The final victim, p.32

The Final Victim, page 32

 

The Final Victim
Select Voice:
Brian (uk)
Emma (uk)  
Amy (uk)
Eric (us)
Ivy (us)
Joey (us)
Salli (us)  
Justin (us)
Jennifer (us)  
Kimberly (us)  
Kendra (us)
Russell (au)
Nicole (au)



Larger Font   Reset Font Size   Smaller Font  

  It so­unds go­od, Je­an­ne thinks mo­ro­sely, but it won't be.

  Melanie chats abo­ut the we­at­her as Je­an­ne in­s­pects her tray.

  "Big storm bre­wing," she says in the sa­me man­ner in which she'd in­form a small child that a car­ni­val is co­ming to town. "It's cal­led Do­ug­las. Ever­y­body's be­en tal­king abo­ut it on TV. They're sa­ying it co­uld turn in­to a hur­ri­ca­ne. But don't worry, Je­an­ne, I'll ma­ke su­re you're sa­fe. And it's not for a few mo­re days, an­y­way. To­mor­row we're just go­ing to get so­me pla­in-old sum­mer ra­in."

  Jeanne nods. The tur­key ap­pe­ars to be re­he­ated sli­ced cold cuts do­used with can­ned gravy, the po­ta­to­es are in­s­tant, and the as­pa­ra­gus has be­en re­du­ced to gre­en sli­me she co­uld eat with a spo­on… if she had one.

  She usu­al­ly gets a set of three whi­te plas­tic uten­sils shrink-wrap­ped with a pa­per nap­kin and salt and pep­per pac­kets.

  Not to­night.

  For wha­te­ver re­ason, Me­la­nie has de­ci­ded to go all fancy on her. Je­an­ne sup­pres­ses the ur­ge to ask her whe­re she fo­und the fancy tab­le ser­vi­ce. Did she ta­ke it upon her­self to go thro­ugh the cup­bo­ards?

  It's be­en ye­ars sin­ce Je­an­ne has la­id eyes on this whi­te chi­na with the gold rims. It be­lon­ged to her own mot­her first, and then to Ele­ano­re.

  She ga­zes down at the pla­te, eyes blur­red with a flo­od of re­ne­wed di­sil­lu­si­on­ment that it was Gil­bert's wi­fe, and not Je­an­ne, who in­he­ri­ted Mot­her's chi­na.

  It wasn't Ele­ano­re's fa­ult, of co­ur­se. Nor was it her hus­band's. No, it was Fat­her who de­ci­ded that the chi­na, and ever­y­t­hing el­se that had ever be­lon­ged to Mot­her, wo­uld be gi­ven to his son and da­ug­h­ter-in-law.

  Without his fat­her's know­led­ge, Gil­bert al­lo­wed Je­an­ne to ta­ke a few of the­ir mot­her's pos­ses­si­ons that had only sen­ti­men­tal va­lue. The han­d­ker­c­hi­efs and shawl that bo­re Mot­her's me­ti­cu­lo­us stit­c­hery. The pho­tog­raph al­bum. The ha­ir rib­bon.

  Gilbert ne­ver knew abo­ut the jo­ur­nals-or abo­ut the gun.

  How pro­ud Ele­ano­re was to ha­ve ser­vi­ce for six­te­en.

  She even threw a co­up­le of din­ner par­ti­es back when she and Gil­bert we­re first mar­ri­ed.

  In fact, that's how Ele­ano­re met Jonat­han Bar­row in the first pla­ce, be­gin­ning the dow­n­ward spi­ral that even­tu­al­ly en­ded in her de­ath.

  But, of co­ur­se, no­body knows abo­ut that. No­body ali­ve to­day, ot­her than Je­an­ne, can truly ap­pre­ci­ate the pe­cu­li­ar man­ner in which his­tory tends to re­pe­at it­self, ge­ne­ra­ti­on af­ter ge­ne­ra­ti­on, at Oak­ga­te.

  Jeanne do­esn't be­li­eve in co­in­ci­den­ces, ho­we­ver. The­re are re­asons for what hap­pe­ned to Ele­ano­re, just as the­re we­re re­asons for what hap­pe­ned to her own mot­her…

  And what is so­on to be­fall yet anot­her Re­min­g­ton wo­man who li­ves un­der the old plan­ta­ti­on's dor­me­red ro­of.

  'Jeanne?" Me­la­nie asks, ho­ve­ring at her el­bow. "Aren't you hungry?"

  She is. She's fa­mis­hed. She picks up her fork and kni­fe, re­lis­hing the­ir ple­asant we­ight in her grasp. She no­ti­ces that Me­la­nie has al­so pro­vi­ded her with a cloth nap­kin this eve­ning, and a pa­ir of salt-and-pep­per sha­kers she re­mem­bers her mot­her using ye­ars ago.

  After ta­king a pre­dic­tably di­sap­po­in­ting bi­te of the tur­key, Je­an­ne mo­ves the pla­te aro­und, chec­king be­ne­ath the rim.

  "What's the mat­ter, Je­an­ne?" the nur­se asks, ho­ve­ring at her el­bow. "What are you lo­oking for?"

  "A spo­on… I ne­ed it for mas­hed po­ta­to­es, and the gravy…" She do­esn't want to was­te a drop-es­pe­ci­al­ly sin­ce the­re's ba­rely eno­ugh to co­ver the rub­bery tur­key in the first pla­ce.

  "Oh, no prob­lem. I'll go back down and get one for you. Is the­re an­y­t­hing el­se you ne­ed?"

  Yes, Je­an­ne thinks glumly, sta­ring at the dis­mal me­al, but not yet. Not to­night.

  So­on, tho­ugh, very so­on.

  Charlotte slips out from be­ne­ath Roy­ce's arm and cros­ses the par­lor to the man­tel, whe­re Gran­dad­dy's ra­dio has sat mu­te for we­eks now.

  It'll be go­od to ha­ve mu­sic in this ho­use aga­in, Char­lot­te thinks as she re­ac­hes for the di­al. May­be I'll even le­ave it tu­ned to the Ol­di­es sta­ti­on.

  She turns the knob with a click, but not­hing hap­pens. Not even a burst of sta­tic.

  Oh-the vo­lu­me must ha­ve be­en tur­ned all the way down. She twists the di­al all the way aro­und cloc­k­wi­se, but the ra­dio re­ma­ins si­lent.

  Ah, Nydia must ha­ve ac­ci­den­tal­ly un­p­lug­ged it whi­le she was win­ding the clock.

  Charlotte fol­lows the dan­g­ling cord, but finds that it's still plug­ged in­to the out­let on the wall be­si­de the man­tel.

  'That's odd," she says softly.

  "Hmmm?" Roy­ce asks, stir­ring on the co­uch be­hind her.

  "Nothing, it's just… Gran­dad­dy's ra­dio do­esn't work an­y­mo­re for so­me re­ason."

  "It's old," he mur­murs. "Must be bro­ken."

  "First the ele­va­tor, and now this. Af­ter all the­se ye­ars. I'm go­ing to ha­ve it fi­xed." 'The ele­va­tor?"

  The ra­dio," she de­ci­des alo­ud. "Aimee al­re­ady cal­led the ele­va­tor guy. He's co­ming next we­ek. I'll ta­ke the ra­dio to Mr. Gol­d­berg."

  "Who's he? The ra­dio guy?" Roy­ce lo­oks amu­sed.

  "Pretty much. He has the lit­tle re­pa­ir shop down by the ca­nal-he tin­ke­red with Gran­dad­dy's te­le­vi­si­on last win­ter and got it run­ning aga­in. I ha­ve to go down to the So­uth Sho­re to­mor­row or Sun­day, an­y­way, to pick up so­me things at the su­per­mar­ket."

  "Why do you ha­ve to go run­ning all the way down the­re? Let Nydia do the shop­ping."

  Normally she do­es, but she wants to pick up the in­g­re­di­ents for the com­p­li­ca­ted French se­afo­od dish she co­oked for Roy­ce back when they we­re first mar­ri­ed and she had vo­wed to be­co­me mo­re do­mes­tic.

  He lo­ved it, and she'd pro­mi­sed him she'd ma­ke it every we­ek.

  Has she bot­he­red with it sin­ce?

  Urn, no you ha­ven't. So much for Su­per Wi­fe.

  Royce ne­ver re­al­ly se­ems to mind that she ra­rely co­oks, but it will be ni­ce to sur­p­ri­se him with din­ner to­mor­row night.

  And she'll get a chan­ce to get the ra­dio fi­xed.

  Hearing a fo­ot­fall be­yond the par­lor do­or, she lo­oks up ex­pec­tantly, ex­pec­ting Aimee to re­turn, or may­be even Li­an­na, who has yet to co­me down and gre­et her step­fat­her. Char­lot­te re­ali­zes she must be up­s­ta­irs get­ting re­ady for her din­ner out with Vin­ce, but it wo­uld be ni­ce if she spa­red a few mi­nu­tes to see Roy­ce be­fo­re she le­aves.

  But no­body emer­ges from the next ro­om.

  Frowning, Char­lot­te calls, "Li­an­na? Is that you?"

  The only reply is a cre­aking flo­or­bo­ard.

  Irritated, Char­lot­te cros­ses to the French do­ors, which Aimee left aj­ar, and pe­eks in­to the lar­ger par­lor.

  It's de­ser­ted, but she glim­p­ses a sha­dow di­sap­pe­aring aro­und the cor­ner in­to the hall be­yond.

  "Lianna!" she calls.

  No reply.

  "Lianna?"

  She hur­ri­es to the do­or, and finds the hall de­ser­ted as well.

  A mo­ment la­ter, Nydia ap­pe­ars in the do­or­way le­ading to­ward the back of the ho­use. "Is so­met­hing wrong, Mrs. Ma­it­land?'

  Frowning, Char­lot­te asks, "Ha­ve you se­en Li­an­na in the last few se­conds? Or an­yo­ne?"

  "I ha­ven't se­en her, but I did knock on her do­or and tell her that her fat­her is he­re wa­iting for her. I sent him in­to the par­lor to wa­it."

  "Well, he isn't the­re."

  "Maybe they left."

  "She bet­ter not ha­ve left wit­ho­ut let­ting me know," Char­lot­te says, and stri­des qu­ickly to the win­dow to see whet­her Vin­ce's car is still he­re.

  Sure eno­ugh, it's par­ked right out front-and the­re's Vin­ce on the por­ti­co, set­tling him­self in­to a wo­oden roc­ker just be­yond the po­ol of light shi­ning from the scon­ce be­si­de the do­or.

  'Thanks, Nydia." She pe­ers out the do­or be­yond the por­ti­co. A light ra­in is fal­ling. "Vin­ce?"

  Her ex-hus­band lo­oks up. "Oh, hi. How's it go­ing?"

  How's it go­ing?

  What she wants to say is, My hus­band was just shot by my co­usin and the who­le world is buz­zing abo­ut the scan­dal… How do you think it's go­ing?

  Instead, she me­rely asks, "We­re you in the par­lor just now, wa­iting for Li­an­na?"

  "No."

  "Are you su­re?"

  "Of co­ur­se I'm su­re. I de­ci­ded I'd rat­her wa­it out he­re. Why?"

  "No re­ason," she says, not cer­ta­in she be­li­eves him. May­be he was eaves­d­rop­ping on her and Roy­ce. He must be nosy abo­ut all that's go­ne on, es­pe­ci­al­ly gi­ven the me­dia's at­ten­ti­on to the to­pic.

  It wo­uld cer­ta­inly ex­p­la­in why, for on­ce in his li­fe, he's ac­tu­al­ly shown up on ti­me to see Li­an­na.

  Or rat­her, shown up, pe­ri­od.

  God only knows, it wo­uld ma­ke mo­re sen­se if the­re was so­met­hing in it for him. He pro­bably wants to en­su­re his brag­ging rights as a "Re­min­g­ton in­si­der." For all she knows, he'll sell an in­ter­vi­ew to so­me re­por­ter to­mor­row.

  "Listen," Char­lot­te says, pus­hing asi­de her sus­pi­ci­ons, "ma­ke su­re you ha­ve Li­an­na back he­re at a re­aso­nab­le ho­ur, will you?"

  "What's re­aso­nab­le?" is the mad­de­ning reply.

  'Just ha­ve her back he­re by ele­ven, okay? It's sup­po­sed to po­ur all night and I don't li­ke her out la­te in bad we­at­her." Or with you.

  He sa­lu­tes.

  "Oh, and Vin­ce? You sho­uld know I had to chan­ge to an un­lis­ted pho­ne num­ber yes­ter­day," she re­mem­bers to say. She hasn't even had a chan­ce to tell an­y­body in the ho­use, in­c­lu­ding Li­an­na, abo­ut that yet. Not that the­re's any hurry. Anot­her day or two of si­len­ce af­ter the con­s­tant rin­ging will be wel­co­me, es­pe­ci­al­ly with Roy­ce ho­me, res­ting.

  "What's the new num­ber?" Vin­ce asks, re­ac­hing in­to his poc­ket "Do you ha­ve a pen and pa­per?"

  "No, I'll prog­ram it in­to my cell," he says, hol­ding it up. "That way, I'll be ab­le to call wit­ho­ut ha­ving to lo­ok it up."

  As if he's re­al­ly go­ing to sud­denly start pho­ning the­ir da­ug­h­ter on a re­gu­lar ba­sis. Ye­ah, su­re.

  Frustrated, Char­lot­te gi­ves Vin­ce the num­ber, and re­minds him aga­in to ha­ve Li­an­na back by ele­ven.

  Then she slowly re­turns to the par­lor, and Roy­ce.

  "What's go­ing on?" he asks drow­sily.

  "Nothing, I just… I think I'm he­aring things. And se­e­ing things," she adds, al­most po­si­ti­ve she had glim­p­sed a fi­gu­re di­sap­pe­aring aro­und the cor­ner in­to the hall.

  "Maybe Gran­dad­dy re­al­ly is ha­un­ting this pla­ce," she mu­ses, glan­cing aga­in at the ra­dio. She re­ad so­mew­he­re on­ce that ghosts of­ten use elec­t­ro­nic de­vi­ces to ma­ke the­ir pre­sen­ce known.

  Maybe Gran­dad­dy's spi­rit has si­len­ced the ra­dio.

  Maybe he's trying to tell her so­met­hing by do­ing that.

  Yes, she thinks wryly as she snug­gles be­si­de her hus­band on­ce aga­in, and may­be you've fi­nal­ly go­ne off the de­ep end, Char­lot­te Ma­it­land.

  For the se­cond ti­me this month, Mi­mi is awa­ke­ned by the pi­er­cing ring of a te­lep­ho­ne.

  It's fo­ur thirty AM.

  She se­izes the cor­d­less re­ce­iver from the nig­h­t­s­tand and bolts from the ro­om with it, not wan­ting to wa­ke Jed. He had a ter­rib­le ti­me ear­li­er, res­t­less and mo­aning in agony. It was only af­ter she ga­ve him anot­her ro­und of pa­in meds-too so­on af­ter the last do­se, but she co­uldn't stand to see him suf­fer-that he fi­nal­ly fell in­to a de­ep sle­ep.

  "Hello?" She clut­c­hes the re­ce­iver hard aga­inst her ear, pra­ying it's not abo­ut her mot­her this ti­me. She wo­uldn't be ab­le to be­ar it.

  "Yes, is this Mrs. Joh­n­s­ton?"

  "Yes…"

  "This is Dr. Von Ca­ve," a dis­tant, Euro­pe­an-ac­cen­ted vo­ice an­no­un­ces. "I apo­lo­gi­ze if I've wo­ken you… I'm af­ra­id I ha­ve, ha­ven't I? I didn't even think to con­si­der the ti­me dif­fe­ren­ce be­fo­re I di­aled…"

  Stunned, Mi­mi stam­mers that it's all right.

  She ne­ver ex­pec­ted a re­turn call when she at last po­ured out her he­art to the doc­tor's re­cep­ti­onist a few days ear­li­er. She didn't even en­ti­rely be­li­eve at the ti­me that the wo­man truly to­ok down her na­me and te­lep­ho­ne num­ber.

  "Thank you so much for cal­ling me back," she says in a rush. "I ho­nestly… I didn't re­al­ly ex­pect it. I tho­ught you must get co­un­t­less des­pe­ra­te mes­sa­ges from pe­op­le li­ke me…" 'To be qu­ite ho­nest, Mrs. Joh­n­s­ton, I do. But yo­urs ca­ught my eye when I no­ti­ced the fa­mi­li­ar area co­de."

  "Familiar?"

  There's a pa­use. "Mrs. Joh­n­s­ton, you do li­ve in Ge­or­gia in the vi­ci­nity of Ac­ho­co Is­land, don't you?"

  "Yes, I li­ve on it," Mi­mi rep­li­es, won­de­ring why that's re­le­vant-and not re­al­ly ca­ring. All that mat­ters is that the only wo­man on earth who can pos­sibly sa­ve Jed's li­fe is on the ot­her end of the te­lep­ho­ne li­ne at last.

  But be­fo­re she can beg her to help, Mi­mi finds her­self lis­te­ning in gro­wing dis­be­li­ef to the pre­ci­se re­ason Dr. Von Ca­ve re­tur­ned her call.

  Jed, she re­ali­zes in shock, may be en­s­na­red in a ma­lig­nancy who­se let­hal ten­tac­les ex­tend far be­yond his own li­fe-and-de­ath ra­ce aga­inst ti­me.

  Careful not to ma­ke a so­und, Phylli­da slips down the sha­dowy hal­lway to­ward the sta­irs. The tre­ads, she's ta­ken ca­re to no­te in the past, cre­ak only on eit­her si­de; not down the mid­dle.

  She des­cends di­rectly along the cen­ter in swift, fe­at­her-fo­oted si­len­ce, gra­ce­ful­ly ba­lan­ced wit­ho­ut ne­eding to grasp the ra­il. All tho­se bal­let les­sons she to­ok as a girl co­me in handy when it co­mes to sne­aking thro­ugh a sle­eping ho­use.

  It's ne­ar dawn he­re, but only past one on the West Co­ast. Bri­an will be up wat­c­hing Co­nan or Ba­se­ball To­night or wha­te­ver it is he stays up la­te to watch. She wo­uldn't know. Wo­uldn't ca­re, eit­her.

  What mat­ters is that she do­esn't ha­ve to wa­it un­til no­on to­mor­row to call and tell him abo­ut the de­ci­si­on she's ma­de.

  In the kit­c­hen, she pa­uses, clut­c­hing her cell pho­ne and the flas­h­light she ret­ri­eved from the uti­lity dra­wer. Then she pe­eks thro­ugh the win­dow and re­ali­zes that a ste­ady ra­in is fal­ling.

  Okay, so she won't ma­ke the call from out­si­de.

  But she can't do it right he­re in the kit­c­hen. Who knows what ti­me Nydia be­gins to stir, con­si­de­ring the un­godly ho­ur she go­es to bed, and the even mo­re un­godly ho­ur she's be­en ser­ving bre­ak­fast all the­se ye­ars.

  Nor sho­uld she go back to her ro­om; the di­vi­ding wall bet­we­en her ro­om and Li­an­na's is one of the few that isn't ma­de of plas­ter, and the last thing she wants is to be over­he­ard.

  No, she's bet­ter off go­ing to the far par­lor, whe­re she'll be en­su­red of a pri­va­te con­ver­sa­ti­on be­hind clo­sed do­ors.

  It's not one she's lo­oking for­ward to, but now that she knows what she has to do, she owes it to Bri­an to tell him right away. Do­esn't she?

  It wo­uldn't be fa­ir to wa­it un­til she gets back to­mor­row night No, her flight gets in la­te, and by the ti­me she gets ho­me from the air­port and lo­oks in on Wills…

 

Add Fast Bookmark
Load Fast Bookmark
Turn Navi On
Turn Navi On
Turn Navi On
Scroll Up
Turn Navi On
Scroll
Turn Navi On
155