Astounding Science Fiction Stories Vol 1, page 661
"Ma'am, you know what this is?"
"No, Adam."
"Look here. See this big letter, repeated at the first of this word?"
"Yes."
He flipped a few "pages" past. "It's the same with all of them, you see? And the middle word is always the same--four curly letters. You know what that middle word is?"
"No, Adam."
"It's 'stands for' or 'means.'" He stared at her. "Get it?"
She thought an instant. "Of course. Adam, that's very clever of you." She wasn't scared yet. She hadn't seen the implication.
"'Stands for'?" Calvin repeated.
"A stands for Apple," explained Mrs. Full. "Or A stands for Airship, or whatever it might be. It's an alphabet book, dear."
She still hadn't caught it. "Remember when Mr. Full built the cubbyhole here," Adam said, "and the giant knocked it down? Why was he angry?"
"I suppose they want to observe us without any hindrance."
"No, ma'am," he said with conviction. "That was simple frustration. They want to see everything, whether it's interesting to them or not. They aren't scientifically disappointed if they can't, they're just frustrated. Think of the punishment we get, slaps, the dunce stool."
"As though we were children," she said.
"Exactly. Now, here are these books. An alphabet book, and these others. What age would you figure them for? You taught kindergarten, you said. This is something I wouldn't know."
"I'd say they're for fairly bright children about five or six years old."
"Or for us," said her husband, "when they start to teach us their language."
"They are children's books, though, with short sentences and the gaudy pictures our own children love." Mrs. Full stared at Adam. Her brown eyes widened. "Adam," she said, "you've guessed something."
"You guess it too," he pleaded. She had to corroborate his own idea. "Think of all the things about them we haven't been able to make out."
"Nursery books...." she said slowly. "Instability to the point of insanity, if you found it in adult humans. Sloppiness and inefficiency, when these machines point to a high degree of neatness of mind. Wandering attention, inability to concentrate for long periods. Positive tantrums over nothing. Cruelty and affection mixed without rhyme or reason." She took him by the arm, her fingers strong with fear and urgency. "Tell me, Adam."
* * * * *
His breath hissed. He was filled with panic. Where there had been only anxiety for his own life and his world, there was now a fearful knowledge that he could scarcely bear without shrieking. She had it too, but she didn't dare say it. It was a horrible thing.
"These machines," he said, "aren't scientific testers at all."
"Yes?"
"They're toys."
"Yes?"
"We aren't guinea pigs. We're--we're pets. They've had other animals, from Earth and from God knows where, and now they have people."
"Yes. Go on, say it." She thrust her face fiercely up to his.
"Those twelve-foot 'scientists' are kids," he said. Then he stopped and deliberately got his cracking voice under control. She was just as frightened as he was but she wasn't yelling. "It's the only answer. Everything fits it. They're about five years old."
Calvin Full frowned. "If that's true, we're in trouble."
"You're damn right we're in trouble!" said Adam. "A kid doesn't take care of a pet like a scientist takes care of a guinea pig or a white rat. If it annoys him, he's liable to pick it up and throw it at a wall! I might get my head torn off for singing, or you could be dismembered for making a mistake with one of those toys."
"Some children tear the wings off butterflies," said Mrs. Full. She stood up. "I'll go and tell the others," she said firmly. "It doesn't seem to me that we have much time left."
"If we start to bore them--" began Adam, and shut up.
She went out. In about five minutes everyone had come into the box but Watkins, who was playing the color organ. They discussed the discovery in low voices, as though the alien children might be listening; Villa and Summersby examined the slates. After a while Watkins was pushed in, looking rather worn and frayed. Adam was standing in the far corner under the silver web. He saw the wall start to slide shut, remembered his dowel, and tried to see if it was still in place at the bottom of the wall.
He couldn't see it. Maybe it blended with the color behind it, or maybe somebody had accidentally kicked it out of place.
The wall slid shut.
IX
Summersby was losing the sense of being apart, of having no problems no matter what happened. These people had drawn him into their trouble against his will; the situation was so bad that he could no longer tell himself he didn't give a damn. So he had a bad heart! He couldn't turn his back on these poor devils because of that. It was stupid and selfish. He felt sorry for them. He was uncomfortable with them, as he always was with standard-sized people, and he would still repel any attempt on their part to get close to him; but he was a little chastened by what he had been through. He recognized that.
It was all very well to say he didn't care where he died, but it would be a hell of a lot more dignified to accomplish it as a free man, rather than as a harried rabbit. Even if he were killed trying to escape, it would be endurable. But if his heart gave out while he was, say, trundling up and down the nursery in that ridiculous little auto thing, he knew his last breath would be a bitter one.
Adam had just said, "I laid a rod across the sill there." Summersby walked to the wall, which appeared to be closed as usual. Just as he came to it, he caught the sheen of metal in a thin line up the corner, and knew that he was seeing part of one of the machines in the nursery. The dowel had held the door.
Something moved outside; he could hear the dull slap of immense flat feet. They were going to be fed. He strolled away from the corner, saying quietly, "It worked, Adam. Don't check it now, though."
The small panel opened and one of the garishly hued platters was put in, loaded with a wriggling, seething mass of grubs and half-dead locusts.
"Supper?" cried Villa. "This is supper? Do they think we are a lot of African natives?"
"Well," said Adam, "I guess they were fooled by me." It was the first time he had made any sort of joke about his color. Possibly, thought Summersby, he's becoming one of the group, as I am. God knows the kid has as much reason to be bitter about people as I have; or more reason. It's put him on the defensive.
Summersby felt more chastened than ever.
No one cared to sample the insects. They walked away from the platter and hoped aloud that their captors would see the refusal and give them something else, but nothing was pushed in. After a quarter of an hour Watkins said, "Think it's safe to have a try at the door?"
"No," said Summersby.
Watkins jumped to his feet. "Listen, I've had all I can stomach of you!" he yelled. "If you don't want to help, okay, but keep your nose--"
"I was going to say that they'll be pumping in the sleep gas pretty soon, and we don't know whether they do it from outside the nursery or outside this box."
"That's right," said Calvin Full.
Watkins eyed him a moment. "I'm sorry, Summersby," he said then. "I shot off my mouth too quick."
"They filled the nursery with it once," went on Summersby, "but it seems logical to think they could also let it into this room alone. Maybe it works on them, maybe not; if it does, then they wouldn't flood the nursery with it every night, because the adults have to come in and clean the place up."
"A clever thought, Mr. Summersby," said the woman.
"Not particularly. At any rate, I'm going to stand by the crack and try to get enough air to stay awake; then when I think the coast's clear, I'll shove the door open and scout around. If I find a way out, I'll come back and drag you into the nursery and wake you."
"Why are you doing this?" asked Villa suspiciously. "No, Mr. Big Man, I don't like you going out alone. I think you wouldn't come back. You don't like us."
Watkins, evidently on edge from his mauling by the children, whirled on the Mexican. "Oh, shut your yap! The guy's doing you a favor." Then he said to Summersby, "I'll come along."
Summersby grinned wryly.
"I'm not saying you'd run out on us, man." Watkins made the motions of going through his pockets for a cigarette, which some of them still did occasionally out of hopeful habit. "I know locks and I might be able to help if you ran into trouble."
"Come on along, then." He put an eye to the thin slit. "Here comes one of them. It's the head scientist." He grinned. "Or the kid who owns us, who lives in this house and invites his little pals in every day to play with his toys and his pets."
The monster disappeared. Presently Watkins said, "It's in. I'm sleepy."
Summersby stretched as tall as he could and put his mouth to the crack, trying to breathe only what air came through from the nursery. He saw the enormous child pass on its way to the door, and shortly the sound of its heavy feet stopped. He felt drowsy, his eyelids flickered. He beat his hands together, sucking in air from the opening. Villa started to snore.
Watkins said, "I'm about done, Summersby." He was kneeling at the crack below Summersby, and his voice was sluggish. In a few seconds he rolled over on the straw.
When did the adults come in to clean up? Summersby didn't dare wait much longer. He was fighting sleep with all his vigor. Possibly they wouldn't come till morning.
He had to chance it. He forced his fingers into the gap and heaved. The wall didn't move. Holding his breath, he propped one foot against the adjoining wall, dug his hands as far into the breach as possible, and hurled himself backward. The big door jolted an inch, hung, then slid back a couple of feet. He swung around and jammed himself through the aperture and the wall moved silently back into place; this time the dowel was not there, and when the wall stopped, there was no crack at the corner. Summersby must have kicked the dowel aside when he slid through. Watkins was inside, asleep.
He breathed deeply, and the effects of the sleep gas died, so that he was wide awake and felt very excited and eager. To analyze the reasons for his eagerness would have killed it, and besides he was in a hurry. He ran to the great door of the playroom, whose lintel towered twenty feet from the floor. Hastily he tossed apparatus, boxes, toy blocks, until he had made a pile five feet high.
Scrambling up this, the things sliding under his feet, he waved an arm above his head in the place where he believed the electric eye beam to be. Then the pile collapsed, and he fell into it, giving one knee a terrific crack and skinning his knuckles. The door glided open.
The next room was deserted, and the soft bluish light was dimmer here than in the nursery. This place was far less cluttered, containing no more than a big yellow machine, a gigantic table, and two six-legged chairs. There was a picture on the wall, the size of a barn's side, which he did not stop to look at.
The opposite door was open. The third room was a dining hall, with two tables and a number of chairs, these of metal with eight legs each. Luckily, there was no one in it.
In the next room--all four were in a straight line, and he thought, Either it's a long narrow house, or else it's as big as Rockefeller Center--there were a number of gadgets, colorful and complex like the children's toys, but of different construction. He glanced at them but did not pause until he came to the next door.
It was closed. He presumed its opener beam would be in the same place as that of the playroom, and looked around for something to stand on.
There seemed to be nothing small enough to move. He shoved at a couple of things, but they wouldn't budge. The only slim possibility was a big square brown box, set twelve feet off the floor on one of their mammoth tables. It was of a size to accommodate half a dozen cows, but looked as though it might be of flimsy enough materials, plastic probably, to push off the edge, from which it would fall exactly where he needed it.
He dragged a chair over, climbed up on its seat and then onto the table. He saw at once that the box would be immovable. There was an affair that might be a dynamotor attached to one side, various objects sticking out of the other, and four stacks of thick coils on top. He was turning away, hoping to find another door in one of the first rooms, when his eye was attracted to a square plate among the things on the right side of the box. The plate was glass, for its surface shone under the blue light, and he thought he saw the pin-point twinkling of stars in it.
On a hunch, he walked over to it. He knew quite a lot of astronomy and if this happened to be a telescope, he might be able to determine their location.
The field of the plate was full of stars, but in patterns he had never seen. He could not understand it. It was not a painting, for the stars twinkled. Where the blazes was the thing focused?
A huge dial beside the plate had a pointer and scores of notches, each labeled with a couple of squiggly characters. He turned the pointer experimentally. The screen blurred, showed a planet with rings: Saturn.
"Neat," he said to himself, and turned the pointer another notch. He got a view of a landscape, trees of olive green and crimson, seen from above. He tried other notches.
Finally, just as he had reminded himself that he had to hurry, he saw a familiar globe swim onto the glass. It was Earth, with the two Americas clearly defined.
What in hell...?
He pushed the pointer on, and was given another landscape, this time of prosaic hue, a meadow with a cow in it. He clicked the thing another notch and got a constellation pattern again. He pushed it back to the cow.
He felt his heart thudding fast, too fast; and he hoped with all his faculties that he wouldn't conk out before he had solved this riddle. There were other dials, other pointers, a little behind the first. He turned one slowly.
The cow grew larger until it almost filled the screen. Only when he could see nothing but its broad placid back did he realize that he was looking at this scene, as at the others, from above.
He tried a third pointer. The land whipped by beneath his gaze. He came to a city, the buildings reaching up to him in a wonderful illusion of depth.
Then it dawned on him what the machine was, and he gasped.
There was no use in looking for the outer door. He had found the answer to their last problem, and he had to get back to the box with that answer and thrash it out with all of them. There might be a salvation for them and there might not.
Leaving the screen showing the city, he jumped down off the table, raced back through the room and into the next, the dining hall. Still there were no signs of any of the giants. He had crossed the threshold of the third room when he heard a door open on his right. There was no time to gape around; he covered thirty feet in five strides, dodged under the hanging shelf of the strange yellow machine, like a low desk covered with cogwheels, and ran along beneath it till he came to the extreme end of the contrivance.
A pair of feet, either of which would have outweighed a draft horse, went past him; he dared not lean forward to see the rest of the brute, but it was undoubtedly an adult. It went into the playroom.
After twenty or twenty-five minutes, during which Summersby thought over the problem and agreed with himself that he couldn't find the solution alone, the giant came out of the playroom, crossed near his hiding place, and went out through a door beside the huge picture. It was not in a hurry, so he decided it had not noticed his absence from the box.
He dragged an easy chair over to the nursery door. It was just four times the size of Summersby's Morris chair at home, and about eight times as heavy. As he was crawling up the leg to the seat, he recalled that he had a bad heart. If he hadn't been clinging to the plastic with both arms, he would have shrugged.
He intercepted the beam and opened the door. Having no more than half a minute to get through before it shut, he had to leave the chair where it was. He hoped none of the adults would realize that its position had changed.
The playroom was clean and neat. Likely it would remain unvisited through the night. He went to the box and only then remembered it was shut tight. What did the kids do when they opened it during the day? He had seen them at it twice. They laid their hands on top of the box, there on the left.
Hauling over enough junk to make a pair of steps, he got onto the roof of the box. There was a bar, set into the coaming. He pressed it, leaned over, and saw the wall slide back. A second push returned it to its shut position. He opened it again, swung his legs over the edge, pressed the bar once more and dropped. Snatching up a green dowel from the floor, he jumped into the box as the door was closing. He had just time to lay the rod across the threshold, as Adam had done, before the wall reached it and was held.
Trying not to breathe, Summersby picked up Watkins and slung him over his shoulder. He forced his fingers into the crack and heaved. Again he threw his weight against the wall.
Then he was buckling at the knees, trying desperately to bring his mouth next to the opening, but not quite making it.
* * * * *
"Describe it again," said Watkins. "Give me all the details you can think of."
As Summersby went over what he remembered of the brown machine, Watkins tried to envisage it. A tough job, and he might not be able to handle it. To reverse a thing like that--when there'd be at least one or two principles he'd never heard of--well, that would be the job of a lifetime.
"How do you know that it's the instrument that brought us here?" he asked.
"It must be." Summersby looked intent, almost eager. "It has those dials that focus it almost pin-point on any planet they want; at least, I saw quite a few planets, from a distance and close up. I saw a cow and a city on Earth. Then there's the big brown box. It's hollow--the door was half open. If they bring things, living things, from other planets, they need a receiving station large enough to take 'em. The box. It's logical."
"It sure is." Adam whistled. "So we're on another planet. That was plain, if we'd thought about it seriously. No place on Earth could hide a race like this. Not with all the factories they must have to produce the toys and what you saw out there."
