Compleat collected sff w.., p.336

COMPLEAT Collected SFF Works, page 336

 

COMPLEAT Collected SFF Works
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  "Don't forget the spectacles," Tharn said.

  Quarra Vee put them on. "Ugh. But I suppose—"

  "It'll be safer. The optical properties in the lenses are a guard you may need against mental radiations. Don't take them off, or the robot may try some tricks."

  "He'd better not," Quarra Vee said. "That so-and-so runaway robot! What's he up to, anyway, I wonder? He always was a malcontent, but at least he knew his place. I'm sorry I ever had him made. No telling what he'll do in a semi-prehistoric world if we don't catch him and bring him home."

  "He's in that horomancy booth," Tharn said, leaning out of the time-warp. "Just arrived. You'll have to catch him by surprise. And you'll need your wits about you, too. Try not to go off into any more of those deep-thought compulsions you've been having. They could be dangerous. That robot will use some of his tricks if he gets the chance. I don't know what powers he's developed by himself, but I do know he's an expert at hypnosis and memory erasure already. If you aren't careful he'll snap your memory track and substitute a false brain-pattern. Keep those glasses on. If anything should go wrong, I'll use the rehabilitation ray on you, eh?" And he held up a small rod-like projector.

  Quarra Vee nodded. "Don't worry. I'll be back before you know it. I have an appointment with that Sirian to finish our game this evening."

  It was an appointment he never kept.

  Quarra Vee stepped out of the temporal warp and strolled along the boardwalk towards the booth. The clothing he wore felt tight, uncomfortable, rough. He wriggled a little in it. The booth stood before him now, with its painted sign.

  He pushed aside the canvas curtain and something—a carelessly hung rope—swung down at his face, knocking the horn-rimmed glasses askew. Simultaneously a vivid bluish light blazed into his unprotected eyes. He felt a curious, sharp sensation of disorientation, a shifting motion that almost instantly was gone.

  The robot said, "You are James Kelvin."

  The End

  PRIVATE EYE

  Astounding Science Fiction - January 1949

  with Henry Kuttner

  (as by Lewis Padgett)

  The problem of getting away with murder is an old one. But with the Eye to watch your move for fifty years back, it was a new and apparently insolvable one! But there was, actually, an infinitely tougher problem—

  -

  The forensic sociologist looked closely at the image on the wall screen. Two figures were frozen there, one in the act of stabbing the other through the heart with an antique letter cutter once used at Johns Hopkins for surgery. That was before the ultra-microtome, of course.

  "As tricky a case as I've ever seen," the sociologist remarked. "If we can make a homicide charge stick on Sam Clay, I'll be a little surprised."

  The tracer engineer twirled a dial and watched the figures on the screen repeat their actions. One—Sam Clay—snatched the letter cutter from a desk and plunged it into the other man's heart. The victim fell down dead. Clay started back in apparent horror. Then he dropped to his knees beside the twitching body and said wildly that he didn't mean it. The body drummed its heels upon the rug and was still.

  "That last touch was nice," the engineer said.

  "Well, I've got to make the preliminary survey," the sociologist sighed, settling in his dictachair and placing his fingers on the keyboard. "I doubt if I'll find any evidence. However, the analysis can come later. Where's Clay now?"

  "His mouthpiece put in a habeas mens."

  "I didn't think we'd be able to hold him. But it was worth trying. Imagine, just one shot of scop and he'd have told the truth. Ah, well. We'll do it the hard way, as usual. Start the tracer, will you? It won't make sense till we run it chronologically, but one must start somewhere. Good old Blackstone," the sociologist said, as on the screen, Clay stood up, watching the corpse revive and arise, and then pulled the miraculously clean paper cutter out of its heart, all in reverse.

  "Good old Blackstone," he repeated. "On the other hand, sometimes I wish I'd lived in Jeffreys' time. In those days, homicide was homicide."

  -

  Telepathy never came to much. Perhaps the developing faculty went underground in response to a familiar natural law after the new science appeared—omniscience. It wasn't really that, of course. It was a device for looking into the past. And it was limited to a fifty-year span; no chance of seeing the arrows at Agincourt or the homunculi of Bacon. It was sensitive enough to pick up the "fingerprints" of light and sound waves imprinted on matter, descramble and screen them, and reproduce the image of what had happened. After all, a man's shadow can be photographed on concrete if he's unlucky enough to be caught in an atomic blast. Which is something. The shadow's about all there is left.

  However, opening the past like a book didn't solve all problems. It took generations for the maze of complexities to iron itself out, though finally a tentative check-and-balance was reached. The right to kill has been sturdily defended by mankind since Cain rose up against Abel. A good many idealists quoted, "The voice of thy brother's blood crieth unto me from the ground." But that didn't stop the lobbyists and the pressure groups. Magna Carta was quoted in reply. The right to privacy was defended desperately.

  And the curious upshot of this imbalance came when the act of homicide was declared nonpunishable, unless intent and forethought could be proved. Of course, it was considered at least naughty to fly into a rage and murder someone on impulse, and there was a nominal punishment—imprisonment, for example—but in practice this never worked because so many defenses were possible. Temporary insanity. Undue provocation. Self-defense. Manslaughter, second-degree homicide, third degree, fourth degree—it went on like that. It was up to the State to prove that the killer had planned his killing in advance; only then would a jury convict. And the jury, of course, had to waive immunity and take a scop test, to prove the box hadn't been packed. But no defendant ever waived immunity.

  A man's home wasn't his castle—not with the Eye able to enter it at will and scan his past. The device couldn't interpret, and it couldn't read his mind; it could only see and listen. Consequently the sole remaining fortress of privacy was the human mind. And that was defended to the last ditch. No truth serum, no hypnoanalysis, no third degree, no leading questions.

  If, by viewing the prisoner's past actions, the prosecution could prove forethought and intent, O.K.

  Otherwise, Sam Clay would go scot-free. Superficially, it appeared as though Andrew Vanderman had, during a quarrel, struck Clay across the face with a stingaree whip. Anyone who has been stung by a Portuguese man-of-war can understand that, at this point, Clay could plead temporary insanity and self-defense, as well as undue provocation and possible justification. Only the curious cult of the Alaskan Flagellantes, who make the stingaree whips for their ceremonials, know how to endure the pain. The Flagellantes even like it; the pre-ritual drug they swallow transmutes pain into pleasure. Not having swallowed this drug, Sam Clay very naturally took steps to protect himself—irrational steps, perhaps, but quite logical and defensible ones.

  Nobody but Clay knew that he had intended to kill Vanderman all along. That was the trouble. Clay couldn't understand why he felt so let down.

  -

  The screen flickered. It went dark. The engineer chuckled.

  "My, my. Locked up in a dark closet at the age of four. What one of those old-time psychiatrists would have made of that. Or do I mean obimen? Shamans? I forget. They interpreted dreams, anyway."

  "You're confused. It—"

  "Astrologers! No, it wasn't either. The ones I mean went in for symbolism. They used to spin prayer wheels and say 'A rose is a rose is a rose,' didn't they? To free the unconscious mind?"

  "You've got the typical layman's attitude toward antique psychiatric treatments."

  "Well, maybe they had something, at that. Look at quinine and digitalis. The United Amazon natives used those long before science discovered them. But why use eye of newt and toe of frog? To impress the patient?"

  "No, to convince themselves," the sociologist said. "In those days the study of mental aberrations drew potential psychotics, so naturally there was unnecessary mumbo-jumbo. Those medicos were trying to fix their own mental imbalance while they treated their patients. But it's a science today, not a religion. We've found out how to allow for individual psychotic deviation in the psychiatrist himself, so we've got a better chance of finding true north. However, let's get on with this. Try ultraviolet. Oh, never mind. Somebody's letting him out of that closet. The devil with it. I think we've cut back far enough. Even if he was frightened by a thunderstorm at the age of three months, that can be filed under Gestalt and ignored. Let's run through this chronologically. Give it the screening for ... let's see. Incidents involving these persons: Vanderman, Mrs. Vanderman, Josephine Wells—and these places: the office, Vanderman's apartment, Clay's place—"

  "Got it."

  "Later we can recheck for complicating factors. Right now we'll run the superficial survey. Verdict first, evidence later," he added, with a grin. "All we need is a motive—"

  "What about this?"

  -

  A girl was talking to Sam Clay. The background was an apartment, grade B-2.

  "I'm sorry, Sam. It's just that ... well, these things happen."

  "Yeah. Vanderman's got something I haven't got, apparently."

  "I'm in love with him."

  "Funny. I thought all along you were in love with me."

  "So did I ... for awhile."

  "Well, forget it. No, I'm not angry, Bea. I'll even wish you luck. But you must have been pretty certain how I'd react to this."

  "I'm sorry—"

  "Come to think of it, I've always let you call the shots. Always."

  Secretly—and this the screen could not show—he thought: Let her? I wanted it that way. It was so much easier to leave the decisions up to her. Sure, she's dominant, but I guess I'm just the opposite. And now it's happened again.

  It always happens. I was loaded with weight-cloths from the start. And I always felt I had to toe the line, or else. Vanderman—that cocky, arrogant air of his. Reminds me of somebody. I was locked up in a dark place, I couldn't breathe. I forget. What ... who ... my father. No, I don't remember. But my life's been like that. He always watched me, and I always thought some day I'd do what I wanted—but I never did. Too late now. He's been dead quite a while.

  He was always so sure I'd knuckle under. If I'd only defied him once—

  Somebody's always pushing me in and closing the door. So I can't use my abilities. I can't prove I'm competent. Prove it to myself, to my father, to Bea, to the whole world. If only I could—I'd like to push Vanderman into a dark place and lock the door. A dark place, like a coffin. It would be satisfying to surprise him that way. It would be fine if I killed Andrew Vanderman.

  -

  "Well, that's the beginning of a motive," the sociologist said. "Still, lots of people get jilted and don't turn homicidal. Carry on."

  "In my opinion, Bea attracted him because he wanted to be bossed," the engineer remarked. "He'd given up."

  "Protective passivity."

  The wire taps spun through the screening apparatus, A new scene showed on the oblong panel. It was the Paradise Bar.

  -

  Anywhere you sat in the Paradise Bar, a competent robot analyzer instantly studied your complexion and facial angles, and switched on lights, in varying tints and intensities, that showed you off to best advantage. The joint was popular for business deals. A swindler could look like an honest man there. It was also popular with women and slightly passé teleo talent. Sam Clay looked rather like an ascetic young saint. Andrew Vanderman looked noble, in a grim way, like Richard Coeur-de-Leon offering Saladin his freedom, though he knew it wasn't really a bright thing to do. Noblesse oblige, his firm jaw seemed to say, as he picked up the silver decanter and poured. In ordinary light, Vanderman looked slightly more like a handsome bulldog. Also, away from the Paradise Bar, he was redder around the chops, a choleric man.

  "As to that deal we were discussing," Clay said, "you can go to—"

  The censoring juke box blared out a covering bar or two.

  Vanderman's reply was unheard as the music got briefly louder, and the lights shifted rapidly to keep pace with his sudden flush.

  "It's perfectly easy to outwit these censors," Clay said. "They're keyed to familiar terms of profane abuse, not to circumlocutions. If I said that the arrangement of your chromosomes would have surprised your father ... you see?" He was right. The music stayed soft.

  Vanderman swallowed nothing. "Take it easy," he said. "I can see why you're upset. Let me say first of all—"

  "Hijo—"

  But the censor was proficient in Spanish dialects. Vanderman was spared hearing another insult.

  "—that I offered you a job because I think you're a very capable man. You have potentialities. It's not a bribe. Our personal affairs should be kept out of this."

  "All the same, Bea was engaged to me."

  "Clay, are you drunk?"

  "Yes," Clay said, and threw his drink into Vanderman's face. The music began to play Wagner very, very loudly. A few minutes later, when the waiters interfered, Clay was supine and bloody, with a mashed nose and a bruised cheek. Vanderman had skinned his knuckles.

  -

  "That's a motive," the engineer said.

  "Yes, it is, isn't it? But why did Clay wait a year and a half? And remember what happened later. I wonder if the murder itself was just a symbol? If Vanderman represented, say, what Clay considered the tyrannical and oppressive force of society in general—synthesized in the representative image ... oh, nonsense. Obviously Clay was trying to prove something to himself, though. Suppose you cut forward now. I want to see this in normal chronology, not backward. What's the next selection?"

  "Very suspicious. Clay got his nose fixed up and then went to a murder trial."

  -

  He thought: I can't breathe. Too crowded in here. Shut up in a box, a closet, a coffin, ignored by the spectators and the vested authority on the bench. What would I do if I were in the dock, like that chap? Suppose they convicted? That would spoil it all. Another dark place—If I'd inherited the right genes, I'd have been strong enough to beat up Vanderman. But I've been pushed around too long.

  I keep remembering that song.

  -

  Stray in the herd and the boss said kill it,

  So I shot him in the rump with the handle of a skillet.

  -

  A deadly weapon that's in normal usage wouldn't appear dangerous. But if it could be used homicidally—No, the Eye could check on that. All you can conceal these days is motive. But couldn't the trick be reversed? Suppose I got Vanderman to attack me with what he thought was the handle of a skillet, but which I knew was a deadly weapon—

  -

  The trial Sam Clay was watching was fairly routine. One man had killed another. Counsel for the defense contended that the homicide had been a matter of impulse and that, as a matter of fact, only assault and battery plus culpable negligence at worst, could be proved, and the latter was canceled by an Act of God. The fact that the defendant inherited the decedent's fortune, in Martial oil, made no difference. Temporary insanity was the plea.

  The prosecuting attorney showed films of what had happened before the fact. True, the victim hadn't been killed by the blow, merely stunned. But the affair had occurred on an isolated beach, and when the tide came in—

  Act of God, the defense repeated hastily.

  The screen showed the defendant, some days before his crime, looking up the tide table in a news tape. He also, it appeared, visited the site and asked a passing stranger if the beach was often crowded. "Nope," the stranger said, "it ain't crowded after sundown. Gits too cold. Won't do you no good, though. Too cold to swim then."

  One side matched Actus non facit reum, nisi mens sit rea—"The act does not make a man guilty, unless the mind be also guilty"—against Acta exteriora indicant interiora secreta—"By the outward acts we are to judge of the inward thoughts." Latin legal basics were still valid, up to a point. A man's past remained sacrosanct, provided—and here was the joker—that he possessed the right of citizenship. And anyone accused of a capital crime was automatically suspended from citizenship until his innocence had been established.

  Also, no past-tracing evidence could be introduced into a trial unless it could be proved that it had direct connection with the crime. The average citizen did have a right of privacy against tracing. Only if accused of a serious crime was that forfeit, and even then evidence uncovered could be used only in correlation with the immediate charge. There were various loopholes, of course, but theoretically a man was safe from espionage as long as he stayed within the law.

  Now a defendant stood in the dock, his past opened. The prosecution showed recordings of a ginger blonde blackmailing him, and that clinched the motive and the verdict—guilty. The condemned man was led off in tears. Clay got up and walked out of the court. From his appearance, he seemed to be thinking.

 

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