Birthday

Birthday

Cesar Aira

Cesar Aira

Birthday is among the very best of Aira—it will surprise readers new to his work, and will deeply satisfy his many fansSoon enough you realize that you are no longer twenty years old, because right away you are no longer young ... and by the way, while you were thinking about other things, the world was also changing. And then, just as suddenly, you are fifty years old. Aira had anticipated his fiftieth—a time when he would not so much recall years past as look forward to what lies ahead—and yet that birthday came and went without much ado. It was only months later, while having a somewhat banal conversation with his wife about the phases of the moon, that he realized how little he really knows about his life. This book consists of a series of short chapters in which Aira searches for and meditates on the events that were significant to him during his first fifty years. Between anecdotes, and memories, the author ponders the origins of...
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The Hare

The Hare

Cesar Aira

Cesar Aira

When a Mapuche chief suddenly goes missing, a British naturalist is asked to find him in the vast Argentine pampasClarke, a nineteenth-century English naturalist, roams the pampas in search of that most elusive and rare animal: the Legibrerian hare, whose defining quality seems to be its ability to fly. The local Indians, pointing skyward, report recent sightings of the hare but then ask Clarke to help them search for their missing chief as well. On further investigation Clarke finds more than meets the eye:in the Mapuche and Voroga languages every word has at least two meanings.Witty, very ironic, and with all the usual Airian digressive magic, The Hare offers subtle reflections on love, Victorian-era colonialism, and the many ambiguities of language.**
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The Proof

The Proof

Cesar Aira

Cesar Aira

Marcia is sixteen, overweight and unhappy. One day, as she’s walking down a Buenos Aires street, she hears a shout: ‘Wannafuck?’ Startled, she turns round and is confronted by two punk girls Lenin and Mao. Soon, she’s beguiled by them and the possibilities they open up. But the two have little time for a philosophical discussion of love: they need proof, and with their own savage logic the duo, calling themselves the Commando of Love, hold up a supermarket as the novel climaxes in an unforgettable splatter-fest finale.
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The Lime Tree

The Lime Tree

Cesar Aira

Cesar Aira

In the town square of Coronel Pringles stands a lime tree from which the author's father used to brew a sedative tea. This Proustian infusion evokes dark memories of the 1955 anti-Perónist revolution, which dashed the family's middle-class dreams. The Lime Tree is a portrait of the artist as a child and a lucid analysis of a family's social trajectory.
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The Linden Tree

The Linden Tree

Cesar Aira

Cesar Aira

A delightful fictional account of the small town Ce´sar Aira grew up in—not so long agoThe Linden Tree was written in 2003. In it the narrator, who could be Aira himself (born the same year, in the same place, a writer who is now also living PBK in Buenos Aires) revisits down his childhood memories. Beginning with an enigmatically beautiful black father who gathered linden flowers to make a sleep-inducing tea, and continuing on to an irrational and physically deformed mother of European descent, the narrator also catalogs his best childhood friends and the many gossiping neighbors. Aira creates a colorful mosaic of an epoch in Argentina when the poor, under the guiding hand of Eva Pero´n, aspired to a newfound middle class. Moving from anecdote to anecdote, alternating between the touching, amusing, and sometimes surreal, we are comforted by the fact that for Aira "everything is allegory."This is a charming novella—evocative, reflexive,...
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Ema the Captive

Ema the Captive

Cesar Aira

Cesar Aira

Ema The Captive, César Aira's second novel, is perhaps closest in style to his popular An Episode in the Life of a Landscape Painter and The HareIn nineteenth-century Argentina, Ema, a delicate woman of indeterminate origins, is captured by soldiers and taken, along with with her newborn babe, to live as a concubine in a crude fort on the very edges of civilization. The trip is appalling (deprivations and rapes prevail along the way), yet the real story commences once Ema arrives at the fort, where she takes on a succession of lovers among the soldiers and Indians, leading to a brave and grand entrepreneurial experiment. As is usual with Aira's work, the wonder of the book is in the details of customs, beauty, and language, and the curious, perplexing reality of human nature.
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