Works of ellen wood, p.1273

Works of Ellen Wood, page 1273

 

Works of Ellen Wood
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  The catastrophe sobered her passion. For a while she lay on the landing in a sort of faint, all strength and power taken out of her as usual by the frenzy. Then she went down to look after Jane Cross.

  Jane was dead. Matilda, not unacquainted with the aspect of death, saw that at once, and her senses pretty nearly deserted her again with remorse and horror. She had never thought or wished to kill Jane Cross, hardly to harm her, she liked her too well: but in those moments of frenzy she had not the slightest control over her actions. Her first act was to run and lock the side door in the garden wall, lest anyone should come in. How she lived through the next half-hour, she never knew. Her superstitious fear of seeing the dead Edmund Peahern in the house was strong — and now there was another! But, with all her anguish and her fear, the instinct of self-preservation was making itself heard. What must she do? How could she throw the suspicion off herself? She could not run out of the house and say, “Jane Cross has fallen accidentally over the stairs; come and look to her” — for no one would have believed it to be an accident. And there were the pieces, too, she had clutched out of the gown! Whilst thus deliberating the gate-bell rang, putting her into a state of the most intense terror. It rang again. Trembling, panting, Matilda stood cowering in the kitchen, but it did not ring a third time. This was, of course, Thomas Owen.

  Necessity is the mother of invention. Something she must do, and her brain hastily concocted the plan she should adopt. Putting the cloth and the bread and cheese on the table, she took the jug and went out at the front door to fetch the usual pint of ale. A moment or two she stood at the front door, peering up and down the road to make sure that no one was passing. Then she slipped out, locking the door softly; and, carrying the key concealed in the hollow of her hand, she threw it amidst the shrubs at No 1. Now she could not get into the house herself; she would not have entered it alone for the world: people must break it open. All along the way to the post-office, to which she really did go, and then to the Swan, she was mentally rehearsing her tale. And it succeeded in deceiving us all, as the reader knows. With regard to the visit of her brother on the Wednesday, she had told Thomas Owen the strict truth; though, when he first alluded to it in the churchyard, her feelings were wrought up to such a pitch that she could only cry out and escape. But how poor Matilda contrived to live on and carry out her invented story, how she bore the inward distress and repentance that lay upon her, we shall never know. A distress, remorse, repentance that never quitted her, night or day; and which no doubt contributed to gradually unhinge her mind, and throw it finally off its balance.

  Such was the true history of the affair at No. 7, which had been so great a mystery to Saltwater. The truth was never made public, save to the very few who were specially interested in it. Matilda Valentine is in an asylum, and likely to remain there for life; whilst Thomas Owen and his wife flourish in sunshine, happy as a summer day is long.

  CARAMEL COTTAGE

  I. — EDGAR RESTE

  I

  It was early in August, and we were at Dyke Manor, for the Squire had let us go home from school for the Worcester races. We had joined him at Worcester the previous day, Tuesday, driving home with him in the evening. To-morrow, Thursday, he would drive us over to the course again; to-day, Wednesday, the horses would have rest; and on Friday we must return to school.

  Breakfast was over, the Squire gone out, and the few minutes’ Bible-reading to us — which Mrs. Todhetley never forgot, though Tod did not always stay in for it, but he did this morning — came to an end. Hannah appeared at the door as she closed the Book.

  “Miss Barbary’s come, ma’am,” she said.

  “Run, my dear,” cried Mrs. Todhetley to Lena.

  “I don’t want to,” said Lena, running to the open window instead, and nearly pitching head-foremost through it: upon which Hannah captured her and carried her off.

  “Who on earth is Miss Barbary?” questioned Tod. “Any relation to the man at Caramel Cottage?”

  “His daughter,” said Mrs. Todhetley. “She comes to teach Lena French.”

  “Hope she’s less of a shady character than her father!” was Tod’s free comment.

  A year or two before this, a stranger had made his appearance at Church Dykely, and put up at the Silver Bear. He was a gentlemanly-looking man of perhaps forty years, tall, slender, agile, with thin, distinguished features, an olive skin, black hair, and eyes of a peculiar shade of deep steel-blue. People went into raptures over his face, and called it beautiful. And so it was; but to my thinking it had a look in it that was the opposite of beautiful; any way, the opposite of good. They said it was my fancy at home: but Duffham owned to the same fancy. His name, as he wrote it down one day at the Silver Bear, was Pointz Barbary. After a week’s stay at the inn, he, finding, I suppose, that the neighbourhood suited him, looked out for a little place to settle down upon, and met with it in Caramel Cottage, a small dwelling near to us, on the property called Caramel’s Farm. The cottage was then to be let, and Mr. Barbary went into it.

  Some items of his past history came out by degrees; it is hard to say how, for he told none himself. Now and then some former friend or other came to pay him a short visit; and it may be that these strangers talked about him.

  Pointz Barbary, a gentleman by descent, and once of fairly good substance, had been a great traveller, had roved pretty nearly all over the world. The very few relatives he possessed lived in Canada — people of condition, it was said — and his own property (what was left of it) was also there. He had been married twice. First to a young lady in France; her friends (English) having settled there for economy’s sake. She died at the end of the year, leaving him a little girl, that the mother’s people at once took to. Next he married a Miss Reste, daughter of Colonel Reste, in her Majesty’s service. A few years later she also died — died of consumption — leaving him a widower and childless. It’s true he had his first wife’s daughter, but she lived in France with her mother’s sister, so he did not get much benefit from her.

  Mr. Barbary was poor. No mistake about that. The interest of his first wife’s money brought him in fifty-two pounds yearly, and this he would enjoy till his death, when it went to his daughter. Miss Reste had brought him several thousand pounds; but he and she had lived away, and not a stiver remained of it. His own means had also been spent lavishly; and, so far as was known, he had but the two and fifty pounds a year to live upon at Caramel Cottage, with a chance remittance from Canada now and again.

  He made no acquaintance at Church Dykely, and none was made with him. Civilly courteous in a rather grand and haughty way when he met people, so far as a few remarks went, touching the weather or the crops, and similar safe topics, he yet kept the world at a distance. As the time went on it was thought there might be a reason for this. Whispers began to circulate that Mr. Barbary’s doings were not orthodox. He was suspected of poaching, both in game and fish, and a strong feeling of shyness grew up against him.

  Some few months prior to the present time — August — his daughter came to Caramel Cottage. Her aunt in France was dead, and she had no home henceforth but her father’s. That I and Tod had not seen or heard of her until now, was owing to the midsummer holidays having been spent at Crabb Cot. The vacation over, and Mrs. Todhetley back at Dyke Manor, she found herself called upon by Miss Barbary. Hearing that Mrs. Todhetley wished her little girl to begin French, she had come to offer herself as teacher. The upshot was that she was engaged, and came for a couple of hours every morning to drill French into Lena.

  “What’s she like?” asked Tod of the mother, upon her explaining this. “Long and thin and dark, like Barbary, and disagreeable with a self-contained reticence?”

  “She is not the least like him in any way,” was Mrs. Todhetley’s answer. “She is charmingly simple — good, I am sure, and one of the most open-natured girls I ever met. ‘I wish to do it for the sake of earning a little money,’ she said to me, when asking to come. ‘My dear father is not rich, and if I can help him in ever so small a way I shall be thankful.’ The tears almost came into her eyes as she spoke,” added Mrs. Todhetley; “she quite won my heart.”

  “She seems to think great things of that respectable parent of hers!” commented Tod.

  “Oh, yes. Whatever may be the truth as to his failings, she sees none in him. And, my dears, better that it should be so. She earns a little money of me, apart from teaching Lena,” added Mrs. Todhetley.

  “What at?” asked Tod. “Teaching you?”

  The mother shook her head with a smile. “I found out, Joseph, that she is particularly skilful at mending old lace. I have some that needs repairing. She takes it home and does it at her leisure — and you cannot imagine how grateful she is.”

  “How old is she?”

  “Nineteen — close upon twenty, I think she said,” replied the mother. And there the conversation ended, for Mrs. Todhetley had to go to the kitchen to give the daily orders.

  The morning wore on. We went to Church Dykely and were back again by twelve o’clock. Tod had got Don on the lawn, making him jump for biscuit, when the dog rushed off, barking, and we heard a scream. A young lady in a straw hat and a half-mourning cotton dress was running away from him, she and Lena having come out of the house together.

  “Come here, Don,” said Tod in his voice of authority, which the good Newfoundland dog never disobeyed. “How dare you, sir? Johnny, lad, I suppose that’s Miss Barbary.”

  I had forgotten all about her. A charming girl, as the mother had said, slight and graceful, with a face like a peach blossom, dimpled cheeks, soft light-brown hair and dark-blue eyes. Not the hard, steel-blue eyes that her father had: sweet eyes, these, with a gentle, loving look in them.

  “You need not be afraid of the dog,” cried Tod, advancing to where she stood, behind the mulberry tree. “Miss Barbary, I believe?” — lifting his cap.

  “Yes,” she said in a frank tone, turning her frank face to him; “I am Katrine Barbary. It is a very large dog — and he barks at me.”

  Large he was, bigger than many a small donkey. A brave, faithful, good-tempered dog, he, and very handsome, his curly white coat marked out with black. Gentle to friends and respectable strangers, Don was at mortal enmity with tramps and beggars: we could not cure him of this, so he was chained up by day. At night he was unchained to roam the yard at will, but the gate was kept locked. Had he got out, he might have pinned the coat of any loose man he met, but I don’t believe he would have bitten him. A good fright Don would give, but not mortal injury. At least, we had never yet known him to do that.

  Lena ran up in her short pink frock, her light curls flying. “Miss Barbary is always afraid when she hears Don bark,” she said to us. “She will not go near the yard; she thinks he’ll bite her.”

  “I will teach you how to make friends with him,” said Tod: “though he would never hurt you, Miss Barbary. Come here and pat his head whilst I hold him; call him by his name gently. Once he knows you, he would protect you from harm with his life.”

  She complied with ready obedience, though the roses left her cheeks. “There,” said Tod, loosing the dog, and letting her pat him at leisure, “see how gentle he is; how affectionately he looks up at you!”

  “Please not to think me very silly!” she pleaded earnestly, as though beseeching pardon for a sin. “I have never been used to dogs. We do not keep dogs in France. At least very few people do. Oh dear!”

  Something that she carried in her left hand wrapped in paper had dropped on to the lawn. Don pounced upon it. “Oh, please take it from him! please, please!” she cried in terror. Tod laughed, and extricated the little parcel.

  “It has some valuable old lace in it of Mrs. Todhetley’s,” she explained as she thanked him. “I am taking it home to mend.”

  “You mend old lace famously, I hear,” said Tod, as we walked with her to the entrance gate.

  “Yes, I think I do it nearly as well as the nuns who taught me.”

  “Have you been in a convent?”

  “Only for my education. I was an externe — a daily pupil. My aunt lived next door to it. I went every morning at eight o’clock and returned home at six in the evening to supper.”

  “Did you get no dinner?” asked Tod.

  She took the question literally. “I had dinner and collation at school; breakfast and supper at home. That was the way in our town with the externes at the convent. We were Protestants, you see, so my aunt liked me to be at home on Sundays. Thank you for teaching Don to know me: and now I will say good morning to you.”

  I was holding the gate open for her to pass out, when Ben Gibbon went by, a gun carelessly held over his shoulder. He touched his hat to us, and we gave him a slight nod in reply. Miss Barbary said “Good day, Mr. Gibbon.”

  Tod drew down his displeased lips. He had already taken a liking to the girl — so had I, for that matter — she was a true lady, and Mr. Ben Gibbon, a brother to the gamekeeper at Chavasse Grange, could not boast of a particularly shining character.

  “Do you know him, Miss Barbary?” asked Tod. “Be quiet, Don!” he cried to the dog, which had begun to growl when he saw Gibbon.

  “He comes to our house sometimes to see papa. Please pardon me for keeping you waiting,” she added to me, as I still held back the gate. “That gun is pointed this way and it may go off.”

  Tod was amused. “You seem to dread guns as much as you dread dogs, Miss Barbary. I will walk home with you,” he said, as she at last came through, the gun having got to a safe distance.

  “Oh, but — —” she was beginning, and then stopped in confusion, blushing hotly, and looking at both of us. “I should like it; but —— would it be proper?”

  “Proper!” echoed Tod, staring, and then bursting into a fit of laughter long and loud. “Oh dear! why, Miss Barbary, you must be French all over! Johnny, you can come, too. Lena, run back again; you have not any hat on.”

  Crossing the road to take the near field way, we went along the path that led beside the hedge, and soon came in view of Caramel Cottage; it was only a stone’s throw, so to say, from our house. An uncommonly lonely look it had, buried there amidst many trees, with the denser trees of the Grove close beyond it. We asked her whether she did not find it dull here.

  “At first I did, very; I do still a little: it is so different from the lively town I have lived in, where we knew all the people, and they knew us. But we shall soon be more lively,” she resumed, after a pause. “A cousin is coming to stay with us.”

  “Indeed,” said Tod. “Is it a lady or a gentleman?”

  “Oh, it is a gentleman — Edgar Reste. He is not my cousin by kin; not really related to me; but papa says he will be as my cousin, as my brother even, and that he is very nice. Papa’s last wife was Miss Reste, and he is her nephew. He is a barrister in London, and he has been much overworked, and he is coming here to-morrow for rest and country air.”

  Within the low green gate of the little front garden of Caramel Cottage stood Mr. Barbary, in his brown velveteen shooting coat and breeches of the same, that became him and his straight lithe limbs so well. Every time I saw him the beauty of his face struck me afresh; but so did the shifty expression of his eyes.

  “There’s papa!” exclaimed the girl, her dimples lighting up. “And — why, there’s a gentleman with him — a stranger! I wonder who it is?”

  I saw him as he came from the porch down the narrow garden-path. A slight, slender young man of middle height and distinguished air, with a pale, worn, nice-looking face, and laughing, luminous dark brown eyes. Yes, I saw Edgar Reste for the first time at this his entrance at Caramel Cottage, and it was a thing to be thankful for that I could not then foresee the nameless horror his departure from it (I may as well say his disappearance) was to shadow forth.

  “How do you do?” said Mr. Barbary to us, courteously civil. “Katrine, here’s a surprise for you: your cousin is come. Edgar, this is my little girl. — Mr. Reste,” he added, by way of introduction generally.

  Mr. Reste lifted his hat, bowed slightly, and then turned to Katrine with outstretched hand. She met it with a hot blush, as if strange young men did not shake hands with her every day.

  “We did not expect you quite so soon,” she gently said, to atone for her first surprise.

  “True,” he answered. “But I felt unusually out of sorts yesterday, and thought it would make no difference to Mr. Barbary whether I came to-day or to-morrow.”

  His voice had a musical ring; his manner was open and honest. He might be Pointz Barbary’s nephew by marriage, but I am sure he was not by nature.

  “They’ll fall in love with one another, those two; you’ll see,” said Tod to me as we went home. “Did you mark his pleased face when he spoke to her, Johnny — and how she blushed?”

  “Oh, come, Tod! they tell me I am fanciful. What are you?”

 

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