Microsoft word willing.., p.25

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  from the nightstand flew across the room at her, and she barely ducked

  in time. It shattered into dust against the wall, breaking a hole in the

  plaster. Brushes, bottles of cosmetics and perfume swept off a mirrored

  dresser, flying at her. She raised her hand, but a heavy bottle caught her

  in the cheek, rocking her head back and drawing blood. Books rained

  from a shelf above her head, heavier volumes blasting at her like

  rectangular cannonballs.

  The anguished moan blasted in her ears, a chorus of misery and

  distress and fear. Mara covered her ears as more bric-a-brac sizzled

  through the air like shrapnel, pelting her, cutting her, knocking her

  around. She knew she had to get out and ran to the closest window. It

  flew open at her touch then slammed down on her hand with a crack.

  Crying out, she shoved hard at the bottom of the upper frame,

  loosening it just enough to pull free. She heard a whizzing sound in the

  1 9 4 E R I C

  T U R O W S K I

  air and ducked. A dictionary smashed through the glass, inches from

  her head.

  Mara took it as a sign. She ran to the bed, gathering up all the covers,

  and tossed them halfway through the broken window. Scrambling

  through, she felt more glass breaking under her hands but not cutting. A

  shove came from behind. Mara plunged into open space, arms and

  legs thrashing. A six-foot dive onto the hard earth, she grunted with

  the impact.

  For a long moment, she lay on the cold, damp grass, fighting to

  catch her breath. Moving each limb a little, she checked for broken

  bones. Her fingers on her right hand were definitely broken from the

  slamming window. But other than a sting that ran through her whole

  body from the shock of impact, she felt okay. Mara picked herself up.

  ″Stinking piglet.″

  Mara backed away. Walking down the flagstone path, a huge

  stone raised above her head, Dana Scarpetti approached.

  A slap on the side of her head made her ear ring. Mara looked

  but saw no one. Another slap struck her face, stinging her nose and

  drawing blood.

  ″Do it, Dana, get rid of her!″ a disembodied voice shouted. Clawed

  hands grabbed Mara′s arms, shoulders, tearing into her clothing.

  ″Finish it!″

  Stumbling, Mara tried to shove through her invisible attackers.

  Dana lurched forward, rock poised.

  Shoving hard, Mara managed to get around the corner of the

  house. Deep scratches opened on her hands, and heavy blows rained

  on her as if a crowd had circled her, holding her for the slaughter.

  The door to Mike′s workshop stood a foot away.

  From behind, Dana swung at her with the rock. Mara jerked

  back, feeling the cold granite scrape her temple. But Scarpetti had

  thrown herself off balance. Mara lifted her foot, kicking the woman

  behind the knee. The old lady went down with a snarl.

  Mara reached the doorknob, praying it wasn′t locked. It turned.

  Dana gained her feet, charging forward. Mara opened the door,

  using it as both a club and a shield. A solid, satisfying thud followed

  Mara′s swing. Without looking, she slipped into the black basement

  workshop, slamming the door behind her.

  W I L L I N G

  S E R V A N T S 1 9 5

  Her foot caught something, and she fell to the hard floor, bruising

  her knees. At the door, she heard claws scratching, scratching, as if

  trying to claw the wood apart. The fury, the hatred confused Mara. She

  couldn′t imagine doing anything to elicit such emotion from anyone, or

  anything. And the old woman, Dana Scarpetti—all Mara had done

  was sign an autograph, for God′s sake. Why? Why was her life slipping

  into chaos, into violence and anger and fear?

  ″I just want it to stop,″ she whispered in the dark, hugging her

  knees to her chest.

  ″I can make it stop.″

  Her eyes saw nothing in the complete dark, but the voice sounded

  so familiar.

  ″George?″

  A light flared, revealing the round face of her friend as he lit a

  cigarette. Then, he was just barely visible in the red light from the

  ember. George smiled at her, puffing. There was something wrong with

  his face, lines she didn′t remember.

  ″All you have to do is ask me.″ His voice soft, smooth and now

  lacking the trace of Spanish accent he′d always tried to hide,

  beckoning to her, soothing her.

  ″Please, make it stop,″ she said, reaching out to him.

  The claws stopped scratching at the door. Tiny red eyes opened all

  around her at about the level of a small dog′s and circled her, moving

  closer with each orbit. She counted five pairs of fierce, animal eyes.

  Glowing, the tip of the cigarette fell, casting George′s face in darkness.

  She felt a hand take hers, lift her to her feet.

  When the cigarette rose again, it revealed a different face. It wasn′t

  plump, jovial George in the dark at all, but a narrow head with sharp

  features, painfully visible cheekbones.

  It was Father Joaquin.

  With huge strength, he yanked her close to him, his arms wrapping

  around her. The cigarette fell away into blackness. As it faded, the

  circling eyes blazed. It was then Mara realized that the burning eyes

  were not roaming the cellar. They were inside her.

  CHAPTER 20

  BRADFORD SAT in the rectory parlor flipping through his notebook

  while Monsignor Capelli called in a vandalism report to the police

  department. He found the number and pulled out his cell phone.

  ″It′s getting pretty serious. I′m sorry about the late hour. Will you

  come?″ Bradford asked.

  Capelli ambled into the parlor, looking sideways at Bradford.

  ″Who are you calling?″

  ″St. Mark′s. The rectory, do you know it? See you then.″

  ″Who the hell are you calling?″ Capelli demanded as Sam hung up.

  ″A friend.″

  ″A friend like Father William?″ the monsignor scoffed. ″Why did

  he call you, of all people, Detective?″

  ″Lieutenant, actually.″

  Capelli waved dismissal. ″It′s that message sliced into the poor

  bastard′s back, isn′t it. I′ve seen it before, but I have the feeling this one

  wasn′t meant specifically for me. You want to confess, my son?″

  ″What do you mean, you′ve seen it before?″ Bradford put his

  phone in his pocket.

  ″You first, Lieutenant. You′re the one with the crucifix in his

  pocket.″ Capelli lowered himself into a soft chair. ″You were expecting

  something of this sort.″

  ″Something,″ Bradford said, ″but nothing of this sort.″

  ″You talked to Tarter the other day. I overheard some of it—

  something about demonic possession, as I recall.″

  ″You frequently listen in on private conversations?″

  ″When they concern me, yes.″

  Bradford raised an eyebrow. ″How did this concern you?″

  W I L L I N G

  S E R V A N T S 1 9 7

  Capelli held up a gnarled hand. ″Young man, in every Catholic

  parish in this country, there is a lowly diocesan priest, a man considered

  good-hearted and of sound judgment but not a star, not a people-

  person, not cut out to preside over a church. Maybe someone who

  questions authority too much, perhaps speaks his own mind too often.″

  Bradford pursed his lips. ″You′re talking about yourself?″

  ″Yes, in this immediate instance, I′m speaking of myself. However,

  like me, these outspoken, good-hearted sound judgers are put in the

  background of the faith. Way, way in the background, to the one

  office both completely necessary and completely frowned upon by the

  Church.″ Capelli sneered. ″The order of exorcist.″

  The cop raised his head, looking hard at the elderly cleric. ″You′re

  an exorcist?″

  ″No, I am the exorcist for the Diocese of Oakland.″ Capelli put his

  elbows on his knees, folded his hands and rested his chin atop them.

  Bradford let it sink in.

  ″So tell me, Lieutenant. Why did William call you; why do you carry

  around a crucifix, and why are you asking a priest about possession?″

  Capelli, sensing Bradford′s hesitation, said, ″Technically, I′m a priest,

  too. You can say anything to me in confidence.″

  ″It happened about twenty years ago.″ Bradford closed his eyes,

  and sighed.

  * * *

  Monsignor Francis Arturo Capelli sat through Bradford′s story without

  moving, without expression save the faraway look in his deep-set

  brown eyes. In the silence following, he said, ″I believe you′re right,

  Lieutenant. I think we have a problem.″

  ″What do we do about it?″ Bradford said, frustration rising.

  ″We find it,″ Capelli said simply. ″We fight it, and destroy it.″

  ″How do we do that?″

  Capelli rose from his chair. ″I have a story for you, Lieutenant,

  but I believe your brothers in arms are in the church. They′ll want a

  statement. I assume you don′t want them to know you′re here?″

  1 9 8 E R I C

  T U R O W S K I

  Bradford nodded. Capelli left him alone in the stuffy parlor with

  mismatched, over-padded chairs and religious knickknacks lining

  shelves and furniture tops. The lack of dust on all the tiny, fragile

  objects said a lot about the rectory housekeeper’s vigilance. Capelli

  returned, creeping silently and slowly like an aged spider to his perch.

  ″My last year at seminary,″ he said, ″before Holy Orders, I thought I

  had the world by the nuts. Faced down Hitler in Germany and

  temptation in France as an army corpsman. I thought I had sand.

  Then I met Father Stan.

  ″He was a red-faced, hard drinking Pollock, an old-school priest,

  a Jesuit. He taught demonology and the rite of exorcism back in the

  day when the Church still believed in fighting evil. Even back then, a

  lot of priests didn′t believe in the devil beyond a symbolic philosophy,

  fairytales and boogie-men. I was among them, I admit. Several of us had

  been through the War, thought we knew what hell was all about. Father

  Danaslowski would curse you out in Latin for half an hour, make you

  feel small, stupid, naive.

  ″In a town about eighty miles from the seminary, violent murders,

  inhumanly cruel and savage, plagued the people and the sheriff.

  Rumors spread around, Nazi spies trying to demoralize the U.S.,

  werewolves, that kind of thing. Father Stan read about it in the Denver

  Post and thought we might take a look. He brought us there in the

  seminary car, told us we′d be his assistants. For what, we didn′t know.

  ″Father Stan asked the sheriff why these crazy rumors were flying

  around. The sheriff told him that word got out about pentagrams being

  carved into the victims′ skin. In the movies of the day, you could

  spot a werewolf by a pentagram on the palm, and the Nazis liked to

  use all kinds of symbols. Stan was a gritty hard ass though, and he

  got the sheriff to show him the evidence.

  ″So the sheriff shows him some crime scene photos, expecting

  Father Stan to get his fill quick enough. The victims were boys, all

  between eleven and thirteen. The killer ripped their heads off, sometimes

  stuffing things in their mouths. The most brutal thing anyone had seen in

  this country, I imagine. At least, at that time.

  ″Stan looks over the evidence, including a map of the crime scenes.

  Tells the sheriff he′ll pray on the matter. So he prays, but he also drives

  around with us, visiting all the points on the map. A few days later, he

  W I L L I N G

  S E R V A N T S 1 9 9

  goes back and tells the sheriff either let us help bring the man to justice,

  or we′d go do it ourselves. At this point, another boy had gone missing.

  People were up in arms. So the sheriff, being an elected official, wisely

  agrees. Father Stan told him to gather as many deputies as he could

  and meet us that night at a church near the center of town.

  ″It turns out, you see, that the murders all occurred about a block

  or so west of all the churches in town, save that one. Churches make

  demons all the more angry, all the more vicious. I guess it just

  irritates them. Sure enough, in an abandoned shack a block from the

  church, they find the boy, still alive. But the murderer, he′s there too,

  a tiny slip of a man, not much more than five feet tall. He attacks the

  deputies, striking one in the head hard enough to crack his skull

  open. The deputies open fire on the man, but he′s not falling down.

  Father Stan tells them to hold the man down. They all tackled him,

  five men it took to hold him, myself included. I′ve never felt such power

  in a man. Immediately, Stan whips out the holy water, spraying and

  blessing. The murderer screams and thrashes around while Stan goes

  into the ritual. The little man broke free, killing another deputy,

  breaking my right wrist. He grabs Father Stan by the throat, so he can′t

  talk, can′t say the words of the ritual.

  ″All at once, Stan was filled with a brilliant light, an awesome,

  burning glory that seemed to ooze out of his very skin. Stan cast the

  man to the ground, and a bright flame appeared, engulfing Stan′s

  arm with a light brighter than a welding torch. As he made the sign

  of the cross, the Possessed man was cut in half, burning the devil

  right out of him.″ Capelli nodded.

  Bradford rubbed his chin. ″Quite a story.″

  ″We had no idea what had happened. And that′s when Stan

  showed us his right hand. Withered, it was, horribly scarred and

  burned, with the fingers and thumb all fused together. Like he was still

  holding something. I asked him what happened. Stan said, when the

  murderer grabbed him by the throat, and everything was going dark,

  the only thing he could think to do was pray to St. Michael for help.

  Apparently, the Archangel lent Father Stan his burning sword, but the

  righteous flame was too much for even a man of God like Father Stan

  Danaslowski. Maybe, sitting here, it′s too much for you to believe. But I

  was there.″

  2 0 0 E R I C

  T U R O W S K I

  The lieutenant shrugged. ″So where can we find a flaming sword?″

  ″You make light. The matter′s in God′s hands, Lieutenant. We′ll

  find the bastard, and we′ll fight him, but only God can provide us

  with a way to defeat him.″

  ″You have to pray to St. Michael for the sword,″ a female voice

  came from the kitchen, ″and hope to invoke him during the ritual.″

  Capelli, expression caught between surprise and outrage, made

  popping noises with his lips, staring. Bradford stood up. Still half in

  her sleepwear, rubbing her eyes, Holly Owen stepped to the threshold

  of the parlor.

  ″Sorry, the back door was wide open.″

  Bradford cleared his throat. ″Monsignor Capelli, this is Reverend

  Holly Owen.″

  Holly walked to the monsignor′s chair and took his hand. ″Nice

  to meet you, Monsignor. I didn′t mean to butt in, but I assume we′re

  talking about casting out demons?″

  ″We are,″ Bradford said.

  ″We are not, ″ Capelli said. ″We′re talking about the rite of exorcism,

  a Catholic rite, Reverend.″

  ″I beg to differ,″ Holly raised a finger. ″If you′re not reciting the

  ritual as prescribed, you′re moving into different territory. Invoking

  St. Michael is something outside your faith, Monsignor, more in the

  realm of the Pentecostal or Voudoun. But when you think about it,

  most older religions must′ve had some exorcising ritual. The Jews don′t

  now, but they may have in Biblical times. Even polytheists would′ve

  had a need for it, don′t you think?″

  Capelli scowled at her. ″What?″

  ″Have a seat,″ Bradford offered for the monsignor.

  The reverend sat on the edge of one of the overstuffed chairs,

  crossing her legs. Bradford was disappointed that she was wearing

  sweatpants and tennis shoes.

  ″We can have theological debates all night, but that never gets us

  anywhere.″ Holly said.

  ″So,″ Monsignor Capelli′s head jutted forward, turtle-like, ″why

  are you here, Reverend?″

  Holly Owen glanced at Bradford, then back at Capelli. ″Aren′t

  we all here for the same reason? We have a demonic presence on our

  W I L L I N G

  S E R V A N T S 2 0 1

  doorsteps. We need to hunt it down and destroy it. Or are we planning

  a bingo night?″

  ″I′ve been at this since before your mother was born, missy,″

 

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