Shibumi, page 4
There was one awkward moment for the Mother Company when a group of naïve young Senators decided to inquire into Arab millions in short-term paper that allowed them to manipulate American banks and hold the nation's economy hostage against the possibility—however remote—that the United States might attempt to fulfill its moral commitments to Israel. But these probes were cut short by Kuwait's threat to withdraw its money and crumble the banks, should the Senate pursue. With exceptional rhetorical adroitness, the committee reported that they could not say with certainty that the nation was vulnerable to blackmail, because they had not been permitted to continue their investigations.
This was the background to the Deputy's feelings of petulance over loss of control of his organization as he heard the doors of the auditorium bang open. He rose to his feet as Diamond entered at a brisk pace, followed by Miss Swivven who carried several rip-sheets from the Fat Boy printout and the stack of photographs of members of the Munich Five.
In minimal recognition of Diamond's arrival, Starr lifted most of the weight off his butt, then settled back with a grunt. The Arab's response to Miss Swivven's arrival was to jump to his feet, grin, and bow in jerky imitation of European suavity. Very nice looking woman, he told himself. Very lush. Skin like snow. And most gifted in what, in English, is referred to as the knockers.
"Is the projectionist in the booth?" Diamond asked, sitting apart from the others.
"Yes, sir," Starr drawled. "You fixin' to see the film again?"
"I want you fools to see it again."
The Deputy was not pleased to be grouped with a mere agent, and even less with an Arab, but he had learned to suffer in silence. It was his senior administrative skill.
"You never told us you wanted to see the film," Starr said. "I don't think the projectionist has rewound it yet."
"Have him run it backward. It doesn't matter."
Starr gave instructions through the intercom, and the wall lights dimmed.
"Starr?"
"Sir?"
"Put out the cigar."
...the elevator door opens and closes on the dead Japanese gunman's head. The man returns to life and slides up the wall. The hole in his palm disappears, and he tugs the bullet out of his back. He runs backward through a gaggle of schoolchildren, one of whom floats up from the floor as a red stain on her dress is sucked back into her stomach. When he reaches the lightblurred main entrance, the Japanese ducks as fragments of broken glass rush together to form a window pane. The second gunman jumps up from the floor and catches a flying automatic weapon, and the two of them run backward, until a swish pan leaves them and discovers an Israeli boy on the tiled floor. A vacuum snaps the top of his skull back into place; the stream of gore recoils back into his hip. He leaps up and runs backward, snatching up his rucksack as he passes it. The camera waves around, then finds the second Israeli just in time to see his cheek pop on. He rises from his knees, and blood implodes into his chest as the khaki shirt instantly mends itself. The two boys walk backward. One turns and smiles. They saunter back through a group of Italians pushing and standing tiptoe to greet some arriving relative. They back down the lane to the immigration counter, and the Italian official uses his rubber stamp to suck the entrance permissions off their passports. A red-headed girl shakes her head, then smiles thanks...
"Stop!" called Mr. Diamond, startling Miss Swivven, who had never heard him raise his voice before.
The girl on the screen froze, a blow-back douser dimming the image to prevent the frame from burning.
"See that girl. Starr?"
"Sure."
"Can you tell me anything about her?"
Starr was confused by this seemingly arbitrary demand. He knew he was in trouble of some sort, and he fell back on his habit of taking cover behind his dumb, good-ol'-boy facade.
"Well... let's see. She's got a fair set of boobs, that's for sure. Taut little ass. A little skinny in the arms and waist for my taste but, like my ol' daddy used to say: the closer the bone, the sweeter the meat!" He forced a husky laugh in which he was joined by the Arab, who was anxious to prove he understood.
"Starr?" Diamond's voice was monotonic and dense. "I want you to do something for me. For the next few hours, I want you to try very hard to stop being an ass. I don't want you to entertain me, and I don't want you to supplement your answers with folksy asides. There is nothing funny about what is going on here. True to the traditions of the CIA, you have screwed up, Starr. Do you understand that?"
There was silence as the Deputy considered objecting to this defamation, but thought better of it.
"Starr? Do you understand that?"
A sigh, then quietly, "Yes, sir."
The Deputy cleared his throat and spoke in his most authoritative voice. "If there's anything the Agency can—"
"Starr? Do you recognize this girl?" Diamond asked.
Miss Swivven took the photograph from its folder and sidled down the aisle to Starr and the Arab.
Starr tilted the print to see it better in the dim light. "Yes, sir."
"Who is it?"
"It's the girl up there on the screen."
"That's right. Her name is Hannah Stern. Her uncle was Asa Stern, organizer of the Munich Five. She was the third member of the commando team."
"Third?" Starr asked. "But... we were told there were only two of them on the plane."
"Who told you that?"
"It was in the intelligence report we got from this fella here."
"That is correct, Mr. Diamond," the Arab put in. "Our intelligence men..."
But Diamond had closed his eyes and was shaking his head slowly. "Starr? Are you telling me that you based an operation on information provided by Arab sources?"
"Well, we... Yes, sir." Starr's voice was deflated. Put that way, it did seem a stupid thing to do. It was like having Italians do your political organization, or the British handle your industrial relations.
"It seems to me," the Deputy injected, "that if we have made an error based on faulty input from your Arab friends, they have to accept a goodly part of the responsibility."
"You're wrong," Diamond said. "But I suppose you're used to that. They don't have to accept anything. They own the oil."
The Arab representative smiled and nodded. "You reflect exactly the thinking of my president and uncle, who has often said that—"
"All right." Diamond rose. "The three of you remain on tap. In less than an hour, I'll call for you. I have background data coming in now. It's still possible that I may be able to make up for your bungling." He walked up the aisle, followed closely by Miss Swivven.
The Deputy cleared his throat to say something, then decided that the greater show of strength lay in silence. He fixed a long stare on Starr, glanced away from the Arab in dismissal, then left the theater.
"Well, buddy," Starr said as he pushed himself out of the theater seat, "we better get a bite to eat while the gettin's good. Looks like the shit has hit the fan."
The Arab chuckled and nodded, as he tried to envision an ardent supporter of sports fouled with camel dung.
For a time, the empty theater was dominated by the frozen image of Hannah Stern, smiling down from the screen. When the projectionist started to run the film out, it jammed. An amoeba of brown, bubbly scab spread rapidly over the young lady and consumed her.
Etchebar
Hannah Stern sat at a café table under the arcade surrounding the central place of Tardets. She stared numbly into the lees of her coffee, thick and granular. Sunlight was dazzling on the white buildings of the square; the shadows under the arcade were black and chill. From within the café behind her came the voices of four old Basque men playing mousse, to the accompaniment of a litany of bai... passo... passo... alla Jainkoa!... passo... alla Jainkoa... this last phrase passing through all conceivable permutations of stress and accent as the players bluffed, signaled, lied, and called upon God to witness this shit they had been dealt, or to punish this fool of a partner with whom God had punished them.
For the last seven hours, Hannah Stern had alternated between clawing through nightmare reality and floating upon escapist fantasy, between confusion and vertigo. She was stunned by emotional shock, spiritually evacuated. And now, teetering on the verge of nervous disintegration, she felt infinitely calm... even a little sleepy.
The real, the unreal; the important, the insignificant; the Now, the Then; the cool of her arcade, the rippling heat of the empty public square; these voices chanting in Europe's most ancient language... it was all indifferently tangled. It was all happening to someone else, someone for whom she felt great pity and sympathy, but whom she could not help. Someone past help.
After the massacre in Rome International, she had somehow got all the way from Italy to this café in a Basque market town. Dazed and mentally staggering, she had traveled fifteen hundred kilometers in nine hours. But now, with only another four or five kilometers to go, she had used up the last of her nervous energy. Her adrenaline well was empty, and it appeared that she was going to be defeated at the last moment by the caprice of a bumbling café owner.
First there had been terror and confusion at seeing her comrades shot down, neurasthenic incredulity during which she stood frozen as people rushed past her, knocking against her. More gunshots. Loud wailing from the family of Italians who had been awaiting a relative. Then panic clutched her; she walked blindly ahead, toward the main entrance of the terminal, toward the sunlight. She was breathing orally, shallow pants. Policemen rushed past her. She told herself to keep walking. Then she realized that the muscles in the small of her back were knotted painfully in anticipation of the bullet that never came. She passed an old man with a white goatee, sitting on the floor with his legs straight out before him, like a child at play. She could see no wound, but the pool of dark blood in which he sat was growing slowly wider. He did not seem to be in pain. He looked up at her interrogatively. She couldn't make herself stop. Their eyes locked together as she walked by. She muttered stupidly, "I'm sorry. I'm really sorry."
A fat woman in the group of waiting relatives was hysterical, wailing and choking. More attention was being paid to her than to the fallen members of the family. She was, after all, Mama.
Over the confusion, the running and shouting, a calm, singsong voice announced the first call for passengers on Air France flight 470 for Toulouse, Tarbes, and Pau. The recorded voice was ignorant of the chaos beneath its loudspeakers. When the announcement was repeated in French, the last fragment stuck to Hannah's consciousness. Gate Eleven. Gate Eleven.
The stewardess reminded Hannah to put up her seat back. "Yes. Yes. I'm sorry." A minute later, on her return down the aisle, the hostess reminded her to buckle her seat belt. "What? Oh, yes. I'm sorry."
The plane rose into thin cloud, then into crisp infinite blue. The drone of engines; the vibration of the fuselage. Hannah shivered with vulnerability and aloneness. There was a middle-aged man seated beside her, reading a magazine. From time to time his eyes slipped over the top of the page and glanced quickly at her suntanned legs below the khaki shorts. She could feel his eyes on her, and she buttoned one of the top two buttons of her shirt. The man smiled and cleared his throat. He was going to speak to her! The stupid son of a bitch was going to try to pick her up! My God!
And suddenly she was sick.
She made it to the toilet, where she knelt in the cramped space and vomited into the bowl. When she emerged, pale and fragile, the imprint of floor tile on her knees, the stewardess was solicitous but slightly superior, imagining that a short flight like this had made her airsick.
The plane banked on its approach to Pau, and Hannah looked out the window at the panorama of the Pyrenees, snow-tipped and sharp in the crystalline air, like a sea of whitecaps frozen in midstorm. Beautiful and awful.
Somewhere there, at the Basque end of the range, Nicholai Hel lived. If she could only get to Mr. Hel...
It was not until she was out of the terminal and standing in the chill sunlight of the Pyrenees that it occurred to her that she had no money. Avrim had carried all their money. She would have to hitchhike, and she didn't know the route. Well, she could ask the drivers. She knew that she would have no trouble getting rides. When you're pretty and young... and big-busted...
Her first ride took her into Pau, and the driver offered to find her a place to stay for the night. Instead, she talked him into taking her to the outskirts and directing her to Tardets. It must have been a hard car to shift, because his hand twice slipped off the lever and brushed her leg.
She got her next ride almost immediately. No, he wasn't going to Tardets. Only as far as Oléron. But he could find her a place to stay for the night...
One more car, one more suggestive driver, and Hannah reached the little village of Tardets, where she sought further directions at the café. The first barrier she met was the local accent, langue d'oc with heavy overlays of Soultine Basque in which une petite cuillè has eight syllables.
"What are you looking for?" the café owner asked, his eyes leaving her breasts only to stray to her legs.
"I'm trying to find the Château of Etchebar. The house of M. Nicholai Hel."
The proprietor frowned, squinted at the arches overhead, and scratched with one finger under the beret that Basque men take off only in bed, in coffin, or when adjudicating the game of rebot. No, he did not believe he had ever heard the name. Hel, you say? (He could pronounce the h because it is a Basque sound.) Perhaps his wife knew. He would ask. Would the Mademoiselle take something while she waited? She ordered coffee which came, thick, bitter, and often reheated, in a tin pot half the weight of which was tinker's solder, but which leaked nevertheless. The proprietor seemed to regret the leak, but to accept it with heavy fatalism. He hoped the coffee that dripped on her leg had not burned her. It was not hot enough to burn? Good. Good. He disappeared into the back of the café, ostensibly to inquire after M. Hel.
And that had been fifteen minutes ago.
Hannah's eyes dilated painfully as she looked out toward the bright square, deserted save for a litter of cars, mostly Deu'ches bearing '64 plates, parked at random angles, wherever their peasant drivers had managed to stop them.
With deafening roar of motor, grinding of gears, and outspewing of filthy exhaust, a German juggernaut lorry painfully navigated the corner with not ten centimeters to spare between vehicle and the crepi facades of the buildings. Sweating, cranking the wheel, and hiss-popping his air brakes, the German driver managed to introduce the monster into the ancient square, only to be met by the most formidable of barriers. Waddling side by side down the middle of the street, two Basque women with blank, coarse faces exchanged gossip out of the corners of their mouths. Middle-aged, dour, and vast, they plodded along on great barrel legs, indifferent to the frustration and fury of the truck driver, who crawled behind them muttering earnest imprecations and beating his fist against the steering wheel.
Hannah Stern had no way to appreciate this scene's iconographic representation of Franco-German relations in the Common Market, and at this moment the café owner reappeared, his triangular Basque face abeam with sudden comprehension.
"You are seeking M. Hel!" he told her.
"That's what I said."
"Ah, if I had known it was M. Hel you were seeking..." He shrugged from the waist, lifting his palms in a gesture implying that a little more clarity on her part would have saved them both a lot of trouble.
He then gave her directions to the Château d'Etchebar: first cross the gave from Tardets (the r rolled, both the t and the s pronounced), then pass through the village of Abense-de-Haut (five syllables, the h and t both pronounced) and on up through Lichans (no nasal, s pronounced), then take the right forking up into the hills of Etchebar; but not the left forking, which would carry you to Licq.
"Is it far?"
"No, not all that far. But you don't want to go to Licq, anyway."
"I mean to Etchebar! Is it far to Etchebar!" In her fatigue and nervous tension, the formidable task of getting simple information out of a Basque was becoming too much for Hannah.
"No, not far. Maybe two kilometers after Lichans."
"And how far is it to Lichans?"
He shrugged. "Oh, it could be two kilometers after Abense-de-Haut. You can't miss it. Unless you turn left at the forking. Then you'll miss it all right! You'll miss it because you'll be in Licq, don't you see."
The old mousse players had forsaken their game and were gathered behind the café owner, intrigued by all the confusion this foreign tourist was causing. They held a brief discussion in Basque, agreeing at last that if the girl took the left forking she would indeed end up in Licq. But then, Licq was not such a bad village. Was there not the famous story of the bridge at Licq built with the help of the Little People from the mountains who then...
"Listen!" Hannah pled. "Is there someone who could drive me to the Château of Etchebar?"
A quick conference was held between the café owner and the mousse players. There was some argument and a considerable amount of clarification and restatement of positions. Then the proprietor delivered the consensus opinion.
"No."
It had been decided that this foreign girl wearing walking shorts and who had a rucksack was one of the young athletic tourists who were notorious for being friendly, but for tipping very little. Therefore, there was no one who would drive her to Etchebar, except for the oldest of the mousse players, who was willing to gamble on her generosity, but sadly he had no car. And anyway, he did not know how to drive.
