother who had loved him and a merry young father who had made wonderful music on the old brown violin.

  Ted pushed open his garret window and, seating himself on the sill, began to play, with his eyes fixed on the glowing eastern sky. He played very softly, since Mrs. Jackson had a pronounced dislike to being wakened by “fiddling at all unearthly hours.”

  The music he made was beautiful and would have astonished anybody who knew enough to know how wonderful it really was. But there was nobody to hear this little neglected urchin of all work, and he fiddled away happily, the music floating out of the garret window, over the treetops and the dew-wet clover fields, until it mingled with the winds and was lost in the silver skies of the morning.

  Ted worked doubly hard all that forenoon, since there was a double share of work to do if, as Mrs. Jackson said, he was to be gadding to picnics in the afternoon. But he did it all cheerily and whistled for joy as he worked.

  After dinner Mrs. Ross came in. Mrs. Ross lived down on the shore road and made a living for herself and her two children by washing and doing days’ work out. She was not a very cheerful person and generally spoke as if on the point of bursting into tears. She looked more doleful than ever today, and lost no time in explaining why.

  “I’ve just got word that my sister over at White Sands is sick with pendikis” — this was the nearest Mrs. Ross could get to appendicitis—”and has to go to the hospital. I’ve got to go right over and see her, Mrs. Jackson, and I’ve run in to ask if Ted can go and stay with Jimmy till I get back. There’s no one else I can get, and Amelia is away. I’ll be back this evening. I don’t like leaving Jimmy alone.”

  “Ted’s been promised that he could go to the picnic this afternoon,” said Mrs. Jackson shortly. “Mr. Jackson said he could go, so he’ll have to please himself. If he’s willing to stay with Jimmy instead, he can. I don’t care.”

  “Oh, I’ve got to go to the picnic,” cried Ted impulsively. “I’m awful sorry for Jimmy — but I must go to the picnic.”

  “I s’pose you feel so,” said Mrs. Ross, sighing heavily. “I dunno’s I blame you. Picnics is more cheerful than staying with a poor little lame boy, I don’t doubt. Well, I s’pose I can put Jimmy’s supper on the table clost to him, and shut the cat in with him, and mebbe he’ll worry through. He was counting on having you to fiddle for him, though. Jimmy’s crazy about music, and he don’t never hear much of it. Speaking of fiddling, there’s a great fiddler stopping at the hotel now. His name is Blair Milford, and he makes his living fiddling at concerts. I knew him well when he was a child — I was nurse in his father’s family. He was a taking little chap, and I was real fond of him. Well, I must be getting. Jimmy’ll feel bad at staying alone, but I’ll tell him he’ll just have to put up with it.”

  Mrs. Ross sighed herself away, and Ted flew up to his garret corner with a choking in his throat. He couldn’t go to stay with Jimmy — he couldn’t give up the picnic! Why, he had never been at a picnic; and they were going to drive to the hotel beach in wagons, and have swings, and games, and ice cream, and a boat sail to Curtain Island! He had been looking forward to it, waking and dreaming, for a fortnight. He must go. But poor little Jimmy! It was too bad for him to be left all alone.

  “I wouldn’t like it myself,” said Ted miserably, trying to swallow a lump that persisted in coming up in his throat. “It must be dreadful to have to lie on the sofa all the time and never be able to run, climb trees or play, or do a single thing. And Jimmy doesn’t like reading much. He’ll be dreadful lonesome. I’ll be thinking of him all the time at the picnic — I know I will. I suppose I could go and stay with him, if I just made up my mind to it.”

  Making up his mind to it was a slow and difficult process. But when Ted was finally dressed in his shabby, “skimpy” Sunday best, he tucked his precious fiddle under his arm and slipped downstairs. “Please, I think I’ll go and stay with Jimmy,” he said to Mrs. Jackson timidly, as he always spoke to her.

  “Well, if you’re to waste the afternoon, I s’pose it’s better to waste it that way than in going to a picnic and eating yourself sick,” was Mrs. Jackson’s ungracious response.

  Ted reached Mrs. Ross’s little house just as that good lady was locking the door on Jimmy and the cat. “Well, I’m real glad,” she said, when Ted told her he had come to stay. “I’d have worried most awful if I’d had to leave Jimmy all alone. He’s crying in there this minute. Come now, Jimmy, dry up. Here’s Ted come to stop with you after all, and he’s brought his fiddle, too.”

  Jimmy’s tears were soon dried, and he welcomed Ted joyfully. “I’ve been thinking awful long to hear you fiddling,” said Jimmy, with a sigh of content. “Seems like the ache ain’t never half so bad when I’m listening to music — and when it’s your music, I forget there’s any ache at all.”

  Ted took his violin and began to play. After all, it was almost as good as a picnic to have a whole afternoon for his music. The stuffy little room, with its dingy plaster and shabby furniture, was filled with wonderful harmonies. Once he began, Ted could play for hours at a stretch and never be conscious of fatigue. Jimmy lay and listened in rapturous content while Ted’s violin sang and laughed and dreamed and rippled.

  There was another listener besides Jimmy. Outside, on the red sandstone doorstep, a man was sitting — a tall, well-dressed man with a pale, beautiful face and long, supple white hands. Motionless, he sat there and listened to the music until at last it stopped. Then he rose and knocked at the door. Ted, violin in hand, opened it.

  An expression of amazement flashed into the stranger’s face, but he only said, “Is Mrs. Ross at home?”

  “No, sir,” said Ted shyly. “She went over to White Sands and she won’t be back till night. But Jimmy is here — Jimmy is her little boy. Will you come in?”

  “I’m sorry Mrs. Ross is away,” said the stranger, entering. “She was an old nurse of mine. I must confess I’ve been sitting on the step out there for some time, listening to your music. Who taught you to play, my boy?”

  “Nobody,” said Ted simply. “I’ve always been able to play.”

  “He makes it up himself out of his own head, sir,” said Jimmy eagerly.

  “No, I don’t make it — it makes itself — it just comes,” said Ted, a dreamy gaze coming into his big black eyes.

  The caller looked at him closely. “I know a little about music myself,” he said. “My name is Blair Milford and I am a professional violinist. Your playing is wonderful. What is your name?”

  “Ted Melvin.”

  “Well, Ted, I think that you have a great talent, and it ought to be cultivated. You should have competent instruction. Come, you must tell me all about yourself.”

  Ted told what little he thought there was to tell. Blair Milford listened and nodded, guessing much that Ted didn’t tell and, indeed, didn’t know himself. Then he made Ted play for him again. “Amazing!” he said softly, under his breath.

  Finally he took the violin and played himself. Ted and Jimmy listened breathlessly. “Oh, if I could only play like that!” said Ted wistfully.

  Blair Milford smiled. “You will play much better some day if you get the proper training,” he said. “You have a wonderful talent, my boy, and you should have it cultivated. It will never in the world do to waste such genius. Yes, that is the right word,” he went on musingly, as if talking to himself, “‘genius.’ Nature is always taking us by surprise. This child has what I have never had and would make any sacrifice for. And yet in him it may come to naught for lack of opportunity. But it must not, Ted. You must have a musical training.”

  “I can’t take lessons, if that is what you mean, sir,” said Ted wonderingly. “Mr. Jackson wouldn’t pay for them.”

  “I think we needn’t worry about the question of payment if you can find time to practise,” said Blair Milford. “I am to be at the beach for two months yet. For once I’ll take a music pupil. But will you have time to practise?”

  “Yes, sir, I’ll make time,” said Ted, as soon as he could speak at all for the wonder of it. “I’ll get up at four in the morning and have an hour’s practising before the time for the cows. But I’m afraid it’ll be too much trouble for you, sir, I’m afraid—”

  Blair Milford laughed and put his slim white hand on Ted’s curly head. “It isn’t much trouble to train an artist. It is a privilege. Ah, Ted, you have what I once hoped I had, what I know now I never can have. You don’t understand me. You will some day.”

  “Ain’t he an awful nice man?” said Jimmy, when Blair Milford had gone. “But what did he mean by all that talk?”

  “I don’t know exactly,” said Ted dreamily. “That is, I seem to feel what he meant but I can’t quite put it into words. But, oh, Jimmy, I’m so happy. I’m to have lessons — I have always longed to have them.”

  “I guess you’re glad you didn’t go to the picnic?” said Jimmy.

  “Yes, but I was glad before, Jimmy, honest I was.”

  Blair Milford kept his promise. He interviewed Mr. and Mrs. Jackson and, by means best known to himself, induced them to consent that Ted should take music lessons every Saturday afternoon. He was a pupil to delight a teacher’s heart and, after every lesson, Blair Milford looked at him with kindly eyes and murmured, “Amazing,” under his breath. Finally he went again to the Jacksons, and the next day he said to Ted, “Ted, would you like to come away with me — live with me — be my boy and have your gift for music thoroughly cultivated?”

  “What do you mean, sir?” said Ted tremblingly.

  “I mean that I want you — that I must have you, Ted. I’ve talked to Mr. Jackson, and he has consented to let you come. You shall be educated, you shall have the best masters in your art that the world affords, you shall have the career I once dreamed of. Will you come, Ted?”

  Ted drew a long breath. “Yes, sir,” he said. “But it isn’t so much because of the music — it’s because I love you, Mr. Milford, and I’m so glad I’m to be always with you.”

  The Doctor’s Sweetheart

 

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