As she did in her critically acclaimed The Last Days of the Romanovs, Helen Rappaport brings a compelling documentary feel to the story of this royal marriage and of the queen's obsessive love for her husband – a story that began as fairy tale and ended in tragedy.After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert's death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later. Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling...

On the sweltering summer night of July 16, 1918, in the Siberian city of Ekaterinburg, a group of assassins led an unsuspecting Tsar Nicholas II of Russia, his wife, the Tsarina Alexandra, the desperately ill Tsarevich, and their four beautiful daughters, Olga, Tatiana, Maria, and Anastasia, into a basement room where they were shot and then bayoneted to death.This is the story of those murders, which ended three hundred years of Romanov rule and set their stamp on an era of state-orchestrated terror and brutal repression.The Last Days of the Romanovs counts down to the last, tense hours of the family’s lives, stripping away the over-romanticized versions of previous accounts. The story focuses on the family inside the Ipatiev House, capturing the oppressive atmosphere and the dynamics of a group—the Romanovs, their servants, and guards—thrown together by extraordinary events. Marshaling overlooked evidence from key witnesses such as the British consul to Ekaterinburg, Sir Thomas Preston, American and British travelers in Siberia, and the now-forgotten American journalist Herman Bernstein, Helen Rappaport gives a brilliant account of the political forces swirling through the remote Urals town. She conveys the tension of the watching world: the Kaiser of Germany and George V, King of England—both, like Alexandra, grandchildren of Queen Victoria—their nations locked in combat as the First World War drew to its bitter end. And she draws on recent releases from the Russian archives to challenge the view that the deaths were a unilateral act by a maverick group of the Ekaterinburg Bolsheviks, identifying a chain of command that stretches directly, she believes, to Moscow—and to Lenin himself.Telling the story in a compellingly new and dramatic way, The Last Days of the Romanovs brings those final tragic days vividly alive against the backdrop of Russia in turmoil, on the brink of a devastating civil war.From Publishers WeeklySynthesizing a variety of sources, British historian Rappaport (Joseph Stalin) details the Romanovs last two weeks, imprisoned in a cramped private house in Ekaterinburg, a violently anti-czarist industrial city in the Ural Mountains where Nicholas II; his wife, Alexandra; and their five children were executed on July 17, 1918. The czars rescue was a low priority for the Allies, and several escape plots by Russian monarchists came to naught. A lax guard was replaced by a rigorous new regime on July 4, headed by Yakov Yurovsky, whose familys impoverished Siberian exile had fueled his burning hatred for the imperial family, and his ruthless assistant and surrogate son, Grigory Nikulin. How the last czar and his family died was one of Russias best-kept secrets for decades, and Rappaport spares none of the gory details of the panicked bloodbath (it took an entire clip of bullets to finish off the czarevitch because an undergarment sewn with jewels protected the boys torso) and botched burial of the corpses. Although parts of the Romanov saga are familiar and Rappaports sympathy for the czar often seems naïve, this is an absorbing, lucid and authoritative work. 16 pages of photos. (Feb. 3) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistSince the end of the Soviet Union, details about the murder of the Russian royal family in 1918 have emerged and inspired several accounts of the killings. Author Rappaport, a talented British writer of narrative history, telescopes the post-abdication story of the Romanovs into the two weeks preceding their deaths, during which the final elements of decision in Moscow and execution in the Siberian city of Ekaterinburg fell into place. As storyteller, Rappaport skillfully contrasts the ignorance of the family members of their impending doom with the preparations of the Bolsheviks on the scene. She renders astute personality portraits of the seven members of the family, noting especially the beauty of the daughters that, to a degree, underlies popular interest in and horror about what happened to the Romanovs. Such sentimentality was alien to Bolsheviks waging class war, however, and Rappaport describes the chain of command from Lenin to the firing squad with responsibility-fixing emphasis. Unavoidably ghastly in her last pages, Rappaport, whose research included visits to the murder and burial sites, has produced an emotionally powerful work of history. --Gilbert Taylor

They were the Princess Dianas of their day—perhaps the most photographed and talked about young royals of the early twentieth century. The four captivating Russian Grand Duchesses—Olga, Tatiana, Maria and Anastasia Romanov—were much admired for their happy dispositions, their looks, the clothes they wore and their privileged lifestyle. Over the years, the story of the four Romanov sisters and their tragic end in a basement at Ekaterinburg in 1918 has clouded our view of them, leading to a mass of sentimental and idealized hagiography. With this treasure trove of diaries and letters from the grand duchesses to their friends and family, we learn that they were intelligent, sensitive and perceptive witnesses to the dark turmoil within their immediate family and the ominous approach of the Russian Revolution, the nightmare that would sweep their world away, and them along with it. The Romanov Sisters sets out to capture the joy as well as the insecurities and poignancy of those young lives against the backdrop of the dying days of late Imperial Russia, World War I and the Russian Revolution. Helen Rappaport aims to present a new and challenging take on the story, drawing extensively on previously unseen or unpublished letters, diaries and archival sources, as well as private collections. It is a book that will surprise people, even aficionados.

On the 100th Anniversary of the murder of the Russian Imperial Family, Rappaport embarks on a quest to uncover the many international plots to save them, why they failed, and who was responsible.The murder of the Romanov family in July 1918 horrified the world and its aftershocks still reverberate today. In Putin's autocratic Russia, the Revolution itself is considered a crime and its anniversary was largely ignored. In stark contrast, the centenary of the massacre of the Imperial Family will be commemorated in 2018 by a huge ceremony to be attended by the Patriarch of the Russian Orthodox Church.While the murder itself has received major attention, what has never been investigated in detail are the various plots behind the scenes to save the family—on the part of their royal relatives, other governments, and Russian monarchists loyal to the Tsar. Rappaport refutes the claim that the fault lies entirely with King George V, as has been the traditional...

Selected as a Book of the Year in the Telegraph and Evening Standard '[The] centenary will prompt a raft of books on the Russian Revolution. They will be hard pushed to better this highly original, exhaustively researched and superbly constructed account.' Saul David, Daily Telegraph 'A gripping, vivid, deeply researched chronicle of the Russian Revolution told through the eyes of a surprising, flamboyant cast of foreigners in Petrograd, superbly narrated by Helen Rappaport.' Simon Sebag Montefiore, author of The RomanovsBetween the first revolution in February 1917 and Lenin's Bolshevik coup in October, Petrograd (the former St Petersburg) was in turmoil. Foreign visitors who filled hotels, bars and embassies were acutely aware of the chaos breaking out on their doorsteps. Among them were journalists, diplomats, businessmen, governesses and volunteer nurses. Many kept diaries and wrote letters...

As she did in her critically acclaimed The Last Days of the Romanovs, Helen Rappaport brings a compelling documentary feel to the story of this royal marriage and of the queen’s obsessive love for her husband – a story that began as fairy tale and ended in tragedy.After the untimely death of Prince Albert, the queen and her nation were plunged into a state of grief so profound that this one event would dramatically alter the shape of the British monarchy. For Britain had not just lost a prince: during his twenty year marriage to Queen Victoria, Prince Albert had increasingly performed the function of King in all but name. The outpouring of grief after Albert’s death was so extreme, that its like would not be seen again until the death of Princess Diana 136 years later. Drawing on many letters, diaries and memoirs from the Royal Archives and other neglected sources, as well as the newspapers of the day, Rappaport offers a new perspective on this compelling historical psychodrama--the crucial final months of the prince’s life and the first long, dark ten years of the Queen’s retreat from public view. She draws a portrait of a queen obsessed with her living husband and –  after his death – with his enduring place in history. Magnificent Obsession will also throw new light on the true nature of the prince’s chronic physical condition, overturning for good the 150-year old myth that he died of typhoid fever.ReviewPraise for The Last Days of the Romanovs: “As shocking and immediate as a thriller. . . . [A] gripping read.”—People magazine (3 ½ stars)“Quite simply, stunning. . . . Chilling and poignant, this is how history books should be written.”—Alison Weir, author of Henry VIII: The King and His CourtAbout the AuthorHELEN RAPPAPORT studied Russian at Leeds University and is a specialist in Russian and nineteenth-century women’s history. She lives in Oxford.

On the sweltering summer night of July 16, 1918, in the Siberian city of Ekaterinburg, a group of assassins led an unsuspecting Tsar Nicholas II of Russia, his wife, the Tsarina Alexandra, the desperately ill Tsarevich, and their four beautiful daughters, Olga, Tatiana, Maria, and Anastasia, into a basement room where they were shot and then bayoneted to death.This is the story of those murders, which ended three hundred years of Romanov rule and set their stamp on an era of state-orchestrated terror and brutal repression.The Last Days of the Romanovs counts down to the last, tense hours of the family’s lives, stripping away the over-romanticized versions of previous accounts. The story focuses on the family inside the Ipatiev House, capturing the oppressive atmosphere and the dynamics of a group—the Romanovs, their servants, and guards—thrown together by extraordinary events. Marshaling overlooked evidence from key witnesses such as the British consul to Ekaterinburg, Sir Thomas Preston, American and British travelers in Siberia, and the now-forgotten American journalist Herman Bernstein, Helen Rappaport gives a brilliant account of the political forces swirling through the remote Urals town. She conveys the tension of the watching world: the Kaiser of Germany and George V, King of England—both, like Alexandra, grandchildren of Queen Victoria—their nations locked in combat as the First World War drew to its bitter end. And she draws on recent releases from the Russian archives to challenge the view that the deaths were a unilateral act by a maverick group of the Ekaterinburg Bolsheviks, identifying a chain of command that stretches directly, she believes, to Moscow—and to Lenin himself.Telling the story in a compellingly new and dramatic way, The Last Days of the Romanovs brings those final tragic days vividly alive against the backdrop of Russia in turmoil, on the brink of a devastating civil war.From Publishers WeeklySynthesizing a variety of sources, British historian Rappaport (Joseph Stalin) details the Romanovs last two weeks, imprisoned in a cramped private house in Ekaterinburg, a violently anti-czarist industrial city in the Ural Mountains where Nicholas II; his wife, Alexandra; and their five children were executed on July 17, 1918. The czars rescue was a low priority for the Allies, and several escape plots by Russian monarchists came to naught. A lax guard was replaced by a rigorous new regime on July 4, headed by Yakov Yurovsky, whose familys impoverished Siberian exile had fueled his burning hatred for the imperial family, and his ruthless assistant and surrogate son, Grigory Nikulin. How the last czar and his family died was one of Russias best-kept secrets for decades, and Rappaport spares none of the gory details of the panicked bloodbath (it took an entire clip of bullets to finish off the czarevitch because an undergarment sewn with jewels protected the boys torso) and botched burial of the corpses. Although parts of the Romanov saga are familiar and Rappaports sympathy for the czar often seems naïve, this is an absorbing, lucid and authoritative work. 16 pages of photos. (Feb. 3) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From BooklistSince the end of the Soviet Union, details about the murder of the Russian royal family in 1918 have emerged and inspired several accounts of the killings. Author Rappaport, a talented British writer of narrative history, telescopes the post-abdication story of the Romanovs into the two weeks preceding their deaths, during which the final elements of decision in Moscow and execution in the Siberian city of Ekaterinburg fell into place. As storyteller, Rappaport skillfully contrasts the ignorance of the family members of their impending doom with the preparations of the Bolsheviks on the scene. She renders astute personality portraits of the seven members of the family, noting especially the beauty of the daughters that, to a degree, underlies popular interest in and horror about what happened to the Romanovs. Such sentimentality was alien to Bolsheviks waging class war, however, and Rappaport describes the chain of command from Lenin to the firing squad with responsibility-fixing emphasis. Unavoidably ghastly in her last pages, Rappaport, whose research included visits to the murder and burial sites, has produced an emotionally powerful work of history. --Gilbert Taylor